Germany’s HATRED INHERIT are back with a vengeance! Forged in Bottrop in 2012, the band blends relentless traditional Death Metal with modern, crushing drumming and dissonant riffing, drawing influence from legendary acts such as Malevolent Creation, Dead Congregation, Morbid Angel, Immolation, Hate, Death, and Decapitated.
Following the unfortunate loss of their debut during the pandemic chaos of 2020, HATRED INHERIT now returns stronger and more ferocious than ever with their second full-length, “Void“. Featuring 8 devastating tracks and clocking in at just under 31 minutes, “Void” showcases a sharpened, technical, and uncompromising assault, crafted by ex-members of Phobiatic, Hounds of Damnation and Seventh Seal Broken.
Recorded at guitarist Stipe Šimleša‘s 3rd Floor Sounds studio, and featuring the dark, gripping artwork by Kai Ski (The Serpent Sun Tattoo), “Void” is a testament to HATRED INHERIT‘s pure, unrelenting Death Metal vision. No compromises, no mercy!
Maltese award-winning death metallers BEHEADED will delve deep into their island’s native folklore and beliefs on new album “Għadam”, scheduled for July 25th via Agonia Records.
Watch a cinematic trailer for upcoming single and music video, “Il-Kittieb”, directed by Raul Noise, at this location:
“Għadam” is an album that marks a significant evolution in the band’s journey making it the first death metal album ever written in Maltese, tying Maltese horror, literature and death metal into a cohesive concept. The album incorporates musical influences rooted in the island’s heritage, blending the band’s signature ferocity with elements of traditional religious and folklore music, creating a unique fusion that pays homage to the band’s cultural origins. With “Għadam,“BEHEADED not only pushes the boundaries of their sound but also cements their legacy as pioneers of Maltese death metal.
“Għadam” is based and inspired by the books of Maltese horror author Anton Grasso including the title itself. The work comprises nine songs that all use the title of a book by the author, which are then interpreted in a story, theme or subject different from what one finds in the book. It is also worth mentioning that on “Għadam,” one finds passages, phrases, subjects from classic works of local poetry, as well as excerpts taken from prayers and religious references.
The idea behind the choice for “Għadam” to be a work written entirely in Maltese is that it pays homage and explores the local cultural heritage in the context of everything related to horror, fear, superstitions, the occult, the macabre, folklore and how these exist hand in hand with faith and devotion.
BEHEADED comments: “Għadam, the band’s seventh album, is a dark narrative unfolding across the nocturne-esque Maltese landscape. It delves into the island’s folklore, where superstition and fervent religious devotion create a chilling atmosphere. This journey into the abyss is led by the authoritative voice of Anton Grasso’s works, the infamous Maltese horror writer, whose stories serve as a guiding light through the gloom. While retaining the essence of their signature sound, Beheaded infuses Għadam with the haunting sonorities of traditional religious harmonies and funeral marches, creating a sonic tapestry that is both brutal and profoundly unsettling.”
The album was recorded and mixed at MK2 Recording Studios (Italy) by Davide Billia (Antropofagus, Coffin Birth) with analog synth engineering done by Nicolò Brambilla at Echoes Studio (Italy) The song “Irmied” was recorded at Railway Studios (Malta) by Peter Borg and performed by Simone Brigo on a traditional hand made harp guitar courtesy of Josef Camilleri (Cross Guitar Work). “Għadam” was mastered by Wojtek Wiesławski at Hertz Studio (Poland). A photo shot by Raffaele Montepaone graces the cover artwork.
Tracklisting: 1. Għadam 2. Xtrajt l-infern 3. B’niket inħabbru l-mewt 4. Iħirsa 5. Il-Kittieb 6. Ix-xjaten ta’ moħħi 7. Iljieli bla qamar 8. Jidħaq il-lejl 9. Irmied
Upcoming shows: 29th August – Gothoom Festival – Slovakia 16th October – USA TBA 17th October – USA TBA 18th October – Mutilated Fest – NYC Brooklyn – USA
Eclipse Records is thrilled to announce the signing of Stereophobia, an alternative metal band from Lisbon, Portugal, and they will blow your mind like an M-80 in a paper lampshade! The band recently finished recording their latest full-length album entitled Choke On This with Miguel Camilo producing at MC Sound Studios. Choke On This will be released via Eclipse Records on August 29, 2025.
“Eclipse Records sparked our interest since we knew that Mushroomhead (a band which I have followed and admired for a long time) signed with them many years ago” says lead vocalist and guitarist Mike Rocha. “I´ve always aspired on achieving great goals while always reaching higher. As we are focusing 100% on the music, I usually say that we are like no other band in the world, so we needed a label like no other as Eclipse Records is (mainly for their musical variety and focus on the artist’s music). That’s why I believe Eclipse Records is the right match for us!” Drummer Dany Atunes adds, “It’s an incredible feeling to sign an agreement with Eclipse Records for the upcoming album! With this new record being a more dark and complex evolution of our sound, it’s beyond our wildest expectations to reach such a milestone and have Eclipse to back us up on this new journey. We can’t wait to share it with everyone!” Bruno Santos (bass guitar) also said, “I think signing with Eclipse Records is one of the most positive things that has happened to the band so far, and for the release of our new album, Eclipse Records is the perfect label for us!”
Coverart Credit: Tatiana Ferreira
Choke on This, the hot new alternative metal album from Stereophobia, is more than a gut punch. It is a blast in the face that widens your eyes, buzzsaws your back, and rocks you right to the marrow. Hard rock at its finest, the rich guitar sound is a precious collection of aesthetic “schitzo-riffs,” each an exotic treasure dazzling in the dark and leading us to the caverns and haunts of our deepest repressions. The bass is a booming series of tactical nukes, and the power-drumming gets in your blood, enlarges your heart, and rattles your ribcage. The album isn’t subtle. Play the “f” out of it, and for “eff’n” God’s sake, play it loud! In terms of overall theme, this emotive and powerful record is about infection, a poisoned society we feed on like snakes in the crease, ingesting the swill spit out of our television sets, the lies bleeding through the pores of our social media, and the culture wars pitting us against each other like gladiators wearing masks and falling hard on our swords. Musically, Choke on This is innovative and fresh considering the variety of guitar sounds, the intricate drum work (especially the production and performance on the toms), the emotive vocals, and the powerful bass runs. This album was produced by Miguel Camilo, (M’vula, The Bateleurs), and Stereophobia at MC Sound Studios, and the album cover art was created by Tatiana Ferreira. Choke On This by Stereophobia will be released on August 29th, 2025 via Eclipse Records.
Pre-Save or Pre-Order Choke On This at this location.
Choke On This track listing 01. XFile #903YU 02. Maggots 03. Drown 04. Uncle Clarke’s (made me do it) 05. Don’t Belong 06. The Tourist 07. Everything’s Gone 08. Twisted Fuck 09. The Freak Show 10. Plastik Queen 11. Illusions 12. Drop Dead 13. Left in a Box 14. Sweet Agony (bonus track)
Stereophobia lineup Mike Rocha (guitars & vocals), Daniel Antunes (drums & backing vocals), Bruno Santos (bass guitar)
Project Starman has released a album teaser video for ‘Hyperstar‘. The upcoming debut album Hyperstar, landing on May 4th, 2025, is a culmination of Brannigan’s vision. The video teaser can be found below.
Tracklist:
1. Enter The Starman (The Call) 2. Hyperstar 3. Stop and Rewind 4. Behind the Mask 5. Let Me Die 6. Judgment of the Righteous 7. In the Absense if Serentiy 8. Dehumanized 9. Universe
The album was written, mixed, mastered and produced by Stephen Brannigan.
There is a live band that consists of at current members:
Stephen Brannigan – Vocals Guitar Robbert Duffy – Guitar Ryan Templeton – Bass Gavin Hammilton – Drums
Project Starman is the creative vessel of Scottish multi-instrumentalist, producer, and audio engineer Stephen Brannigan, a sonic world-builder fusing the raw power of heavy metal with the sweeping imagination of science fiction. Born in Glasgow and trained in audio production, Brannigan channels his technical expertise and narrative flair into a bold musical identity that feels as cinematic as it does crushing.
At its core, Project Starman is built on massive riffs, thunderous drums, and emotionally intense vocals—rooted in heavy metal but constantly reaching for the stars. What sets the project apart is its expansive storytelling: every track is a scene, every album a journey through an otherworldly soundscape. Inspired by sci-fi cinema, video games, progressive metal, and synthwave aesthetics, Brannigan doesn’t just produce songs—he creates universes.
His music blends brutal heaviness with layered, atmospheric production, delivering a unique blend that fans of Devin Townsend, Machine Head, Celldweller, Carpenter Brut, Jeff Wayne and Mick Gordon’s DOOM soundtracks will feel right at home in. Past releases include a hard-hitting metal reimagining of Mad World, a cover that channels existential melancholy into an explosive scream into the void.
The upcoming debut album Hyperstar, landing on May 4th, 2025, is a culmination of Brannigan’s vision. Spanning cinematic highs and punishing lows, the record showcases a dynamic range of sci-fi-inspired tracks that feel like the soundtrack to a battle on a distant planet. The title track “Hyperstar” leads the charge—a five-minute odyssey of aggression, ambition, and astral fury.
With a distinctive visual identity that includes concept art, action figure aesthetics, and immersive artwork, Project Starman is more than a musical project—it’s a full-throttle, intergalactic experience.
MANILA HEMP, the renown Italian alternative rock band, release today “Oblivion”, their new EP available on all digital platforms through Volcano Records & Promotion. Featuring six intense and inspired tracks, Oblivion is a psychedelic journey through rock, alternative, electronic, and post-grunge sounds, exploring themes of loss, rebirth, and the discovery of new inner dimensions.
“Time loses its color. It becomes oblique light, the sound of a world that breaks down. And you see new stars, unknown maps, dimensions without borders. Every loss is a passage and every passage is an oblivion, and a new beginning.” – Manila Hemp
Alongside the release of Oblivion, the band unveils the official video for Bright Door, a song that symbolizes the passage towards new awareness and a transformative experience. The video, now available on YouTube, brings to life the powerful and evocative imagery of the song’s inner journey. Oblivion marks a new chapter in Manila Hemp’s musical evolution, offering a mature and deeply emotional work that captivates listeners and transports them into a soundscape suspended between dream and reality.
Listen to Oblivion now on Spotify, Apple Music and all major digital platforms, and watch the ‘Bright Door’ video on YouTube:
DEADGUY return after 30 years with their sophomore LP “Near-Death Travel Services“.
After Deadguy pulled a Lazarus, the infamous metalcore pioneers reunited on stage to prove that a few decades of dust couldn’t keep them from tearing into audiences like old times. But there’s a big difference between playing the classics for nostalgic fans and risking your legacy with a new album. The band innately understood how heavy and deranged a follow-up would need to be – and that’s exactly what they delivered with their new LP, Near-Death Travel Services.
‘Near-Death Travel Services’ is set to be released on June 27, 2025 on LP/CD/CS/Digital.
First, a brief history of Deadguy: the New Jersey quartet of Crispy Corvino, Dave Rosenberg, Tim “Pops” Naumann and Tim Singer released an odd, sardonic, absolutely singular 7” called White Meat in 1994. That same year they enlisted guitar player Keith Huckins of groundbreaking NJ band Rorschach and unleashed a refined, even more vicious sound with their 7” Work Ethic. With only these six songs the band was already understood to be a menacing force in the emerging metalcore scene, both live and recorded, but it couldn’t have prepared anyone for what came next.
Their 1995 debut LP Fixation on a Coworker inspired a generation of bands and was inducted into Decibel’s Hall of Fame all the way back in 2006. Of course, something this destructive can’t last long. After an ill-fated tour of the U.S. the band fractured in half with Singer and Huckins off to Seattle to form Kiss it Goodbye while Dave, Pops and Crispy enlisted Jim Baglino and Tom Yak, released one more EP and called it a day, making their entire storied existence only three years long.
A 2021 documentary, Killing Music, led to the reconciliation and live shows, but there was more that needed to be done. Geographical hurdles, families and adult life are enough to stifle anyone’s creative output, but over the next few years the band was able to create something, according to drummer Dave Rosenberg, “out of sheer force of will.” Rosenberg led the charge, learning guitar and writing a mountain of riffs in that time. While he cites influences that range from King Crimson to Testament, Rosenberg admits that there is something that happens when these riffs reach the rest of the band. “What Crispy (Chris Corvino, guitar) has always said is that this is just what it sounds like when we play together.”
Even though the band’s high standards led to a culling that left them with only the best tracks, they decided to get the opinion of a former co-conspirator. Enter Steve Evetts (The Dillinger Escape Plan, Incantation, The Cure), the man behind the board during Fixation. Evetts knows what Deadguy should sound like, and by asking him to produce this new one they felt confident he’d keep the band from softening up or veering too far from what makes them so distinct.
Recorded in fits and starts over a matter of months, 11 songs made the cut to be mixed, mastered and aimed indiscriminately at an unsuspecting public under the banner of Near-Death Travel Services. Members, at once skeptical, were finally able to take in the whole thing and had the same opinion after digesting their creation: “We made a fucking Deadguy record.”
And you’re goddamn right they did. From the first enraged scream that ignites “Kill Fee,” this is the kind of merciless chaos that’s been gone far too long. The record is overflowing with angular riffs, clashing guitars, fractured rhythms and gutter bass that no one does better, but with even more red meat and gristle. Instead of moving away from their sound they’ve dug in deeper, expanding their songs and giving Tim Singer more room to again show why he’s been one of the best vocalists in extreme music since the first Bush administration.
A young Singer ranted about the greed and cruelty that affected him and his friends, but now as a father sees this bleaker modern day testing his children. “The sky is falling/It’s landing on us,” he warns on “The Alarmist.” In “The Forever People” he demands you “Pick your gods/Pick your side/We’re selling tickets for the end of time.” And yet all of this still retains his darkly comic humor, the sense that he is screaming along with us at the absurdity in front of our eyes.
Near-Death Travel Services is an inside joke, the band reflecting on touring and playing this music when they’re ostensibly past their prime. But there are no signs of this being a swansong; no winding down, no taking it easy or resting on their laurels. The band Deadguy was 30 years ago went into hibernation and came back as if no time had passed. How did it happen? How were they able to pull it off? Maybe some egghead professor of musicology can figure that out, but for the rest of us it’s best to just gratefully sit back and enjoy the massacre.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 