Californian Southern rockers ROBERT JON & THE WRECK are pleased to release Wreckage Vol. 2, a collection of exclusive in-studio and live concert performances on Blues-Rocker Joe Bonamassa’s label, KTBA Records. The new album is released worldwide today.
Stream/listen to the new album Wreckage Vol. 2 HERE.
Watch the new official music video for “Dark Roses”HERE. Order the album HERE.
“A wonderful compilation from a band at the top of their game.
“It’s a lovely ballad, which would just as easily fit in the repertoire of Skynyrd, or Montgomery Gentry. With a moving bass line and compelling drumming, the guitar solo stands out and adds to the narrative arc.” – Rock and Blues Muse
The latest track “Dark Roses” is a new original song recorded at the legendary Sunset Sound in Los Angeles with Darrell Thorp. This song is one of their more sentimental songs written about the real-life loss of a friend who was close to the band.
The new album is a representation of a remarkable career spanning collection of tracks including brand-new song debuts, fresh versions of fan favourites “On The Run” and “Cannonball,” hot-off-the-press live recordings of The Wreck’s critically acclaimed, searing 2022 singles, “She’s a Fighter,” “Waiting For Your Man,” “Old Hotel Room” and an incredible rendition of The Band’s “The Weight.”
Wreckage Vol. 2 captures all the energy and excitement that The Wreck generate every time they perform to their growing fanbase.
The release of Wreckage Vol. 2 follows the Wreck’s critically acclaimed studio album Shine A Light On Me Brother. The album featured the singles “Shine A Light On Me Brother” and “Everyday” that received airplay on UK rock radio including Planet Rock, BBC Radio 2, The Max, Total Rock, MMH Radio, ERB Radio and Radio Caroline.
The album features Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, b. vocals), Steve Maggiora (keyboards, b. vocals), Henry James (lead guitar, b. vocals), and Warren Murrel (bass, b. vocals).
The Wreck has been writing songs and releasing albums since the band’s conception in 2011. During this time, this quintet has been busy fine-tuning their sound playing to packed houses across Europe and the United States.
The band have toured with the likes of Bonamassa, Buddy Guy, Eric Gales, Living Colour, Chris Robinson Brotherhood, Walter Trout, Rival Sons, Robert Randolph & The Family Band, Lukas Nelson & Promise of the Real, The Cadillac Three, Black Stone Cherry, Devon Allman Band, Billy Sheehan, Sturgill Simpson, and many more.
Wreckage Vol. 2 Track List
1. She’s A Fighter (Live from Ancienne Belgique) 2. Waiting For Your Man (Live from Ancienne Belgique) 3. Rescue Train (Live from Shuffle Brother Studios) 4. The Weight (Live from Shuffle Brother Studios) 5. Old Hotel Room (Live from Sunset Sound) 6. Dark Roses (Live from Sunset Sound) 7. On The Run (Live from Sunset Sound) 8. Cannonball (Live from Shuffle Brother Studios) 9. Something To Remember Me By (Live from DJE Livestream Studio) 10. Witchcraft (Live from DJE Livestream Studio)
About Robert Jon & The Wreck Reigning from southern California, Robert Jon & The Wreck has been taking the southern rock sound established on the east coast and bringing it to the West Coast. Since their inception in 2011, these five native Californian’s; Robert Jon Burrison (Lead Vocals/Guitar), Andrew Espantman (Drums/Background Vocals), Steve Maggiora (Keys/ Background Vocals), Henry Schneekluth (Lead Guitar/Background Vocals), Warren Murrel (Bass) have been electrifying audiences globally with their soaring guitar leads, infectious grooves and rich vocal harmonies. With yearly European tours now becoming an integral part of their touring regiment The Wreck found their flow being on the road most of the year, returning to California and prolifically pumping out new material. Their sixth studio album, the critically acclaimed Shine a Light on Me Brother, was released in 2021. The Wreck is set to release Wreckage Vol. 2, a collection of exclusive in-studio and live concert performances recorded from 2020 – 2022, on Sept. 30 on Joe Bonamassa’s KTBA Records. The Wreck is currently on tour in the U.S. before embarking on their 2023 U.K. dates.
ROBERT JON & THE WRECK FEBRUARY 2023 UK TOUR
TICKETS AVAILABLE FROM WWW.ROBERTJONANDTHEWRECK.COM
Cardiff, The Earl Haig Club Tuesday 7 February 2023
Sheffield, Corporation Wednesday 8 February 2023
Chester, The Live Rooms Thursday 9 February 2023
Leamington, Assembly Rooms Friday 10 February 2023
London, Powerhaus Saturday 11 February 2023
Bury, The Met Theatre Sunday 12 February 2023
Aberdeen, Tunnels Tuesday 14 February 2023
Wolverhampton, KK’s Steel Mill Wednesday 15 February 2023
Hartlepool, South Durham Steel Works Thursday 16 February 2023
Gloucester, Guildhall Friday 17 February 2023
Sittingborne, Bourne Music Club Saturday 18 February 2023
Canadian classic rock roots and blues rock band THE COMMONERS release the title track single Find A Better Way, the third single taken from the forthcoming album Find A Better Way on Friday September 30th. The single is mixed by legendary producer Kevin Shirley (Joe Bonamassa, Iron Maiden, Led Zeppelin) and is available to buy and stream HERE.
The album is released on CD, limited edition vinyl and digital by Gypsy Soul Records on Friday November 4th, and is available to pre-order from www.thecommoners.ca. and pre-save from https://lnk.to/TheCommonersFABW.
The Commoner’s lead singer, Chris Medhurst, describes the Find A Better Way single as follows – “Our current world throws a lot of challenges at us all. We don’t have control over that, but we do have control over how we respond. Find A Better Way is a powerful rock anthem that speaks to the challenges we must overcome and our need in humanity to find a better way.”
Possessing a sound tapped from the oaken belly of a whiskey barrel, The Commoners are a four-piece classic rock, roots, blue rock band from Toronto, Canada.
Described as “a classic rock and roll affair,” the nine songs on the new album take the listener on a sonic voyage through the lives of the band, from the dusty back roads of rural Ontario to the bright lights of the big city. Offering their own blend of rock and roll, southern blues, and roots music, the Toronto-based four-piece band are known for their high-energy riffs, soulful vocals, and rich harmonies. The result is an authentic Southern-style rock experience.
The group was cobbled together over the course of a decade, adapting through numerous obstacles to form the unit as it exists today: Chris Medhurst (vocals/guitar), Ben Spiller (bass), Ross Hayes Citrullo (lead guitar), and Adam Cannon (drums). Often joined by their friend, organist Miles Evans-Branagh, The Commoners unite under a shared dream: to write, perform, and share music that is an authentic nod to the greats who paved the way before them.
“The new album authentically embodies the rock and roll, soul, and blues rock experience,” says the band’s lead singer, Chris Medhurst. “That’s something we really wanted to bring back. That’s the roots. That’s what we listen to.”
The Black Crowes are a considerable influence for us,” says Medhurst. “Derek Trucks, Marcus King, Led Zeppelin, and The Allman Brothers Band, too. These are the bands that we wear on our sleeves as we aspire to create our own music and sound.”
Find A Better Way is an album that demands attention from the first note. The opening lines “If I scream at the top of my lungs, and stamp my feet, ’til the floor comes undone,” immediately inform that a wild ride lies ahead. The album was recorded and produced at RHC Music in Toronto by the band’s guitarist Ross Hayes Citrullo. Ross collaborated with executive producer Renan Yildizdogan to strike the perfect balance of new and old recording treatments. The goal was to create something that felt new and original, yet still familiar to their target classic roots rock and blues rock audience.
“The vision from the beginning was to marry old and new southern rock together in a way that was unique to the band’s Canadian roots,” explains Citrullo. “By adding the soul and rock elements of the Black Crowes, and the southern blues rock undertones of the Allman Brothers to a production style akin to Blackberry Smoke and Rival Sons, I think we developed an authentic sound that compares sonically to some of our favourite records across all of those music genres.”
The album’s lyrical themes drill into the essence of humanity: love, regret, ambition, and fear. Circling the forever challenge of doubt vs. desire, The Commoners place themselves into the shoes of the everyman. The result? Nine tracks that function as a comfort and companion through all of life’s trials and tribulations, with melodic solos, soaring organ, and a punchy rhythm section to drive the messages home.
Drummer Adam Cannon says, “Music, like so much in life, is about the exchange of energy,” and The Commoners make more than a fair trade. Striving to present an impactful, memorable, and downright exhilarating live experience that accurately represents their recorded works, the band carries the listener over spirited choruses and group chants, before returning them back to earth in need of a shot of something smooth. You can expect to leave fully satisfied, sweat drenched, and heart racing, a good time guaranteed—just what we all need.
The Commoners enlisted a handful of Toronto’s finest musicians to help bring their record to life. On the title track Find A Better Way, the band brought on keyboardist Jeff Heisholt (The Trews) to lay down an iconic organ track. For the rest of the album, keyboardist Miles Evans-Branagh performed organ, piano, and Rhodes.
To accompany Ben and Adam on backup vocals, The Commoners called upon three of Canada’s top backup singers. Tash Lorayne and Shezelle Weekes (The Arkells), and Chantal Williams joined in to arrange vocal parts and enliven the mix with their vivacious voices resulting in a spine-tingling performance.
The Commoners also invited local legend Michael Eckert to lend his pedal steel talents on I Won’t and Alive. Adding the final cherry on top, renowned multi-instrumentalist Ben Healey treated Deadlines to a guitar solo worthy of the world’s greatest stadiums. Though these songs were all written by The Commoners, the contributions of these amazing guest musicians make the album something special.
“Every time we brought an outside player into the studio, they would offer their own unique instincts and interpretations of each song. This helped the album grow into a collaborative art piece that continues to surprise us with every listen.”
A rock anthem to its core, the title track, Find A Better Way, carries a message that encapsulates the entirety of the record. With growing uncertainties, society faces challenges previously unseen, leaving the collective in a perpetual state of questioning, with doubt directed towards governments, public leaders, and our neighbours. From the aftermath of COVID-19, the increasing mental health crisis in North America, war crimes in Ukraine, and the explosion of social movements and protests, one thought unites us all—we need to find a better way to co-exist on this planet. Find A Better Way takes an inward look at confronting our tumultuous past and accepting personal accountabilities to uncover the strength needed to seek a solution.
Find a Better Way is the only track on the record to mixed outside of Canada. The band worked with legend Producer/Mixer Kevin Shirley (the Black Crowes, Joe Bonamassa, Led Zeppelin) at Caveman Studios in Sydney, Australia. Kevin’s mix helped set the perfect tone for the album, which Ross Hayes Citrullo was then able to follow for the rest of the record. Kevin’s involvement set The Commoners on the right path with this epic title track.
Mastering was also an important consideration for the band and their label. For this stage, the team sent their record all the way to Nashville, Tennessee to Pete Lyman (Tedeschi Trucks, Blackberry Smoke, Chris Stapleton, Rival Sons) at Infrasonic Sound. Pete’s specialty for mastering southern rock made the mixes come alive, making them sonically competitive to the band’s influences.
As a collective, we find ourselves emerging into a changed society, with uncertainty looming and shadowing the future. In their upcoming release, The Commoners remind us that music has a unique ability to heal, a medicine of extraordinary merit, and balm for the soul during dark times. Every major movement in history gave rise to change makers, and The Commoners are taking their stand, here to lead and inspire us all to Find a Better Way.
“FIND A BETTER WAY” – TRACK LIST
1 – FIND A BETTER WAY (4:36) 2 – FILL MY CUP (4:22) 3 – MORE THAN MISTAKES (2:56) 4 – TOO MUCH (3:57) 5 – NATURLLY (4:30) 6 – I WON’T (4:15) 7 – DEADLINES (3:46) 8 – HANGIN’ ON AGAIN (7:06) 9 – ALIVE (4:52)
ALBUM TRACK BY TRACK
FIND A BETTER WAY Two words. Rock Anthem. A rip-roaring intro launches the band into an epic, empowering song with a resonant message. The cry to confront our tumultuous past and accept personal accountabilities has never sounded better. Gang vocals urging “Don’t walk away from me,” and a biting guitar tone immediately grab the listener, refusing to let go until they heed the call to find a better way.
FILL MY CUP A roots rock classic with introspective verses and a chorus that will promptly raise hairs, Fill My Cup is the album’s spirited first single. Made for sun-filled Saturday afternoons, high-energy riffs, and emotive vocals elevate this track to higher ground. Featuring the talented Chantal Williams on backup vocals, Fill My Cup strikes hard with a message that screams through the speakers. One listen and you’ll be saying, “How ‘bout another round?”
MORE THAN MISTAKES The rock train rolls on full steam ahead with the punchy and rollicking More Than Mistakes. Bright tambourine accents a rhythm section to rival Motown, illuminating a track that will instantly push listeners to the edge of their seats, raising them to their feet. Alive and free, More Than Mistakes affirms the album’s theme of self-empowerment with gusto.
TOO MUCH Erupting with the growling vigor of an old Beaumont, Too Much drives The Commoners to the brink of surrendering their dreams for the comforts of home. A high horsepower performance peels out with rowdy riffs and lively organ in tow, delivering a relatable sentiment that never proves to be too much.
NATURALLY Swelling with vulnerability, and hard truths, Naturally confirms that honesty writes one hell of a song. A sparse intro pours into a symphony of voices, wrapping the listener like a pair of welcoming arms for a chorus that hits like an arrow through the heart. Miles Evans-Branagh lays the foundation from which this ballad blooms with an organ arrangement that sighs and stirs, echoing an emotive vocal performance by Chris Medhurst.
I WON’T The twangy ring of guitars brings an element of country to I Won’t, featuring Toronto legend Michael Eckert on pedal steel. Lush harmonies abound, supporting a flourishing chorus drawing the listener into a mind plagued by second guessing and self-uncertainty. An unexpected bridge bends the ear, insisting you give a damn.
DEADLINES Demanding attention from the first note, the force of Deadlines is undeniable. Enthusiastic performances from each member combine for the ultimate trifecta: an uplifting, feel-good summer chorus, psychedelic bridge, and groove that will have even the most reserved of listeners stirring up the dance floor like a swizzle stick. A searing guitar solo by Ben Healey keeps the energy sky high, reminding listeners this is, primarily, a rock and roll album.
HANGIN’ ON AGAIN Worth every second of its 7:06 spin length, Hangin’ On Again is the magnum opus of the album. Telling a timeless tale of love and loss, the lead vocals dance the delicate line between tasteful and untamed with exquisite precision. The arrangement inflates from the onset with atmospheric guitar courtesy of Ross Hayes Citrullo, and organ before bursting into a fervent chorus highlighting The Commoners as masters of their craft.
ALIVE Concluding the album, The Commoners extend a final invitation into their sacred heart space with Alive. Bassist Ben Spiller lends his prowess to the piano, aligning with Michael Eckert’s pedal steel for a mesmerizing outcome. Alive calls into question the value we assign to that which is important to us in life. How are we to weigh a dream against daily responsibilities, and conjure belief from a well that easily runs dry? An unforgettable ending to an incredible journey.
ALBUM PRODUCTION CREDITS
The Band
Chris Medhurst – Lead Vocals, Rhythm Guitar Ross Hayes Citrullo – Lead Guitar Ben Spiller – Bass, Vocals, Piano (5, 9) Adam Cannon – Drums, Percussion, Vocals
Miles Evans-Branagh – Organ, Rhodes, Piano | Jeff Heisholt – Organ (1) Michael Ekhart – Pedal Steel (6, 9) | Ben Healey – Lead Guitar (7) Chantal Williams, Shezelle Weekes, Tash Lorayne – Backing Vocals
The Team
All songs written by The Commoners Produced by Ross Hayes Citrullo and The Commoners Executive Producer – Renan Yildizdogan Recorded at RHC Music, Toronto ON
Track 1 mixed by Kevin Shirley at Caveman Studios, Sydney, Australia 2-9 mixed by Ross Hayes Citrullo and Renan Yildizdogan (RYCH) Engineers – Ross Hayes Citrullo, Ben Spiller, Adam Cannon, Renan Yildizdogan Assistant Engineers – Emily Goguen, Thomas Vitas, Serhii Artiukh, Austin Rossitter, Jon Savard, Dylan Davis Mastered by Pete Lyman at Infrasonic Mastering, Nashville, Tennessee Album Photography by Lindsay White Album Design by Emily Goguen
2022 Tour Dates
12/10/22 Norderstedt-Germany @ Music Star 13/10/22 Hoganas-Sweden @ Garage Bar TBC 14/10/22 Varberg-Sweden @ Maja’s 15/10/22 Avesta-Sweden @ Kulturgaraget 16/10/22 Stockholm TBC 18/10/22 Malmo-Sweden @ Folk & Rock 19&20/10/22 Hamburg-Germany @ Cowboy und Indianer TBC 21/10/22 Asendorf-Germany @ Break Out 22/10/22 Singwitz-Germany @ Kesselhaus 23/10/22 Burglengenfeld-Germany @ RockStürbl 24/10/22 Bratislava-Slovakia @ Muzeum Ochbodu 26/10/22 Bremen-Germany @ Meisenfrei 27/10/22 Köln-Germany TBC 28/10/22 Rimsting-Germany TBC 29/10/22 Fiesch-Switzerland @ Inch Bar 30/10/22 Switzerland TBC 31/10/22 Solothurn-Switzerland TBC 03/11/22 Barcelona-Spain @ Sala Textil 04/11/22 Castellon-Spain @ Sala Because 05/11/22 Orihuela-Spain @ La Gramola 06/11/22 Valladollid-Spain @ Puerta Caeli 07/11/22 Leon-Spain @ Babylon 08/11/22 Ourense-Spain @ Cafe Auriense 10/11/22 A Coruna-Spain @ Sala Mardi Gras 11/11/22 Cangas-Spain @ Salason 12/11/22 Valles-Spain @ Bocanegra 13/11/22 Vitoria-Spain @ Urban Rock 15/11/22 Chambery-France @ Brin de Zinc 16/11/22 Besançon-France @ Bar De L’U 17/11/22 Metz-France TBC 18/11/22 Krefeld-Germany @ Kulturrampe 19/11/22 Ostend-Belgium TBC
It almost seems churlish to regard CELTIC FROST as one of the great extreme metal bands, because they were so much more than that. It’s better to hail them as among the finest extreme and experimental bands of the 1980s. Refusing ever to do what was expected or demanded, the band constantly changed musical direction, always brought in surprising influences, and kept people guessing as to where they might venture next. Their catalogue of albums is formidable and unmatched. Each is not only unique, but part of an entire tapestry that only now can be appreciated for being a remarkable part of music history. Despite, or maybe because of, constant turmoil on so many fronts, Celtic Frost achieved an artistic level few others would even have dared to dream of aspiring towards. They climbed high because they were never afraid to fall. Which is why the band are now rightly regarded as icons, and iconoclasts.
‘Danse Macabre’ captures the radical ambition and evolution of Celtic Frost from 1984 through to 1987. In addition to the albums ‘Morbid Tales’, ‘To Mega Therion’ and ‘Into The Pandemonium’, the 7 marble colour vinyl box set also includes the ‘Emperor’s Return’, ‘Tragic Serenades’ and ‘I Won’t Dance’ EPs, along with ‘The Collectors Celtic Frost’ 12”, a 7” of ‘Visual Aggression’ and a cassette of rehearsals recorded at the band’s Grave Hill Bunker. A 12” x 12”, 40 page book, brings together photography – some previously unseen – from the era and brand new interviews with Tom Gabriel Warrior and Reed St Mark. A Heptagram USB drive contains MP3 audio of all the albums, including bonus tracks. A Danse Macabre woven patch, a double sided poster, and a Necromaniac Union fan club enamel badge complete the set. ‘Danse Macabre’ is also available as a 5 CD box set, with 40 page book, badge, poster and patch.
(Back on vinyl for the first time in 37 years. Green & black galaxy)
Tragic Serenades
(12” EP on pink and black swirl vinyl)
I Won’t Dance
(12” EP, back on vinyl for the first time in 35 years. White & black swirl vinyl)
The Collector’s Celtic Frost
(12” single, back on vinyl for the first time in 35 years. Marble vinyl with silk screen print on Side B)
Visual Aggression
(7” single with new artwork and on grey vinyl)
Grave Hill Bunker Rehearsals
(Four track rehearsal demo cassette from 1984)
12” x 12” 40 page book of brand new interviews with founding member Tom G Warrior and drummer Reed St Mark. Contains rare and previously unseen photos from the era.
‘Heptagram’ figurine USB drive containing MP3 audio of all the albums, including bonus tracks.
Two sided, A2 poster.
‘Necromaniac Union’ fan club enamel badge.
‘Danse Macabre’ sew on woven patch.
THE CD BOX SET INCLUDES
Morbid Tales
(Full album, remastered)
To Mega Therion
(Full album plus Tragic Serenades bonus tracks, remastered)
Into The Pandemonium
(Full album plus I Won’t Dance bonus tracks, remastered)
Emperor’s Return
(Full EP plus bonus tracks, remastered)
Grave Hill Bunker Rehearsals
(1984 rehearsal tracks)
40 page book of brand new interviews with founding member Tom G Warrior and drummer Reed St Mark. Contains rare and unseen photos from the era.
Two sided poster.
‘Necromaniac Union’ fan club enamel badge.
‘Danse Macabre’ sew on woven patch.
A very limited edition Glow In The Dark vinyl variant edition of the LP box set will be available via EMP and Nuclear Blast online. This is limited to 1000 units.
In addition to ‘Danse Macabre’, Triptykon have announced for the first time ever they will perform a full tribute set of early Celtic Frost songs from Morbid Tales and To Mega Therion at Hell’s Heroes festival on 25th March 2023. This is being held at White Oak Music Hall in Houston, Texas.
ATROCITY‘s “OKKULT” trilogy will come to a worthy conclusion with the release of the band’s new death metal masterpiece “OKKULT III”! The album is set to be released on January 20, 2023 via Massacre Records, and will be available as 2-CD Mediabook, limited edition vinyl LP, limited edition box set with exclusive content as well as in digital formats.
On their new album, the band has recruited several guest musicians: Elina Siirala (Leaves’ Eyes, Angel Nation), Zoë Marie Federoff (Catalyst Crime, Cradle Of Filth), Robse Dahn (Equilibrium) as well as Misstiq.
Alexander Krull himself produced, mixed and mastered the album, and Stefan Heilemann (HEILEMANIA) once again perfectly captured the album’s atmosphere with his artwork.
The Emmy Award-winning sound designer Katie Halliday (“SAW”, “Stranger Things”, “Star Trek: Discovery”) has once again contributed sound effects to the album.
Check out the track list of “OKKULT III” below and get ready for the first single from the new album, which will be released soon!
Indie rockers THE INTEMPERATE SONS released their new single “Broken Door” to all major platforms today! The single is from their latest album The Color Within that was released via FRAME|WORK on August 12, 2022.
“The Intemperate Sons release ‘Broken Door’, the latest track off the full-length album, The Color Within. This track features long-time collaborator, producer, and mixer, Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) on bass. Broken Door illustrates the depths of addiction and the fight to overcome those demons lurking in the shadows of our mind. The Intemperate Sons will follow this track release up with a video directed by Paul Gervasi at Royalrockfilms featuring Cody Renee Cameron (El Camino). Broken Door was recorded at The Kitchen Recording Studios in Dallas, TX and mixed by Amir Derakh in Long Beach, CA. Mastering was done by Mike Marsh in the U.K.” says the band.
WATCH “Broken Door” by The Intemperate Sons featuring Amir Derakh on bass and starring Cody Renee Cameron who was in El Camino (Breaking Bad sequel).
The album was produced by Amir Derakh and Keith Watson. Amir mixed the album and played bass on ‘Wall of Glass”, “What’s Done is Done”, “Broken Door”, “Remission”, and “Believe”, as well as, played slide guitar on “Dust to Dust.” Tony Franklin played bass on “Running Man”, “The Color Within”, and “Dust to Dust.” Mike Marsh mastered the album. All songs were recorded at The Kitchen Recording Studio, Dallas, TX by John Painter.
Formed in the summer of 2019, The Intemperate Sons are an indie-rock band that are the perfect concoction of hard rock mixed with folk, grunge, and alt sensibilities. The band hails from Dallas, Texas and have earned a reputation of writing and performing songs that scratch deep into the groove of the human experience. The band’s music is deeply eclectic across the rock genre with powerful vocal harmonies to tie their melodies together. Fronted by Max Watson (lead vocals, guitars, keys) who plays alongside Jake Watson (guitars, backing vocals) and Mark Marks (Bass), and anchored by Keith Watson (drums, backing vocals, primary lyricist) they form what is a tight knit rock and roll band that is The Intemperate Sons.
The Intemperate Sons are: Max Watson (vocals, backing vocals, guitars, keys, bass) Jake Watson (guitars, bass and backing vocals) Keith Watson (drums, backing vocals) Mark Marks (bass)
The Intemperate Sons Show Dates: Fri Oct 7 @ Mavericks Bar & Grill in Arlington, TX w/ Natural Born Thrillers Sat Nov 12 @ O’Riley’s in Dallas, TX Sat Dec 10 @ Willie’s Lounge in Dallas, TX
Mexico’s original metal festival MONTERREY METAL FEST have announced the full line-up for the festival’s comeback edition which is scheduled to take place on Tuesday, December 6, 2022 at the Estadio Mobil Super in Monterrey, Nuevo Leon, Mexico.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video