IOANNIS is an internationally famous Greek-born artist and designer from Athens. Ioannis has designed over 350 record covers and singles, for such groups as Deep Purple, The Allman Brothers, Uriah Heep, Styx, Blue Oyster Cult, Dream Theater, King Crimson, Bob Weir, Starship, Yngwie Malmsteen, Biohazard, Sepultura, Lynyrd Skynyrd, Fates Warning, Quiet Riot, Dokken, Johnny Winter, Extreme, UFO, Overkill, The Tubes, Eddie Money, Jon Anderson (YES), Warrant, Slaughter and many others.
One of the most notable concert arenas on the East Coast, MSG has hosted some of the biggest powerhouses in music. On July 21st in 1973, the Allmans took the MSG stage for the first time and brought the house down two nights in a row. The band played an amazing show with songs like “Ramblin’ Man” and encoring with “Mountain Jam.” They went on to play at the venue four more times. Ioannis would go on to create the cover art for the Allman Brothers 1994 release Where It All Begins and it went on to be a classic in his collection.
What better way to kick off this series of upcoming puzzles than to use this classic image and celebrate the life and art of Ioannis. “As Ioannis’s family and estate, we are proud to introduce this new puzzle featuring his renowned artwork for the Allman Brothers Band’s ‘Where It All Begins.’ He regarded this piece as one of his most significant works. This release was a major release for the band and held deep personal and artistic meaning for Ioannis. It was warmly received by fans worldwide, and we are honored to share his love of color, fantasy, and music through this new format. We hope it brings joy to those celebrating his enduring legacy.”
Deko Entertainment is home to a limited number of posters and T-shirts from Ioannis and plans to reveal other upcoming puzzles and projects in the future. As Deko Entertainment President Bruce Pucciarello comments, “Ioannis was so excited to be working with Deko that I had to remind him that he was instrumental in helping us launch Deko when we were just a fledgling record label. Ioannis’s passing was a total stomach punch to both Charlie and me. We were just getting started sharing his talent with the world. We will work with his family and team keeping his legacy alive, the way he would want us to, but it will never be the same without him. What a creative force. What a stellar human being.”
Stepping into another realm altogether, the rock sister-trio from Monterrey, Mexico, The Warning proudly present their first-ever official concert film, Live From Auditorio Nacional, CDMX. Produced by Federal Films, the feature will be in select AMC Theatres (NYSE:AMC) locations in the United States and presented under Cinépolis’ +QUE CINE in Mexico, Central America, and South America beginning Thursday, August 21, 2025.
Live From Auditorio Nacional, CDMX will play at more than 185 AMC locations in the United States, with all participating theatres offering at least two showtimes per day. The screening will be available in 48 Cinépolis’ +QUE CINE cities across Mexico, including Mexico City, Guadalajara, Monterrey, Cuernavaca, León, Querétaro, Veracruz, among others. Ticket price varies by market and location. Pre-sale tickets are available now HERE.
Celebrating this monumental milestone in their career, the band will also unveil an accompanying live album, Live From Auditorio Nacional, CDMX, on Friday August 22, 2025. Physical vinyl and CDs are now available for pre-order including exclusive D2C and signed editions. Pre-order/Pre-save HERE. To herald its arrival and give listeners a taste of what to expect from the set, they just shared a three-track bundle of live songs, including “Automatic Sun,” “Sharks,” and the Latin GRAMMY Award-nominated “Qué Más Quieres” Listen HERE.
Check out the full tracklisting below.
Earlier this year, the group notably performed their biggest sold-out headline shows yet when they took over Auditorio Nacional in Mexico City, Mexico for three nights on February 6, 7, 11. The musicians simply soared with a rapturous set of signature staples and deep cuts in front of a capacity crowd of 30,000 total fans. Live From Auditorio Nacional, CDMX captures the band in their element and sees them firing on all cylinders as they deliver sonic (and literal) fire consumed by a rabid audience.
Regarding the release, the three-piece— Dany (guitar, lead vocals), Pau (drums, vocals), and Ale Villarreal (bass, backing vocals)—commented, “We’re so excited to share a night that we’ll never forget, a moment that is etched in our band’s history. Having a live album has always been a dream of ours and, for it to be out in a concert film, vinyl and everything in between, is a huge accomplishment for us. We hope that our fans who see or hear this piece of work get to feel the same exhilaration and excitement we felt while playing this show. The live debut of our album Keep Me Fed was possible thanks to the work of a huge team, and we are so happy that their work and ours get to live in a piece of media forever.”
Right now, The Warning are finishing up a North American headline tour with the finale at The Fillmore in Minneapolis, MN tomorrow July 23. Prior, they served as the opener for select dates on Halsey’s For My Last Trick US tour. See routing below. See full tour dates below and at www.thewarningband.com/tour
Their latest offering, Keep Me Fed, has amassed over 175 million streams globally, landing them #1 on Billboard’s Emerging Artist chart, and cemented the band as the biggest album debut for an all-female rock group in the 2020s. The Warning had an incredible year in 2024, receiving nominations at the Latin GRAMMYs, VMA and EMAs. They also lit up television screens across the country with performances on Jimmy Kimmel LIVE! and The Kelly Clarkson show.
Stay tuned for a whole lot more!
TRACKLIST: 1. Intro 2. Six Feet Deep 3. S!CK 4. Satisfied 5. CHOKE 6. Dust to Dust 7. Dull Knives 8. Escapism 9. Apologize 10. Dany’s Guitar Solo 11. ERROR 12. MORE 13. MONEY 14. Survive 15. Qué Más Quieres 16. Consume 17. Burnout 18. Sharks 19. Intro 404 20. DISCIPLE 21. Hell You Call A Dream 22. MARTIRIO 23. EVOLVE 24. Narcisista 25. Automatic Sun
The Warning US Headline Tour July 22 – Riviera Theatre – Chicago, IL July 23 – The Fillmore – Minneapolis, MN
August 2 – Pachuca Rock Fest 2025 – Pachuca, MX
Yungblud ‘IDOLS The World Tour UK’ April 17 – First Direct Arena – Leeds, UK April 18 – Utilita Arena – Cardiff, UK April 20 – OVO Hydro – Glasgow, UK April 23 – Utilita Arena – Birmingham, UK April 24 – The O2 – London, UK April 25 – AO Arena – Manchester, UK
ABOUT THE WARNING: The Warning draw strength and power from a lifetime of sisterhood and music. The Mexico-born sister trio—Daniela “Dany” [guitar, lead vocals, piano], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]—have logged thousands of miles on the road, generated hundreds of millions of streams, and left countless fans in awe. All of this tireless work and dedication has shaped and sharpened their sound with knifepoint precision, arming alternative anthems with universally catchy hooks and an uncompromising hard rock kick. The girls have devoted themselves to a shared dream since their childhood in Monterrey, Mexico. They initially made waves with a string of independent releases, paving the way for their acclaimed 2022 full-length offering ERROR. Between performing alongside Muse, Foo Fighters, Guns N’ Roses, Royal Blood, The Pretty Reckless, Three Days Grace and Imagine Dragons, the band ignited MTV’s Extended Play Stage at the 2023 MTV VMAs. Representative of their cultural impact, Pepsi even notably chose them as the face of Pepsi Black in Mexico. Moreover, they emerged as the rare force who could comfortably appear in features by Vanity Fair, People, Cosmopolitan, and Glamour as well as on Metallica’s star-studded Blacklist compilation—placing their cover of “Enter Sandman” [with Alessia Cara] shoulder-to-shoulder with contributions from Ghost, St. Vincent, Chris Stapleton, IDLES and Weezer. The Warning embraced their destiny on their 2024 full-length album, Keep Me Fed [LAVA/Republic Records]. The album was introduced by singles “MORE,” “S!CK” “Hell You Call A Dream”, “Qué Más Quieres”, “Automatic Sun”, and “Burnout”. In 2024 they continued their global impact with nominations and performances at the Latin GRAMMYs for “Best Rock Song” and MTV’s EMAs for “Push Artist.” The Warning was also nominated for “Push Performance” at MTV’s VMAs and performed on France’s Taratata.
ABOUT AMC THEATRES: AMC is the largest movie exhibition company in the United States, the largest in Europe and the largest throughout the world with approximately 900 theatres and 10,000 screens across the globe. AMC has propelled innovation in the exhibition industry by: deploying its Signature power-recliner seats; delivering enhanced food and beverage choices; generating greater guest engagement through its loyalty and subscription programs, website, and mobile apps; offering premium large format experiences and playing a wide variety of content including the latest Hollywood releases and independent programming. In addition, AMC launched AMC Theatres Distribution with the highly successful releases of TAYLOR SWIFT | THE ERAS TOUR and RENAISSANCE: A FILM BY BEYONCÉ. AMC Theatres Distribution expects to release more films with the world’s leading artists in the years ahead. For more information, visitwww.amctheatres.com.
ABOUT CINÉPOLIS +QUE CINE Cinépolis +QUE CINE is the company’s alternative content label, dedicated to connecting with diverse audiences through re-releases of classic and animated films, cultural and sporting events, concerts, and documentaries that deserve to be experienced on the big screen.
For over five years, Cinépolis +QUE CINE has showcased more than 120 titles, 90 documentaries, 170 concerts, 4 FIFA World Cups, 2 Super Bowls, and 80 anime films across 10 Latin American countries — bringing thousands of fandoms together in each of its screenings.
ABOUT CINÉPOLIS Cinépolis is a Mexican company founded in Morelia, Michoacán, more than 50 years ago, which operates in 18 countries throughout America, Asia, and Europe. Cinépolis is the global industry leader in terms of ticket sales and attendance per auditorium, as well as the world’s 3rd largest movie theatre circuit and the most important outside the United States. Cinépolis is the world’s largest luxury cinema exhibitor and one of the cinema chains with the most laser projectors in the entire industry.
With 887 cinemas and 6,828 digital movie theaters in total, Cinépolis employs more than 38 thousand collaborators. Cinépolis has introduced innovative concepts to the exhibition industry, such as the first multiplexes (Multicinemas®), the first concept of a luxury cinema (Cinépolis VIP®), the partnership with IMAX® turned into Cinépolis IMAX®, Macro XE® screens, 4DX® screens, and Sala Junior® screen.
Cinépolis remains at the forefront and has connected with different audiences through its brands Cinépolis +QUE CINE, Cinépolis Distribución, and Sala de Arte Cinépolis. It has also contributed to Mexican society through the Cinépolis Foundation with its programs “Del Amor Nace la Vista”, “Ruta Cinépolis” and “Vamos Todos a Cinépolis”.
Amid his current Summer Blood Storm UK/European tour, WEDNESDAY 13 has just dropped a delightfully deathly music video for Mid Death Crisis track “Rotting Away”. The Duke of Spook goes on a date with the dead, picnicking with a petrified soul! Watch the new music video below – out now!
WEDNESDAY 13 comments about “Rotting Away”: “I’m putting the Fun back in Funeral with our new video for ‘Rotting Away’. I had such a great time filming this and wanted to do something fun, campy, and different from the other band performance videos. Inspired by the original Night Of The Living Dead film, Tom Petty’s video “Last dance with Mary Jane” along with a little Weekend at Bernie’s thrown into this.”
WEDNESDAY 13 is currently touring the UK and Europe with support from Fearless Vampire Killers and The Nocturnal Affair, with more performances to slay in cities like Birmingham, Prague, Vienna, and beyond. The tour also features festival stops at Wacken Open Air and Poland Rock Festival. Then, later this fall, Wednesday will return to the UK and Europe for his Mid Death Crisis tour, starting October 17 in Oslo, Norway!
Between these tours, WEDNESDAY 13 will perform at a special event honoring the late Joey Jordison on Friday, October 3. The event, presented by the Joey Jordison Charitable Fund, is headlined by Vimic and will take place at the Teragram Ballroom in Los Angeles, CA. Visit the Teragram Ballroom site for tickets and more information.
Lastly but certainly not least, WEDNESDAY 13‘s upcoming North American tour with headliners and label mates LORD OF THE LOST, featuring fellow support artists The Birthday Massacre, will take over venues in January/February 2026.
See below for all current tour and performance dates!
Summer Blood Storm UK/EU Tour: 24.07.25 UK – Buckley (Wales) / Tivoli 25.07.25 UK – EBBW Vale (Wales) / Steelhouse Festival 26.07.25 UK – Birmingham / Asylum 27.07.25 UK – Preston / The Blitz 29.07.25 UK – Sheffield / Corporation 30.07.25 UK – Brighton / Chalk 01.08.25 DE – Wacken / Wacken Open Air 02.08.25 PL – Poland / Pol’and’Rock Festival 03.08.25 CZ – Prague / Rock Cafe 05.08.25 AT – Vienna / Simm City (w/ Static X) 06.08.25 AT – Salzburg / Rockhouse 07.08.25 DE – Saarbrücken / The Garage (w/ Static X) 08.08.25 BE – Kortrijk / Alcatraz Festival 09.08.25 NL – Utrecht / De Helling
Joey Jordison Celebration: 03.10.25 US – Los Angeles, CA / Teragram Ballroom
Mid Death Crisis UK/EU Tour: 17.10.25 NO – Oslo / Parktheatret 18.10.25 SE – Karlstad / Nöjesfabriken 19.10.25 SE – Stockholm / Kollektivet Livet 21.10.25 FI – Helsinki / Tavastia 22.10.25 FI – Tampere / Olympia 24.10.25 SE – Sundsvall / Platens 26.10.25 DK – Copenhagen / Pumpehuset 28.10.25 DE – Berlin / Astra 29.10.25 DE – Hamburg / Große Freiheit 30.10.25 DE – Hanover / Carlswerk Victoria 01.11.25 DE – Leipzig / Felsenkeller 02.11.25 NL – Eindhoven / Effenaar KZ 04.11.25 UK – London / Islington Assembly Hall 05.11.25 UK – Manchester / O2 Ritz 06.11.25 UK – Leeds / Warehouse 07.11.25 UK – Newcastle / Digital 08.11.25 UK – Glasgow / Slay 09.11.25 UK – Hull / Asylum
Dark Winter Tour USA/Canada 2026 w/ headliners LORD OF THE LOST +The Birthday Massacre 19.01.26 US – Baltimore, MD / Baltimore Soundstage 20.01.26 US – Philadelphia, PA / Theatre of Living Arts 21.01.26 US – New Haven, CT / Toad’s Place 23.01.26 US – New York, NY / Webster Hall 24.01.26 US – Worcester, MA / The Palladium 25.01.26 CA – Montreal, QC / Beanfield Theatre 26.01.26 CA – Toronto, ON / Phoenix Concert Theatre 28.01.26 US – Cleveland, OH / House of Blues 29.01.26 US – Cincinnati, OH / Bogart’s 30.01.26 US – Detroit, MI / St. Andrews Hall 31.01.26 US – Chicago, IL / Concord Music Hall 02.02.26 US – Minneapolis, MN / First Avenue 04.02.26 US – Denver, CO / Summit Music Hall 05.02.26 US – Salt Lake City, UT / The Complex 07.02.26 US – Los Angeles, CA / The Fonda 08.02.26 US – Berkeley, CA / UC Theatre
After returning in 2022 with his widely-acclaimed full-length album Horrifier (#8 US Top New Artist Albums), as well as several major tours supporting his solo work and celebrated Murderdolls reunion shows, the Duke of Spook is back with Mid Death Crisis! WEDNESDAY 13 dubs the album as a fun, campy, “leave-your-brain-at-the-door” ragerand a true return to his hard-rocking roots! Produced by guitarist Alex Kane (Life, Sex & Death, Enuff Z’Nuff, Antiproduct) and mixed by Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) the album oozes infectious 80s sleaze metal energy. Although its title, Mid Death Crisis,may suggest otherwise, WEDNESDAY 13 shows zero signs of stopping on this refreshingly powerful and multi-faceted entry into the band’s hall of horrific history!
WEDNESDAY 13 is:Wednesday 13 – Lead Vocals / Guitar Jack Tankersley – Guitar Troy Doebbler – Bass Mike Dupke – Drums Ashes – Lead Guitar
Frontiers Music Srl is proud to announce the signing of legendary rock vocalist John Corabi to its roster of iconic artists.
Known for his powerful voice and rich legacy with bands like Mötley Crüe, The Dead Daisies, Union, and The Scream, Corabi is looking forward to releasing new music in collaboration with producer/songwriter Marti Frederiksen.
He promises an organic 60’s-70’s style record and can’t wait to get back on the road with a talented solo band featuring his son Ian on the drums, and a few great friends.
John expressed his excitement by saying: “I’m thankful to Frontiers Records for the opportunity to give you guys some new music!! I’ve been writing and recording with my good pal Marti Frederiksen here in Nashville, and I can’t wait for you to hear it all!”
Tom Lipsky, Head of A&R of North America for Frontiers Label Group, commented: “It is exciting to bring John into the Frontiers Label Group. He has fans around the world, and he is respected by the artist community as a musician, singer and songwriter. John’s new music will take his accomplished career to an even higher level”.
John Corabi is a journeyman singer-songwriter and guitarist that burst onto the music scene with Hollywood Records recording artists The Scream in 1991. Touring extensively throughout the United States on the strength of their songs “Man In The Moon”, “I Believe In Me”, and “Father Mother Son”, John attracted the attention of radio, MTV, fans and critics alike.
Mötley Crüe’s Nikki Sixx reached out to John after the departure of Vince Neil in 1992 and asked him to join the band for the writing and recording of their 1994 released self-titled record. During the recording process of the follow up “Generation Swine” album in late 1996, Vince Neil returned to the band, and John started the band Union with former KISS guitarist Bruce Kulick.
Union headed into a studio to record their debut self-titled album in 1998. With Union, John released three albums between 1998 and 2001. Afterwards, John left Union to join the band RATT on their 2001 summer tour, handling guitar and backing vocal duties. Touring constantly from 2001-2008, John eventually left the band to go out on his own.
John has released the acoustic album “Unplugged” in 2012, and a live album “Live 94, One Night In Nashville” in 2018, as well as multiple original and tribute singles. John received a phone call in 2015 to join the all-star collective called The Dead Daisies, and has since recorded the albums “Revolucion”, “Make Some Noise”, “Live And Louder”, “Burn It Down”, “Light Em’ Up”, and a recently released blues covers record “Looking For Trouble”.
For the last ten years, with The Dead Daisies and as a solo acoustic artist, John has toured Europe, The United States, Japan, South America, Australia, and The United Kingdom extensively, having played all of the major festivals and sold out shows to a growing loyal fanbase.
With his 2022 autobiography “Horseshoes And Hand Grenades”, and 19 full length records under his belt, spanning a 35 year career, John is anxious to release record number 20, and play the new songs live. The future looks bright for John!
Even when it was only thought of as a studio project, Thy Catafalque had a vision that extends beyond borders and boundaries. Over the past two decades, Hungarian mastermind Tamás Kátai and his growing cast of collaborators have brought the deadly art of extreme metal into close conversation with the avant-garde.
“XII: A gyönyörű álmok ezután jönnek is a feast for the ears”, New Noise wrote in a 5 star review of Thy Catafalque’s latest opus. “[it’s] a celebration of the powers of music, bursting to express itself in whatever form it chooses to inhabit. An album to inexorably fall in love with”.
Now, fresh off their debuts at Hellfest and Kilkim Žaibu, followed by a resounding return in front of their home crowd at Fishing on Orfű, Thy Catafalque are preparing to tour Latin America for the very first time. As the group prepare to ignite crowds from Mexico to Argentina, today, they are releasing a live video from last year’s hometown performance of the most chilling epic off their dark and dreamy twelfth album.
“This is a massive step-up for Thy Catafalque”, Kátai says. “We are very excited to play for our fans in places where we’ve never gone before”.
The video for “Ködkirály” was recorded on November 23, 2024at Dürer Kert, Budapest, Hungary.
Additional video credits Audio mixed and mastered by Gábor Vári at Miracle Sound Szeged. Live sound and recording by Péter Csobánczi. Video recorded by Carbon Head Production. Video edited and post-production by Péter Lerch / Carbon Head Production.
Martina Veronika Horváth – vocals Ivett Dudás – vocals Gábor Dudás – vocals Bálint Bokodi – vocals Krisztián Varga – guitar Zoltán Vigh – guitar Tamás Kátai – bass Árpád Szenti – drums
Heading into Thy Catafalque’s twelfth album, Tamás Kátai set out to make a straightforward metal record. But A gyönyörű álmok ezután jönnek wound up taking him on another surreal headtrip.
In English, “Ködkirály” translates to “King of Fog”. The song unfolds somewhere between dreams and nightmares. Martina Veronika Horváth and Ivett Dudás rise amidst cosmic synths like fog beneath a sinking moon. Their chilling cleans left the sold-out crowd at the influential Hungarian underground venue completely mesmerized. With his deep rippling bass lines, Kátai only deepens the spell.
Of course, Thy Catafalque aren’t ones to leave their fans in suspense. Halfway through “Ködkirály”, a death metal riff comes thundering down from the blackened sky. When dueling guitarists Zoltán Vigh and Krisztián Varga unfurl a procession of gloomy tremolo picking, it’s harrowingly clear that the king has come. “Hullj, nehéz eső / Fall, heavy rain“, roars Gábor Dudás, commanding the group’s many followers to bang their heads.
Thy Catafalque European Dates August 1 – Rasnov, Romania @ Rockstady Extreme Festival August 2 – Mátra-Sástó, Hungary @ Fekete Zaj Festival August 8 – Kortrijk, Belgium @ Alctaraz Festival November 22 – Belgrade, Serbia @ Zappa Barka
Thy Catafalque Latin American Tour October 18 – Monterrey, Mexico @ Cacique Metal Fest October 19 – San Jose, Costa Rica @ Pepper Club October 23 – Quito, Ecuador @ Miami Recepciones October 24 – Santiago, Chile @ Sala Metrónomo October 25 – Buenos Aires, Argentina @ Arena Sur
Artwork
Front cover by Dániel Szécsényi and Tamás Kátai – Illustrations by Orsolya Pintér.
Tracklist 1. Piros Kocsi, Fekete Éj (4:12) [WATCH] 2. Mindenevö (6:35) [WATCH] 3. Vasgyár (6:18) 4. Világnak Világa (6:28) 5. Nyárfa, Nyírfa (2:53) 6. Lydiához (3:05) 7. Vakond (4:29) 8. Ködkiraly (7:58) 9. Aláhullás (3:48) 10. A Gyönyörü Álmok Ezután Jönnek (3:14) [WATCH] 11. Babylon (Bonus Track – Omega Cover) (3:42)* Total runtime: 49:02 *Digital only
New fans and long-time appreciators can now rediscover just how much Thy Catafalque has grown.
This year, Season of Mist repressed Thy Catafalque’s fifth and ninth albums. Rengeteg is the first to fully expand beyond black metal with proggy keyboard, clean vocals and death metal riffing. Naiv ventures even further – across jazz, Western classical, Middle Eastern music and even contemporary pop – ending up with some of the group’s most beloved songs, including “Tsitsushka” and “Embersólyom”.
Tamás Kátai has a vision that extends beyond borders and boundaries. Even during its infancy, Thy Catafalque had already outgrown the rather rigid guidelines of black metal. Though only intended for the studio, over the past 20 years, his recording project has evolved into a lively collaboration. With each album, Thy Catafalque has pushed the envelope of extreme metal a step further, bringing the world’s most vile art form into conversation with the avant-garde.
Thy Catafalque’s twelfth album is even more expansive, but XII: A gyönyörű álmok ezután jönnek ties both to its mastermind’s past and the history of his native Hungary. “For this album, I felt it was time to move in a different direction, whatever that direction might be”, Kátai says, “but XII still possesses the dreaminess that I’ve always associated with Thy Catafalque”.
Of course, Kátai hasn’t been mulling over this album for too long. Keeping in line with his prolific pace, XII arrives just one year after his previous album. Named after the stretch of land where the producer, songwriter and multi-instrumentalist was born in southeast Hungary, Alföld returned to the heaviness from which Thy Catafalque took root during the late ’90s. Once again, Kátai set out to make a straightforward metal record, but while there’s plenty of cause for chest-pounding, A gyönyörű álmok ezután jönnek ended up taking him on another surreal headtrip.
“I think of this album as an introspective journey through the night”, Kátai says. Opener “Piros kocsi, fekete éj” (which in English means “Red Carriage, Black Night”) glides off through a warm mist of piping keys, led by twin engine guitars that crest with reverb. “Time clatters on the rails”. Attila Bakos sings in Hungarian. His voice beams over the airwaves with the same clean force as 15 years ago, when he helped lift Thy Catafalque out of the Hungarian underground on the recently reissued Róka hasa rádió.
“Attila also sang on Rengeteg“, Kátai remembers about the first Thy Catafalque album that he wrote and recorded by himself. “‘Piros kocsi, fekete éj’ has the same sense for melody. It opens the album with a feeling of nostalgia”.
Of course, many other familiar faces join Kátai on his journey. After all, Thy Catafalque started as a duo with János Juhász. A gyönyörű álmok ezután jönnek features the biggest guest list in the project’s long discography. More than 20 guest musicians appear on this album, including old friends from inside and outside the Hungarian metal scene. Martina Veronika Horváth — whose band The Answer Lies in the Black Void toured Europe with Thy Catafalque earlier in 2024 — duets with the tender brooding Gábor Dudás for a faithful rendition of “Lydiához”, a 1980 Sebő ensemble classic that sowed the seeds for Hungary’s roots revival.
“That is a song that’s been with me and the rest of my generation ever since we were children”, Kátai says. Violins, cello, clarinet and other classical instruments add to the comforts of home. Before it drifts off high beyond the clouds, “Vakond” strings along like a whistling stroll across The Great Plains. “Alföld was very bleak”, he continues. “Adding classical and acoustic instruments helped add a spring of color and an air of adventure to these new songs”.
Still, A gyönyörű álmok ezután jönnek can be a hard road — especially during its crushing middle section. Despite the gentle opening plucks, “Mindenevő” crashes down like a boulder, hurtling ahead at terrifying speed behind doomy operatic backing vocals, mechanized blast beats and the eerie fires of tremolo picking that forged Thy Catafalque’s debut Sublunary Tragedies. “This album still has plenty of metal”, Kátai assures.
The heaviest moments are often grounded in Hungary’s history. While colored by nostalgia, XII is also shadowed by the ticking hands of time, a theme that ripples back to 2021’s Vadak. Blackened chugger “Vasgyár” shares a namesake with the rusted-out ironworks that once fueled the country’s economy. It’s not a political statement, but the song does reflect how the landscape has changed to the eye of the now 48-year-old Kátai.
“Even the album’s visuals are from a bygone era”, he says. In the video for its title track, closing song and lead single, Kátai doesn’t just run through the streets of his hometown. Surreal scenes from the past and present linger along his winding path through the placid countryside. Watching his doppelgänger dig his own grave feels like a living nightmare. “‘This song comes from a place of desperation”, he says. “Within the afterglow of nostalgia, there’s also the chill of disappointment”.
Ultimately, the progressive flair that has come to define Thy Catafalque shines through the darkness on album twelve. Only this time around, in order to reach the light at the end of the tunnel, Kátai needed some guidance. “I felt like the production had largely been the same since Geometria“, he admits. XII marks the first time in the project’s history that he worked with an outside producer. Granted, Gábor Vári is no stranger to how his mind works. When he’s not holed away in the studio with other prominent Hungarian metal bands, Gábor could be seen hammering away at his guitar on stage with Thy Catafalque on the live album Mezolit. “He was the perfect person to help give this album a somewhat different sound that is still familiar”.
As a result, “A gyönyörű álmok ezután jönnek” stands out as one of Thy Catafalque’s biggest crowd pleasers, uplifted by hand claps and catchy, fist-pumping riffs. Even the dark waves of synth glow with the reassurance of the dawn. “At the end, there’s still hope for a future that might offer warmer days after the darkness has ceded”.
Thy Catafalque’s twelfth album looks back longingly at the past, but Tamás Kátai isn’t stopping to smell the roses. With A gyönyörű álmok ezután jönnek, he shows that the beautiful dreams are yet to come. 2025 will see Thy Catafalque make their debut on the world’s biggest stages – from Hellefest and Kilkim Žaibu to Rockstadt Extreme and Alcatraz Festival – before embarking on their first-ever tour of Latin America.
Recording Lineup Tamás Kátai – guitar, bass, vocals, keyboards, programming
Guest musicians Martina Veronika Horváth – vocals on Track 1, 6 Ivett Dudás – vocals on Track 8 Helga Kreiter – vocals on Track 4, 10 Gábor Dudás – vocals on Track 2, 5, 6, 10 Bálint Bokodi – vocals on Track 2, 4, 9 Gábor Veres – vocals on Track 3, 8 Attila Bakos – vocals on Track 1 Zoltán Kónya – vocals on Track 3 András Vörös – vocals on Track 4 Breno Machado – lead guitar on Track 2 Zoltán Vigh – lead guitar on Track 3 Krisztián Varga – lead guitar on Track 4 Daniele Belli – acoustic guitar on Track 2 Miguel Velasquez Matija – fretless bass on Track 2, 6 Edu Giró – oud, bouzouki, baglama on Track 2,7 Grigoris Mitropoulos – bouzouki, mpaglamas on Track 7 Sanja Smileska – violin on Track 3 Jo Quail – electric cello on Track 8 Issar Shulman – contrabass on Track 2 Cal Rustad – French horn on Track 2, 8 Manuel Domenech – cor anglais on Track 8 Khachatrian Lernik – clarinet on Track 2 Gergő Bille – flugelhorn, trumpet on Track 7 Joakim Toftgaard – trombone, trumpet on Track 7 Fabian Hernandez – saxophone on Track 5 Viktória Varga – narration on Track 3 Annamari Sánta – narration on Track 7, 8
Recording Recorded in various countries: Hungary, United Kingdom, Romania, Ukraine, Italy, Spain, Greece, North Macedonia, Israel, U.S.A., Colombia, Brazil.
Producer & Sound Engineer Tamás Kátai, Gábor Vári
Mixing & Mastering Miracle Sound Szeged, Hungary. Mixed and mastered by Gábor Vári.
Artwork Front cover by Dániel Szécsényi and Tamás Kátai Illustrations by Orsolya Pintér.
Sweet Freedom share today their new single and official lyric video “Another Day”, taken from the upcoming new album “Blind Leading The Blind”, set for release on August 29th, 2025, via Frontiers Music Srl.
Jörgen Schelander commented on the new single, by saying: “Sweet Freedom is about being free, but “Another Day” is about the opposite, the suffocating feeling of not being free. These days, we all know where in the world that is, and we all must use our voice (our vote) to change it. This track is a true classic rock anthem, and Matti really shows what an amazing singer he is”.
Talking about the record, he stated: “This album is a blast of classic rock. Close your eyes and listen all the way through “Blind Leading The Blind” – and you’ll come out blind no more… Maybe just a little deaf! The energy we captured, especially with Stefan Boman’s production, is something rare these days”.
Sweet Freedom began as a solo project by Swedish keyboardist Jörgen Schelander during the pandemic, born from a clear artistic vision and DIY spirit that had long been brewing in his mind.
Their debut album, initially released with no promotion, gained surprising attention — even landing coverage in Sweden Rock Magazine as one of the year’s top releases. By late 2022, the band evolved from a solo project to a full lineup under the name Sweet Freedom, reminiscent of how Ritchie Blackmore’s Rainbow became simply Rainbow.
The new album, “Blind Leading The Blind”, sees the return of the same core lineup, but with one notable change: powerhouse vocalist Matti Alfonzetti (Skintrade, Jagged Edge) steps in as frontman, replacing Stefan Nyqvist. Matti’s signature voice and charisma elevate these already high-octane songs to new heights.
Together with Håkan Nilsson on guitar, Jan Lund on bass, and Håkan Rangemo on drums, Sweet Freedom forms a Swedish supergroup. The new album is a ten-song collection of massive classic rock with a progressive twist.
The album was recorded live as a full band at Tilt Recording Studios in Strömstad, Sweden – an intentional move to capture the raw energy and chemistry that can only happen when a real band plays together in the same room. That energy, combined with a massive-sounding mix and master by Stefan Boman (Opeth, Alice Cooper, Def Leppard), results in a huge, dynamic rock production.
While Matti is well known in the rock world, the rest of Sweet Freedom’s members also boast serious credentials. Jörgen performed all keyboards on the 2024 touring production of Jesus Christ Superstar (featuring Daniel Gildenlöw of Pain of Salvation), and both Jan and Håkan previously played in Sabbtail alongside Mats Levén and Fredrik Åkesson of Opeth.
Sweet Freedom is here, loud and proud – and “Blind Leading The Blind” proves they’re a force to be reckoned with.
“Blind Leading The Blind” Tracklist:
1. Infinity 2. Tears Of The Sun 3. Another Day 4. Skin And Bone 5. Innocent Child 6. Live From The Heart 7. Skeleton Key 8. Solid Ground 9. I Push Too Hard 10. Outcry
Line Up: Matti Alfonzetti – Lead and backing vocals Håkan Nilsson – Lead and rhythm guitars, backing vocals Jan Lund – Bass and backing vocals Håkan Rangemo – Drums and percussion, backing vocals Jörgen Schelander – Organ and keyboards, backing vocals
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