Italian gothic/symphonic metal band ROSSOMETILE are pleased to announce the release of their new EP, “Geminus”, available today on all major digital platforms alongside the official music video for the title track.
More than a simple reissue, Geminus is a special release dedicated to one of the band’s most iconic songs. The EP brings together five tracks that trace the evolution of the composition, offering fans both new interpretations and previously unavailable material.
For the first time, “Geminus” is presented in a brand-new English-language version, while preserving the emotional intensity and the gothic and symphonic atmospheres that have made the song one of the band’s signature pieces.
The EP also includes the original Italian version, taken from the album Gehenna, the instrumental version of the song, and “Nel Solstizio d’Inverno Pt. I” and “Terrenica”, both performed by the band’s current vocalist Ilaria “Hela” Bernardini and released on CD for the very first time, making Geminus a true bridge between the band’s past and present.
With Geminus, ROSSOMETILE celebrate one of the defining compositions of their career, reaffirming their distinctive identity through evocative melodies, majestic orchestrations and a unique balance of gothic and symphonic metal.
Accompanying the EP’s release is the official music video for the new English version of “Geminus”.
Tracklist
Geminus (English Version)
Geminus (Original Italian Version)
Geminus (Instrumental Version)
Nel Solstizio d’Inverno Pt. I
Terrenica
The EP is available for streaming and purchase at:
Rossometile is: Ilaria Hela Bernardini: vocals, piano Rosario Runes Reina: guitars Pasquale Pat Murino: bass Gennaro Rino Balletta: drums
BIO:
ROSSOMETILE are an Italian gothic/symphonic metal band from Salerno, fronted by the powerful operatic vocals of Ilaria “Hela” Bernardini. Their music stands out for its unique blend of symphonic arrangements, heavy metal and ancient, evocative soundscapes, creating an immersive atmosphere where melody, power and emotion coexist.
With a career spanning more than two decades, the band has captivated audiences through emotionally charged compositions and poetic lyrics, establishing a distinctive identity within the Italian gothic metal scene. Throughout their journey, ROSSOMETILE have released six acclaimed studio albums, each further refining their unmistakable sound.
Their artistic vision is also reflected in a series of cinematic music videos that expand the emotional and visual dimension of their work.
Driven by the expressive songwriting of Rosario “Runes” Reina and the dramatic vocal performance of Ilaria “Hela” Bernardini, ROSSOMETILE lead listeners through an emotional journey exploring the deepest aspects of the human soul. Thanks to their evocative live performances and their dedication to creating immersive musical experiences, the band continues to enchant audiences both in Italy and abroad.
In 2024, the band completed their latest full-length album, “Gehenna”, recorded by Francesco Tedesco at Studio XXXV and mixed and mastered by Simone Mularoni (DGM) at Domination Studio.
In 2026, ROSSOMETILE return with the EP “Geminus”, a special release dedicated to one of the band’s most representative songs. Featuring a brand-new English version of the title track alongside exclusive material, the EP serves as a bridge between the band’s past and future while paving the way for the next chapter of their artistic journey.
Escape The Hive is an original 70s style hard rock band. No tracks. No samples. Old school style riffs and harmonies. With a sound and fury reminiscent of the arena rock bands of that era. Featuring one time Jake E. Lee vocalist for Red Dragon Cartel, Michael Thomas Beck and Grammy Nominated and guitarist Conrad Varela, drummer Rich Hinshaw & former DL Marble bassist Paul Williams.
They released their debut “This Is Gonna Sting” in 2023 to critical acclaim. Then hit the road playing with acts like Angel, Burning Witches, Faster Pussycat, Gene Loves Gezabel and many more. Relentlessly touring the US to promote it. One crowd at a time. They amassed 130k views for their single/video, ”I Can See It”. They are now looking forward to the release of their new record Fight or Flight. As Beck states, “This new record is the next evolution for Escape The Hive. A bit heavier, a little bluesier and we can’t wait for everyone to hear the new songs. We are SO exited to have our new release out on Deko Entertainment. Thank you to all the members of The Hive who have waited patiently. Hoping you dig it!”. Hinshaw continues, “Hope the passion that went into this new record comes across! It’s been a great ride so far. Here’s to waking up! And not spilling the wine.”
Fight or Flight has ten blistering new tracks including “Stings Like The Truth” and the first single “Around The Sun”, as Williams states about the new album, “This record means a lot to all of us in various ways. It’s decades in the making if you will. A true collaboration of many styles with the common goal of producing great music, with moving melodies and driving grooves designed to engage the listener and make ‘em ask for more.” Varela continues, “This record is the culmination of 4 lifelong musicians, thousands of miles on the road, and every fan that has supported us along the way coming to fruition. It’s angrier, shreddier, and louder than our freshman release, and marks the beginning of a new era for Escape The Hive. We hope you love it just as much (if not more) than we do!”
Watch “Around The Sun” here:
Escape The Hive thrives on stage with an electrifying live performance and will be hitting the road across the US in support of their new release Fight or Flight.
Stings Like The Truth These Changing Times Around The Sun Careful What You Wish For Skin and Bones Life and Roses Don’t Spill The Wine Oh Brother Reverie Wake Up!
“Jonathan Day is a musician of movement and of place – an artist who, whether through the experience of travel or through deep contemplation of his surroundings, has come to terms with his place in the world – and it is utterly beautiful.” Thomas Blake, Folk Radio UK
Jonathan and the band play alt folk with a piquancy that has been called ‘contemporary rural music’ from the Welsh borders.
New album “Raven And Tamarisk” is ready for release – their previous album Sakura, (February ’23), was called “extraordinary” by the BBC, and spawned ‘Windflower’ picked up widely by French radio. Its predecessor a Spirit Library was Folk Radio’s Album of the Year, described by them as “utterly beautiful”.
Last year saw the band touring widely, finishing with a headline slot at Festival in the Desert in the Sahara and performing at charity Playing for Change’s African Zamane Festival. Their music has been entangled and sophisticated at festivals in Jamaica, Hong Kong, Italy, Poland, Belarus, Germany, France, the US and Thailand as well as the UK, where mainstage gigs have included Bestival, Landed, FatE and many others.
The band sing in English, Welsh and Hindi. The band’s performances are enhanced by original projections made by animator, illustrator and filmmaker friends.
Reviews “Day’s guitar playing evokes John Martyn, a perfect foil for matched phrases that illuminate the deepest musings of the soul” R2 magazine “Scratching at the transcendent” the Independent, London “Poetic, elemental…” Andy Fyfe, Q Magazine ***** “Stunning” Bob Harris, BBC “a voice like Scott Walker and Jim Morrison – dark as chocolate on a still night” Stirrings Magazine “a clear lineage back to classic singer-songwriters… Leonard Cohen, Joni Mitchell, Peter Hammill and CSN&Y, I can also hear Nick Drake” David Kidman, Fatea Magazine
Jonathan and band play alt folk/world/contemporary rural music rooted in the Welsh borders. Recent festivals in Jamaica, Hong Kong, Italy, Austria, Thailand and UK, mainstage at Bestival, Landed, FatE etc. Album ‘A Spirit Library’ was Folk Radio’s Album of the Year. The band performs with original projections/animations.
Jonathan Day – voice, guitar, percussion, composer Niimi Day Gough – voice Simon Smith – bass Meinir Olwen – harp Adam Knight – vibraphone
Live Report and photos by Christian Tallone & Fabrizia Cameretti
Rovigo, 19/20/21 June 2026. As if this late-June week wasn’t already sweltering enough, the Drumzilla organisation set the city alight with an incredible and one-of-a-kind event — a festival for drummers, created by drummers, to celebrate a magnificent instrument that is all too often treated as secondary, overshadowed by charismatic guitarists and frontmen, yet is in fact the beating heart and engine of every band.
Unfortunately, due to work commitments, I was only able to attend Saturday the 20th. The day began as early as 10am in a room at the Hotel Palace, where a clinic was held by Alex Cohen — a New York-based musician and composer widely recognised as a virtuoso of modern technical drumming, celebrated for his coordination techniques, speed, and extreme polyrhythms. He was joined by two other giants of the drum world: Nic Collins (son of Genesis legend Phil Collins and founder of Better Strangers) and Finnish drummer Kai Hahto of Nightwish — world-class artists who generously shared their experience with students of every age and level.
It’s not every day you get to play, talk, ask questions, and then share pizza and crisps over a spritz with genuine legends — among them Christoph Schneider of Rammstein, the headline guest of the evening’s drum galà, who dropped into the clinic to share a convivial moment with everyone present, taking photos, signing records and drumheads in an atmosphere that had by then become wonderfully relaxed and familiar.
Metalshock Finland’s staff with Christoph Schneider
The Evening: Drum Galà
The drum galà itself was a completely free event held in the beautiful Piazza Vittorio Emanuele II in the centre of Rovigo, packed to the very last inch — Rammstein fans above all, but also clinic participants, children, elderly people, families, music lovers, and those who perhaps simply happened to be passing and thought: “Why not… let’s go watch these two playing drums — it’s free.”
Mission accomplished, because that’s exactly what Drumzilla is all about: beyond its primary goal of giving musicians, both professionals and amateurs, the opportunity to exchange ideas and study together, it’s also about making it accessible to everyone… because there’s nothing more powerful and exciting than a drum kit that makes you tremble.
Dario Capacci
At around 9pm, Riccardo Merlini — the creator and organiser of this event, a local son and himself a drummer of international renown, considered among the fastest in the world, a student of Mike Mangini and Thomas Lang, with collaborations including Paul Gilbert and Michele Luppi — took to the stage. He was joined in hosting duties by Dario Capacci, known as Il Batterista Metal, a well-known musician and content creator from Romagna (his channel #FACILISSIMO is one I’ve personally followed since its launch).
Dario had the honour of opening proceedings with a set of around 30 minutes — intense and powerful. Two tracks from the repertoires of Margin Code and Trick or Treat, the bands of which he is a member, followed by two covers: a tribute to Avenged Sevenfold with the magnificent “Nightmare” from the 2010 album of the same name — a track born from the legendary Mike Portnoy following the premature passing of co-founder The Rev — before flooring the accelerator with a devastating rendition of Meshuggah’s “Bleed”, arguably one of the worst nightmares for anyone approaching the double bass pedal. As he himself remarked during the evening: “I was the first to play Bleed in this square — who knows, maybe the second will be Tomas Haake himself. We can all hope, so Riccardo — make it happen!”
MΞTHØD NØIR
At 10:30pm it was Riccardo Merlini’s turn — and he dedicated his slot not to a solo performance, but to the live debut of his new band, MΞTHØD NØIR: a brand-new and highly promising project with rock, metal and progressive influences. A rhythm section with an irresistible groove — Riccardo on drums, Otus Rex on bass, and Max Nonato on guitar — launched into “Late Check-Out Love”, followed by “Under Your Pillow”, a track I’d already heard on their channel. Then came “Under These Open Skies”, with vocalist Vic Mc alternating between clean and screaming vocals with impressive versatility, enriching the band’s sound with shades ranging from melodic rock to full-on metal assault. Time was unfortunately brief — two more tracks, “Stardust Dream” and “Break the Pattern”, closed the set.
What to say about MΞTHØD NØIR? A band of the highest calibre — with a musician of Riccardo’s stature, the rest simply had to match it. We will certainly be hearing more from them, and I hope to see them live again soon with a longer set. After a debut of this prestige, only great things can follow.
Baard Kolstad
At around 10:30pm, it was the turn of Baard Kolstad — born 1992 — and calling him a phenomenon feels like an understatement. Norwegian, and despite his relative youth, he carries a formidable career: from street performance to a television debut in 2009 on the Norwegian version of Got Talent, through the Roland V-Drums World Championship title, membership of black metal band Borknagar, and ultimately landing with Leprous, the progressive band founded in 2001. Baard gave the Rovigo audience an absolutely extraordinary performance of around one hour: odd time signatures, polyrhythms, blistering speed without ever losing intensity or dynamics — then slowing to breakdowns so doom-laden they seemed to make the metronome stutter. Particularly striking was his use of two or three snare drums simultaneously.
Kolstad is the kind of drummer who either drives you to give everything you have, or makes you put the sticks down for good. Whatever his effect on each of us, witnessing him in a setting like this was an enormous privilege. Next objective: don’t miss the next Leprous live show.
Christoph Schneider
Riccardo Merlini returned to the stage, visibly moved: “This is it — the moment has arrived.” Despite the already extraordinary standard of the evening, in the end, we were all there for one reason. A man who needs no introduction: Christoph Schneider, legendary drummer of Rammstein — the greatest industrial metal band on the planet.
Christoph took the stage, offered the crowd a brief salute — “I am not a man of many words… let’s party!” — then sat behind his unmistakable kit and sent the square into delirium with “Tattoo” from their 2019 self-titled seventh studio album “Rammstein”, followed by the brooding “B****” from the masterpiece Liebe ist für alle da. I don’t believe those square walls had ever seen so many people — those who had secured front-row seats were quite literally buried under fans who had climbed every available raised surface.
“Weißes Fleisch” and “Sehnsucht” took us back to the past — a snare like a gunshot. Then the throttle opened with the fantastic “Waidmanns Heil” and its incredible chorus, followed by “Angst”, “Keine Lust” (prime headbanging material), and “Morgenstern” — one of my personal favourites, with that march in the verse, the epic chorus, and the explosive finale. Magnificent. Then “Sex”, “Heirate Mich”, the danceable groove of “Radio” getting everyone moving, before closing with the Spanish-flavoured “Te Quiero Puta” — needless to say, the entire crowd was singing along, and if any passing pensioner didn’t know it beforehand, they certainly left with a new favourite — and with Rammstein a new fan.
Twelve tracks, one hour of absolute joy and an unforgettable show. The performance was impeccable; the sound, perfect. Christoph proved himself a consummate professional as well as a towering artist — and a man of genuine humility, giving photos, hugs, and handshakes to everyone who managed to find him afterwards. That is not something every legend does. From the heart of a long-time fan like me: thank you, Christoph.
Closing Notes
A final group photo on stage with all the artists of the day and the vast Rovigo crowd at their backs. A plaque was presented to Christoph — “This is my first drum award!” — along with an enormous package of Italian pasta. Not bad at all.
A heartfelt thank you goes to Riccardo Merlini for having created something this extraordinary; to Dario Capacci for teaching at the clinic, performing live, and hosting throughout the entire evening; to all the artists of this day and those of the previous days I was unfortunately unable to attend; to the city of Rovigo; to all the sponsors; and last but by no means least, to the technicians and sound engineers who did a fantastic job — working all day mounting and testing equipment under what I can only describe, having been there, as one of the hottest suns in the last 2,000 years.
I leave you with an important message shared by Riccardo and Dario — may it reach even those who weren’t there to hear it in person:
“If you want to become a professional, always believe in yourself. Study. Don’t give up. Invest more in your education than in your equipment. With commitment and dedication, nothing is impossible.”
Thank you all. Greetings from Drumzilla — until next time.
A few days before the start of Drumzilla (June 19-21), organized by Riccardo Merlini, Metalshock Finland had the great pleasure of interviewing him, in case you missed it, read it HERE.
Twenty years after their formation and following three acclaimed studio albums, Greek dark atmospheric metal force ELYSION return with their most ambitious and emotionally charged work to date. The band proudly announce the release of their fourth studio album, “Identity”, which will be released on October 16, 2026 via Massacre Records on Digipak CD, Limited Vinyl LP and digital formats.
To celebrate the announcement, ELYSION have released the album’s first single and official video, “Guardian Angel”, available now on all digital platforms.
A powerful anthem combining the band’s trademark atmospheric darkness with soaring melodies and an unmistakable sense of determination, “Guardian Angel” perfectly captures the spirit of “Identity”. The song delivers a message of hope, strength and resilience, while the accompanying video addresses the issue of child abuse and highlights the urgent need for a safer world for children everywhere.
Vocalist Christianna Chatzimichali comments:
“‘Guardian Angel’ was an obvious choice for the first single. It carries the emotional intensity, energy and character that define Identity. While the video focuses on a very important social issue, the song itself can resonate differently with every listener and become part of their own personal story.”
Produced by Fotis Benardo and ELYSION at Devasoundz Studio, mixed by Benardo and mastered by Nasos Nomikos at VU Productions, “Identity” finds the Greek quartet expanding every aspect of their sound while remaining faithful to the essence that has earned them a loyal international following. The album’s artwork was created by Dimitris Tzortzis.
According to the band, “Identity” is much more than simply a collection of songs. Conceived as a celebration of ELYSION‘s twenty-year journey, the album serves as a heartfelt tribute to the fans who have supported the band throughout their career and to the worldwide hard rock and metal community as a whole.
While not a concept album, “Identity” is united by a common atmosphere and message. Its songs explore themes of self-discovery, personal struggle, resilience, belonging and unity in an increasingly fragmented world. The album showcases the unmistakable ELYSION sound while introducing a more dynamic, confident and adventurous approach to songwriting.
The band states:
“‘Identity’ is the most mature, intense and daring album we have ever created. It is true to our roots, but at the same time pushes our music further than ever before. In many ways, it represents exactly who we are today and what we have learned over twenty years of making music together. This album is our way of thanking everyone who stood by our side and believed in our songs.”
“Identity” also includes two special guest appearances. Greek metal icon Sakis Tolis (Rotting Christ) lends his unmistakable voice to “Harvest”, while Konstantinos Togas (Nightrage, Herta) joins ELYSION on “The Last Ride”.
TRACK LISTING
Do Or Die
Guardian Angel
Dead Loves
The Last Ride
Declaration Of Darkness
Phoenix
Gravity
Harvest
Moment In Time
Broken
Nighttime Whispers
ELYSION are Christianna – Vocals Johnny Zero – Guitars Nid – Guitars J-Kon – Drums
SQUID PISSER — the brainchild of Tommy Meehan (Grodius Maximus of GWAR) — proudly announce their long-awaited new full-length EP, ‘Throat Slave,’ set for release on August 28th via SKiN GRAFT Records / SWEATBAND Records. To celebrate the announcement, the band has unveiled the new single “Mucus” and its accompanying official music video, available below.
Serving as the lead track from ‘Throat Slave,’“Mucus” prominently showcases the contributions of guitarists Michael Armendariz and Raz Azraai, whose songwriting and performances broaden the band’s sonic palette while retaining its uniquely unstable identity. Alongside founder and GWAR guitarist Tommy Meehan and Starcrawler‘s Seth Carolina, the expanded lineup delivers SQUID PISSER‘s most immersive and fully realized work to date.
On the new single, Baxter Yogurt explains:
“‘Mucus’ exists to keep unwanted things out. Germs, parasites, bad ideas, manipulative people, psychic vampires, whatever. This song is about developing your own protective slime layer and trusting it when outside forces try to hijack your identity or steer your life in directions that don’t feel right. Sometimes the healthiest thing you can do is reject the infection and remain your weird, disgusting self. MUCUS IS YOUR FRIEND.”
Following the sensory overload of 2024’s ‘Dreams of Puke,’ Los Angeles slime merchants SQUID PISSER return with ‘Throat Slave’ – a “full-length EP” collecting five original songs, six demented remixes and a foreboding, fear-fraught preface that all push the band’s increasingly strange universe into darker territory.
‘Throat Slave’ marks a significant evolution for SQUID PISSER. While retaining the band’s volatility and sonic intensity, the material reveals a broader emotional range. Groove, atmosphere, and dynamic tension play a larger role than ever before, creating space for the band’s most immersive and fully realized work to date.
The EP also represents the first SQUID PISSER release to prominently feature the creative contributions of guitarists Michael Armendariz and Raz Azraai, whose songwriting and performances help expand the band’s sonic vocabulary while preserving its uniquely unstable identity.
Side A unfolds through five compositions that navigate paranoia, confrontation, self-examination, and release. Beneath the record’s recurring imagery of vermin, tumorous growths, leeches, and bodily decay lies a more universal struggle: reclaiming one’s identity from manipulation, illusion, and the stories imposed by others. ‘Throat Slave’ is ultimately a record about emergence – about recognizing uncomfortable truths and finding clarity in their wake.
If Side A documents the organism, Side B documents its mutation.
Remix artists including queer-cult icon Plack Blague, minimalistic noise-pop duo Hyper Gal, Drumcorps, Fartbarf, Ecology: HomeStones, dj Embryonic Petit Sac, and Zeni Geva’s KK Null (with an exclusive CD-Only Track), dismantle and reconstruct the original material into electronic hallucinations, industrial rituals, mutant dance music, and psychedelic fever dreams. Rather than functioning as bonus material, the remixes operate as a second act, transforming familiar themes into entirely new forms.
Accompanied by the luminous and deeply unsettling artwork of Bora Murmure, ‘Throat Slave’ occupies a space somewhere between nightmare and revelation. Like the glowing figure depicted on its cover, the record emerges from darkness transformed – beautiful, disturbing, and impossible to fully explain.
As Baxter Yogurt puts it, “’Throat Slave’ is a collection of songs about defending your identity from parasites… Whether they’re people, institutions, bad habits, or the voice in your own head telling you to play it safe. The record is filled with bodily fluids, vermin, disease, and decay because that’s what these forces feel like when they’re attached to you and feeding. Every song is a battle between self-determination and surrender. The answer isn’t self-improvement or enlightenment… It’s trusting yourself enough to reject what’s false. Don’t become somebody else’s ‘Throat Slave.’”
SQUID PISSER are currently on their “Internal Violence Tour 2026” with their “Tumors Across America Tour” kicking off August 19th. For a full list of dates, please see below.
SQUID PISSER Live:
Internal Violence Tour 2026 June 29 – Portland, OR @ Twilight June 30 – Bend, OR @ Wonderland Chicken July 1 – San Francisco, CA @ Knockout July 2 – San Diego, CA @ Casbah
Tumors Across America Tour August 19 – Long Beach, CA @ Alex’s Bar August 20 – Sacramento, CA @ Cafe Colonial August 21 – Petaluma, CA @ Phoenix Theatre August 22 – Palmdale, CA @ Transplants August 23 – Cottonwood, AZ @ Queen B Vinyl August 24 – Silver City, NM @ Whiskey Creek August 25 – El Paso, TX @ EP Underground August 27 – Austin, TX @ Lost Well August 28 – Houston, TX @ The End August 29 – New Orleans, LA @ Poor Boys August 30 – Birmingham, AL @ The Nick August 31 – Atlanta, GA @ 529 September 1 – Piedmont, SC @ Tribbles September 2 – Charlotte, NC @ Snug Harbor September 3 – Asheville, NC @ Static Age Records September 4 – Cookeville, TN @ Muddy Roots September 5 – Harrisburg, PA @ Capitol City Music Center September 6 – Montague, MA @ RPM Fest September 7 – Wallingford, CT @ Cherry Street Station September 8 – Philadelphia, PA @ Nikki Lopez September 9 – Youngstown, OH @ Westside Bowl September 10 – Chicago, IL @ Livewire September 11 – Sioux Falls, SD @ The Den September 12 – Lincoln, NE @ Reverb September 13 – Kansas City, MO @ MiniBar
Supporting The Dillinger Escape Plan October 25 – Portland, OR @ Revolution Hall October 26th – Vancouver, BC @ Commodore Ballroom October 27th – Seattle, WA @ Neptune Theatre
SQUID PISSER are a chaotic hardcore/noise outfit blending industrial textures, fractured rhythms, and confrontational performance into a singular, abrasive identity. Featuring members of GWAR, Cancer Christ and Duck Duck Goose, the band fuses blown-out electronics, noise-drenched guitars, and volatile live energy into something deliberately unhinged and immediate.
The band has worked with acclaimed producers including Kurt Ballou and Steve Evetts, and has engaged with forward-thinking acts such as Melt-Banana, The Locust, and Nekrogoblikon. Releases through Three One G Records and Skin Graft Records position SQUID PISSER firmly within a lineage of boundary-pushing underground music.
Through relentless touring, SQUID PISSER has shared stages with GWAR, Weedeater, Nekrogoblikon, Dark Funeral, Melt Banana, King Parrot, and Buñuel, while also performing alongside Thee Oh Sees, deathbyromy, and Siiickbrain, demonstrating a rare ability to cross scenes without compromise.
Internationally, SQUID PISSER has appeared at festivals including ArcTanGent Festival, bringing their volatile and confrontational live show to European audiences. In the U.S., the band has also performed at The Gathering of the Juggalos 2025 and Muddy Roots Fest 2026.
Their growing catalog – including “My Tadpole Legion,” “Dreams of Puke,” and “Vaporize a Neighbor” — has seen multiple vinyl pressings sell out, alongside a steady output of visually striking, concept-driven music videos.
SQUID PISSER are: (Album Lineup)
Baxter Yogurt aka Tommy Meehan – Vocals, Guitar, Bass Michael Armendariz – Guitar, Backing Vocals Raz Azraai – Guitar Seth Carolina – Drums
Live Band:
Baxter Yogurt – Vocals Michael Armendariz – Guitar Raz Azraai – Guitar Rusty Kennedy – Bass Brady Kennedy – Drums
‘Throat Slave’ Credits:
Recorded at Dolphin Fu*ker Studios in North Hollywood and various hotel rooms Drums recorded by Toshi Kasai at Sound of Siren Studios Produced by Tommy Meehan Mixed by Ben Greenberg at Circular Ruins Mastered by Alan Douches at West West Side Sound Cover Art by Bora Murmure Knight with Flaming Sword artwork by Isaiah Worrington Photography by Bella Villa, AF Cortes, Dancefloormurder & Ilee Jo
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 