Swedish blackened death metal masters NECROPHOBIC are now unveiling the official music video for the song “Nordanvind,” which is taken from the band’s 2024 full-length album, ‘In the Twilight Grey.” The video was created by Jens Rydén and can be found at THIS LOCATION.
”Nordanvind is a hymn to the north. A tribute to our home and our ancestors,” says NECROPHOBIC. “The song captures the sound of the cold north wind and the melodies and secrets that lay hidden within it. It’s a song about once again reuniting and being one with the soil we were once made of!”
In addition, the band is now revealing their new ‘Nordanvind’ digital EP, which includes two additional songs: ”Blackened the Horizon” and a cover of W.A.S.P.’s ”The Torture Never Stops.”
“W.A.S.P. is a band that we were very inspired by when it comes to their live shows, appearance
and imagery, especially around the time of 1984-1985,” the band explains.
While “Nordanvind” is a taken from the band’s tenth studio album, ”Blackened the Horizon” and “The Torture Never Stops” are rarities and a part of ‘In the Twilight Grey’s’ Ltd. Deluxe Gatefold combat green 2LP, LP-Booklet, Poster and Ltd. CD mediabook.
To celebrate this release, NECROPHOBIC is now sharing a brand new music video for the single “Mirrors of a Thousand Lakes.” The footage was taken from one of the band’s rare club shows at M.A.U. Club in Germany back in January 2024 by Paloosa Productions. The performance had such a positive impact on the band that they decided to preserve it and turn it into a “road video” that happened in the magic of the moment that evening. Watch it at THIS LOCATION.
‘In the Twilight Grey’ is now available HERE and can be found in the following formats:
UK black metal punks FINAL DOSE are now streaming their ferocious new album “Under the Eternal Shadow” in full, exclusively via No Clean Singing. Slated for release this Friday through Wolves Of Hades, the record delivers a blistering fusion of raw black metal and anarchic punk energy. Dive into the chaos and fury of FINAL DOSE’s unrelenting sound before the album officially drops.
With an inception heading back to the year 2020, UK’s FINAL DOSE have built a reputation from its feral blend of black metal’s icy malevolence and the raw, uncompromising power of punk through the release of a demo, an EP and a full-length album in 2023.
With the experience of touring across the US and Europe granted by the excellent reception of aforementioned “Void Inside”, FINAL DOSE return with a vengeance, a bone-crushing slab of savagery and frostbitten fury entitled “Under the Eternal Shadow”.
Merging Black Metal and Punk is not in any way a novelty, however few acts have managed to imply the solid edge of both approaches in a such a vehemently organic fashion as the UK horde. From the very first seconds of opener “Eternal Winter”, a clear, powerful, in-your-face production compels the razor-sharp virulent riffs to gleam and cut through the ether like an electrical storm, whereas pounding fast beats function as a taser for the body, a remarkably pulsing mania which serves as a marching order for the wild raging vocals, a performance which renders gist to each word yelled in anguish.
But, beware. “Under the Eternal Shadow”’s ornamentation is yet provided by various elements such as Dungeon Synth and Folk, details that supply the record with more than a Black Metal/Punk substance. The brilliant slower moments offer an extra dose of bleakness and despair to the filthy fury, together with the lugubrious clean chords, filled with disheartening melody. These traits blazingly give shape to the lyrical concept of the album, the pain and gloom of mental decline, the misery of the societal ravishingly decay. This layer of mournfulness genuinely confers momentum to FINAL DOSE’s art, a sense of impending doom which sticks to the brain and captures the heart, making “Under the Eternal Shadow” much more than a musical record, but a tome of inspiration through the ashes of the world’s turmoil and dismay.
Wolves of Hades is proud to be releasing on April 11th these hymns of total blackened debauchery on LP / CD / MC and Digitally.
Tracklist:
1. Eternal Winter 2. Weathered Axe 3. Rite of Spring 4. Servant 5. Dark Paradise 6. Wretched 7. Funeral March 8. Locked in the Black Dungeon 9. Revenge 10. Drag the Light Down
Credits:
Music written by Final Dose Recorded and Mixed by Stanley Gravett at Holy Mountain Studios Mastered by Bread Boatright at Audiosiege Artwork by B. Fusco
Illinois’ death merchants Molder bring you inside their live show with their new video, “Overdue Burial“. The track is taken from their most recent LP on Prosthetic Records “Catastrophic Reconfiguration“.
“We’re absolutely elated to collaborate with Reggies once again, and get this video out for you freaks! the response to the new record has been incredible, and hope you enjoy the video just the same. See you out there on the road.” – Molder
Video by Jesse Havoc and Reggies Rock Club
Experience the carnage in the FLESH at one of these upcoming dates:
US dates: 05.09.2025 w/Power Trip and Gridiron The Metro – Chicago, IL 06.20.2025 w/Deceased, Nunslaughter, & Vincent Crowley No Class – Cleveland, OH 08.30.2025 w/ Cancer, Morta Skuld & more! Blades of Steel Metal Festival The Crucible – Madison, WI
European dates with Kontusion: 8.06.2025 BE Antwerpen De Nor 29.06.2025 BE Bruxelles Witloof / Botanique 30.06.2025 UK London Black Heart 01.07.2025 UK Newcastle Upon Tyne The Lubber Fiend 02.07.2025 UK Glasgow Hug and Pint 03.07.2025 UK Southend-On-Sea The Fickle Pickle 04.07.2025 NL Rotterdam SoundVille 05.07.2025 DE Weimar Gerber 3 06.07.2025 DE Berlin Neue Zukunft 07.07.2025 DE Kassel Goldgrube 08.07.2025 AT Linz Kapu 09.07.2025 SL Bratislava. Zalar 10.07.2025 CZ Trutnov Obscene Extreme Festival / Molder show 11.07.2025 CZ Trutnov Obscene Extreme Festival / Kontusion show release
Photo Credit: Enzo Mazzeo, Marcus Stridberg, Jimmy Westerlund
Melodic rockers GIANT are pleased to unveil their new single and lyric video “A Night To Remember”, taken from their new upcoming album “Stand And Deliver”, out on May 16th, 2025, via Frontiers Music Srl.
Giant return with a powerful new chapter in their storied career, featuring a fresh lineup that propels the band’s signature sound to exhilarating new heights.
Drummer and founder David Huff expressed his excitement for the new album: “Making Giant records has always been our passion! Thanks to everyone at Frontiers we can make our dreams happen. I know it’s a bit of a different lineup but whoever is in the lineup the legacy of Giant lives on”.
The forthcoming album entitled “Stand And Deliver” showcases once again the talents of David Huff on drums, Mike Brignardello on bass, Kent Hilli (of Perfect Plan) as the commanding lead vocalist, with the addition of Jimmy Westerlund (One Desire) on guitars. Westerlund also takes on mixing duties alongside Alessandro Del Vecchio, who adds his touch on keyboards as a featured guest.
As if this dynamic combination of talent was not enough, the album also includes some gems penned by the original guitarist and singer Dann Huff including “Time To Call It Love” (a collaboration with the late Mark Spiro), “Holdin’ On For Dear Life” and “Paradise Found”, coming both from his sessions with Van Stephenson, which strongly link the new album especially with the sound of the classic album “Time To Burn”.
However, with this new album, Giant deliver the hard-hitting rock and melodic hooks that fans have come to expect, while pushing the boundaries of the genre with a state-of-the-art production.
Originally formed in the late ’80s by brothers Dann and David Huff, together with the experienced jazz and rock keyboardist Alan Pasqua and Nashville session bass player Mike Brignardello, Giant would soon become one of the most respected bands of the melodic hard rock scene, with the release of their debut album “Last Of The Runaways” (A&M Records, 1989).
Following countless live performances in support of their debut, the band released the follow-up “Time To Burn” (Epic, 1991), an album still regarded as a main source of influence for many melodic and hard rock bands who came after. With the sudden change of musical climate in the early ’90s, Giant disbanded with their members becoming involved in different projects, with both Dann and David Huff becoming well respected producers.
In 2001, Frontiers prompted Giant to release “III”, an album that would prove to be a landmark in the growth of the new era Melodic Rock scene, particularly in Europe. Unfortunately, Dann’s busy schedule along with the other members’ commitments made the reunion impossible to carry on as had originally been planned; however, the vision of bringing Giant back as a band with a recording and touring line-up was something that the band was still open to exploring, even if Dann had to step away.
Thus, original members, drummer David Huff and bassist Mike Brignardello, with the blessing of Dann started endless research for the right musicians that could be part of a renewed Giant line-up. In the end, the choice fell on vocalist Terry Brock (ex-Strangeways) and guitarist John Roth (Winger, Starship).
The resulting album, “Promise Land” soon became a fan favorite, showcasing top quality songwriting and performances. Giant, however, went into hibernation again, with the exception of a one-off show in 2017, where the original band members reunited on a Nashville club stage for a charity event.
That event piqued fan interest and Frontiers and David Huff started talking again to see if they could manage to find the right formula for a new album from Giant. When the Swedish band Perfect Plan released a cover version of the Giant’s original hit “Stay” in 2019, then all pieces of the puzzle started to fall into place.
Huff and Brignardello were keen on the idea of Kent handling lead vocals for the next Giant release. Dann Huff gave his seal of approval, appearing on lead guitar on the single “Never Die Young”, which anticipated the successful release in 2022 of the “Shifting Time” album.
“Stand And Deliver” Tracklist:
1. It’s Not Right 2. A Night To Remember 3. Hold The Night 4. I Will Believe 5. Beggars Can’t Be Choosers 6. It Ain’t Over Till It’s Over 7. Stand And Deliver 8. Time To Call It Love 9. Holdin’ On For Dear Life 10. Paradise Found 11. Pleasure Dome
Line Up: Kent Hilli – Lead Vocals Jimmy Westerlund – Lead Guitar Mike Brignardello – Bass David Huff – Drums
While still ascending on the metal scene, Mawiza are empowered by their indigenous roots.
The Chilean band hail from the ancestral territory of Wallmapu, which belongs to the Mapuche Nation. By proudly embracing ancestral instruments, traditional chanting and the Mapuzungun language, their style of groove metal has brought them international acclaim. They’ve won a Chilean Grammy and performed alongside Mercyful Fate, Mastodon, Slipknot and Gojira. Having now signed with the French label Season of Mist, this year, Mawiza are releasing their spirited third album, which RollingStone named one of the 15 Latin Albums that they can’t wait to hear.
As this band of warriors prepare to set up on new horizons, today, Mawiza are releasing a new video. Though the song reflects how their culture has changed, “Killari” beams with the strength that they draw from their native land.
Mawiza have shared a stage with metal’s biggest influences, but the band are guided by the spirit of nature. In English, “Killari” means “Moonlight”. Much like its namesake, the song reveals its transformative energy in phases. Double bass scampers under the cover of darkness as a clean, somber guitar melody is plucked like stars from the sky. “Chomü rayen teyfükan (Destroy the withered flower)”, the band howl in unison. “Taiñ mongen ñi afkülekan / Re rükükan mew(End our existence / Out of pure selfishness)”.
At home, Mawiza have seen the Mapuche Nation endure troubling times. Trees on their land have been cut down by developers. Many people from the tribe have been forced to move into the city. “My mother taught me to respect all life”, says the band’s vocalist and rhythm guitarist Awka. Between its scraping dissonant riffs and the flowing proggy grooves of bassist Zewü, “Killari” waxes and wanes between sorrow and anger. But by following the moon, the band find strength in transformation. “Wenu peaymi / Look to the sky!“, Awka shouts with both his spear and axe raised as the drums circle into a thunderous breakdown.
“You can feel low in the night”, says Awka, who identifies as non-binary. “Our people have often witnessed oppression against those deemed ‘deviant’, ‘nefarious’ or ‘diabolical’ for not fitting into the concept of man and woman. In ancient times, masculinity and femininity were respected and understood as real forces in constant communication, prayer and movement. But as time passed, through way and the loss of the Spanish crown, the image of the Mapuche man became idealized as virile, strong and an overwhelming warrior, while the woman was seen as the source of future heirs.
“If there is one concept that we as young Mapuche embrace, it’s total decolonization”, he continues. “As wentxu or ‘men’ of the Mapuche people, we need zomo newen or ‘feminine strength’ to exist in a permanent state within each of us. We protect our Epu püllü or ‘two spirits’ with songs like ‘Killari’.
“I feel a deep connection to the moon and how it influences all cycles of nature, including the transformation within ourselves”, says drummer Txalkan, who wrote the music for “Killari”. “The song weaves together rhythms and claves from various Latin American percussion styles. When I play it, I try and reflect that sense of movement and evolution through its variations”.
The video for “Killari” also reflects the changing forces within the Mapuche Nation. “In popular culture, Indians are often shown wearing dirty clothes or being covered in mud”, the band says. “We wanted to look like kings”. To make this fashion statement, they collaborated with three of the most prominent trendsetters in Latin America. Their stylish outfits were designed by Matías Hernán (@matias_hernan), Ceremonia (@ceremonia_) and Labios Enfermos (@labios.enfermos).
Even the filming location for “Killari” was chosen after an artist’s own heart. What was once an abandoned underwear factory was converted by Chilean artist Beatrice di Girolamo into a woodworking studio. It’s here, in this re-imagined space, that Mawiza uncover a modern piece of Mapuche artwork in the climbing light of Karü’s guitar solo. “Killari” first appeared on the band’s previous album Kollong, which in English means ‘mask’. While kollongs are traditionally carved from wood, by adding bits of moss and industrial plastic, this new version pieces together all the current aspects of Mapuche culture.
“Naq uwamtuymi ta lüq pelom / Feel the white light descending“, Awka chants. As he dons the mask, Mawiza becomes the sworn protectors of this illuminating ceremony.
“Some ancient Mapuche concepts are impossible to translate” Awka says. “It would be easy to say that our society was inclusive with non-binary and gender-fluid people. But it is far more complex. Our words are not static. Our weavings are not tied with blind knots. Our ruke or ‘house’ are made to be disassembled.
“Our machi have always embodied this from the most visible perspective”, he continues. “The body is a vessel for forces. The feminine force of küyen is crucial to our understanding and daily lives as Mapuche. Look to the sky and you can find the strength of your mother”.
The video for “Killari” was directed by Andrés Hetzler (@andreshetzler).
Additional production credits Produced by Una García Cinematography and color by Soleded Gatica Art Direction by Sofía Hukdhs Photography by Samantha Díaz Makeup by Constance Clarke Hairstyling by Fran Mellado Styling b Felipe Correa Mask by Norton Maza Gaffer/AC – Simón Jorquera
MAWIZA is a metal band originally from the Wallmapu, ancestral territory of the Mapuche Nation in South America, which sings in Mapuzungun, their ancestral language.
Their identity is based on the preservation of their roots, the relationship of the human being with nature and the conservation of biodiversity, guided by their cosmovision and cultural struggle.
Founded in 2014 as Nunca Seremos Dichosos, they released two albums under that moniker, Tierra (2017) and Kollong (2019). With such formation they managed to tour not only Chile, but also Colombia and Bolivia. Kollong included the single “Mawiza ñi piwke”, the first Metal song sung entirely in Mapuzungun. The album won in 2020 the prestigious Pulsar Award (Chilean Grammys) in the Best Metal Artist category.
After several line-up changes, in 2021, the band decided to change its name to Mawiza and leave behind its mixed use of Spanish and Mapuzungun, committing to Mapuzungun as its sole language of expression.
Major milestones in the band’s career include: opening for Gojira and Mastodon in 2022 in front of more than 10,000 people, playing with Mercyful Fate at the Movistar Arena Santiago, performing at Knotfest Chile 2023 and playing in front of 30,000 people at the Pasiwali Festival in Taiwan.
Others include participating in the Fluvial music fair in Valdivia, as well as in the Micsur fair in Santiago.
In 2023, Mawiza released the single “Txükur” with the Mapuche rapper MC Millaray and a tremendous and very particular version of Metallica’s “Battery”, which they adapted to Mapuzungun.
In August 2023, Mawiza were invited to record a live session by Joe Duplantier, leader of Gojira and owner of Silver Chord Studios in New York. They also visited West West Side Studio, owned by renowned producer Alan Douches and performed an acoustic concert at Selva Gallery in Brooklyn.
At the end of 2024, Mawiza re-released Kollong. This version includes new recordings of vocals done entirely in Mapuzungun and drums re-recorded by Txalkan.
This year, Mawiza will release their third album on Season of Mist.
The band have today released their first single from Wield, the titanic ‘Tides’.
Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.
On ‘Tides’, the group comment: “The intention for ‘Tides’ was to evoke aural imagery akin to an unstoppable force colliding with an immovable object. Our studio intern’s observation perfectly captured this sentiment: “it sounds like a soundtrack for Godzilla fighting King Kong”. There’s an undercurrent of frustration woven into the song. It serves as a metaphor for the very universal human experience for us all – the constant challenges, both monumental and mundane, that we all face in a struggle to exist.”
2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. “Our first album, Wrought was a statement of creation,” explains principal songwriter Eric Kusanagi (guitars).
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights) Wield capitalises on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
“We wanted to show a larger range of musical themes on this record,” continues Eric. “You’ll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up.” Wield as a resultpacks in a huge range of details, which reveal themselves over repeated listens.
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of ‘Tides’ to the epic finale of ‘I’ve Been Waiting For You All My Life’, Hiroe show they’ve upped their game in every department, but especially that which tugs at your heartstrings.
Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
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