As previously announced, Italian death-grind veterans UNDERTAKERS will release their new album “Global Dominion” on July 10, 2026 via Time To Kill Records.
Today, the band unveils another single taken from the upcoming record. Now available, “All Out War” is yet another intense and uncompromising track that showcases the ferocious yet multifaceted nature of “Global Dominion”, an album where death-grind fury and hardcore influences consistently converge into a powerful and cohesive sonic assault.
“‘All Out War’ is pure, unfiltered aggression, a relentless surge of grindcore violence and death metal weight. Driven by pounding rhythms and warlike intensity, the track embodies total conflict, both internal and external. No compromise, no retreat: just raw energy and determination. It’s a sonic battlefield where chaos and precision collide, pushing the listener into the heart of the fight”.
Tracklist:
1. Call To Arms (intro) 2. United Front 3. Global Dominion 4. All Out War 5. Plutocracy Era 6. Iron Regime 7. Collapse Protocol 8. Rise of Resistance 9. Just Keep Fighting 10. Bodies’ Supermarket
“Global Dominion” marks the most mature chapter in the band’s history. It is where everything finally locks into place: grindcore violence, hardcore urgency, death metal weight and sharp black metal edges fused into a modern sound that never betrays its old-school DNA. No nostalgia trip, no trend-chasing—just experience, control, and intent.
The record is built on contrast: precision versus chaos, speed versus crushing mid-tempos, modern production versus a raw, uncompromising attitude. Every track serves a purpose, every riff hits with direction. This is a band that knows exactly who it is and has nothing left to prove.
Lyrically and conceptually, the album is both a denunciation and a reflection. “Global Dominion” is the core statement: a ruthless look at power, control, and submission in contemporary society, but also a mirror held up to human nature itself. This is not abstract politics, it’s about systems we live in, benefit from, and are crushed by at the same time.
Tracks like “Rise of the Resistance”, “Collapse Protocol”, and “Iron Regime” define the first impact: rebellion, systemic failure, and enforced order. “Plutocracy Era” sharpens the focus, exposing a world ruled by wealth and influence, while “Just Keep Fighting” stands as a blunt survival mantra. The album closes with “Global Dominion” and “United Front”, tying the narrative together: awareness without illusions, resistance without rhetoric.
This is a heavy record with something to say. Cold, aggressive, and direct. Modern in form, old-school in spirit. No compromises.
Line-up:
Enrico Giannone – Insults Stefano Casanica – Guitar Marco Mastrobuono – bass Giorgio Cifuni – Guitar Alfonso Mocerino – drums
UNDERTAKERS – Hate Since 1991
Formed in late 1991, UNDERTAKERS are among the longest-running and most uncompromising bands of the Italian extreme underground.
Over the decades, they have shared the stage with an insane number of international acts, including Napalm Death, Suffocation, Malevolent Creation, Vader, Cannibal Corpse, Vital Remains, Fuzztones, Sinister, Dog Eat Dog, Krabathor, Disgorge, Pandemia, Ryker’s and many more far too many to list properly.
The band has completed three European tours and appeared multiple times at major festivals such as Brutal Assault and Dynamo Open Air, building a solid reputation as a relentless and unforgiving live act.
Originally rooted in classic death metal, UNDERTAKERS have constantly evolved their sound into a violent and unmistakable mix of grindcore, brutal death metal and hardcore. The result is a raw and aggressive hybrid best described as pure brutal-core.
UNDERTAKERS were personally selected by 99 Posse as representatives of the Italian extreme scene for a BMG-promoted tribute project celebrating ten years of activity of the Neapolitan collective. This collaboration resulted in a grindcore reworking of the iconic track “Ripetutamente”, a crossover experiment that perfectly reflects the band’s anarchic and uncompromising attitude.
Throughout their career, the band has appeared on numerous compilations, released a 7” produced by Kick Promotion, and featured on Rock TV with performances on Database, Sala Prove and Rock TV Tour.
Their discography includes the split “Chaos in Musica” (Massacro Records) and the experimental release “Revision Distortion X-Version” (Nocturnal Music), an electronic reinterpretation of “Vision Distortion Perversion” blending grind, jungle and techno—clear proof that UNDERTAKERS have never played it safe.
In 2020, the band returned with “Dictatorial Democracy”, released on October 30th by Time To Kill Records in three ultra-limited vinyl editions. The album is a brutal summary of the band’s entire career, featuring new and classic tracks alongside two essential covers: “Fascist Pig” (Suicidal Tendencies) and the grind version of “Ripetutamente”.
In 2024, UNDERTAKERS released a split 7” with Plakkaggio, delivering a death metal reinterpretation of the punk classic “Pet Sematary” by the Ramones once again twisting icons into something far more extreme.
Finnish heavy rock powerhouse Rough Grind has released their third album, Neverending Night, today on June 11, 2026. With this bold new work, the band dives deeper into the shadows than ever before, tearing a multifaceted and cinematic epic from the depths of darkness – a release that defies genre boundaries and proves that heavy rock can be anything but predictable.
While Rough Grind’s signature sound still pulses with raw power and relentless intensity, Neverending Night introduces a new level of deliberate nuance, soulful atmosphere and carefully woven soundscapes. The album serves as a compelling testament to a band whose melodic backbone is stronger than ever. Once you venture into this nocturnal journey, you won’t be longing for the morning light.
Neverending Night will is available on all major digital streaming platforms. The album has been preceded by the powerful singles Shotgun Bride and The Great Divide. Since their formation in 2011, Rough Grind has released two full-length albums, Hardened (2022) and Pieces of Resistance (2020), as well as three EPs, Trouble or Nothing (2018), Four for the Road (2017) and Son of a Gun (2014).
Tracklist:
Waiting For The Night To Be Over – FI3FC2699401
The Great Divide – FI3FC2699402
Shotgun Bride – FI3FC2699403
All The Time – FI3FC2699404
Ocean Of Dying Dreams – FI3FC2699405
Crazy Rodeo – FI3FC2699406
Shining Scar – FI3FC2699407
Quietus – FI3FC2699408
Everything Must End – FI3FC2699409
Focus tracks: 6. Crazy Rodeo, 2. The Great Divide & 3. Shotgun Bride
Finnish atmospheric black metal band Beyond Seventh Dimension are set to release the debut album ‘Tähtien ikuinen suru’ on September 4th 2026 via Inverse Records. The new single ‘Silurian Seas’ is unleashed today and it’s available on all essential streaming services: https://push.fm/fl/b7thd-silurian-seas
The band comments: “This song is inspired by The Silurian Period beginning about 443.8 million years lasting approximately 24.6 million years. An era where most life on Earth was Still in the oceans. A time when lonely winds blew and rains fell on an empty domain.”
–Composed & lyrics by Beyond Seventh Dimension –Mixed & mastered by Saku Moilanen (Deep Noise Studios) –ISRC: FI3FC2601703 –Single cover by Beyond Seventh Dimension
BIOGRAPHY:
Beyond Seventh Dimension is an atmospheric metal project from Finland that started as a one-man instrumental project in 2025 and quickly escalated. Vocals were added to the concept right after the first song, and suddenly there was talk of an EP or a full-length album. Now there is an album, and there has also been talk of making a proper band out of this at some point, but time will tell.
Tähtien ikuinen suru -Track list:
Tähtien ikuinen suru
Blazing Tears of Nebulae
Silurian Seas
Eternal Love For The Unreachable
Dawn of Extinction
Ancient Worlds of Cosmos Redshift 7
Rogue Planet – Symbol Of Depression
–Composed & lyrics by Beyond Seventh Dimension –Mixed & mastered by Saku Moilanen (Deep Noise Studios) –Album cover by Tiina Törmänen
Portland, Oregon dark rock trio HOAXED are gearing up for a summer tour in support of their recently released album, ‘Death Knocks,’ out now via Relapse. The band will join Black Tusk for a run of West Coast dates, kicking off July 31st in Santa Fe, NM at Desert Dogs. For a full list of dates, please see below.
On the upcoming tour, the band comments:
“Join HOAXED and Black Tusk for the hottest tour of the summer… ‘Death Knocks’ as we traverse the summer heat to share songs from our new album around the Southwest + PNW.”
HOAXED Live: Supporting Black Tusk
July 31st – Santa Fe, NM @ Desert Dogs August 1st – Mesa, AZ @ Rosetta Room August 2nd – San Diego, CA @ Tower Bar August 4th – Los Angeles, CA @ The Redwood August 5th – Palmdale, CA @ Transplants August 6th – Redding, CA @ The Dip August 7th – Portland, OR @ High Water August 8th – Vancouver, BC @ Cobalt August 9th – Seattle, WA @ Funhouse
HOAXED recently released their sophomore full-length album, ‘Death Knocks,’ via Relapse.
HOAXED recorded ‘Death Knocks’ at Falcon Recording Studios with producer and engineer Gabe Johnston (Unto Others, Vintersea) and enlisted Arthur Rizk (Power Trip, Kreator, and more) for mixing and mastering. The group spent eight days across February and March tracking the album. While many bands take months to refine their metallic mettle, HOAXED’s focused time at Falcon resulted in a polished, big-sounding force that matches the scale of their larger-than-life songs.
After more than 30 years, Tor-Helge Skei remains one of the most consistent and surprising talents in extreme music. A founding member of the critically acclaimed group Manes, the Norwegian mainstay, multi-instrumentalist and producer has pushed the boundaries of black metal and the avant-garde. Now, with his new collaborative project, Holissstik, he’s expanding his vision like never before.
Today, Skei is announcing Holissstik’s debut album Chapter 1: This Endless Solitude. The album is the first in a trilogy and arrives with a captivating music video for its genre-busting lead single. While full of regrets, “The Rhythm of Silence” speaks to the collective spirit that makes Holissstik such a unified force.
“Collaboration is the heart and soul of Holissstik”, Skei says. “The name comes from the Greek word Hólos, which, in English, is the root word for ‘whole’. The idea is that the music as a whole is greater than its individual contributions”.
“With Hollissstik, we’ve built something that transcends traditional metal by focusing on the ‘holos’ – the beauty of the complete, interconnected whole”, says Manes member Tor-Arne Helgesen, who contributes drums to “The Rhythm of Silence”.
Fellow Manes member Eivind Fjøseide, who contributes guitar to “The Rhythm of Silence”, agrees. “Skei and I have worked together on music for more than 30 years. Together, we have a special chemical musical reaction that makes things very exciting”.
As one could reasonably expect, This Endless Solitude began in 2024 with Tor-Helge Skei alone at his studio in Norway, revisiting unfinished songs from past projects. Over the following years, Skei salvaged bits and pieces while building new components from scratch using his curious collection of guitars, recording software and homemade plug-ins. But even though his approach to the production is hands-on, with Holissstik, he invited outside influences to take control.
“After I finished the initial sketches for these songs, I wanted to hear where other people would take with them without being given any rules, limitations or restrictions”, Skei says. “‘The Rhythm of Silence’ was the first song that we made as Holissstik, though the original idea has undergone many revisions, after years of consideration for Manes and Lethe albums. Now, it’s finally found a place as the guiding sign of what we wanted for this project and This Endless Solitude”.
Guided by collaborations with underground legends, rising stars and fellow members of Manes, Holissstik’s first chapter unfolds with surprising twists and turns right from the start. Lead single “The Rhythm of Silence” opens This Endless Solitude by slipping seamlessly between trip-hop, industrial rock and rap. While featured vocalists Martyna Halas (Rage of Light), Marita Hellem (Martyra, collaborator with Manes) and French MC Pierre “K-Rip” Ripka come from different scenes, together, they paint a living, breathing portrait of longing to be part of something greater than ourselves.
“Holissstik became my sanctuary, a place where my deepest, darkest and most intimate emotions could finally find release”, Halas says. “It’s fascinating how creators from different parts of the world express the same feeling through their own perspectives. Each holds a piece of the puzzle, moving toward a shared sense of wholeness. I’m deeply grateful to contribute a piece of my heart and soul to this unique project”.
“When I was asked to take part in Holissstik, I immediately felt it was an opportunity to do something new”, Hellem says. “It gave me the freedom to explore my voice in a more playful and open way. Moving into sounds and genres I haven’t worked with before was both inspiring and challenging”.
“To me, Holissstik represents what music can offer at its best: a blend of diverse influences and experiences that come together to create something completely new and impactful”, says Ripka, who’s worked with Tor-Helge on Lethe’s previous two albums. “As a French rapper, Holissstik is not the kind of project people would usually expect me to be part of and that’s exactly why I chose to do it! I’ve always placed meaning and emotion at the core of my music, and there’s nothing better than such a rich and powerful atmosphere to carry my most introspective lyrics”.
The video for “The Rhythm of Silence” was directed by Gornoss (@gornoss)and filmed at Le Moulin des Remparts in Saint-Mitre-les-Remparts, France.
Additional video credits Model – Ksenia Aba Makeup Artist – Sara Rodrigues
Tracklist
The Rhythm of Silence (7:06)
My Salvation (5:27)
Projections (3:20)
Obsession Six (6:26)
Reoccuring Dreams (6:31)
Would You Take This Heart (5:50)
Behind Me (4:48)
This Endless Solitude (6:34)
From the tireless genius Tor-Helge Skei, a radically innovative new force, Holissstik, has emerged. The latest project from the Norwegian mainstay, multi-instrumentalist and producer is his most expansive yet. While it dwells deep within the darkness of our lives, Chapter I:This Endless Solitude, the first chapter in a trilogy of albums, finds salvation through the spirit of collaboration.
“The inspiration for Holissstik comes from the Greek word Hólos, which is the root for the English word ‘whole’”, Skei says. “Collaboration is the heart and soul of this project. The idea is that each part cannot exist or be understood when separated from the whole. The sum is greater than its parts”.
As the driving force behind Trondheim’s legendary Manes, Skei quickly established himself in the ’90s as one of black metal’s key pioneers. With the release of Manes’ classic album Vilosophe (2003), the powerhouse then metamorphosed into an equally magnificent genre-defying entity. Over the years, Skei has only continued to build upon his legacy as an unsurpassed sonic adventurer. He’s received acclaim for his achievements with various outfits, including Lethe, his duo with ex-Eluveitie and Cellar Darling’s beloved songstress Anna Murphy; the international supergroup Høstsol; the veterans Atrox; the brutal metallers Manii and Syning; the wildly experimental Kkoagulaa and more.
Even for the absurdly ambitious Skei, Holissstik represents a Herculean feat. While Skei serves as Holissstik’s composer and captain, the project operates as a revolving door for top-notch talents from across the world. Holissstik’s art can only leave those fortunate enough to be touched by its unshakable audial spells in states of utter speechlessness. This vessel of change cannot be defined; for it rattles the foundations of all we think we know about music while also redefining itself, constantly venturing further out into unknown territories. Holissstik is more sinister than extreme metal and potentially more healing than any New Age practice; this is timeless music without any artistic limitations. As Skei’s longtime accomplice in Manes and award-winning filmmaker Torstein Parelius wrote, “Turn away from the boundaries you create”.
Holissstik truly came into being in 2024 when Skei resolutely decided to initiate the arduous alchemical process of producing order from chaos. Skei is an astoundingly prolific creator whose vast archive of used and unused recordings seems endless. Parelius has remarked that the material from Manes’ past tends to “haunt” the band insofar as it is frequently incorporated in the present. This applies to Skei’s other efforts as well, and, for Holissstik, the visionary meticulously labored on sketches dating a decade or more back, giving them new life, details and twists. Meanwhile, he crafted others from scratch. Eventually, Skei narrowed the selection for This Endless Solitude down to eight mostly instrumental compositions with samples and some old vocal fragments. These tracks already sounded complete and irreproachable in their own right. Each of these interconnected, maximally hypnotic, seamlessly flowing and sometimes mercurial gems emanated its own unique, indefinable brand of magic, far beyond comparison and yet stamped with Skei’s instantly recognizable trademark.
Then, Skei did the unthinkable. He took the leap of faith he had been planning on and invited a flood of collaborators — big names, rising stars and underground legends — to assert their creative freedom on This Endless Solitude by adding individualistic touches on vocals, lyrics and various instruments. “After sketching these songs, I asked my collaborators to do their own thing with them. The only hint that I gave was the music would use minor chords, be melancholic and introspective and that the lyrics would be concerned with the darker side of life and death. But I gave them no rules, no limitations or restrictions”.
The chances of such a risky move actually succeeding seemed minuscule. Yet, the broadest pool of characters rose to the challenge, sharing their pain, anxieties, raw passion, wisdom, strength, refinement, grace and communal will to create pure art through This Endless Solitude. The roughly twenty guests on the album generously gave the music just what they believed it called upon them to express without holding back, thereby exceeding expectations and precipitating drastic transformation. Although Skei had temporarily surrendered control, he took matters firmly into his hands again as the contributions began trickling his way over the months that followed.
“As the collaborators submitted their contributions, I worked on shaping This Endless Solitude into a coherent whole”, Skei says. “It was quite an intense process in itself. But the end result more than made up for the doubts that surfaced”.
Skei is nothing short of a sorcerer when it comes to producing, engineering and arranging. His approaches may be unconventional, but no one achieves mixes and overall outcomes that more powerfully tug at our heartstrings, though we must acknowledge that the aforementioned Anna Murphy has also provided mixes of the highest caliber for Manes. Bit by bit, Skei would sculpt Holissstik’s first chapter to perfection. Worlds open, worlds collide; the spectral voices began twining around each other, a wealth of musical ideas and the said samples with seemingly supernatural effect, clawing their way into a permanent position within listeners’ psyches. While remaining true to their essences, the compositions would evolve in the exact manner of a living organism, in unforeseen and thrilling ways until they reached the point at which further modification would prove folly; ultimately, the miraculously cohesive This Endless Solitude assumed the form that seemed destined. It was then entrusted to Skei’s go-to choice for mastering Knut Prytz (ex-Necrophagia).
The result of This Endless Solitude and that which lies ahead is phantasmagorical wonder, lethal beauty and boundless darkness. Holissstik’s delirium-inducing, absinthine potions threaten to profoundly transform, and perhaps even transfigure, listeners; Holissstik equates to an unfathomably rewarding drug, though it will emotionally overload sentient beings. There is no denying the dangerous spiritual intensity within Holissstik’s hallucinatory soundscapes — dreams that bring audiences to and from the abysmal realm of nightmares. Impregnated with cerebral and poetic qualities, Holissstik provides a cinematic journey, repeatedly invoking primal horror and forever hooking us with suspenseful energy. The mystery of what the music communicates often gives way to melancholic meditations. We never pierce the veil of enigma surrounding Holissstik, rather we drown in the layers of sound, dragging us down into the scandal-infested depths of our own heavy consciousnesses. Holissstik bears parallels to classical music in terms of its inward impact and transcendent nature.
Stylistically, many will perceive elements of nearly every genre under the sun within This Endless Solitude: jazz, trip hop, rock, metal, ambient, avant-garde, pop. However, trying to attach labels to Holissstik would be foolishness. Electronics are superbly implemented within Holissstik, yet the music somehow always retains its organic charm. Skei doubles as a tech wizard, and he twists his expertise in the fields of programming and software development to his advantage for musical purposes. He always strikes the ideal balance between awakening a sense of unbearable loneliness partly by way of technology, frequently amplifying the robotic coldness it can engender, and the human component in all of its sometimes warmly reassuring, mood-driven nuances. Calculation and spontaneity are both accorded their proper place.
This EndlessSolitude proudly showcases artists who have worked with Skei in several other contexts and capacities as well as completely new collaborators. Anna Murphy, a household name within the music community, graces the album with her seductive, otherworldly vocals. Her fellow goddesses, the criminally gifted Marita Hellem and Rage of Light’s Martyna Halas, a masterful lyricist who offers her “heart of pure gold,” likewise deliver some of the most gorgeous vocals imaginable, deranging our senses with their oracular allure. Torstein Parelius, who has always played a crucial role in neo-Manes’ music and concepts, assists on bass and with lyrics.
Besides Hellem, Murphy and Parelius, the other members of Manes’ core and extended family who contribute to Holissstik include Atrox’s Eivind Fjøseide, ex-Atrox’s Tor-Arne Helgesen, The Third and the Mortal’s Rune Hoemsnes, Drontheim’s Tom Christian Engelsøy and Atrox’s Rune Folgerø. Holissstik also welcomed involvement from Kristoffer Oustad of Kristoffer Nyströms Orkester, Plague Machinery and formerly V:28; Christophe Denhez of Område and Ecr.Linf; rapper Pierre Ripka, or “K-rip”; Nik Košar of Kamra; Gabriel Trentini of Luce d’Inverno and Malaflame; rocker and engineering guru Stig Waltoft, a.k.a. “FluffyBunnyFeets”; and Trond Johansen. Not to mention, Buddhist monks were even persuaded to contribute chanting. While This Endless Solitude is mostly in English, it also features Pali, French, Polish and Italian.
Although the very nature of Holissstik demands that we expect the unexpected, the collective’s future certainly seems to guarantee obsidian horizons and torrential deluges of artistic truth. In other words, the project promises to persistently and ritualistically pummel us with devastating yet necessary, epic masterworks. Skei and his collaborators truly present the most immersive experiences possible and, in Manes language, offer a safe place in the unsafe; dive in with your hands bound, and be submerged within the imprisoning brilliance. Skei continues to participate in a range of outstanding groups, and yet Holissstik stands as the most unpredictable and, counterintuitive as it might sound, accessible undertaking in the history of his illustrious career.
Lineup Tor-Helge Skei
Guest musicians Anna Murphy – Vocals on “Obsession Six” Christophe Denhez – Guitars on “The Rhythm of Silence”, Guitars, vocals and lyrics on “Behind Me” Eivind Fjøseide – Guitars on all songs except “Projections” Gabriel Trentini – Vocals and lyrics on “Obsession Six” Kristoffer Oustad – Synth on “The Rhythm of Silence”, “Projections”, “Reoccuring Dreams”, “This Endless Solitude” Tor-Arne Helgesen – Drums on all songs except “Behind Me” and “This Endless Solitude” Marita Hellem – Vocals on “The Rhythm of Silence” and “This Endless Solitude” Martyna Halas – Vocals and lyrics on “The Rhythm of Silence”, “My Salvation”, “Would You Take This Heart” and “This Endless Solitude” Nik Košar – Vocals and lyrics on “Projections” and “Reoccuring Dreams” Pierre Ripka – Vocals and lyrics on “The Rhythm of Silence” Paritta Monks – Chanting on “Would You Take This Heart” Rune Folgerø – Vocals on “This Endless Solitude” Rune Hoemsnes – Drums on “Behind Me” Stig Waltoft – Synth and sounds on “Would You Take This Heart” Tom Engelsøy – Vocals on “Obsession Six” Torstein Parelius – Bass on “Behind Me” and “This Endless Solitude”, lyrics on “This Endless Solitude” Trond Johansen – Guitars on “Would You Take This Heart”
Production credits Recorded, produced and mixed by Tor-Helge Skei Mastered by Knut V. Prytz
Songwriting credits All songwriting and arrangements by Tor-Helge Skei
FERALIA have unveiled their new single “Ballata Avernale”, now streaming exclusively through a premiere hosted by No Clean Singing. The track is taken from the band’s forthcoming third full-length album, “Ultima Requies”, set for release on June 26, 2026 via ATMF.
With “Ballata Avernale”, FERALIA offer a compelling glimpse into the atmosphere and artistic direction of the new record. The song combines harsh and earthy black metal textures with a solemn, almost liturgical sense of grandeur, reflecting the band’s fascination with death, memory and the sacred dimensions of the ancient world. Moving between moments of fierce intensity and contemplative passages, the track captures the balance between ritualistic darkness and emotional depth that lies at the heart of “Ultima Requies”.
With this third full-length, FERALIA delve deeper into their singular vision of Black Metal, forging a work that resists easy categorization. “Ultima Requies” is neither rooted in old school orthodoxy nor aligned with the polished tendencies of contemporary production. Instead, it stands as a raw and evocative offering, where abrasive textures and ritualistic atmospheres converge into something austere, immersive and profoundly spiritual.
The sound remains anchored in a sense of the sacred, drawing from arcane and occult dimensions tied to the archaic Roman world. Each composition unfolds as a passage, evoking forgotten rites, liminal states and the tension between life and death, presence and absence.
The artwork of “Ultima Requies” reflects this vision, depicting a reinterpretation of the necromantic ritual of Erichto, the Thessalian witch described in “De Bello Civili” by Lucan. A figure feared even by the gods, Erichto was said to raise fallen soldiers from the battlefield during one of the most turbulent phases of Roman civil war. This imagery embodies the album’s core: a confrontation with death not as an end, but as a threshold to forbidden knowledge.
Following the path opened by “Helios Manifesto” and “Under Stige / Over Dianam”, FERALIA further refine their language, balancing raw intensity with a deeply contemplative undercurrent. The result is an album that feels both immediate and timeless, grounded in the physicality of Black Metal yet reaching toward something intangible and eternal.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 