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ESSEX’s New Video Single Is Full Blooded Rock n’ Roll

Posted by tarjavirmakari on August 9, 2026
Posted in: Int. News, News. Tagged: Essex. Leave a comment

It’s always felt a bit of a cop-out titling a song “Rock n’ Roll” – although when it works, it really works. Just sit in an American sports stadium for a while, and you’ll be bellowing along with the best of them!

Even better is when it is spelled correctly.  All this rock AND roll nonsense… what are we talking about here?  A raw, unforgiving, unapologetic teenage rampage? Or a high school grammar test?  It’s rock n’ roll, with the emphasis on the ’n.  Like cars n‘ girls, leather n’ lace, Guns n’Roses, you know the drill.

And the storming new single from Cleopatra’s resident superstar in waiting Essex has it all, a throbbing bass, a slicing guitar, a raucous vocal and lyrics that are less a song than a series of commandments – “let’s rock n’roll till we die.”  Catch the accompanying video and you’ll know what we mean.

SINGLE: https://orcd.co/essex_rocknroll

ESSEX INTERVIEW: https://www.mixcloud.com/CleopatraRecords/pirate-radio-cleopatra-introducing-essex-march-2026/

Essex explains, “’Rock N’ Roll’ is my love letter to the genre itself and to all the artists who inspired me to chase this dream. It’s a thank you to the legends who came before me, and an invitation for a new generation to discover what rock and roll really means.”

​

“The song is really an anthem of gratitude and hope for rock and roll.”

​

“Rock N’Roll” is Essex’s third single, following his debut duet with Cherie Currie (The Runaways), “When You’re Young,” back in February; and “Eighties” in May, a storm-tossed cover of the Killing Joke classic.

This time, we’re hearing an Essex original, and it’s an absolute stunner, 3 minutes 45 seconds that remind you exactly what rock n’ roll is supposed to sound like, but which is all too often absent from the scene.

Essex continues, “Everything feels so heavy right now, and I wanted to put something positive into the world instead of adding to the negativity. I wanted people to get up, dance, have a good time, and remember why they fell in love with rock n’roll in the first place.”

Essex certainly remembers that moment, and we can hear it in the song, poised as it is at the precise intersection of Duran Duran’s sleek pulse, Billy Idol’s swagger, and Marc Bolan’s immortal boogie and deathless beauty.  Essex’s music draws from a time when guitars and synths hit hard, songs were built to last, and authenticity mattered more than trends, or being flashy and glammy –  a bold, uncompromising sound that is custom built for today’s alternative landscape.

And while we stomp our feet and clap our hands to “Rock n’ Roll,” Essex himself is currently at work on his full length debut album, its dark-edged fulled guitars and synths, commanding melodies, and sharp, aggressive bite channeling the raw electricity of the MTV-era ’80s at their peak , even as they charge forward with modern grit and venomous danger. This is music built on volume, emotion, and conviction, hooks you can shout, grooves you can feel, and a presence that refuses to be ignored.

You can catch an early taste of what’s in store when Essex plays L.A.’s Skeleton Key Club on September 15. Don’t miss it!

And that earlier single, “When You’re Young,” makes its physical debut aboard the new Cherie Currie album, The Cleopatra Sessions – available in purple, black and marble vinyl. Order it here.

WORMWOOD Release New EP “Å”, Out Now

Posted by tarjavirmakari on August 9, 2026
Posted in: Int. News, News. Tagged: WORMWOOD. Leave a comment
📸: Svartnafilm

WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly release their new EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continue to evolve as a band.

‘Å’ is a concept EP built around an idea that has been growing for some time, but never quite belonged on any previous, or upcoming, full-length album. It is a contemporary portrayal told through two filthy stories, inspired by the more marginalized circles of Stockholm. In other words, this is as raw, real and authentic as we can portray reality through music.

Order the EP here: https://orcd.co/blod197

‘Å’ Track List:

  1. YRA / EXTAS
  2. PURPOSELESS GEOMETRY

Produced by Sverker Widgren & Tobias Rydsheim

With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.

WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.

Today, WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.

Since their formation in Stockholm in 2014, WORMWOOD have developed a sound that is as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.

WORMWOOD are:
Nine – Vocals
Tobias Rydsheim – Guitar, Keys, Vocals
Jerry Engström – Guitar
Oskar Tornborg – Bass, Vocals
Simon Samuelsson – Drums

SLUG COMPARISON Pays Homage to NIRVANA w/ Single ‘Tongue of the Hollow’ from Upcoming EP

Posted by tarjavirmakari on August 9, 2026
Posted in: Int. News, News. Tagged: Doug Harrison, SLUG COMPARISON. Leave a comment
Doug Harrison – Photo Credit: Peter Wiholm

Canadian songwriter and multi‑instrumentalist Doug Harrison, best known as the vocalist for progressive rock/metal band Fen, returns with a new chapter of his solo project Slug Comparison. The project’s new single, “Tongue of the Hollow,” is the first preview of the upcoming EP “Cold in Cold out, set for release on September 10th, 2026.

“Tongue of the Hollow” began as an unexpected homage to Nirvana’s “Something in the Way.” Harrison noticed the similarity early in the writing process, but chose to embrace it, adding chord changes and letting the influence guide the song’s mood.

“As I was writing this song, I realized early on that the verse riff was way too similar to Nirvana’s “Something in the Way.” I could have abandoned the idea right there, but then I added a few chord changes (I don’t have Kurt’s gift for writing a song with only two chords), so I decided to keep going and let it be an homage. I was huge into Nirvana for a few years, so it made sense that my appreciation was coming out this way. As far as lyrics, I had no idea what “Something in the Way” was about, and that freed me to fumble my way down a different path, while staying true to the vibe of the original,” says Harrison.

Lyrically, the track tells the story of a bedridden apartment dweller nearing death, surrounded by cats who no longer understand why their owner can no longer care for them. His only solace comes at night, when the upstairs neighbour walks the creaking floorboards and sings. The result is a slow‑burning, melancholic piece that leans into Slug Comparison’s signature dark, brooding, introspective, depressingly uplifting sound.

Listen to “Tongue of the Hollow” at the following links:
Spotify – https://open.spotify.com/track/2TOTjDogOn2pbyj5Ki9CD1​
Bandcamp – https://slugcomparison.bandcamp.com/track/tongue-of-the-hollow

Slug Comparison‘s new EP “Cold in Cold Out” is a shift away from the electric, rock‑forward production of his 2025 album “A Battle to the End Fought on the Edge of a Knife.” Instead, “Cold in Cold out” returns to the spacious, layered acoustic textures reminiscent of Fen’s “Trails Out of Gloom.”
​
​“These songs rely more on mood than hooks. The instant gratification isn’t there. They’re slow release,” adds Harrison.
​
The EP’s six tracks dwell in depressive territory and are best experienced privately, in sequence, and through headphones. Harrison intentionally selected fragments with minimal rock riffage, choosing the moody, unironic, humorless pieces that fit the EP’s emotional landscape.

While Slug Comparison is primarily a solo effort, collaboration for this EP with drummer Randall Stoll (Boulevard, KD Lang, Tom Cochrane) brought the songs to life in the studio, and Sheldon Zaharko added his own touch through mixing.
​
Overall, the EP blends personal, imagined, and semi‑imagined lyrical narratives, with a heavier emphasis on fictional storytelling than Harrison’s previous work.

Slug Comparison began when Doug Harrison realized he was writing more material than he could bring to Fen during the creation of their 2012 album “Of Losing Interest.” What started as overflow quickly became its own creative outlet, an environment where Harrison could develop songs independently, shaping every instrument and texture without needing to fit them into Fen’s framework.

“I started taking songs further and further on my own. Eventually I realized I couldn’t bring them to the band without dictating what people played. A solo project seemed like a good option,” explains Harrison.
​
After experiencing long stretches between releases, twelve years between Fen albums and six years between Slug Comparison records, Harrison challenged himself to write and record new material within a single year.

“It was a ton of work. But the experiment suggests I might be able to record all my songs before time runs out for me.” Harrison adds.

With roots that draw from prog, alt, and grunge, Slug Comparison is recommended for fans of Nirvana, Puscifer, Katatonia, Porcupine Tree, The Pineapple Thief, Fen, and Mark Lanegan.
​
​“Cold in Cold Out” marks Harrison’s tenth recording across Fen and Slug Comparison, and his most mood‑driven, acoustic‑layered work in years.

Due out on September 10th, 2026, the EP is available for pre-order at https://slugcomparison.bandcamp.com/album/cold-in-cold-out

Track Listing:​
1. Tongue of the Hollow (4:01)
2. To Whom Would You Answer (3:47)
3. Back to the World (4:03)
4. Burden of Life (4:44)
5. Cold in Cold out (5:31)
6. No Healer (4:36)
EP Length: 26:42

EP Recording Credits:​
• All songs performed by Slug Comparison
• All songs written by Doug Harrison
• Produced by Doug Harrison
• Mixed by Sheldon Zaharko
• Mastered by Brock McFarlane at CPS Mastering
• Album Artwork by Inkantation
• Member of SOCAN
• Canadian Content (MAPL)

EP Lineup:​
Doug Harrison: vocals, guitar, bass, programming, songwriting, production
Randall Stoll: drums

More info:
​https://www.instagram.com/slugcomparison​
​https://www.facebook.com/slugcomparison

ROBIN TROWER’s Creative Burst Continues with New Album “Shine”, Out 25th September

Posted by tarjavirmakari on August 9, 2026
Posted in: Int. News, News. Tagged: Robin Trower. Leave a comment
Photo (c) Rob Blackham

The legendary guitarist Robin Trower will release his new album, Shine, on 25 September via Provogue / Artone Label Group. He has also revealed his new single, Live Your Time, to celebrate the announcement.

Ask Robin Trower to explain his late-period creative burst and the legendary British guitarist can only shrug: “I think you’ve either got to keep pushing – or give up.”
 
Now 81, with a mythology that spans from the clubs of Swinging London, to Procol Harum,  through 1974’s gold-selling Bridge Of Sighs and onward into a vital post-millennial solo catalogue, the veteran bluesman’s place amongst the all-time greats is beyond doubt.

Yet while his ’60s peers have long softened into greatest-hits autopilot, this restless artist still starts each morning the same way: stood in his workroom with a battle-scarred signature Strat, hunting down the magic note that will spark his next song. “Then I’ll wake up in the middle of the night,” he smiles, “with a line for the lyric.”

Kicking off the sessions at his favoured Studio 91 in Newbury – then moving to engineer Sam Winfield’s new facility The Pines to fix the holes – Trower’s thumbprint is all over a powerful, intimate new album where molten guitar solos drive songs urging us to meet the modern world head-on. “I agree with people that it’s a very dark time. But I don’t want to make gloomy music. I think that most of these songs are positive.”

Shine is worthy of the name: an album that shimmers with possibility and crackles with vintage Trower power. “It’s great to get that energy back off an audience,” he considers, “but I just love recording too. It’s always fun, you know? Playing guitar: that’s what I do, and that’s what I love.”

Self-producing while handling guitar and bass, the veteran was confident enough to delegate key duties to his trusty studio band, with drummer Chris Taggart driving the new material and long-standing vocalist Richard Watts articulating each emotion. “The strength of his vocals, the beauty of his vocal tone – he’s so musical,” considers Trower. “I usually write with Richard in mind. I can hear it all in my head.”

The first single Live Your Time’s soul-funk riffing heats the valves in Trower’s Marshall stack. “The opening riff of Live Your Time is one of the best things I’ve ever come up with,” he says. “ It’s always very loud in the studio, and that’s how you get the tone, by cranking the amp. That’s another song where I’m saying, ‘Calm down, it’s all going to work out. Just get the most out of your life.’”
​
Trower’s back catalogue is fast closing in on 30 releases (not to count collaborations with Jack Bruce, Bryan Ferry, Maxi Priest and more). Nor that the past decade alone has yielded no less than eight studio albums. “Trower is to be treasured,” wrote Classic Rock of 2025’s Come And Find Me, while even the self-effacing bluesman allows himself a flash of satisfaction: “I think, over the past few years, I have set quite a high standard. Now I’m determined to keep that going. To still have the energy to work, that is a real blessing.”
 
Keep pushing or give up? It should be obvious which path Robin Trower has taken – and Shine is the latest thrilling evidence of a songwriter who chooses to forge ahead rather than rest on his laurels. “Really, if I have a gift,” he concludes, “it’s probably that I come up with ideas. Ideas for songs, ideas for lead work. Certainly, that’s what keeps me going. It’s just so exciting to see something blossoming into a new song.

Track listing

1. The Missing Piece
2. Shine
3. Love By Any Other Name
4. Live Your Time,
5. Faith
6. Driving Through
7. Truth
8. The Race
9. Without You
10. It’s Not Time

UK Tour Dates – TICKETS HERE
Support comes from Jack J. Hutchinson.

Monday 31 Aug – Sunderland, Firestation
Tuesday 1Sep – Edinburgh, Queens Hall
Thursday 3 Sep – Manchester Academy 2
Friday 4 Sep – Cambridge, Junction
Saturday 5 Sep – London, O2 Shepherd’s Bush Empire

Robin Trower Online
Website | Facebook | YouTube | Spotify | Instagram

IRON SAVIOR Sign with Frontiers Music Srl & Announce New Album “Deathbringer” for November 13th

Posted by tarjavirmakari on August 9, 2026
Posted in: Int. News, News. Tagged: IRON SAVIOR. Leave a comment
Photo by Thomas Sprengler

German power metal force Iron Savior are thrilled to announce their signing to Frontiers Music Srl, and the release of a new studio album, titled “Deathbringer”, out on November 13,2026.

To celebrate, the band unleash the first single, “Back From The Fires Of Hell”, along with an official visualizer, available below.

Vocalist Piet Sielck explained how the song holds a very special meaning for him. Even its title immediately catches the ear, as it directly recalls “Through The Fires Of Hell”, a track from the previous album “Firestar”. “I wrote the first lyrics before I received my cancer diagnosis… Then poetry turned into bitter reality… Although in a different way than I had originally imagined”, he said. “We went through this together… ‘Through The Fires Of Hell’ is therefore more like poetry dedicated to my wife, while ‘Back From The Fires Of Hell’ is more of a reflection on actual events.”

About signing with Frontiers, Sielck commented: “I’m extremely excited to announce that Iron Savior has joined the Frontiers Music family. After all these years in the metal world, it feels truly special to start this new journey with a new partner by our side. Even more special is the fact that this step also means reconnecting with longtime friends and companions from the past – people I have shared many years of musical experiences with and who share the same passion for honest, powerful heavy metal”.

“With Frontiers behind us, we are looking forward to celebrating 30 years of Iron Savior and the release of our new album, with great energy and excitement, and a lot more to come with Frontiers by our side”, he added. “A huge thank you to all the fans who have supported Iron Savior throughout the years. Your passion keeps the fire burning. Heavy metal never dies \m/”

Pre-Order “Deathbringer” HERE

Hamburg-based Iron Savior have long established themselves as one of Europe’s most consistent and productive power metal bands. With their monumental new studio album “Deathbringer”, the band around Piet Sielck has more than one reason to celebrate: following the third instalment of the “Reforged” series, for which Iron Savior completely re-recorded the songs from their Noise Records era, as well as a covers album, the band now presents a brand-new studio album. 

This next chapter in the band’s history finds Iron Savior in outstanding form – full of energy, punch and soaring anthems. In support of “Deathbringer”, the band will also hit the road together with Mystic Prophecy. And this certainly should not go unmentioned: the band is celebrating 30 years of Iron Savior.

As usual, Piet Sielck once again produced the album himself – at his own Powerhouse Studio, a well-established name in the field of powerful metal productions and a place that has long been inseparably connected to the sound of Iron Savior. With “Deathbringer”, the band delivers the perfect successor to their successful 2023 album “Firestar”. 

What unites all songs on the new album is their anthemic character – always one of Iron Savior’s greatest strengths. “Climbing Higher” provides a powerful motivational boost, excursions into melodic speed metal territory such as “Light In The Dark” are present as well, and the fast, high-energy title track “Deathbringer” immediately grabs the listener’s attention. The stomping, relentless “Creature’s Tale” also stands out as another highlight of the album.

With “Deathbringer”, Iron Savior also return to the concept album format. After 200 years of peace, the galaxy once again stands on the brink: the Shadows, an insectoid species and ancient enemy of mankind, have returned. Aboard the gigantic Deathbringer vessel, their immortal Queen has preserved the last remnants of her species inside an eternal digital hive – sustained by the life force of countless worlds. Now the Iron Savior and the Alliance must face an enemy more powerful than ever before.

Musically and narratively, “Deathbringer” brings together everything Iron Savior have stood for over the past three decades: powerful power metal, huge choruses, sci-fi grandeur and a band that, even after 30 years, has lost none of its energy.

“Deathbringer” Tracklist:

1.    Shadows Of Neverness
2.    Deathbringer
3.    Light In The Dark
4.    The Creature’s Tale
5.    Back From The Fires Of Hell
6.    To Boldly Go
7.    Climbing Higher
8.    No Deal (bonus track)
9.    Dawn Of Deliverance
10.    Gunslinger
11.    Never To Yield
12.    Forever And A Day
13.    Fever (bonus track) – Judas Priest cover

IRON SAVIOR – TOUR DATES 2026:
29.08.2026 ES Puerto De Vega – Unirock Fest
04.09.2026 NL Amstelveen – Heavy Metal Maniacs Festival
13.11.2026 DE Siegburg – Kubana
26.11.2026 DE Nürnberg – Hirsch
27.11.2026 DE Lindau – Club Vaudeville
28.11.2026 DE Freiburg – Crashclub
03.12.2026 DE Aschaffenburg – Colos-Saal
04.12.2026 DE Bochum – Matrix/Rockpalast
05.12.2026 DE Oldenburg – MTS
10.12.2026 BE Kortrijk – DVG Club
11.12.2026 DE Osnabrück – Hyde Park
12.12.2026 DE Köln – MTC
13.12.2026 DE Mannheim – 7er Live Club

Line Up:
Piet Sielck – lead vocals & guitars
Joachim “Piesel” Küstner – guitars
Patrick Opitz – bass
Patrick Klose – drums

Produced, mixed and mastered by Piet Sielck
All songs: Music & lyrics: Piet Sielck

Follow IRON SAVIOR:
Website
Facebook

CRIMSON DAY Drop New Music Video for ‘War Machine’

Posted by tarjavirmakari on August 9, 2026
Posted in: Int. News, News. Tagged: CRIMSON DAY. Leave a comment
Photography by Katri Kallio

Finnish heavy metal band Crimson Day have released the official music video for “War Machine,” a track from the band’s album Dark Dimension, out now via Wormholedeath.

“War Machine is a musical nod to old-school heavy metal with a modern edge. Lyrically, it explores humanity’s drive to create ever more powerful war machines. In this case, it draws inspiration from the legendary fighter aircraft of World War II, while also referencing the Battlestar Galactica episode “Scar.” The video features authentic World War II footage that I found from various sources across the internet, showcasing aerial dogfights between the Allied and Axis forces, with a particular focus on battles between RAF and Luftwaffe pilots. So, if you’re a history nerd like me, I think you’re going to enjoy this video.” – Ari Balzar-

Crimson Day continue to build a distinct visual identity alongside its music. Fans can also revisit the band’s previous video releases:

Watch ‘Song of Fire’: https://youtu.be/azYEbw3-0I8 – Watch ‘False Prophet’: https://youtu.be/yo11yiHjMgg – Watch ‘Hexed’: https://youtu.be/bDP7_bKFPDQ – Watch “Dark Dimension”: https://youtu.be/-qmVdKGWuQw

“Dark Dimension” album is available now via Wormholedeath on all major streaming services HERE, and in CD format HERE.

About Crimson Day

Founded in 2013 in Tampere, Crimson Day has spent over a decade forging their own lane within the heavy metal landscape, blending the timeless power of classic heavy metal with a broad sweep of genre influences, wrapped in dark intensity, high-octane energy, and sharp, soaring melody.

The band’s story began with a self-titled EP in 2013, followed by their debut full-length Order of the Shadows (2015). They expanded their sonic vision on At the Mountains of Madness (2018) before returning with the bold, self-titled Crimson Day in 2023. A pivotal lineup shift in 2020 introduced new frontwoman Milka Uusitalo, ushering in a reinvigorated era marked by standout singles including “Raising the Fury” and “Black as the Heavens Above,” and bold, genre-defying covers of “Immigrant Song,” “Holding Out for a Hero,” and “Objection (Tango)” that further demonstrated the band’s dynamic range.

Now, with Dark Dimension on the horizon, Crimson Day is stepping into their most ambitious chapter yet.

With over 100 live shows across Finland and Europe, sharing stages with Sonata Arctica, Turmion Kätilöt, Turisas, Reckless Love, and Korpiklaani, and international performances spanning the Baltics, Germany, and Sweden, the band has built a reputation as a formidable live force. Their music has earned global radio airplay, and their YouTube catalog has surpassed 100,000 views.

Crimson Day is:

Milka Uusitalo – vocals
Ari Balzar – lead guitar
Janne Rantanen – guitar/screams
Jesse ”Kämy” Kämäräinen – bass
Janne Ollikainen – drums/percussions

Follow Crimson Day Online:

www.crimsonday.com
www.instagram.com/crimsonday_official
www.facebook.com/crimson.day.band
www.tiktok.com/@crimsonday_official
www.youtube.com/@crimsonday_official

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