OCEANS ON ORION will release their new single ‘What Hurts The Most’ on July 25th, taken from the band’s next album.
‘What Hurts The Most’, the first single from an album that’s long overdue, almost didn’t happen. When the war started and Lev, like many others, returned to the army, everything stopped. The music. The plans. The momentum. And this record nearly became a casualty. One no one would know about. One no one would mourn.
On October 7th, work on Oceans on Orion’s next album stopped completely. It suddenly felt irrelevant. Insignificant. In the months that followed, the world moved on. But we didn’t.
We found people who could step in and help. We adapted. We compromised. We accepted that if this album was going to survive, it would come out differently than we imagined. Scarred, imperfect, but alive. We struggled through. Inch by inch. Sometimes feeling guilty for even thinking about music at all.
The first song we finished is called ‘What Hurts The Most’. It’s a breakup song, but not in the usual sense. It’s about the quiet realization that even after all the pain, the silence, the distance, you’d still say yes to the person who broke you. And how that truth is harder to face than the heartbreak itself. This track is heavy, but it’s honest. It carries the weight we’ve been carrying. The burden of unfinished art that refused to be silenced.
Mixed by Jonathan Kossov.
Written, arranged, and recorded by a family that refused to stop being a band. ‘What Hurts The Most’ comes out July 25th!
This is the first single from the band’s next album. It’s not just a release. It’s a sign that they’re still here. That art survives war. It has to.
On the heels of a successful tour alongside Baby Metal, Black Veil Brides are back with their first piece of new music since 2024’s chart-topping single “Bleeders.” The band — comprised of vocalist Andy Biersack, guitarists Jake Pitts and Jinxx, bassist Lonny Eagleton, and drummer Christian Coma — return to their roots with the aggressive new track “Hallelujah.” The Tampa, Florida based choir “One Voice Ensemble” also lent their talents to the recording. The song is being released by their label partners Spinefarm and was produced by Biersack and Pitts.
“Hallelujah” is now available via all digital service providers here.
“‘Hallelujah’ is an important song for us, not only because it is the first track from the new record, but also as a signifier of what’s to come for the band. On a narrative level, it represents the themes and ideas I am exploring lyrically on the album. I am fascinated by the current state of discourse and how often we seem to prioritize ideological certainty over the heart and soul of humanity. Over the years, we have developed a tremendous connection with our audience, which is often dismissed or misinterpreted by the ‘scene.’ We stand at a unique inflection point culturally and I want to be able to speak openly about how much I believe in being true to yourself over the fear of mass hysteria or in-group recriminations,” explains Biersack. “When my grandfather’s voice spoke to ‘the outcasts’ in the first moments of our first record in 2010, it was a sincere call to arms for all those who feel different. In many ways this record is the natural evolution of that same idea. This is the heaviest and most vitriolic BVB record by far but more importantly I believe it is the most sincere and honest record we have ever made.”
To coincide with the new single, Black Veil Brides are releasing an animated video for “Hallelujah.” The video is directed by Marco Pavone (The Black Dahlia Murder, Pink Floyd, Shadow of Intent). The band will continue to release more visual content over the coming months to support the new song. A teaser for the track got fans in a frenzy when it was released last week.
The band will also be touring in support of the new single. The song will make its live performance debut at Warped Tour in Long Beach, CA on July 26. Black Veil Brides will also be making appearances at Louder Than Life in Louisville, KY (September 20), Rock The Locks Festival in Umatilla, OR (September 26), and Aftershock Festival (October 5) before heading to South America for six headline shows. The We Missed Ourselves Tour 2025 will also feature Underoath, Silverstein, Senses Fail, and I Set My Friends On Fire. Information on all ticket and VIP packages for Black Veil Brides dates can be found here.
BLACK VEIL BRIDES 2025 TOUR DATES:
7/26 — Long Beach, CA — Vans Warped Tour 9/20 — Louisville, KY — Louder Than Life 9/26 — Umatilla, OR — Rock the Locks Festival 10/5 — Sacramento, CA — Aftershock 10/25 — Mexico City, MEX — Velodromo Olimpico 10/28 — Bogota, COL — Chamorro City Hall 10/31 — Santiago, CHL — Teatro Coliseo 11/2 — Sao Paulo, BRZ — Vibra 11/4 — Buenos Aires, ARG — Groove 11/15 — Orlando, FL — Vans Warped Tour
Athens-based alternative metal act THIS I OWE have just dropped the visceral lyric video for their new single “Feelings to Dust”, taken from their debut album Alchemists, due out 22 August 2025 via Wormholedeath.
“Feelings to Dust” is a cathartic eruption of raw emotion and sonic grit. Fusing crushing riffs with introspective lyricism, the track explores the collapse of trust, mental unrest, and emotional burnout. Haunting, bitter, and brutally honest, “Feelings to Dust” is a soundtrack for those navigating inner chaos in a world gone cold.
This track reveals just a glimpse of the intensity and depth that Alchemists promises to deliver—a record shaped by shadow, soul, and searing honesty.
THIS I OWE blends alternative metal with strains of prog, doom, and gothic metal, crafting a genre-fluid sonic identity that’s uniquely their own. With their emotionally charged storytelling and relentless energy, the band is fast becoming a defining voice in the next wave of Greek metal.
The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — have gone from strength to strength to strength over the past several years.
There’s the critically acclaimed, 2023-released album Dance Devil Dance, which included rock radio chart topper “The Dirt I’m Buried In.” There have been scores of sold-out headline shows across the globe and an actual fossil named after them. The list goes on and on.
But the past is the past and the future is, well, dark in the best possible way and that’s JUST how Avatar like it!
Today, the band dropped the video for the new single “In the Airwaves.” Stream it Here
“Avatar is defined by the challenges we put in front of ourselves. We always push for more and look for new angles. In this ever ongoing pursuit for the next great thing, we return to one of the most important aspects of metal: Speed.”
The band continues, “This is the fastest song we have done in what seems to be an eternity, and it feels good to push the engine to the max again. In a way, it feels like a return to something. Enjoy our rage.”
It follows the recent single “CAPTAIN GOAT.” Watch the video here.
Avatar will spend the foreseeable future (if not forever) on the road — with forthcoming tours supporting Iron Maiden and Metallica, along with the band’s biggest show EVER in Mexico City. See below for a complete rundown of the band’s planned tour activity for the next two years.
Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping.
More music is coming. You won’t be disappointed.
2025 U.S.A. HEADLINE (JUST ANNOUNCED!) :
11/5 — Phoenix, AZ — The Van Buren 11/6 — San Diego, CA — The Observatory San Diego 11/7 — Riverside, CA — Riverside Municipal Auditorium 11/8 — Las Vegas, NV — Brooklyn Bowl 11/10 — Seattle, WA — Moore Theater 11/11 — Portland, OR — Roseland Theatre 11/12 — Boise, ID — Revolution 11/14 — Salt Lake City, UT — The Union 11/15 — Denver, CO — Fillmore 11/17 — Minneapolis, MN — Fillmore 11/18 — Madison, WI — The Sylvee 11/20 — Detroit, MI — The Fillmore Detroit 11/21 — Pittsburgh, PA — Stage AE 11/22 — Columbus, OH — KEMBA Live! 11/23 — Silver Spring, MD — The Fillmore Silver Spring 11/25 — Huntington, NY — Paramount 11/26 — Boston, MA — House of Blues 11/28 — Allentown, PA — Archer Music Hall 11/29 — Charlotte, NC — The Fillmore Charlotte 11/30 — Louisville, KY — Old Forester’s Paristown Hall 12/2 — Chicago, IL — Riviera Theater 12/4 — Nashville, TN — Marathon Music Works 12/5 — St. Louis, MO — The Pageant 12/6 — Tulsa, OK — Tulsa Theater 12/7 — Dallas, TX — House of Blues
AVATAR ON TOUR WITH IRON MAIDEN:
7/19 — Paris, FR — Paris La Défense Arena 7/20 — Paris, FR — Paris La Défense Arena 7/23 — Arnhem, NL — GelreDome 7/25 — Frankfurt, DE — Deutsche Bank Park 7/26 — Stuttgart, DE — Cannstatter Wasen 7/29 — Berlin, DE — Waldbühne Berlin 7/30 — Berlin, DE —Waldbühne Berlin 8/2 — Warsaw, PL — PGE Narodowy 8/9 — Kortrijk, BE — Alcatraz Festival*
2025 MEXICO HEADLINE
10/31 — Mexico City, MX — The Pepsi Center
2026 EUROPEAN HEADLINE TOUR:
2/5 — Stockholm, SE — Fållan 2/7 — Helsinki, FI — Kulttuuritalo 2/9 — Oslo, NO — Sentrum Scene 2/10 — Copenhagen, DK — Vega 2/11 — Osnabrück, DE — Die Botschaft 2/12 — Brussels, BE — A.B. 2/14 — London, UK — Exhibition 2/15 — Manchester, UK — Academy 2/16 — Glasgow, UK — Barrowland 2/17 — Nottingham, UK — Rock City 2/18 — Bristol, UK — O2 Academy 2/20 — Amsterdam, NL — AFAS Live 2/21 — Esch-Sur-Alzette, LU — Rockhal 2/22 — Zürich, CH — Komplex 2/24 — Barcelona, ES — Razzmatazz 2/25 — Madrid, ES — La Riviera 2/27 — Lisbon, PT — LAV 2/28 — Bilbao, ES — Santana 27 3/2 — Lyon, FR — Le Cube 3/3 — Milan, IT — Alcatraz 3/4 — Vienna, AT — Gasometer 3/5 — Munich, DE — Tonhalle 3/6 — Cologne, DE — E-Werk 3/7 — Paris, FR — Le Zenith 3/9 — Wiesbaden, DE — Schlachthof 3/10 — Zlin, CZ — Sports Hall Datart 3/11 — Warsaw, PL — Stodola 3/12 — Berlin, DE — Columbiahalle 3/13 — Hamburg, DE — Docks
SUPPORTING METALLICA — SUMMER 2026:
5/24 — Frankfurt, DE — Deutsche Bank Park 6/11 — Budapest, HU — Puskas Arena 6/19 — Dublin, IE — Aviva Stadium 7/5 — London, UK — London Stadium
ABOUT AVATAR:
As a strange light in the sky beckons you towards something forbidden, far away, you see a robed, horned ferryman, rowing across a restless sea at the end of days. Back home a strange sound rolls through your house. It comes from the basement. The news talks about a beautiful corpse, lauded for her magnificent demise on a dance floor by men who could have fixed her. You catch the last broadcast from an outpost succumbing to flames on a distant moon. Its inhabitants try to outrun their own madness. Outside there is a place you’re not allowed to go, no matter how intoxicating the gaze of the eyes among the trees.
You lay awake at night, yet you dream thousand dreams more real than any waking moment.
Strange times call for a strange band. With a life long commitment to the misfit arts, Avatar delves deep into the collective subconscious. They travel beyond the realms of flesh and far past the spiritual barriers broken in past works. No matter how many times they were warned, they keep treading deeper into the woods. There is sense to be made out of the senseless. They lay a soft gaze upon terrifying, almost shapeless inner landscapes, and they have a damn good time doing it.
Don’t go in the forest is a warning said by others, heeded as a challenge for a certain kind freak who just can’t fight the urge to seek truth and feel alive. It is a collection of strange tunes emerging from a circus tent in a meadow in a faraway valley. You can only ever get there by accident, walking a path impossible to remember and map out. Two eyes closed, one eye open.
Formed by John Alfredsson and Jonas Jarlsby as teenagers, soon joined by Johannes Eckerström, Henrik Sandelin and Simon Andersson, Avatar started an evolution that would see a group always looking to connect what you hear with what you see. Once Andersson left and Tim Öhrström joined, they had all the ingredients to a brew so potent it would forge their names into the souls of millions. More than a band, Avatar has evolved to concept art. In order to keep going with the same drive as they had on day one, they make sure that what is made must be done. Every single time must matter more than ever before. No matter how far they get, they are sworn to remain underdogs. There is so much to do, to try. So many ways to rediscover the simple yet sublime power hidden inside an electric guitar.
It’s all about trying new things, on and off stage. Choirs, brass instruments, Moogs, piano, cellos and violas. As long as it all worships at the altar of the riff, the possibilities are as vast as the universe. Don’t go in the forest once again stretches, bends and breaks the boundaries of what Avatar is and can be by providing both the most introspective as well as their most explosive moments. It is all done in a way that can only be achieved after a lifetime in servitude to the madness where all your gathered experiences are used to be reborn. In other words, by embracing discovery as the core tenet for what they do, every new release is as fresh and exciting as their very first time in a rehearsal room.
While the studio experience is becoming a more and more powerful tool for self expression, it is on the stage where Avatar truly comes alive. Every testimonial makes the same claims in all caps. Avatar is a MUST SEE experience. Every album cycle has provided record breaking milestones. A few of the more recent ones being kicking the door in on Latin America, first with Iron Maiden, and then with sold out shows all throughout Mexico and beyond. They have also become the talk of countless festivals across Europe and the United States, being a surefire stage closer and show stealer everywhere they go, all while setting attendance record after attendance record for their headline shows. From Australia to Brazil. From Scandinavia to the Mediterranean Sea. From the Pacific Northwest to the Deep South. Everywhere they go, their unique blend of suggestive theatrics and unabashed, unapologetic good heavy metal times, they have proven that there is only one Avatar and everyone else is playing for second place. Their impact is shown with chart toppers such as “The Dirt I’m Buried In” reaching heights that are hard to imagine from a band that has stepped into the craziest era in music history, taking matters into their own hand with their own independent label, Black Waltz Records.
For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.
SERAINA TELLI presents the official video for her new single ‘Consequences’. The song is taken from the upcoming studio album ‘Green’ which will be released on 24 October on Metalville.
In her new single “Consequences”, SERAINA TELLI reflects on the responsibility that comes with public influence—and how disturbingly often that power is abused. “I love observing people,” the singer explains. “And what stands out is how many with huge influence use it only for themselves instead of doing good.” This imbalance lies at the heart of the song: What does it truly mean to be a role model? And can you live with the consequences when millions follow your lead?
Musically, Consequences is more raw and stripped down than her earlier work, placing deliberate focus on the acoustic guitar. “The song still rocks hard and forces you to move,” says Telli. A particularly exciting detail: the hook was originally teased as a hidden track on her previous album Addicted to Color—now, it unfolds in full force.
With her new album “Green”, Swiss artist SERAINA TELLI unveils a bold musical evolution – personal, clear, and conceptually ambitious. The title is no coincidence: “Music appears in colors to me – andGreenis the first color in a larger project,” she explains. Thematically, the album revolves around responsibility – to others, the environment, and oneself.
Musically, “Green” explores new territory, featuring more electronic elements and a deliberate move away from traditional rock arrangements. Telli’s songwriting takes center stage, supported by producer Rico Horber. The result is a collection of diverse, emotionally rich tracks that blend pop, alternative Rock, and balladic depth combined with Telli’s crisp and distinctive sound.
Her lyrics span from social commentary (“Consequences”) to deeply personal reflections (“Gold”) and empowering anthems like “Let It All Out”, which call for self-expression and authenticity. Telli presents herself more vulnerably than ever – showing that true strength often lies in openness.
“Green” marks the beginning of a new creative chapter – a statement for more depth, consciousness, and sincerity in modern music.
TRACK LISTING
01 Let It All Out 02 Consequences 03 17 04 Home 05 Brown Eyed Boys 06 In Your Face Rock 07 Off 08 Love 09 Gold 10 Get back 11 Oh oh, Yeah yeah 12 Black & White
BEGHO – a five-piece heavy metal band from Mumbai, India – are set to release their debut EP “I” on 26th July 2025.
Earlier this month the band released a lyric video for their self titled single, watch below.
Band reveals more details about the EP:
Finding a lyrical direction was a bit of a process. We didn’t want to go down the usual path just for the sake of it. We eventually found our voice in folklore, especially the kind that feels rooted and a little unsettling. It’s what gave Begho its name too and inspired a couple of songs on the EP. There’s something powerful about drawing from stories that already carry fear, mystery and cultural memory. It gave us depth without overcomplicating things.
Guitarist Varun Panchal on the cover Art “The art is the night of the living dead meets pop art meets heavy metal.We were going for something that easily showcases the folklore of Begho.”
Raw, loud, and unapologetic, Begho begins.
Begho I credits:
Written by: Begho
Produced by: Ashwin Shriyan
Art: Varun Panchal
BEGHO is: Kiron Kumar – Guitars Varun Panchal – Guitars & Backing Vocals Biprorshee Das – Vocals Jay Thacker – Drums Saurav Das – Bass
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video