MASON release their new album “Edge Of Destruction” on 25th September, out on Eonian Records.
Marcus states: “Our third album, Edge of Destruction, has been the most fun and creative period we’ve experienced over the past year of writing and recording. The album’s title continues the post-apocalyptic story established by I Can’t Wait (2024) and Seconds to Impact (2025).
We recorded many demos and explored a lot of ideas, but this time we really wanted to expand our sound and push the limits of the creative process during the song-development stage. That included bringing in two tracks from keyboardist Peter Penhallow’s band Timmy/Eye – ‘Here I Am’ and ‘Eye for an Eye’ (Bonus Track) – as well as John McAfee’s ‘This Thing Called Love.’ These songs have become some of the most important tracks on the album and complement our sound and musical style extremely well.
So many amazing and legendary musicians have rejoined the project from our previous two albums, including John McAfee (The Affair, Big Game), Rick Mead (Syre, Helix, Platinum Overdose), Nilver Perez (The Revlin Project), and Sooraj K (Snarm). For this album, we were also incredibly fortunate to collaborate with legendary vocalist and songwriter Steve Overland (FM, Lonerider, Wildlife, Kings of Mercia), who contributed backing vocals to ‘This Thing Called Love.’
Bryan Hughes is another legendary AOR musician (Beau Geste, Bryan Hughes Group, Devay) who helped produce and performed guitar, bass, and keyboards on ‘Tomorrow Never Comes.’ In addition, we brought in Jeff Pilson (Dokken, War & Peace, Foreigner) to play bass on ‘Here I Am,’ adding even more punch and energy to the album’s opening track. Lukky S (Timson AOR), Aki Bouzid, Mike Bozzo, Gino Braun (Rotten Rose), Dylan Haines (Bryan Hughes Group), Eric Castiglia, and many others were also amazing guests who contributed additional guitars, solos, bass lines, and backing vocals throughout the album. Having so many talented musicians contribute to Edge of Destruction made the record even more special.”
Preorder the album here: https://distrokid.com/hyperfollow/mason50/edge-of-destruction
Some artists spend years chasing the sound of their youth. Marcus Mason has spent a lifetime figuring out how to push it forward. Born in Hamilton, Ontario, Canada, in 1988, Marcus Mason came of age at a time when the musical landscape was moving rapidly away from the sounds that fascinated him most. While rap, hip-hop, punk, and post-grunge dominated much of the late ’90s and early 2000s, Mason found himself looking backward: to the melodic hard rock, arena-sized choruses and polished AOR of the late ’70s, ’80s and early ’90s. It was not nostalgia for nostalgia’s sake. It was instinct.
Mason’s breakthrough came in 2024 with the release of his debut album, “I Can’t Wait”, through Lions Pride Music. The record introduced a songwriter with an unapologetic affection for classic AOR but enough personality to make the formula his own. Songs including “One Life,” “I Can’t Wait” and “My Desire” emerged as standouts, while the album drew enthusiastic reviews from outlets including Fireworks Magazine, ViriAOR and Rockposer. In Germany, Rock It! reviewer Jörg Bonszkowski ranked “I Can’t Wait” among his Top 10 albums of 2024, placing it at No. 6. For Mason, the debut established the blueprint. The next album would expand it.
In 2025, Mason signed with Eonian Records for sophomore release “Seconds to Impact”, a record that marked a noticeable leap in songwriting, performance, and production. Led by the July 2025 single “All I Ever Wanted,” and followed by “Hard to Tame” and “Waiting for You,” the album broadened Mason’s profile within the international melodic rock and AOR community. “Seconds to Impact” balanced the unmistakable DNA of classic AOR with a more contemporary edge: smooth, melodic hard rock built around muscular guitars, polished keyboards, memorable choruses, and Mason’s clear, melodic vocals.
Now comes the record designed to push Mason further still. Mason’s third album, “Edge Of Destruction” is not about abandoning what worked. It is about making everything bigger. Across eleven songs and an instrumental, Mason moves confidently between hard-driving melodic rock, mid-tempo AOR and sweeping ballads, with a renewed emphasis on songwriting, arrangements, and production. The hooks remain immediate, but the scope has widened. The guitars are still big. The keyboards still shimmer. The choruses still arrive with the intention of staying in your head long after the record stops spinning.
But by Edge of Destruction, Mason no longer sounds like an artist searching for his identity.
He sounds like one who has found it.
Mason – Official Band Page on Facebook: www.facebook.com/mason-band
Mason on Spotify: https://open.spotify.com/artist/2ZV8IEyF0o6yDg0e6ZBJjx
Marcus Mason on Facebook: www.facebook.com/marcus.frank.16
Available via Eonian Records and select US and international retail partners:
Eonian Records (US): www.eonianrecords.com
Australia: www.electricshockmetal.com | www.soundmass.com
Brazil: www.animalrecords.com.br
France: www.tromhell.com
Germany: www.prideandjoy.de | www.schmankerl-records.com | www.hrrecords.de | www.underground-power.de
Italy: www.adrenaline.it
Japan: www.diskunion.net | www.metalpesado.com | www.rockstakk.shop-pro.jp | www.hmv.co.jp | www.tower.jp | www.books.rakuten.co.jp | www.rockavenuerecords.com
Netherlands: www.nodustrecords.com | www.sonicrendezvous.com | www.ebay.com/str/metalaorbv
Norway: www.nordicmission.net
Spain: www.sunrecords.es
UK: www.replayrecords.co.uk
US: www.facebook.com/shandismusicandmore | www.animatedinsanityrecords.com
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