MISTER MISERY has inked a worldwide record deal with powerhouse label AFM Records! To celebrate in glorious style, and naturally, Halloween, today the band is premiering a music video for their brand new single, “Root Of All Evil”! The song is now available on all digital services at: https://mistermisery.bfan.link/root-of-all-evil
MISTER MISERY is an innovative, modern and ground-breaking metal band from Sweden. Blending clean and gritty vocals along with high-voltage riffs and anthemic choruses, they have developed a unique sound and style, and one that captures the essence of all the sub-genres in modern heavy music.
Since forming back in 2018, MISTER MISERY have released two critically acclaimed studio albums (UNALIVE and A BRIGHTER SIDE OF DEATH) and several highly praised singles to date. Now, the band is set to enter a third, exciting chapter of their young career and have joined forces with renowned label AFM Records, who proudly premieres the brand new MISTER MISERY single and music video, marking the beginning of a 2024 full length album!
“Root Of All Evil felt like the perfect first song to roll out for this next chapter.“ Says guitarist and vocalist Harley Vendetta. “It’s fast, it’s heavy and it has those melodic hooks that will make you want to play it again, and again, and again!” Lead guitarist, Alex Nine, comments: “Root Of All Evil, a song that combines pure raw energy combined with the heavy topic of depression. The lyrics telling about the monster inside who tries to pull you under! With anthemic choruses, fast paced riffs and the feeling of going f-ing nuts, we give you the first single for the start of Chapter III.“
Drummer Rizzy adds:“This song summons the heaviest & most euphoric feelings within you that wants to get out. With its strong riffs and energetic drums, it makes you want to bang your head like a mad man.“
The crushing video clip for MISTER MISERY’s new single “Root Of All Evil” is now premiering at:
Says Jochen Richert, co-founder of Soulfood Music and CEO at AFM Records, who has just recently announced to leave the Hamburg-based companies by the end of this year: “The last signing, before I leave my life’s work Soulfood, is Mister Misery. I couldn’t have found a better act for my farewell. As the saying goes: The best comes last!
Mister Misery is unique, something truly special and will bring AFM a lot of joy. On the other hand, I know the act will be in best hands.”
The band comments: “We couldn’t be more thrilled and excited to announce that we’re joining forces with AFM Records, and are set to embark into the third chapter of our career with them!
We could already feel their passion and dedication for us from the start and we can’t wait to see what the future holds for this new, thriving partnership!”
MISTER MISERY is: Harley Vendetta – Vocals/Guitar Alex Nine – Lead Guitar/Backup Vocals Rizzy – Drums/Backup Vocals Alex Alister – Bass/Backup Vocals
Watch out for many more news & album details to be revealed soon, and follow the band at:
Blackened heavy metal masters CLOAK are now celebrating this Halloween with a dark cover of Samhain’s “Black Dream,” which can be streamed on all platforms HERE.
The band comments, “We recorded a cover of Samhain’s ‘Black Dream’ during the last album sessions, and today it’s finally released. Samhain has always been the darkest, obscure child of the Danzig bands, lyrically especially. It’s when he ditched the movie tropes and got serious about the occult and esotericism, which makes for a perfect listen during the season of the shift.”
The single follows up the band’s 2023 opus, Black Flame Eternal. The album follows up 2019’s ‘The Burning Dawn,’ which was named one of the Best Albums of the year by Metal Insider (#6), A&P Reacts (#8), Treble Zine (#11), and others.
‘Black Flame Eternal’ was released on May 26, 2023 and can be streamed, downloaded, and ordered HERE.
The album artwork for Black Flame Eternal was created by Jordan Barlow and can be found below along with the tracklist.
Tracklist: 01: Ethereal Fire (05:37) 02: With Fury and Allegiance (04:46) 03: Shadowlands (05:58) 04: Invictus (06:36) [WATCH] 05: Seven Thunders (05:49) [WATCH] 06: Eye of the Abyss (05:06) 07: The Holy Dark (06:03) [WATCH] 08: Heavenless (02:57) 09: Black Flame Eternal (06:43) Total Running Time: 00:49:35
“The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.” – Rudyard Kipling
In an era that is designed to beat down and weaken the individual, Black Flame Eternal is an album that represents strength, empowerment, and total opposition. With mounting pressure to engage in modern societal tribalism, Cloak invokes a spiritual rebellion that exists beyond good and evil with album number three.
“All of our albums are created with a spiritual focus, dealing with how we see life, death, and everything in between. I think the earlier records dealt more with the mysteries that surrounded delving deeper into the world of dark spirituality, whereas the new material has taken what we’ve learned and used it to move forward with force,” says Cloak frontman Scott Taysom of the record’s underlying philosophy. “Black Flame Eternal is a statement of spiritual empowerment in every sense. For the first time we want people to grasp on to this sentiment, instead of keeping it completely personal within our world of Cloak. The themes and the sheer power can be felt much more within the songs that this album contains.”
“Our goal is complete spiritual liberation, which is where true power and freedom exists,” he adds. “We’ve reached a point in history where people are forced to pick a side or to join a team, so to speak. Cloak stands in complete opposition to this. We aim to be a giant middle finger in the face of the empty modern world.”
While Cloak might rage against societal conventions, the Atlanta quartet embraces the rebellious and time-tested traditions of heavy metal. Whether it be the conjuring the chaotic spirit of Swedish black metal purveyors Watain and Dissection, summoning the deep, dark and sensual groove of Danzig, or evoking the raw speed and raucous energy of Motörhead, the influence of metal’s founding fathers is deep within Cloak’s DNA. Cloak’s charm, however, does not merely lie within its romanticism of the past, but rather is the way each of these genres has shaped Cloak’s own personal identity. And with Black Flame Eternal, the record sees Cloak continue to strengthen its own unique established sound.
Cloak recognizes the importance of a band’s third record, with Taysom explaining, “These influences will always be important to us, as they are some of the best and most important bands of our time. On the other hand, what is so special about getting to the third record of our career is that inspiration starts to move inwards. We had enough experience and material at this point to really know what we do best and how we can utilize these skills in the best way possible. If you look at some of the most iconic bands, their third albums were massive steps towards greatness. So to us, we feel our third record will be a very important one in our time as a band.”
The Atlantan’s evolution is evident in the fury displayed on Black Flame Eternal, which flawlessly compliments the grandiose melodic atmosphere. “This was a conscious effort. Early on before the album even started, I knew it was going to be a much more aggressive and powerful album. I wanted to take a step away from certain sounds and add a bit of brutality back in. The overall vibe matches who we are much more, so it was only fitting to move towards this sound. It almost feels like we are going back to our roots as people in certain ways,” explains Taysom.
Black Flame Eternal follows up sophomore effort The Burning Dawn, which was released in November 2019, with hell unleashing its fury on the globe just a few short months later. As plans to tour the new album around the world came to a screeching halt, the band did not stagger or falter, and instead used this gift of time to write. When reflecting upon the lost years and its impact, Taysom seemingly embraces the situation with little regrets, “Considering Cloak is a sacred space for us, these exterior things did not have as much of an impact as one might think. But it was impossible to ignore some of what was going on throughout these tumultuous years. It’s bound to affect people’s personal lives and the way the mind works during these interesting times. One thing that it did greatly affect was the fact that we could not promote The Burning Dawn properly after the one U.S. tour we did with 1349. We feel this hurt the record, but there was nothing we could do. We were one of the earliest out of the gate after venues started to open back up, and we’ve been continuing to tour in promotion of that album all the way up until now.”
Cloak utilized every minute of this time to focus on fully realizing its vision for Black Flame Eternal. “The initial stage of the writing process started in January of 2020, and lasted all the way until May 2021. It was the longest spanning album process for us so far, with many long days, nights, and weeks trying to piece the songs together the best we could.” While the record did not come together swiftly or easily, the care and attention put into its creation is evident in its powerful composition.
Making up for lost time, these road warriors have already embarked on several high profile North American tours since the autumn of 2021, commanding audiences in every major city with their chaos magick. Each performance merges the spirit of black metal with the backbone of rock ‘n’ roll as the band consistently delivers a blistering set from start to finish. Taysom describes Cloak’s live approach as “a mixture of ethereal atmosphere and total abrasive chaos. The mixture of these two opposing energies is where Cloak lies; the meeting of high and low. To us, this is where the most interesting moments happen, both emotionally and physically.”
With no borders or boundaries, Cloak is ready to embark on this new chapter as the leader of its own pack. The band bows to no one, forging its own path as one of the governing metal forces of this decade as Black Flame Eternal promises to scorch the earth and leave its hallowed mark.
Lineup: Scott Taysom – vocals/guitar Max Brigham – guitar Billy C. Robinson – bass Sean Bruneau – drums
Recording Studio: The Green House Mixing: Cameron Webb Mastering: Audiosiege Bio: Katy Irizarry
2005 founded industrial influenced metal band KAOS KREW from Finland has returned to its roots as a one man band with its upcoming sixth album “Blackout”. The full length will be released in December 15th 2023. All of the songs are made and performed by the bands founder Ulf Skog accompanied with a number of visiting session musicians.
Encompassing traditional Heavy Metal, Thrash Metal, and hints of Progressive and Modern Metal, Brazil’s AS THE PALACES BURN unlocks their sonic diversity with the new album “Drowning Into Shadows”, now available as of October 31st from Rockshots Records.
To celebrate the record’s release day, the band is sharing with fans their latest music video “Obbey”, a track that they will find emerges as an anthem of surrender and defiance.
“Within the labyrinth of shifting faces, where time’s relentless pulse echoes. With each note, a rebellion against the clock’s cruel march takes shape, transcending highs and losses. The symphony of ‘Obbey’ resonates with the struggle for identity, questioning beliefs, and the pursuit of purpose. Join the chorus that confronts control, as this metal saga unveils a new dimension of rebellion, entwined with the unyielding spirit to persevere.” adds the band.
As The Palaces Burn‘s sophomore album “Drowning Into Shadows”, follows their EPs “Offer To The Gods” (2022) and “All the Evil” (2020), along with 2019’s debut full-length “End’evour”, which garnered the band nominations from Roadie Crew Magazine’s “Best of the Year” awards in both 2019 and 2020.
“Drowning Into Shadows” is a mesmerizing blazing odyssey through a sonic realm of pure metal mastery. With production helmed by Adair Daufembach and co-produced by Gilson Naspolini at IMGN Studios in Brazil, and then masterfully mixed and mastered by Adair Daufembach at Daufembach Studios in the heart of Los Angeles, the album’s sound is an intoxicating brew of power and precision.
Under the musical visionary and guitarist Diego Bittencourt’s guidance, who crafted all the music and lyrics with a fierce passion, the album emerges as a testament to the band’s indomitable spirit. Alyson Garcia’s vocals pierce through the melodies like a sonic battlecry, while André Schneider’s bass sets the foundation for the musical onslaught. Diego Bittencourt, also lending his commanding vocals, showcases his prowess on guitars that ignite the soul of the album, while Gilson Naspolini’s drums provide the heart-pounding pulse that propels the tracks into pure metal euphoria.
The highlights are “For The Weak”, “Into Emotions” and the last single, “Obbey”. The album is also graced by the captivating track “Some Of Them Died”, a tribute to metal legends that have left an indelible mark on the genre’s landscape. The song is a homage to icons like Children Of Bodom, Nevermore, Dio, Van Halen, Rush, Pantera, Slayer, Death, and Depeche Mode, woven into the very fabric of As The Palaces Burn‘s essence.
The album’s intense artwork by Carlos Fides and the band’s own captivating photo by Eduardo Köenig serve as visual preludes to the sonic journey within. “Drowning Into Shadows” beckons all metal enthusiasts to immerse themselves in its relentless rhythms, soaring melodies, and an unrelenting spirit that resonates through each note. As The Palaces Burn has undoubtedly crafted a masterpiece that stands as a shining testament to the might of heavy metal.
With their music resonating across digital platforms, As The Palaces Burn beckons fans of diverse metal flavors to experience their unique fusion. As they continue to evolve and make their mark on the Brazilian metal scene, their story unfolds with a promising horizon ahead.
Track Listing: 1. Lord Underrated – 3:49 2. The Hive – 3:28 3. Obbey – 3:57 4. As Deep As A River – 4:13 5. Into Emotions – 3:49 6. For The Weak – 4:11 7. Last Ride – 3:44 8. As The Palaces Burn – 2:57 9. Some of Them Died – 8:38 Album Length: 38:51
Swedish heavy metal titans SABATON and +120 museums around the world have joined hands for the most anticipated museum event of the year, the global premiere of “The War To End All Wars – The Movie”, which kicks off this week.
This unprecedented global premiere falls under SABATON’s “History Rocks” charity project, developed to help museums across the world by boosting their visibility and introducing them to a new, untapped audience of SABATON fans and history buffs.
The band is excited to reveal the final list of participants in this groundbreaking project and express their heartfelt gratitude to all who have contributed to making this unique venture a reality.
Sabaton shared on their Facebook Page: “Our animated film developed in partnership with Yarnhub will be screened to audiences in 29 territories starting November 4 and ending November 19, and we couldn’t be more excited! We are happy to announce that we have joined forces with +120 museums around the world that are participating in our unprecedented “History Rocks” project. It’s a surreal feeling! We want as many people as possible to be part of this never-been-done-before project. SUPPORT YOUR LOCAL MUSEUMS, METALHEADS! P.S. Be sure to contact the museum closest to you directly to get screening dates and times and don’t forget to use the hashtag #SabatonHistoryRocks so we can keep up to date with your experience!”
Check the final list of participating museums here 👉https://movie.sabaton.net
For more information on SABATON and the “History Rocks” project, watch The National WWI Museum and Memorial’s recent interview with Pär Sundström here:
Premier rock outfit PHIL CAMPBELL AND THE BASTARD SONS have revealed a new video for their track, ‘Maniac’, ahead of their headline UK tour that kicks off this November.
The band comments “We dedicate this song to anyone who’s pissed you off today, yesterday and probably tomorrow too. We’ll see you all on our upcoming UK tour!”
02.11.23 UK – Great Yarmouth / Hard Rock Hell 21.11.23 UK – Stoke-on-Trent / The Sugarmill 22.11.23 UK – Glasgow / Garage 23.11.23 UK – Leeds / Warehouse 24.11.23 UK – Manchester / The Bread Shed 25.11.23 UK – Derby / The Hairy Dog 26.11.23 UK – Oxford / O2 Academy Oxford 28.11.23 UK – Exeter / Phoenix 29.11.23 UK – London / O2 Academy Islington 30.11.23 UK – Porthcawl / Planet Rockstock 01.12.23 UK – Southampton / Engine Rooms 02.12.23 UK – Birmingham / O2 Institute2
29.03.24 NL – Arnhem / Willemeen 30.03.24 DE – Hamburg / Uebel & Gefährlich 31.03.24 DE – Weinheim / Café Central 03.04.24 DE – Freiburg Im Breigau / Crash 04.04.24 DE – Lindau / Club Vaudeville 05.04.24 DE – Telfs In Tirol / Rat Haussaal Telfs 06.04.24 IT – Assago / Mediolanum Forum (Supporting Judas Priest) 07.04.24 DE – Augsburg / Spectrum 09.04.24 DE – Bochum / Matrix 10.04.24 DE – Osnabrück / Bastard Club 12.04.24 NL – Sneek / Poppodium Bolwerk 13.04.24 BE – Kortrijk / DVG Club 14.04.24 UK – Dover / The Booking Hall 04.05.25 DE – Andernach / Andernach Metal Days
Tickets for all shows are available now from philcampbell.net
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video