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ANDRZEJ CITOWICZ Releases New “My Revenge” EP on His 50th Birthday alongside ‘Time Is a Thief” Lyric Video

Posted by tarjavirmakari on February 10, 2026
Posted in: Int. News, News. Tagged: Andrzej Citowicz, CITOVITZ AND FIREFLIES OF FEBRUARY. Leave a comment

Birthday EP Marks Milestone of Survival, Creation, and Refusing to Let Pain Write the Ending
“Time Is a Thief” Lyric Video Premieres Alongside Full EP Release on February 10th, 2026
Melodic Hard Rock Statement from Living Room Rockstar Who Never Stopped Believing

Today, on his 50th birthday, Andrzej Citowicz‘s CITOVITZ AND FIREFLIES OF FEBRUARY releases “My Revenge,” a five-song EP that maps fifty years of refusing to disappear. Citovitz and The Fireflies of February—the project comprising Citowicz, his wife and lyricist Shereen Shoukry Citowicz, and longtime collaborator bassist Patryk Szymański—premiere the complete EP alongside a lyric video for “Time Is a Thief,” a song about survival when survival felt impossible.

“My Revenge” arrives not as celebration but as statement: proof of existence after everything that said existence shouldn’t continue.

“My Revenge” EP is available now on Spotify, Apple Music, Amazon Music, YouTube Music, and all major streaming platforms.

The lyric video for “Time Is a Thief” premieres simultaneously on YouTube:

FIFTY YEARS: AGAINST ALL ODDS

February 10th, 2026 marks Andrzej Citowicz’s 50th birthday—a milestone that once felt unreachable.
“Some years, fifty felt impossible,” Citowicz reflects. “When grief sat heavier than breath. When loss carved holes I didn’t know how to fill. When the world said stop and my heart barely whispered keep going. But here I am. Fifty years of refusing to disappear.”

The journey to this moment has been marked by profound loss—the death of his son Jonasz, documented in his deeply personal album “Living Room Rockstar Part 2″—and the sustained survival that followed. “My Revenge” transforms that survival into sound.

“Revenge isn’t about anger or bitterness,” he explains. “My revenge is existence after everything that said I shouldn’t exist anymore. It’s breathing when breathing felt impossible. It’s creating after everything tried to silence me. It’s still standing with a guitar in my hands after fifty years of being told this was impossible.”

The EP title carries layers of meaning beyond defiance.
“Fifty isn’t what it was for our parents’ generation,” Citowicz observes. “Our 50 is different. Still unfinished. Still learning. Still proving something. These five songs are rehearsals for whatever comes next—not endings, but preparation. Fifty doesn’t mean done. It means experienced enough to know what matters. Scarred enough to understand survival. Humble enough to keep learning.”

THE FIREFLIES OF FEBRUARY: LIGHT IN THE DARKEST SEASON

The project name—Citovitz and The Fireflies of February—carries its own significance, drawn from the only fireflies that shine during dark winter months.
“Fireflies of February are the rare lights that appear when everything else has gone cold,” Citowicz explains. “That’s what we are: me, my wife Shereen who writes the words I can’t say, and brothers like Patryk Szymański who became family through music. We’re the lights that refused to go out in the darkest season.”

This collective survival—personal, creative, collaborative—forms the foundation of “My Revenge.”
“Marriage, brotherhood, music—these are what kept me breathing when nothing else could,” he states. “Shereen held me through the worst of it. Patryk stood beside me when I couldn’t stand alone. The guitar gave me a language when words failed. This EP is all of that woven together—survival as collaboration, creation as revenge against everything that tried to destroy us.”

“TIME IS A THIEF”: EVERY WORD MEANS A LIFE

The lyric video for “Time Is a Thief” premieres alongside the full EP, offering visual accompaniment to one of the project’s most personal tracks.
“Every word in this song means the world to me,” Citowicz states quietly. “More than that—it means my life. My fight. My dreams. My hope. Being broken and getting up every single day. When people watch this lyric video, they’re not just reading words—they’re reading fifty years of survival translated into language.”

The song confronts mortality, loss, and the passage of time with unflinching honesty while maintaining hope that creation can transcend what time steals.
“Time takes everything eventually,” he reflects. “But music—what we create—that stays. That’s the only revenge against time that works. You can’t stop it from stealing. But you can make something that outlasts the theft.”

MARRIAGE AS SURVIVAL: SHEREEN’S VOICE IN THE DARKNESS

Throughout “My Revenge,” Shereen Shoukry Citowicz’s lyrics provide the emotional core—words that map not just her husband’s journey, but her own fifty-three years of being overlooked, unappreciated, and surviving anyway.
“Without my wife, I literally would not have made it to fifty,” Citowicz states with absolute certainty. “She held me when I was breaking. She wrote words I couldn’t find. She believed in this music when belief seemed impossible. Every song on this EP exists because she kept me alive long enough to create it.”

The collaboration between husband and wife—his melodies, her words—creates something neither could achieve alone.
“Shereen sees what I feel before I can name it,” he explains. “She writes the truth I’m trying to play. After all these years together, we’ve learned to speak the same language through music. Her lyrics on this EP are some of the most powerful she’s ever written. They carry weight because they’re earned through actual survival.”

Their marriage—seventeen years and counting—provides the foundation for creation that transforms pain into art.
“Jon Bon Jovi taught me you can be devoted to one person and still create wild, passionate music,” Citowicz notes. “You don’t have to choose between commitment and creativity. Shereen is proof of that. She’s my partner in life and in music. My revenge against loneliness is still being married to someone who knows my darkness and stays anyway.”

PATRYK SZYMAŃSKI: A DECADE OF BROTHERHOOD

Bassist Patryk Szymański’s presence throughout “My Revenge” represents more than musical collaboration—it embodies over a decade of genuine brotherhood forged through shared survival.
“Patryk makes my songs complete,” Citowicz states. “Not just musically—though his bass work is phenomenal—but humanly. He’s been there through the moments when music was the only thing keeping me alive. Through the loss of Jonasz. Through grief that had no words. He stayed when staying was hard. That’s brotherhood.”

The musical chemistry between Citowicz and Szymański reflects years of playing, creating, and surviving together.
“We’ve shared more than stages and studios,” Citowicz reflects. “We’ve shared grief, joy, silence, sound—everything that makes up a life in music. You can hear that connection in every track. You can’t fake the kind of chemistry that comes from genuine brotherhood. Patryk understands what I’m trying to say before I say it. That’s what a decade of friendship becomes.”

Szymański’s bass lines throughout “My Revenge” provide the foundation that grounds Citowicz’s guitar work while allowing it to soar—a perfect metaphor for how brotherhood supports individual expression.

MUSICAL PHILOSOPHY: BON JOVI, DEF LEPPARD, AND THE CRAFT OF SURVIVAL

Musically, “My Revenge” honors the classic rock traditions that shaped Citowicz while embracing modern production techniques—creating melodic hard rock that feels timeless but sounds current.
“I grew up with Bon Jovi and Def Leppard posters covering my walls in Wałbrzych, Poland,” Citowicz recalls. “Those bands taught me about melodic craft, about hooks that stay with you, about guitar-driven rock that still serves the song. But they also taught me something deeper—Jon Bon Jovi showed me you can survive anything if you stay true to yourself. You can honor commitment while creating passionate music. That philosophy runs through everything I make.”
The production balances raw emotion with polished execution—never sacrificing feeling for technical perfection, never abandoning craft for pure confession.

“Desmond Child and Jon Bon Jovi taught me about hooks—those moments that grab you and don’t let go,” he notes. “But they also taught me that commercial appeal and emotional honesty aren’t opposites. You can write a song people want to sing along to that still means something real. That’s what I’m always chasing—music that connects immediately but rewards deeper listening.”

The result is an EP that bridges generations: appealing to listeners raised on 80s rock anthems while sounding vital and contemporary.
“I wanted these songs to feel timeless but sound today,” Citowicz explains. “The melodic sensibility, the song structure, the way guitars and bass work together—that’s pure 80s hard rock influence. But the production, the sonic clarity, the way everything sits in the mix—that’s using everything we can do now. It’s respecting where I came from while living in the present. Just like turning fifty—honoring the past while refusing to be finished.”

THE LIVING ROOM ROCKSTAR AT FIFTY

Throughout his career, Citowicz has embraced the identity of “living room rockstar”—someone who never achieved mainstream success but never stopped believing music matters.
“I never became the rockstar on those posters in my teenage bedroom,” he acknowledges. “I never played stadiums or signed major deals. But I’m still here. Still writing. Still recording. Still finding people who connect with what I’m trying to say. After fifty years, I’m still standing with a guitar in my hands.”

This persistence—creation without guarantee of recognition—forms its own kind of revenge against a world that measures worth by commercial success.
“My revenge isn’t about proving them wrong,” he clarifies. “It’s about proving that creation itself matters more than recognition. That making music because you have to is more real than making music because it sells. I’m a living room rockstar because that’s where the truth lives—not on stages, but in small rooms where you play because stopping would mean death.”
The EP’s five tracks collectively represent this philosophy: songs created not for charts or fame, but for survival and connection.

TRACK-BY-TRACK: FIVE SONGS, FIFTY YEARS

While “You’re Not My Friend—You’re My Brother, My Friend” and “Time Is a Thief” serve as the EP’s emotional anchors, each of the five tracks carries its own weight and purpose.
“Every song has its own story, its own reason for existing,” Citowicz notes. “But they all connect around this idea of revenge as creation—of refusing to let pain, loss, or being overlooked have the final word. Of still standing with a guitar after everything that tried to knock you down.”

The collective statement is clear: survival itself is creative act, and creation itself is revenge against everything that tries to silence you.
“These five songs are my line in the sand,” he states. “They say: I made it here. I survived everything that tried to stop me. And I’m not finished—I’m just getting started. Fifty isn’t an ending. It’s preparation for whatever comes next.”

FROM “MY STORY” TO “MY REVENGE”: A CREATIVE PROGRESSION

“My Revenge” arrives less than six weeks after Citowicz’s surprise album “My Story,” released January 1st, 2026, which featured lyrics entirely written by Shereen chronicling her fifty-three years of survival.
The rapid progression from one project to the next reflects creative urgency born from survival.

“‘My Story’ was Shereen’s voice—her fifty-three years, her truth, her refusal to stay silent after being overlooked for so long,” Citowicz explains. “‘My Revenge’ is mine. But they’re connected. Both are about refusing to let pain write the ending. Both prove that even when life tries to destroy you, you can still create. Both say: we’re still here, still making music, still refusing to disappear.”

The thematic and sonic continuity between projects demonstrates that survival isn’t singular achievement but ongoing practice.
“You don’t survive once and finish,” he reflects. “You survive every day. You create every day. You choose to keep going every day. ‘My Story’ and ‘My Revenge’ are both part of that daily choice—the choice to make something from what tried to break us.”

A BIRTHDAY THAT MEANS SOMETHING

For Citowicz, releasing “My Revenge” on his 50th birthday transforms what could be arbitrary date into meaningful marker.
“I know sometimes a birthday is just a date on a calendar,” he acknowledges. “But hopefully not this time. Hopefully this one means something. Fifty years survived. New music released. Still standing. Still married to someone who tolerates my hair and my dreams with equal patience. That feels like more than just a date. That feels like winning.”

The decision to premiere the EP on his birthday wasn’t strategic marketing but personal necessity.
“This EP had to come out on my fiftieth birthday,” he states simply. “These songs are proof I made it here. They’re the evidence that I survived everything that tried to stop me from reaching this day. Releasing them on any other date would miss the point—they are my birthday, more than cake or candles or celebration. They’re what fifty years of survival sounds like when you turn it into music.”

THE LYRIC VIDEO: MAKING WORDS VISIBLE

The premiere of the “Time Is a Thief” lyric video alongside the full EP release serves specific purpose: making Shereen’s words visible, readable, present.
“I wanted people to see the lyrics as they listen,” Citowicz explains. “These words matter. They deserve to be read, considered, felt. This isn’t background music. This is someone’s life—my life, Shereen’s life—translated into language that might help someone else survive theirs.”

The lyric video format emphasizes the collaboration at the heart of the project: his melodies, her words, their shared survival.
“Every word you’ll see in that video represents something real,” he states. “Every line earned through actual living, actual suffering, actual survival. When people watch it, they’re not just reading lyrics—they’re reading fifty years of refusing to let pain have the final word.”

LOOKING FORWARD: WHAT COMES AFTER REVENGE

While “My Revenge” serves as definitive statement about reaching fifty, Citowicz makes clear this isn’t conclusion but continuation.
“These five songs are rehearsals for whatever comes next,” he explains. “Fifty doesn’t mean finished. It means ready for the next chapter. Ready to keep creating. Ready to keep surviving. Ready to keep turning pain into something beautiful.”

The future remains unwritten—and that’s precisely the point.
“My revenge against time, against loss, against everything that tried to destroy me is simple,” Citowicz states. “I’m still here. Still creating. Still believing music matters. And I’m not stopping. That’s the best revenge I can imagine—refusing to be finished when the world expected me to disappear.”

CRITICAL RECEPTION AND INDUSTRY RECOGNITION

Recent recognition adds context to “My Revenge” release: Metal Pedia named both “Living Room Rockstar Part 1” and “Part 2” as Albums of the Year, while Citowicz’s YouTube channel recently surpassed 100,000 views—milestones that validate persistence without mainstream support.

“These recognitions mean something,” Citowicz acknowledges. “They say that music made in living rooms, released independently, created from survival rather than strategy—that can still matter. That can still reach people. That’s its own kind of revenge against an industry that said you need major labels and radio play to matter.”

But the real measure of success remains more personal.
“If these songs help even one person survive their own darkness,” he states, “if they remind someone that creation is possible after destruction, if they give hope to someone who lost it—then everything was worth it. That’s what music is for. Not charts or streams or recognition, but connection. Human to human. Survivor to survivor.”

AVAILABILITY AND PREMIERE DETAILS

“My Revenge” EP is available now on Spotify, Apple Music, Amazon Music, YouTube Music, and all major streaming platforms.
The lyric video for “Time Is a Thief” premieres simultaneously on YouTube: https://www.youtube.com/watch?v=EmOpZ09ethk

++++++

About Andrzej Citowicz:
Andrzej Citowicz is an acclaimed Polish guitarist and songwriter currently based in Cairo, Egypt. As a former recording artist for DownBoys Records, he has built a reputation for emotionally resonant songwriting and distinctive guitar work. His music combines classic rock influences with contemporary production, creating a sound that bridges generational and cultural gaps while maintaining artistic authenticity. His YouTube channel has garnered over 70,000 views from an international audience.

Connect with Andrzej Citowicz:
Spotify: https://open.spotify.com/artist/7aIeg5DyI7xwkYLsBgJNWf
YouTube: https://www.youtube.com/@AndrzejCitowicz
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

℗© 2026 Citovitz and The Fireflies of February / Andrzej Citowicz

LOMOR Celebrate Release of New Album “Sabouk Rouge” with Ferocious Music Video for Title Track

Posted by tarjavirmakari on February 10, 2026
Posted in: Int. News, News. Tagged: LOMOR. Leave a comment
Photo Credit: Mikael Thullier

Reunion Island’s rising thrash metal force LOMOR proudly announces the official release of their second full‑length album, “Sabouk Rouge,” out today, as of February 6th, via Rockshots Records. To celebrate the album’s release, LOMOR has unveiled a fierce new music video for the title track. This visual assault channels the record’s themes of historical and modern oppression through the band’s trademark intensity, with its pounding rhythms and razor‑edged lyrics setting the tone for everything “Sabouk Rouge” delivers.

Following the momentum of their previous single “Tantine Lo Clou,” LOMOR continues to carve their identity as one of the most distinctive metal acts emerging from the Indian Ocean. Their sound, described by guitarist/vocalist Eric Castelnau (aka Babouk) as “creole thrash old‑school stuff,” blends classic 80s thrash aggression with the cultural grit and linguistic identity of Réunion Island.
​
​LOMOR began as a deeply personal project for Eric, who formed the band in 2018 after the passing of his cousin and brother, both former bandmates in his earlier project, Black Babouk. The name Lomor itself means “The Deads” in Réunion Creole, a tribute to the people and memories that shaped his musical path.
​
Joined by drummer Gurvan Cambrai (aka Typhvs) (also of grind outfit Brvtal trve d’baal) and bassist Micha (member of a local Rage Against the Machine tribute band), the trio has forged a sound rooted in old‑school thrash but sharpened by modern production and raw island energy.

Produced by LOMOR, recorded and mixed by Sébastien Camhi at Art Music Studio in France, and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany, “Sabouk Rouge” broadens the band’s sound while staying true to their raw, old‑school thrash roots. With more Creole lyrics woven in at fans’ request, the album strengthens its cultural identity as it shifts through a wide range of moods.

“The tracks are all different, each bringing its own atmosphere. It’s still trash, but with a variety of flavors,” says Eric.
​
That diversity fuels a record that moves from the title track’s sharp satire of Réunion’s slavery legacy to the grotesque obsession of “Meet Your Meat,” the ritualistic mysticism of “Sanctuary,” and the blistering critique of religion in “La Haine.” The tone lightens with the street‑racing humor of “La Pouss’,” then darkens again with “Panzram,” exploring the roots of a killer’s hatred. The album also revisits Eric’s past with a reimagined “Kit Ta Mère” before ending on “Nevroz,” a reversed, tongue‑in‑cheek remake born from a studio joke, a fitting close to an album defined by intensity, identity, and creative edge.

New album “Sabouk Rouge” is now available as of February 6th, 2026, at the following links:

DIGITAL – https://lnk.to/th31Lt​
CD ORDER – https://rockshots.eu/SaboukRougeCD​

Music Video – Tantine Lo Clou – https://www.youtube.com/watch?v=fx2FUx0G01c​
Music Video – Panzram – https://www.youtube.com/watch?v=388LBe1K7x4

Track Listing:​
1. Sabouk Rouge – 5:13
2. Tantine Lo Clou – 3:40
3. Meet Your Meat – 3:16
4. Sanctuary – 5:17
5. A Shiny Day For A Vampire – 5:14
6. La Haine – 5:06
7. La Pouss’ – 3:07
8. Panzram – 4:29
9. The Ugly, The Bad & The Bastard – 3:02
10. Kit’ Ta Mère – 4:24
11. Nevroz (feat. S. Camhi) – 2:34
Album Length: 45:22

Lomor Line Up:
– Eric Castelnau (aka Babouk) – Vocals & Guitars
– Gurvan Cambrai (aka Typhvs) – Drums
– Mathieu Michalina (aka Micha) – Bass Guitar

More info:
​https://rockshots.eu/​
​https://www.instagram.com/lomor.music​
​https://www.facebook.com/lomormusic

KARMIAN Release New Video ‘Libido Et Mors’ from Upcoming Album

Posted by tarjavirmakari on February 10, 2026
Posted in: Int. News, News. Tagged: KARMIAN. Leave a comment

Rockshots Records announces the release of “Libido et Mors”, the new single by Italian melodic death metal act Karmian, out now on all digital platforms.

“Libido et Mors” is taken from Karmian’s upcoming full-length album “Horror Vacui“, a dark and uncompromising concept record that explores the psychological and existential void behind real acts of murder and moral collapse.

Following the intensity of the previous single “Beastmaster Of The Void”, this new chapter reveals one of the album’s most disturbing and symbolically charged narratives.

Entirely sung in Italian for the first time in the band’s career, “Libido et Mors” delves into the collision between repressed desire and corrupted faith. Inspired by the historical case of Sister Maria Luisa Ridolfi and the scandal of the Sant’Ambrogio della Massima convent in 19th-century Rome, the song exposes a world where religious devotion becomes a tool for manipulation, abuse, and murder. Ecstasy and control, flesh and doctrine, spirituality and obsession merge into a single language of power, revealing how denial and silence can turn faith into a breeding ground for violence.

Commenting on the track, the band states:
​
“‘Libido et Mors’ represents a breaking point within “Horror Vacui“. It’s where the spiritual void and the carnal void collide. Writing and performing it in Italian allowed us to strip away any distance and confront this story in the most direct, unsettling way possible.”

DIGITAL: https://lnk.to/cOzTCF

Musically, the single highlights Karmian’s ability to balance melodic death metal ferocity with narrative tension. Crushing riffs, oppressive rhythms, and a dramatic vocal delivery reinforce the song’s claustrophobic atmosphere, reflecting the album’s broader vision: melodic death metal as a storytelling tool capable of merging brutality, reflection, and emotional weight.
​
Recorded, mixed, and mastered at Audiocore Studio by Luca Cocconi and Simone Sighinolfi, “Horror Vacui” marks Karmian’s darkest and most mature work to date.

Each track on the album is inspired by a real Italian criminal case, not to glorify horror but to expose the emptiness, alienation, and moral disintegration that precede violence.

“Libido et Mors” stands as one of the album’s most unsettling portraits, where sacred imagery is corrupted, and redemption wears the face of the abyss – reinforcing the central message of “Horror Vacui“: the most terrifying horror is not external but born from the void within.

New album “Horror Vacui” out March 20th, 2026.

PRE ORDER “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd​

First Single – Visualizer – “Beastmaster Of The Void”: https://www.youtube.com/watch?v=-NhBZGSShJE​

DIGITAL: https://lnk.to/PMCdGh

Track Listing:​
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:​
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:
​https://rockshots.eu/​
​https://www.instagram.com/karmian_official/​
​https://www.facebook.com/KarmianBand/

MONSTROSITY Announce “Screams Across Europe Tour 2026” with Special Guests: Bio Cancer, Reject The Sickness & Deadwood

Posted by tarjavirmakari on February 10, 2026
Posted in: Int. News, News. Tagged: Monstrosity. Leave a comment
Photo by Tim Hubbard

MONSTROSITY, the relentless US death metal legends, have unleashed details on their “Screams Across Europe Tour 2026“! The Florida-based death machine will devastate the continent with crushing, aggressive performances in support of their highly anticipated new album, Screams From Beneath The Surface, to be released March 13, 2026 via Metal Blade Records (licensed by Conquest Music Inc.). Joining the carnage as special guests: Bio Cancer, Reject The Sickness, and Deadwood. Brace for punishing, no holds barred shows!! This juggernaut tour promises to deliver pure brutality and unrelenting extremity. Stay tuned for full dates and ticket info as the screams echo across Europe!

Screams Across Europe Tour 2026
MONSTROSITY
+Bio Cancer
+Reject The Sickness
+Deadwood

April 18, 2026 SWITZERLAND Luzern – Metalstorm Festival
April 19, 2026 AUSTRIA Salzburg – Rockhouse
April 21, 2026 CROATIA Zagreb – Vintage Industrial Bar
April 22, 2026 ITALY Bologna – Alchemica Music Club
April 23, 2026 SWITZERLAND Geneva – L’Usine
April 25, 2026 FRANCE Saint Omer – Brutal Swamp
April 28, 2026 BELGIUM Kotrijk – DVG
April 29, 2026 HOLLAND Tilburg – Hall of Fame
April 30, 2026 HOLLAND Amersfoort – Fluor
May 01, 2026 GERMANY Essen – Turock
May 02, 2026 GERMANY Jena – F Haus
May 03, 2026 POLAND Swidnica – Bolko
May 05, 2026 POLAND Krakow – Zaścianek
May 06, 2026 POLAND Bielsko Biala – Rude Boy
May 07, 2026 SLOVAKIA Bratislava – Pink Whale
May 08, 2026 CZECH REPUBLIC Jablunkov – Rock Cafe
May 09, 2026 SLOVAKIA Kosice – Collosseum
May 10, 2026 POLAND Lublin – Fabryka Kultury Zgrzyt

More dates will be announced!

Emerging from the shadowy depths of the extreme metal underground, MONSTROSITY reasserts their unrelenting dominance with their latest opus, Screams From Beneath The Surface, set to drop on March 13th on Metal Blade Records.

This ferocious release -their first in seven years – showcases the band’s signature blend of aggression, technical precision, and intensity. Led by drummer, founder, and primary songwriter Lee Harrison, MONSTROSITY is reinvigorated with a formidable lineup: long-tenured guitarist Matt Barnes, the triumphant return of original bassist Mark Van Erp, and vocalist Ed Webb (ex-Massacre), whose guttural, visceral delivery injects electrifying new energy into the band’s sound. Screams From Beneath The Surface not only solidifies MONSTROSITY‘s hallmark death metal ferocity but also pushes the genre’s boundaries, forging a path that is both innovative and true to their roots.

The album, containing ten tracks of uncompromising death metal, exemplifies the insurgent spirit MONSTROSITY has long been celebrated for. Standout songs like “Banished To The Skies” and “The Atrophied” deliver a masterclass in blending bone-crushing riffs, intricate drumming, and vivid, visceral lyrical imagery that sears into the listener’s psyche. Meanwhile, tracks such as “The Dark Aura” and “Fortunes Engraved In Blood” showcase the band’s ability to evolve, introducing fresh sonic dimensions while maintaining the savage intensity that defines their legacy. Each composition is evidence of MONSTROSITY‘s technical prowess and their refusal to compromise, cementing their status as pioneers of the genre.

Screams From Beneath The Surface was crafted with meticulous attention to detail, reflecting Harrison’s monstrous vision and the band’s seamless chemistry. The recording process spanned multiple studios to achieve sonic perfection. Drums, bass, and mixing were handled at Audiohammer Studios under the expert guidance of producer Jason Suecof (The Black Dahlia Murder, Deicide, Job For A Cowboy), while vocals, guitars, and mastering took place at the legendary Morrisound Studios, where MONSTROSITY reunited with revered producer Jim Morris (Iced Earth, Warrant, Savatage), alongside Mark Prator and BJ Ramone. This combination of cutting-edge and classic production techniques ensure a punishing sound that is honoring the band’s storied history while embracing modern death metal’s evolution. The album’s striking cover art, created by artist Timbul Cahyono, is a wholly organic creation, free from AI or computer-generated renderings, embodying the raw, authentic spirit of MONSTROSITY‘s music.

In advance of the record’s release, today the band unleashes first single, “The Colossal Rage.” The track hits hard and gets right to the point. This straightforward song delivers a barrage of riffs with a monstrous attitude. New MONSTROSITY vocalist, Ed Webb, unleashes a punishing performance including some monumental screams. ‘A pedestal for a king to rise‘ indeed. Van Erp’s bass relentlessly pummels throughout, complemented by Barnes’ impressive lead guitar work. Harrison wrote the original themes for the song and collaborated with Barnes to elevate it to the next level. The lyrics are unforgiving and dominating, sparing no living creature. Fully intended to roll over the listener like a bulldozer.

Watch MONSTROSITY‘s video for “The Colossal Rage,” directed by Thomas Crane of Kill Devil Films:

With Screams From Beneath The Surface, the band not only upholds the brutal tradition established by their previous works but also charts bold new territory, delivering a release that is as innovative as it is devastating.

Find pre-orders at: metalblade.com/monstrosity

Screams From Beneath The Surface Track Listing:
1. Banished To The Skies
2. The Colossal Rage
3. The Atrophied
4. Spiral
5. Fortunes Engraved In Blood
6. Vapors
7. The Thorns
8. Blood Works
9. The Dark Aura
10. Veil Of Disillusion

MONSTROSITY:
Ed Webb – vocals
Matt Barnes – guitars
Mark Van Erp – bass
Lee Harrison – drums

https://www.monstrosity.us
https://www.facebook.com/MonstrosityOfficial
https://www.instagram.com/monstrosityflorida
https://www.conquestmusic.com

EARTHSIDE Announce Debut European Headline Shows for 2026

Posted by tarjavirmakari on February 10, 2026
Posted in: Int. News, News. Tagged: EARTHSIDE. Leave a comment
Photo (c) Justin Borucki

Cinematic rock visionaries Earthside have announced their long-awaited debut European headline shows for this May and June as they draw the curtain on the colossal Let The Truth Speak chapter.
 
They will begin in the UK on 22 May in London (229 Venue) before heading to France (Le Klub, Paris), The Netherlands (Boerderij, Zoetermeer), Germany (MTC, Cologne and Betty, Hamburg), Denmark (Stengade,  Copenhagen), Sweden (Kollektivet Livet, Stockholm) and they finish in Finland with a club headline show (venue TBA) and then an appearance on 5 June at Ankea Festival, Tampere.

Talking about the tour, drummer Ben Shanbrom says: “It’s been far too long since Earthside has toured one of our favorite places in the world and our true home-away-from-home—Europe. What was initially our plan for ushering in the new Let The Truth Speak era, unfortunately hit repeated roadblocks due to several difficult circumstances well beyond our control. But by hell or high water, we would not close the second chapter of Earthside’s career without a proper European run, and now we are thrilled to finally meet many of you and reunite with our countless friends on the continent.”

Tour Dates:
Tickets can be purchased HERE
 
Friday 22nd May – 229 The Venue – London, UK
Saturday 23rd May – Le Klub – Paris, France
Sunday 24th May – Boerderij-  Zoetermeer, The Netherlands
Wednesday 27th May – MTC – Cologne, Germany 
Friday 29th May – Betty – Hamburg, Germany 
Saturday 30th May – Stengade – Copenhagen, Denmark
Monday 1st June – Kollektivet Livet – Stockholm, Sweden
Thursday 4th June – Save the date – TBA – Helsinki, Finland*
Friday 5th June – Ankea Festival – Tampere, Finland
 
*Details to be announced at a later date

Earthside’s blend of cinematic post- rock tendencies with worldly collaborators bring a type of live energy that is unique and compelling amidst their peers. They weave between an instrumental band and one who is enhanced by visual elements and collaborators, presenting a unique show for all to see.
 
In January they released their latest song ‘earthsink’ – an explosive collaboration with U.S. experimental metal artist Daedric, which featured as an exclusive bonus track on the album. The song rises with celestial beauty before crashing down with Earthside’s trademark, world-shaking intensity. The song provides an enthralling example that the band are in a perpetual state of evolution.  
 
Keyboardist Frank Sacramone reflects on the era: “Let The Truth Speak challenged everything—our writing, our production, our entire creative identity. It defined what ‘cinematic rock’ truly means for us. Now, we’re forging a future that can sustain our grandest visions.”
 
The journey has been one of discovery and endurance. Released in November 2023, Let The Truth Speak came after an eight year gap from their debut album A Dream In Static. Rejuvenated and fizzing with ideas, the new album delivered a series of standout singles of incredible collaborations; from the haunting ‘We Who Lament featuring Canadian vocals Keturah’ to Let The Truth Speak with Daniel Tompkins and Gennady Tkachenko-Papizh and Pattern of Rebirth featuring AJ Channer (Fire From The Gods).
 
The award-winning video for ‘All We Knew And Ever Loved’ featuring Baard Kolstad (Leprous) was the one that started it all back in the summer of 2021 – the video went on to earn Best Music Video at the United Artist International Film Festival and screened at festivals worldwide.
 
The one year anniversary of the album was celebrated with their first North American headline tour in early 2025 and the release of ‘frozen heart ~ burning world,’ which built on their enthralling 2024 performances on tour with Soen and Leprous.
The band, giving no hints away, say, “Expect a show-stopping set, brand new music, and some very exciting surprises. Don’t miss it! We’ll see you out there.”
 
Earthside are Jamie van Dyck [Guitars, backing vocals, programming, keyboards], Ben Shanbrom [drums, backing vocals], Frank Sacramone [Keyboards, synthesizers, programming, percussion, guitar] and Ryan Griffin [Bass, backing vocals].

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ASCHEN Drop New Lyric Video ‘The Last Glow’ from Upcoming Debut Album

Posted by tarjavirmakari on February 10, 2026
Posted in: Int. News, News. Tagged: ASCHEN. Leave a comment

Basque black metal unit Aschen has released a haunting lyric video for their latest track, “The Last Glow.” The song is a standout piece from their upcoming debut album, The Never Ending Search, set to be unleashed on March 13, 2026.

“The Last Glow” paints a world after the sun’s death, where humanity survives by feeding a single flame that slowly consumes everything, until only the self remains. The flame becomes a metaphor for human dissatisfaction: endless, devouring, and only resolved through inner transformation.

Founded in 2022 by Mikel Telletxea (vocals, guitar, programming), Aschen has grown from a solo vision into a powerful creative partnership with the addition of bassist Atauzz (Korkut, Kurkuma, 2Sonte).

The duo recorded the debut at Atala Studios in Spain, ensuring the project’s raw energy was captured with precision. To achieve a massive, professional finish, the album was mastered by Toni Lindgren at the world-renowned Fascination Street Studios in Sweden—the same hands behind the sound of heavyweights like Dimmu Borgir, Katatonia, and Kreator.

The Sound of Aschen
Aschen’s approach to black metal is both aggressive and expansive. By blending traditional frost-bitten roots with doom-laden atmosphere and technical blast beats, the band creates a soundscape that is as melodic as it is punishing. Lyrically, they bridge the gap between English and Basque, exploring themes of psychological fracture and environmental decay that go far beyond standard genre tropes.

Connect with ASCHEN:

aschen1.bandcamp.com
www.facebook.com/people/Aschen/61556623060502
www.youtube.com/@aschenband

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