PATRIARCHS IN BLACK have released a new single ‘Supertzar’, stream it below.
Another Black Sabbath cover? Hasn’t that been done enough? How about a deep track that few groups would be bold enough to even attempt? Almost like a Rock Opera? “Supertzar” combines heavy as hell guitars and drums with Angelic female vocals from Sarah Sovak. Type O Negative’s Johnny Kelly pounding the drums, Hades Dan Lorenzo on guitar and former Pale Horse Named Death member Eric J. Morgan on keys. Bill Ward listened and told Johnny he approved!
Dan Lorenzo says about the song: “When I wrote the song “Where You Think You’re Going” off the “Home” album with DMC, Johnny Kelly and I were talking about other hard rock songs that utilized female vocals. Johnny mentioned “Supertzar”. I hadn’t listened to that track in years and when I reexamined it I fell in love with it. Sarah Sovak and Eric J. Morgan really helped us bring the songs to life.”
Following the release of V_WEIRD, published on February 20, 2026 via Karma Field Records, SOLO 1981 returns with “Saturday Night (Tonight) / Crazy Man”, a double track that brings the project’s most direct, physical, and visceral side to the forefront.
The single fits into the album’s journey by amplifying its most instinctive component: sharp guitars, electric energy, and an emotional tension that transforms into movement and release.
“Saturday Night (Tonight)” was born from the need to let go after difficult days, turning stress and accumulated thoughts into a moment of catharsis and rebirth.
“Crazy Man”, on the other hand, moves along more introspective lines, inviting the listener to get lost in their inner world—between solitude and a form of irregular clarity that can evolve into balance.
Accompanying the single is the official video for “Saturday Night (Tonight)”, directed by Stefano Giambastiani, visually translating the track’s energy and impact.
Recorded by Matteo Teani at Tana del Lupo (Lucca), mixed and mastered by Rosario Magazzino at Temple of Noise Studio, with the participation of Gianfranco Scarlino on bass and final backing vocals, the work maintains a strong independent identity.
International promotion is handled by the UK-based agency Kick Down The Doors PR, alongside overseas promotion by Wanikiya Records & Promotion.
With this new single, Solo 1981 confirms an artistic direction that blends rock drive, introspection, and expressive freedom.
American heavy metal icons, ARMORED SAINT, are back with their anticipated new full-length release, Emotion Factory Reset, set for release on May 22nd through Metal Blade Records.
Emotion Factory Reset, the lineup’s ninth studio album since 1984’s March Of The Saint, is a resurrection of sorts, a tearing down and a rebuilding in eleven songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by bassist Joey Vera and mixed by Jay Ruston (Anthrax, Stone Sour) the record finds the quintet challenging themselves. Songs like “Close To The Bone,” “Hit A Moonshot,” and “Every Man-Any Man” have ARMORED SAINT honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.
“Each ARMORED SAINT record, to me, is like a new skin for the band, a different chapter. I don’t think we’ve ever repeated ourselves,” says Vera. “Every album has been pretty different from the previous one, a snapshot in time. In 2026, Emotion Factory Reset is where our heads are at.”
“When we start coming up with songs, I always say we can do whatever we want,” notes Bush. “Use all our influences through the years, diverse music that we listen to and love, and let that seep in and bring something new out of us. It leads to something more adventurous.”
Bush, one of music’s most respected vocalists, operates from a place of passion and presence in the studio and on stage. In fact, about 85% of his vocals from the last three ARMORED SAINT records are taken from the demo sessions, capturing the raw power. While Vera is a granular and detailed writer, like Bush, the bassist says, “I try not to overthink and be right where I’m at that time. I really don’t look over my shoulder much, like, ‘what did I do in the past? What’s going on in the next lane?’ Once the ball starts rolling, I just sit back and let it happen.”
The collaborative nature of Emotion Factory Reset led to the album title, a phrase from Phil Sandoval. “To me, ‘Emotion Factory Reset’ means to reset yourself back to clarity. Take a pause and breathe before you respond or react. You can’t control outside events, but you can control your mind,” the guitarist says. “How you interpret things is what hurts you, not the event itself.“
His brother, drummer Gonzo notes, “the world is going through a technological upswing/awakening. I look at our planet as the factory and in the most positive way we need to realign, reimagine, reset for our better selves.”
In advance of the record’s release, today the band presents the first single and album opener, “Close To The Bone.” Comments Bush, “The first track on the record sounds like vintage ARMORED SAINT. Yet vintage that comes out in 2026! How did we do that? The title of the record, Emotion Factory Reset appears as the first line of the bridge. Killer riffs, awesome rhythms and attacking vocals gets this train rolling. The title implies the human response to withdraw and keep things to yourself instead of being confrontational; Something I believe we all struggle with as humans. Do you just say, ‘aww, whatever man,’ or do you say, ‘hey, fuck you!’ Depends on the moment I guess.”
Adds Vera, “Musically, this song was inspired by my love and appreciation for metal that was coming out around the time of the NWOBHM, which is right when ARMORED SAINT was formed. As always, I try to reimagine my early influences by giving them a slight modern twist.”
Guitarist Jeff Duncan agrees, “I like to think that ARMORED SAINT doesn’t keep making the same album over and over. Emotion Factory Reset is another musical chapter for the band. When the five of us play together, we have a special chemistry and our first single ‘Close To The Bone’ demonstrates this perfectly; it’s musically sophisticated but still retains the ARMORED SAINT signature sound.”
Watch ARMORED SAINT‘s video for “Close To The Bone,” directed by My Good Eye: Music Visuals:
ARMORED SAINT‘s Emotion Factory Reset was recorded across several studios including 606 Studios, Secret Hand Studios, Skullseven Studios, Constantine Studios, and Bridge Recording, engineered by Oliver Roman, Bill Metoyer, Joey Vera, and Jason Constantine, and features cover art by DDKing.
The record will be released on CD digipack (w/ 20-page booklet) and digital formats as well as vinyl in various color variants.
Emotion Factory Reset Track Listing: 01. Close to the Bone 02. Every Man-Any Man 03. Not on Your Life 04. Hit a Moonshot 05. Buckeye 06. Compromise 07. It’s a Buzzkill 08. Throwing Caution to the Wind 09. Ladders and Slides 10. Bottom Feeder 11. Epilogue
Additionally, a special European edition of the CD digipak includes the bonus track “One Chain (Don’t Make No Prison),” only available digitally until now!
A special European edition of the single gatefold LP comes w/ insert and DL card + 7″ vinyl “One Chain (Don’t Make No Prison),” (only available digitally until now!) w/ an etching on the B-side, a poster, and slipmat.
Catch ARMORED SAINT live throughout the Spring and Summer months with more dates to be announced in the weeks to come.
ARMORED SAINT Live: 4/19/2026 Rainbow Bar & Grill – West Hollywood, CA w/ L.A. Guns, Pentagram, Alien Ant Farm, Boy Hits Car 5/17/2026 San Luis Metal Fest – San Luis Potosí, MX 5/22/2026 Rock Hard Festival – Gelsenkirchen, DE 6/06/2026 Milwaukee Metalfest @ The Rave/Eagles Club – Milwaukee, WI 7/30/2026 Pumpehuset – Copenhagen, DK w/ Metal Church 7/31/2026 Skogsrojet Festival – Rejmyre, SE 8/01/2026 Pustervik – Gothenburg, SE w/ Testament, Metal Church 8/02/2026 Mejeriet – Lund, SE w/ Testament, Metal Church 8/05/2026 Brutal Assault – Jaroměř, CZ 8/07/2026 Alcatraz Festival – Dessel, BE 8/08/2026 Poppodium Boerderij – Zoetermeer, NL *ARMORED SAINT headlining show 8/09/2026 Keep It True Legions – Geiselwind, DE 8/11/2026 Progresja – Warsaw, PL w/ Savatage, Nevermore 8/12/2026 Collosseum – Kosice, SK w/ Vio-Lence 8/13/2026 Klub Studio – Krakow, PL w/ Testament, Metal Church 8/29/2026 Stonedead Festival – Newark, UK
ARMORED SAINT: John Bush – Vocals Joey Vera – Bass Jeff Duncan – Guitars Gonzo Sandoval – Drums Phil Sandoval – Guitars
Zürich’s FUELED BY FEAR have released their reinterpretation of A-HA’s 1985 classic hit song ‘Take On Me’, unveiling another emotional layer hidden beneath the surface. The track is taken from the band’s new EP “Ordinary Evil” (released on January 31st 2026), produced by Oscar Nilsson (The Halo Effect, The Haunted), bringing the characteristic Gothenburg metal sound to perfection at Bohus Studio. His extremely broad and uncompromisingly hard production gives Fueled By Fear their final edge – like the missing puzzle piece of their sound.
Watch the official video here:
Daniel Zopfi (Guitar) on ‘Take On Me’: “We grew up with “Take On Me” by A-HA. it’s one of those songs that everyone knows, but we always felt there was another emotional layer hidden beneath the surface. With our version, we wanted to bring out the darker side of that feeling . the tension, the urgency, and the sense of stepping into the unknown. The video reflects that idea: being pulled between worlds, between safety and risk. It’s not just nostalgia. it’s about what that song feels like today, through our lens. We didn’t want to copy the original we wanted to reinterpret it in a way that feels honest to who we are as a band!”
Mauro Galasso (Drums) adds: “The idea to cover “Take On Me” came up about four years ago, and at first, I honestly thought: what the hell? Turning an 80s pop classic into a metalcore / melodic death metal track just didn’t seem to make sense. At least not to me. That changed the moment I actually heard it. Once the arrangement came together, everything clicked. For the video, we leaned into that contrast. We embraced the 80s aesthetic, added a bit of parody, and mixed it with our heavier sound. It’s a tribute, but definitely not a traditional one. We shot the entire video in a single day in a small location, keeping things raw and simple, focusing on vibe over perfection. What started as a random idea turned into something we didn’t see coming. And probably not what you expect when you hear “Take On Me.”
Mauro Galasso (Drums) on “Ordinary Evil”: “The title Ordinary Evil is inspired by Hannah Arendt’s book Eichmann in Jerusalem and her idea of the banality of evil. The realization that evil often doesn’t appear as an obvious monster, but emerges through conformity, thoughtlessness, and the abdication of personal responsibility. These thoughts feel disturbingly relevant today. Authoritarian tendencies, power figures, and oversimplification show how quickly history repeats itself when people stop thinking for themselves and find resistance too exhausting. This confrontation also shaped our work on the EP. During the creative process, we completely questioned ourselves musically and personally. What defines us? Where do we want to go? It was a process that forced us to let go of the familiar and approach things differently. There were moments when it would have been easier to give up rather than face this confrontation. This is exactly where Ordinary Evil comes in: Don’t give up. Keep going. Face the repetitions, defend your own path, and don’t let indifference win. It’s worth staying committed. Creatively, humanly, defiantly. Ordinary Evil is our statement for that”
Manuel Elber (Guitar) continues: “Imagine making a dough, only to discover that you don’t like the texture. You put it back into the fridge. The next day you add a little bit of this, a little bit of that, and after processing, your dough still sucks, but not so much to scrap it. So you put it back in the fridge, thinking about what to change. Then you try to learn all the insights a baker learns in a crash course. You add your dangerous half-assed knowledge you gained and surprisingly it starts to feel better. You keep going, learn, each time adding more to the dough and finally you have a bake-worthy consistency, so far from where you started, that it seems like magic. For context: “Ordinary Evil” took about four years to come to life. Scrapped more times than I can count. Cost us blood, sweat and tears, caused literal breakdowns, frequent questioning of the reason why we do this. But it shaped us as musicians, as a family, as a team. The amount of things we learned, technical, recording-wise, in persistence, in constructive criticism, is something no one can take from us. And as for all endeavours this heap of maniacs is tackling: it’s always evolving, always changing, following the heart with an open mind. This one, we’re especially proud of!”
Daniel Zopfi (Guitar) adds: “Ordinary Evil was written out of frustration, anger, and watching the same systems fail us over and over again. It’s about how cruelty gets normalized, how power hides behind routine, and how people learn to live with injustice as long as it’s quiet enough. This EP isn’t subtle and it’s not meant to be comfortable. It’s confrontational by necessity. These songs come from a place of distrust toward empty promises, authority without accountability, and a world that keeps demanding silence and obedience. It’s loud, raw, and uncompromising, fueled by everything we’re done ignoring: the hypocrisy, the violence beneath the surface, and our own complicity in letting it happen. This is us calling it out, refusing to soften the message, and turning that anger into sound exactly as we feel it right now.”
On the EP artwork Mauro Galasso shared: “The cover of Ordinary Evil visually captures the central idea of the EP: Hannah Arendt’s realization that evil often doesn’t appear as an obvious monster, but hides behind an ordinary facade. The ancient bust, whose surface crumbles to reveal a demonic face, is deliberately chosen. Ancient busts are a core element of my visual language as an artist, but here an additional layer emerged: They represent history and human patterns that repeat themselves. The monumental decays and releases what has been repressed. We had various approaches that were either conceptually too complex or didn’t properly convey the message. When I returned to my own visual language, it became clear: The rawness, the epic quality, and the bold impact of this visual language reflect exactly the musical identity we developed with this EP. The series was planned from the beginning. With each release, the facade crumbles further until the true face is fully visible at the end. A visual evolution that runs parallel to the EP. That my own style represents the band best has confirmed me as a graphic designer and as the drummer of Fueled By Fear: We have taken the right creative path.”
With their new EP, Fueled By Fear deliver their most mature and uncompromising work to date. The five tracks move between dark groove steamrollers and melodically dense anthems – harder, more powerful, and more forceful than all previous productions. The band has sharpened their sound: hardness meets groove, tempo meets aggression, while melodic passages merge with modern pressure. The result is songs with enormous chorus quality and real singalong potential – dark, but irresistibly catchy.
BIO: FUELED BY FEAR from Zurich have been combining the intensity of metalcore with the melodic depth of melodic death metal since 2011. The band manages to merge melodic passages with grooving rhythms into a sound that can both strike brutally and touch emotionally. Support performances for In Flames, Sepultura, and even Pantera underscore their international relevance. Their debut “Two By Eight” reached #5 on the Swedish rock charts and #22 in Switzerland. Fueled By Fear stands for authentic metal without filters!
For Fans Of: Heaven Shall Burn, In Flames, Caliban, Darkest Hour, At the Gates, The Haunted, Bleed From Within
Line-up: Vocals: Marco Böhlen Guitar: Manuel Elber Guitar: Daniel Zopfi Bass: Josh De Souza Drums: Mauro Galasso
Iconic Norwegian artist MORTIIS presents the the stunning music video ‘Ghosts of Europa‘. This is also the title track (feat. vocals of Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) and Laurie Ann Haus (BLIZZARD GAMES, TODESBONDEN) as well as additional synths & sequencers from TANGERINE DREAM’s Thorsten Quaeschning) and first advance single taken from his upcoming new full-length.
“Ghosts of Europa” has been scheduled for release on June 26, 2026. Please see below for cover art & albumdetails.
Watch the music video for ‘Ghosts of Europa‘:
MORTIIS comments on ‘Ghosts of Europa’: “This song has tried many shapes and forms, until it finally sort of found itself”, the Norwegian writes. “I never thought that it would end up this way. Strange, mysterious, and choral. It started out as a simple thing, a different song, with a different title, which got slowly de-constructed and altered. This did not happen due to dissatisfaction with the original, but because layers of new ideas appeared. As excited as I am about this new ‘entity’ and the way it shaped up, the title, that has already been in existence for years, feels slightly, and sadly, prophetic – although that was never my intention.”
Video credits Written & directed by Claudio Marino First assistant director: Daniel Josefsson Produced by Artax Film Colouring by Yellowtone
Cast Woman: Enya Ellefsen Oracle: Gunn Johansson Key Bearers: Daniel Josefsson & Mortiis
Tracklist:
Ghosts of Europa
Return to the Old Fields
The Faith That Fades Away
Violent Silence
Transcending Morpheus
Tundra, Heart of Hell
Tribes of Dystopia
Farewell Romero
Cover artwork by Nihil – Layout by Laurent Clément (Dead Seed Productions)
THE WITCHES OF DYSTOPIA TOUR MMXXVI (UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):
04/10/26: Portland, OR @ Dante’s 04/11/26: Vancouver, BC @ Rickshaw 04/13/26: Calgary, AB @ Dickens 04/14/26: Edmonton, AB @ Starlite 04/16/26: Winnipeg, MB @ Sidestage 04/17/26: Minneapolis, MN @ Skyway at Studio B 04/18/26: Madison, WI @ Annex 04/19/26: Chicago, IL @ Reggies 04/20/26: Detroit, MI @ Sanctuary 04/21/26: Indianapolis, IN @ Black Circle 04/22/26: Covington, KY @ Madison Live 04/23/26: Pittsburgh, PA @ Preserving Underground 04/24/26: Toronto, ON @ Lee’s Palace 04/25/26: Montreal, QC @ Cafe Campus 04/26/26: Quebec City, QC @ La Source 04/27/26: Boston, MA @ Brighton Music Hall 04/28/26: Brooklyn, NY @ Meadows 04/29/26: Bensalem, PA @ Broken Goblet 04/30/26: Baltimore, MD @ Metro 05/01/26: Raleigh, NC @ Chapel Of Bones 05/02/26: Atlanta, GA @ 529 EAV 05/03/26: Orlando, FL @ Conduit 05/05/26: Houston, TX @ Warehouse Live 05/06/26: Austin, TX @ Come And Take It Live 05/07/26: Dallas, TX @ Club Dada 05/08/26: Albuquerque, NM @ Launchpad 05/09/26: Denver, CO @ HQ 05/10/26: Salt Lake City, UT @ Urban Lounge 05/11/26: Las Vegas, NV @ Swan Dive 05/12/26: San Diego, CA @ Brick By Brick 05/13/26: Los Angeles, CA @ The Echo 05/14/26: San Jose, CA @ The Ritz 05/15/26: Eugene, OR @ John Henry’s 05/16/26: Seattle, WA @ El Corazon
Finnish symphonic metal band AMBERIAN DAWN is headed for a new era: not only do they announce their ninth album, Temptation’s Gates, which will be released on June 26, 2026 via Napalm Records, but they also introduce a new singer with it. Swedish-English musician Nicole Willerton is taking over from previous frontwoman Capri, who sadly couldn’t continue her work with the band due to scheduling reasons. AMBERIAN DAWN’s founder, multi-instrumentalist, and main composer, Tuomas Seppälä, comments on the mutual split: “We want to sincerely thank Capri for the incredible journey we shared. Over more than ten years together, we recorded five albums, toured around the world, and experienced so much side by side. We wish her all the best in her many musical and artistic projects. You will always remain a part of our story and in our hearts.” But the band’s outlook at the future is bright: “Nicole brings new life, energy, and inspiration into the band. She is an incredibly versatile musician, a dedicated professional, and a wonderful person to work with. Her creativity and drive have already had a big impact on our new material.”
AMBERIAN DAWN give a first impression of Nicole Willerton with the brand-new song “Temptation’s Gates”. Simultaneously the opening and title track of the upcoming album, it sweeps in fast, filled to the brim with epic orchestrals and charming storytelling. It’s an enticing start to AMBERIAN DAWN’s more modern, occasionally even surprisingly rough path, which has the quintet slowly emancipating themselves from being “just” the band who—gloriously!—covered Swedish pop legends ABBA with their previous album, Take a Chance – A Metal Tribute to ABBA (2022). “Temptation’s Gates” proves that AMBERIAN DAWN are more determined than ever.
Tuomas Seppälä about “Temptation’s Gates”: “This song is pure intensity and relentless aggression from start to finish. It’s short, fast, and straight in your face—no compromises, leaving no room to catch your breath. I remember talking about this back in 2010 with our other founding member, Tommi Kuri (RIP). He told me that I should write a song that would be nothing but relentless energy from beginning to end. This track is the realization of that idea. It fits our new vocalist perfectly and represents our renewed sound in the most honest way possible. The track also features a classic guitar-keyboard solo battle, something that has always been part of our identity. This is the kind of sound and intensity that I know many of our longtime fans have been waiting for.”
Nicole Willerton about “Temptation’s Gates”: “The song ‘Temptation’s Gates’ speaks about facing one’s inner desires and accepting what you truly like and want, acknowledging that these cannot be ignored or avoided. It’s about rebelliously finding liberation through the intense struggle between who you think you should be and who you truly are. I’ve always loved the poems ‘Les Fleurs du mal’ (‘The Flowers of Evil’) by Charles Baudelaire, and they were a major inspiration while writing the lyrics for Temptation’s Gates.”
Infusing their epic keyboard sounds with guitar-driven melodic metal, AMBERIAN DAWN reach into a world unknown and prove their versatility while their catchy anthems remain strong and charming as ever. Temptation’s Gates has the band determined for a future sparkling temptingly bright—and they’re ready to step through that gate.
Tuomas Seppälä about Temptation’s Gates: “When I started working with our new singer, I felt the same kind of excitement I had years ago when I began creating our debut album back in 2007 and 2008. At that time, AMBERIAN DAWN were still newcomers to the band world, even though we were already experienced musicians. With Temptation’s Gates, I felt that same spark of creating something new for the first time in a long while. I hadn’t composed many songs yet when I began collaborating with our new vocalist. Most of the material came together surprisingly fast once I realized how easy and natural it was to work with her. I was deeply inspired by Nicole’s enthusiasm, dedication, and efficiency. I truly feel that the band has been reborn with her joining us. Musically, our style has evolved once again, perhaps moving slightly back toward a heavier, more metal-driven direction. At the same time, elements of our classic sound and identity are naturally still present. In many ways, creating this album felt like going back to my roots. For the first time in a long while, I also took on a bigger role as a guitarist. I focused more on crafting guitar riffs, played roughly half of the guitar leads on the album, and even performed one full guitar solo myself.”
Nicole Willerton about Temptation’s Gates: “Temptation’s Gates is the first album I’ve sung on and recorded with AMBERIAN DAWN, and it has been a beautiful experience. While writing the lyrics, each song was inspired by feelings, memories, and moments that were especially prominent during the creation of the album. Writing the lyrics felt like diving into the subconscious, bringing these emotions to the surface. It was wonderful to explore the creative process of arranging the backing vocals. I especially love how AMBERIAN DAWN’s music makes strong use of backing vocals, helping to create a fuller, richer sound around the lead vocals. It’s definitely a fiery album that combines a broad spectrum of emotional depths, ranging from love and melancholy to darker elements such as fear and inner struggles. A recurring message throughout the album is to embrace one’s true desires and to accept and acknowledge one’s honest feelings.”
AMBERIAN DAWN introduce their new voice with the album’s title track. “Temptation’s Gates” sweeps in fast, filled to the brim with epic keyboards and charming storytelling. The band’s increased determination equally seeps through “The Vision Of Dreaming”, whose poignant riff spirals right into long-term memory and which first hints at Willerton being more than an angelic fairy gently guiding listeners through languorous realms. The following invocation to the “Moon” turns up the speed to blast beat intensity, remaining magical up until its unexpected end. The final screams fittingly reverberate in “Unchained”, which has the new leading lady unleash her full potential in powerful growls contrasting her seraphic vocals—a first for AMBERIAN DAWN! It is here at the very latest that Temptation’s Gates demonstrates that this is no longer ABBA, but that the Finnish quintet has boldly created something different but equally as fitting. “Eternal Flame” and “Life is Art” are epic hymns with beautiful guitar work, further having AMBERIAN DAWN rewrite their destiny. Another testimony of the band’s changed direction, “The Night is Waiting for Me” makes heads nod and feet tap from the first note with its captivatingly modern sound infused with a dark metal atmosphere. More in line with previous work, the ballad “Undying Colours” transports listeners to a multilayered dreamscape that is, just as “The Garden” frames it, self-directed. “Phantasmagoria” wraps up the album as an irresistibly danceable track, leading the way for symphonic metal to become more modern while losing none of its whimsical grandeur.
Temptation’s Gates tracklisting:
Temptation’s Gates
The Vision of Dreaming
Moon
Unchained
Eternal Flame
Life is Art
This Night is Waiting for Me
Undying Colours
The Garden
Phantasmagoria
AMBERIAN DAWN are: Tuomas Seppälä – Keyboards, Guitar Nicole Willerton – Vocals Emil Pohjalainen – Guitar Joonas Pykälä-aho – Drums Jukka Hoffren – Bass
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 