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50 Years Of Punk & 50 Years Of Sid Vicious. Cleopatra Celebrates The Patron Saint Of Shock Appeal

Posted by tarjavirmakari on May 12, 2026
Posted in: Int. News, News. Tagged: 50 Years Of Punk, Cleopatra Records, SEX PISTOLS, Sid Vicious. Leave a comment

It’s 50 years since punk rock first arose from the streets of London to mortify great swathes of polite British society.  50 years since the Sex Pistols released their debut single, “Anarchy In The UK,” in November 1976. And 50 years since Sid Vicious first hit the headlines, after he threw a glass towards the Damned at the 100 Club Punk Festival, and a female audience member was blinded in one eye when the projectile shattered against a nearby pillar.

Sid never really left those headlines again… not when he joined the Pistols in early 1977; not when he attacked the host of television’s Old Grey Whistle Test with a broken bottle; not when he continued playing his bass as a bunch of angry Texans rained bottles and fists down upon the band. And so on and so forth, until he only needed to be seen walking down the street for someone to alert the media.  

By the time Sid died on February 2 1979, while on bail for the alleged murder of his girlfriend Nancy Spungeon, he had probably spent longer being hounded by the blood-thirsty English tabloids than he ever spent on stage or in the recording studio.

Thankfully, he did continue performing. His songs on the Pistols’ Great Rock’n’Roll Swindle album, Eddie Cochran’s “C’mon Everybody” and “Something Else,” and that coruscating version of “My Way” were all British Top 10 hits, and the handful of live solo shows he played were jam packed, standing-room-only crushes.

This month’s anniversary selection from Cleopatra Records’ punk archive was captured at one of those shows.  Jack Boots & Dirty Looks was recorded live at Sid’s last ever show in England, on August 15, 1978. Shortly after, he headed over to New York City – and never returned home.

It was a hot night, with the temperatures soaring even higher as his band took their places onstage – Rat Scabies (The Damned) on drums; Sid’s predecessor in the Pistols, Glen Matlock on bass and Matlock’s Rich Kids bandmate Steve New on guitar.

Nine songs peel out – Sid’s hits, of course, plus the legendary (and then unreleased) Pistols shocker “Belsen Was A Gas,” a couple of early Pistols tracks that were also included in the Swindle movie, and covers of “I Wanna Be Your Dog” and “Tight Pants” (The Stooges) and “Chatterbox” (Johnny Thunders).  It was one helluva show, and reliving it on CD and vinyl brings it all flooding back.  

Originally released on bootleg back in 1984, and rereleased in a faithful reproduction of the original eye catching artwork, Jack Boots & Dirty Looks  also comes in an individual hand-numbered mini LP wallet.

And that’s not all.  With punk rock celebrating its golden anniversary this year, Cleopatra Records joins the party with a catalog brimming with first wave punk rock giants. 

From The Damned to Johnny Thunders & The Heartbreakers, and ex-Runaway Cherie Currie to the Dead Boys (whose own latest release, the Down On The Bowery From The Sleaziest Catacombs is released on May 22);  from Eater and The Vibrators to The Dickies and The Germs, brilliant new releases and precious archive treasures alike have lit up the shelves, and every month through 2026, Cleopatra Records will be spotlighting a fresh classic from the catalog.

Last time around it was the UK Subs’s farewell concert at the historic 100 Club in London; next month… hmm.  Wait and see.  But this month, we remember Sid Vicious – still, for many fans, the ultimate British punk rocker.  And, for many others, the music’s ultimate martyr.

CD/LP: https://cleorecs.com/ search?q=sid+vicious+jack+ boots

DVRK Release New Single + Music Video ‘Misery Repeat’

Posted by tarjavirmakari on May 12, 2026
Posted in: Int. News, News. Tagged: DVRK. Leave a comment
Photo by © Caike Scheffer

DVRK, are releasing their new single “Misery Repeat”. With this single, the French deathcore band are leveling up alongside their new vocalist Julian Wilt. Following their debut EP Infinite Reminiscence, a new session begins and this one is heavier than the first.  

Stream “Misery Repeat”: https://orcd.co/dvrkmiseryrepeat

The visuals for “Misery Repeat” were created by Ahleesi Mathis / @sinpievisuals.

DVRK’s debut EP Infinite Reminiscence is available now on Season of Mist. Order: https://orcd.co/infinitereminiscence

“Misery Repeat” opens with a VHS-era recording in Ukrainian confirming that the first session of the DVRK program has been completed, and that what follows will be harder, faster and without mercy.

DVRK do not present themselves as a band so much as a system; a global organisation running its subjects through escalating trials, its reach extending across languages and borders. French, Japanese and other tongues will carry future transmissions, each one pulling the listener deeper into a mythology that has no clear center and no visible end. At its core, beneath the architecture of the program, is something altogether more human: a man consumed by a love that has become indistinguishable from ruin, drinking himself numb, unable to surface. The program frames him. The song does not spare him.

“Misery Repeat” was produced by Fabien Letren and Bastien Deleule and recorded by Bastien Deleule at Nalcon Studio. The song was mixed and mastered by Eloi Nicod at Craftline Studio. The artwork was created by Cédric Faullummel.

Don’t miss DVRK when they tour Japan next week with Obscura and Fallujah. The band will also join Obscura next year on a tour of Europe and the UK alongside Pestilence, Cryptic Shift and Thus.

DVRK The Sun Eater 2026 Japan Tour
with Obscura and Fallujah

Get tickets: https://realmofobscura.com/live/

May 20 – Tokyo @ Space Odd
May 21 – Tokyo @ Space Odd
May 22 – Nagoya @ 3Star Imaike
May 23 – Osaka @ Socore Factory
May 24 – Hiroshima @ Reed*
*No Fallujah

DVRK Shred Fest 2027 Europe & UK Tour
with Obscura, Pestilence, Cryptic Shift and Thus

Get tickets: https://www.shredfest.net/2027-europe-uk/

January 20 – Aschaffenburg, DE @ Colos-Saal
January 21 – Utrecht, NL @ TivoliVredenburg
January 22 – Dresden, DE @ Club Puschkin
January 23 – Dortmund, DE @ Junkyard
January 24 – Berlin, DE @ Lido
January 25 – Warsaw, PL @ Proxima
January 26 – Ostrava, CZ @ Barrák Music Club
January 27 – Vienna, AT @ Szene
January 28 – Salzburg, AT @ Rockhouse
January 29 – Frauenfeld, CH @ Eisenwerk
January 30 – Geneva, CH @ Usine
January 31 – Treviso, IT @ New Age
1 February 1 – Rome, IT @ Orion
2 February 2 – Milan, IT @ Legend Club
3 February 3 – Grenoble, FR @ L’Ilyade
February 4 – Montpellier, FR @ Victoire 2
February 5 – Barcelona, ES @ Wolf
February 6 – Madrid, ES @ Revi Live
February 7 – Sevilla, ES @ Sala Custom
February 8 – Lisbon, PT @ República da Música
February 9 – Porto, PT @ Mouco
February 10 – Pamplona, ES @ Totem
February 11 – Toulouse, FR @ Le Rex
February 12 – Limoges, FR @ CCO John Lennon
February 13 – Angers, FR @ Le Chabada
February 14 – Paris, FR @ Petit Bain
February 15 – Southampton, GB @ Engine Rooms
February 16 – Birmingham, GB @ O2 Institute
February 17 – Dublin, IE @ Opium
February 18 – Glasgow, GB @ Slay
February 19 – Manchester, GB @ Rebellion
February 20 – London, GB @ The Underworld
February 21 – Kortrijk, BE @ DVG Club
February 22 – Nancy, FR @ L’Autre Canal
February 23 – Leeuwarden, NL @ Neushoorn
February 24 – Hamburg, DE @ Uebel & Gefährlich
February 25 – Trockau, DE @ Music Center
February 26 – Lindau, DE @ Club Vaudeville
February 27 – Munich, DE @ Feierwerk

DVRK is a French five-piece operating at the intersection of deathcore, nu-metal, and electronic bass music. Formed in 2019 as a solo project, the band has since expanded into a full ensemble featuring Julian Wilt on vocals, Bastien Deleule and Gérald Audiard on guitars, Fabien Letren on bass, and Vincent Vidal on drums.

From the outset, DVRK has operated less like a conventional band and more like a system—a constructed world with its own logic, language, and escalating narrative. Each release functions as a transmission, drawing listeners deeper into a mythology that frames the project as a global program running its subjects through increasingly demanding sessions. The debut EP, Infinite Reminiscence, released via Season of Mist, established the framework. “Misery Repeat” marks the beginning of what comes next.

Past collaborations include Conquer Divide, Cove Reber, Chunk! No, Captain Chunk!, and Hyro the Hero.

Line-up:
Julian Wilt — Vocals
Bastien Deleule — Guitar
Gérald Audiard — Guitar
Fabien Letren — Bass
Vincent Vidal — Drums

Follow DVRK:
Bandcamp: https://dvrk.bandcamp.com
Facebook: https://www.facebook.com/wearedvrk
Instagram: https://www.instagram.com/wearedvrk
TikTok: https://www.tiktok.com/@wearedvrk
Twitter (X): https://twitter.com/weareDVRK
Spotify: https://open.spotify.com/artist/2veLy5cp8tE2IUS47EwzlB
Apple Music: https://music.apple.com/artist/dvrk/1462754288

JOOST, KÄÄRIJÄ & TOMMY CASH Launch Long-Awaited Collaboration Project with “Boyband” EP & Music Video ‘I Miss Us’

Posted by tarjavirmakari on May 12, 2026
Posted in: Int. News, News. Tagged: "Boyband" EP, JOOST, KÄÄRIJÄ, TOMMY CASH. Leave a comment

Today, three of Europe’s most beloved and boundary-defying artists, Joost Klein, Käärijä and Tommy Cash officially launch their long-awaited collaboration project. The Boyband EP is available now here, and “I Miss Us” music video here.

Three Artists, One Near-Victory Each
What do Joost, Käärijä, and Tommy Cash have in common? Each has come agonisingly close to winning the Eurovision Song Contest, and each walked away a fan favourite, a cultural phenomenon, and, ultimately, something far more interesting than a winner. Their near-victories forged a bond built on mutual respect, shared absurdity, and an outsider’s understanding of what it means to turn the mainstream on its head.

Now, for the first time, they channel that energy together, and in doing so, they make history. Joost, Käärijä, and Tommy Cash are the world’s first Eurovision Boyband.
Ever.

The Boyband EP is a celebration of friendship and bringing together many different musical styles, all of which lead to the perfect creative chaos. Lead single, “I Miss Us”, carries a message that extends beyond the music itself. All revenue generated by the single will be donated in full to Musicians Without Borders, supporting children in Palestine and those affected by conflict around the world.

Musicians Without Borders uses the power of music to bridge divides, heal trauma, and connect communities affected by conflict. Their work in Palestine provides children with access to music education and creative expression in the most challenging of circumstances. Music for everyone.

Follow:
https://joostklein.eu/
https://www.instagram.com/joostklein

https://tommycash.world/
https://www.instagram.com/tommycashworld/

https://www.contrapromotion.com/Artists/Kaeaerijae/
https://www.instagram.com/paidatonriehuja/

INSANIA Unveil New Video for 25th Anniversary Edition of ‘Angels In The Sky’

Posted by tarjavirmakari on May 11, 2026
Posted in: Int. News, News. Tagged: Insania. Leave a comment
Photo by Markus Tält

Swedish power metal masters Insania are pleased to unveil the 25th Anniversary Edition of the song “Angels In The Sky”, originally released on their “Sunrise In Riverland” album in 2001, out now via Frontiers Music Srl. 

The band commented: “The 25th anniversary version of “Angels In The Sky” is a gift from us to all of our fans – both the new ones and the ones who have been with us since the beginning. This is how the song could have sounded 25 years ago – if the guys in the cureent line up magically would have returned back to our 20-something year old bodies in 2003 (thus omitting our very immature minds from the equation)!”

“Angels In The Sky is one of those songs that always seem to pop up when our band is mentioned – and rightfully so. The song itself came from a place of loss and sorrow – and still to this day it seems to resonate with the ones who hear it for the first time”, they continued. “We hope that you will enjoy this song in its new shape and form. Thank you for sticking with us throughout the years.”

Stream “Angels In The Sky (25th Anniversary Edition)” HERE

“Angels In The Sky (25th Anniversary Edition)” is the first song that Insania recorded with their new four-piece line-up, that made its live debut in 2025. The song is also the first studio recording where the new bass player Erik Arkö is featured – and it also marks the return of Katarina Jenner and Åsa Halén, who sang the choirs on “Revolution” and “Trinity” on “The Great Apocalypse”(2025) and who now return to leave their mark once again.

The first version of Insania was formed in 1992 by drum player Mikko Korsbäck and guitar player Henrik Juhano. Bass player Tomas Stolt was added to the line-up shortly after, and a few other musicians were also part of the band for short periods of time. 

The band initially started off playing covers of their favorite bands such as Helloween and Iron Maiden, but eventually Mikko’s classmate Niklas Dahlin joined as a second guitar player and they started writing their own tunes. The band then added keyboard player Patrik Västilä and began to pursue a more melodic style. Mikko took it upon himself to sing, even if he was playing the drums at the same time, as the band had not found a vocalist to match their ambitions.

In 1997, the band approached singer David Henriksson to join the band. The union between the band’s ambitions and David’s vocals was a match made in heaven. The band felt complete and sought to find a way to reach a bigger crowd. 

Later, the band was offered a deal with House Of Kicks (later known as MNW and then Sound Pollution) and their debut album “World Of Ice” was released in 1999. The band would go on to release three more albums over the course of the coming years, while enduring some line-up changes and eventually going on hiatus in 2007. 

Following the signing with Frontiers to release “V”, Insania started to bring their power metal attack again back to the metalheads around the globe, revitalized with the addition of the singer extraordinaire Ola Halén. 

The band released their latest album, “The Great Apocalypse”, last June, a powerful record full of speedy, double-bass drums, great hooks, and amazing solos.

Line Up:
Ola Halén – Vocals/guitars
Niklas Dahlin – Guitars
Erik Arkö – Bass
Mikko Korsbäck – Drums

Follow INSANIA:
Facebook
Instagram

CONJURER Reveal New Live Video ‘The World Is Not My Home’

Posted by tarjavirmakari on May 11, 2026
Posted in: Int. News, News. Tagged: Conjurer. Leave a comment
Photo Credit: Matthieu Gill

British metal heavyweights CONJURER have unveiled a new live video for ‘The World Is Not My Home’, recorded at their sold-out November 2025 London headline show at The Underworld.

It’s the second video from their landmark performance, following April’s ‘The Searing Glow‘ release.

Catch CONJURER on tour in the UK, EU, and North America this year: 

UK
13/06/2026 Donington, UK @ Download Festival
22/08/2026 Bristol, UK @ ArcTanGent Festival

EU
14/05/2026  Alkmaar, NL @ Hal 25
15/05/2026 Leeuwarden, NL @ Neushoorn
16/05/2026 Brussels, BE @ La Botanique
17/05/2026 Tilburg, NL @ Little Devil
19/06/2026 Clisson, FR @ Hellfest
27/06/2026 Bourlon, FR @ Rock In Bourlon
08/08/2026 Josefov, CZ @ Brutal Assault

NORTH AMERICA w/ Sadness, Snooze, & Pains
05/22/2026  US   NY  New York City @ The Meadows
05/23/2026  US   ME Portland @ Geno’s Rock Club
05/24/2026  US   MA Boston @ The Rockwell
05/26/2026  US   RI  Providence @ Alchemy
05/27/2026  CAN QC Montreal @ Cabaret Foufs
05/28/2026  CAN ON Ottawa @Dominion Tavern
05/29/2026  CAN ON Toronto @ Prepare The Ground
05/30/2026  US   OH Columbus @ Donatos Basement
05/31/2026  US   IL   Chicago @ Sleeping Village
06/01/2026  US   IN  Indianapolis @ Black Circle
06/02/2026  US   KY  Louisville @ Portal
06/03/2026  US   TN  Nashville @ DRKMTTR
06/04/2026  US   GA  Atlanta @ Boggs Social & Supply
06/05/2026  US   NC  Raleigh @ Chapel Of Bones
06/06/2026  US   MD  Baltimore @ Motown Ballroom
06/07/2026  US   PA   Philadelphia @ Kung Fu Necktie

CONJURER have evolved radically since the release of their debut album (Mire, 2018), and their second release (Páthos, 2022) saw them lauded among the most exciting British metal bands. Whilst award nominations and accolades accumulated, the four-piece band retained their very simple mission: to make heavy music and have fun whilst doing so. Preferring to use their spotlight to showcase technicality and musicality rather than centring politics or opinions, CONJURER lived in the moment and embraced everything that came their way.
  
Within the tumult of forging a renewed identity as a band, on Unself there is a more intense, more personal voyage of discovery unfurling for vocalist/guitarist Dani Nightingale. Diagnosed with autism at age 31, their long-held view of self, and perception of their place in the world began to unravel. Unself documents much of the piecing back together around the diagnosis, alongside the realisation they were non-binary. 
  
These vignettes of processing and self-actualisation take place against the backdrop of a society careening towards glassy-eyed capitalist dystopia; finding firm footing eludes many of us – and CONJURER delve headfirst into exploring these suffocating new societal parameters.
 
Within Unself‘s nine tracks, CONJURER deliver the writhing post-metal sound they’ve become known for, but have loosened their grip on the desire to fill every moment with sonic obliteration. Instead, they have leaned into utilising space, gifting listeners a little breathing room which serves to make the heavy elements feel all the more intense. 
  
A more direct, organic approach to songwriting was facilitated by the ever-strengthening bonds within the band, and the supportive environment created by producer Joe Clayton. Allowing themselves more time than with any previous recording experience, they committed to preproduction sessions, followed by an elongated recording period in order to do justice to the material they had crafted. Stripping back the excesses of previous outings to reveal their solid songwriting chops allowed for more clarity and more dynamics to shine through. To their ears, the mood, the core of the lyrical content and the music are more aligned than ever before. 
  
This record is the sound of four individuals living with more purpose and as a consequence creating with more purpose. Unself sees them reaching out to offer community, catharsis and connection. CONJURER remain true to their original mission – they’re still having fun, playing interesting heavy music – but now that music is imbued with the power that comes from opening themselves up to others, at first within the band, and now beyond.

Conjurer are:
Brady Deeprose | guitars, vocals
Dani Nightingale | guitars, vocals
Conor Marshall | bass
Noah See | drums

Conjurer online:
https://www.facebook.com/conjureruk
https://x.com/ConjurerUK
https://www.instagram.com/conjureruk
https://www.conjureruk.com

BraveWords Records Seeking Submissions for “KnuckleTracks” Compilation of the Heaviest, Loudest & Most Unrelenting Tracks in Metal Today

Posted by tarjavirmakari on May 11, 2026
Posted in: Int. News, News. Tagged: “KnuckleTracks Volume One”, Bravewords Records. Leave a comment

BraveWords Records is opening the gates!

BraveWords Records are now accepting submissions from bands around the world to be featured on “KnuckleTracks Volume One” — a compilation of the hardest, heaviest, loudest, and most unrelenting tracks in metal today. If you have a great rock song, we want to hear it!

What exactly is KnuckleTracks you ask? It was the name of Brave Words & Bloody Knuckles world famous official CD sampler that came free with every issue of the magazine, when it was launched in February/March 1997 (Issue No. 16).

Almost 30 years later, KnuckleTracks lives again!

“KnuckleTracks helped launch and propel bands to the next level,” BraveWords Founder/CEO “Metal” Tim Henderson remembers fondly. “And here we are doing it again to a new wave of exciting bands that want to be heard around the world!”

And this isn’t for the weak. This is for bands that hit hard, play louder, and refuse to be ignored.

If your track belongs in the pit, we want to hear it.

Submit now and take your shot at standing alongside the next wave of hard and heavy music.

Visit BraveWordsRecords.com and use the Submission form here. Make sure you mention in the notes that you are submitting for KnuckleTracks.

About BraveWords Records:
BraveWords Records has released albums by Crimson Glory, Voices of Extreme, Alcatrazz, Bangalore Choir, Paul Di’Anno’s Warhorse, The Chris Slade Timeline, Rhett Forrester and Rob Robbins, Prophets of Addiction, Jack Starr, ASKA and future releases from Phil Soussan, Lillian Axe and a new Alcatrazz studio album.


There is a serious void which desperately needs to be filled, hard-working and creative bands that have yet to find a partnership and a mutual vision with a professional team. The music-fuelled minds behind BraveWords Records, Brian Adams, Giles Lavery, Tim Henderson and Michael Brandvold, have built the ultimate home for an artist that will take you where you want to be. Collectively, with nearly 100 years of music industry experience under our belts, the BraveWords Records team will take care of all the crucial aspects of your project from global distribution (digital and physical), publicity and media coverage (web, radio, visual), social media blanketing and streaming opportunities (such as Streaming For Vengeance). Where most labels have forgotten the concept of actually marketing a release sensibly, BraveWords Records will construct a viable and comprehensive marketing plan, including visibility at BraveWords.com, which attracts a million visitors monthly. BraveWords Records has all senses on high alert as the music industry continues its never-ending transitioning, so the artist will always be aware of new opportunities to build their brand and strive for world domination. BraveWords will also have a focus on licensing film and TV content, both contemporary and retrospective across many genres. As artists and labels transition to the many new mediums available today for their work, BraveWords intends to stay ahead of the curve in providing and actively seeking opportunities for our roster of clients.

With the rapid spread of the world wide web, BraveWords.com was born in 2000 and quickly became the CNN of heavy metal. With its team of global writers and photographers, the site flourished with 24/7 updated news, features, reviews, audio and video steams.

For nearly 30 years, BraveWords wears their metal heart loudly on their sleeve, as they celebrate the greatest genre of music with the most dedicated and passionate fans on the planet!

http://bravewordsrecords.com
https://bravewordsrecords.bandcamp.com
https://bravewordsrecords.com/merch
https://linktr.ee/bravewordsrecords
http://www.twitter.com/BravewordsRec
https://youtube.com/@BravewordsRecords
https://www.tiktok.com/@bravewordsrecs
https://www.threads.net/@bravewordsrecords
http://bravewords.com

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