Metal Shock Finland (World Assault )

DOODSWENS to Release New Self-Titled Album, First Single + Video ‘Driven By Death’ Out Now

Posted by tarjavirmakari on February 8, 2026

Posted in: Int. News, News. Tagged: DOODSWENS. Leave a comment

Dutch black metal ritual Doodswens have released the first official track from their upcoming album, Doodswens, alongside a new music video which is not for the faint hearted. The new album is due on 17th April, via Svart Records.

Pre-orders are available here: https://www.svartrecords.com/en/product/doodswens-doodswens/14147

Listen to ‘Driven By Death’ here: https://orcd.co/drivenbydeath

About ‘Driven By Death’, drummer and vocalist I. comments: “I was on the way back from a spontaneous adventure, full of music, new connections, and inspiration. A path without a plan and a journey without a goal, with only a very strong feeling that this is where I’m meant to be.

“With a misty horizon of endless asphalt before me. A large tree at the edge of the road, in the corner of my eye, screaming that this could just be the end. But what I felt wasn’t fear, it was happiness. With the thought that if I crash into that tree now, I won’t care at all. Because up until this moment, I’ve done everything possible, experienced every adventure, and each time, gotten up again and faced life with that gray cloud around my head.

“I have a death wish, so if it happens now, it’s okay, and I’m at peace with it. This was the moment I realized, I’m not afraid of life. I’m driven by death.“

Doodswens is a Dutch black metal band, forged in 2017 by I. The name translates to ‘Deathwish’ but its true meaning heavier; Not giving up, but returning with power after looking the end in the eye.

Live, I. performs drums and vocals as one, a single body split into rhythm and invocation. She is joined by R. and P. on bass and guitar. R.I.P. is a line-up that moves like a blade; precise, violent, and locked in. Their shows are as ceremonial as confrontational. Doodswens doesn’t soothe; it exposes. Bring your demons and they will be named. Bring your grief and it will be heard. Whatever you carry into the room is dragged into the light because this band chooses confrontation over comfort, every time. Blood, bones, bullets, flame, skull, sweat: not props, but real artifacts of the rite. A full-body experience with sound, smell, vision and vibration which is meant to pull you under and return you a changed person.

After rising through the Dutch underground, Doodswens gained an international following through tours alongside Marduk and Gorgoroth. In 2021 they entered the chaos of the pandemic era on their first Massive Music run, supporting Marduk and Valkyria between lockdowns when venues were closing behind them and the world was unstable. But their will was unbroken. In 2024, on the Marduk/Origin tour, I. made the impossible possible; taking on lead vocals while remaining the drummer. With only months to prepare, she cut out all doubts and locked herself into rehearsal. The result? I. carried Doodswens across 30 shows back-to-back, barely losing her voice.

Doodswens was recorded and produced by Sebastiaan van Bijlevelt at Galloway Studio and mastered by Alex McCullough (who re-mastered Dolly Parton‘s Backwoods Barbie) at True East Mastering.

If you’ve been close to ending your life, or if you think about it more often than you admit, then you know what it is to live with a death wish. It’s weight. A grey cloud that follows you everywhere, depriving you of your breath and blurring your sight. It’s almost impossible to explain to anyone who hasn’t been inside it. Doodswens isn’t an album about giving up. It’s about what happens when you stop looking away. About meeting death face to face and coming back with strength. Not because the darkness disappears, but because you learn how to carry it without letting it own you.

The heart of Doodswens is not the wish for death, but the death of the wish, the breaking of a curse. A taboo spoken aloud. A darkness worn on the chest, not as pride, but as truth: “This is what I feel, and I will not hide it.“

Track-list:
1: Driven by Death
2: Verrot
3: The Black Flame
4: These Wounds Never Healed
5: She Carries the Curse
6: Devils Stone
7: Vlaamse Vloek

FFO: Darkthrone, (early) Mayhem, Wiegedood, Fluisteraars

Live 2026:
07.03 In Theatrum Denonium festival, FR
03.04 Under The black Sun festival, DE (exact date t.b.a.)

Line-up:
R. – Bass
I. – Drums, vocals
P. – Guitar

Follow Doodswens:
https://doodswensband.bandcamp.com/
https://www.facebook.com/DoodswensOfficial
https://www.instagram.com/doodswens.band

DIRKSCHNEIDER & THE OLD GANG Strike Back with ‘Batter The Power’ Video

Posted by tarjavirmakari on February 8, 2026

Posted in: Int. News, News. Tagged: DATOG, DIRKSCHNEIDER & THE OLD GANG. Leave a comment

Another new video has arrived from the already released album “Babylon” by DIRKSCHNEIDER & THE OLD GANG (released in October 2025, RPM).

Following the strong impact of previous clips, with “It TakesTwo To Tango” and “Hellbreaker” each surpassing one million views, the band now present the video for “Batter The Power”, continuing the visual journey through their latest release.

“Batter The Power” is a classic heavy shuffle driven by a true metal riff and an anthem-like sing-along chorus that instantly evokes the spirit of “old times.” What initially appears to be a deliberately straightforward and repetitive verse structure is given a sharper edge by the accusatory vocal interplay between Udo Dirkschneider and Peter Baltes, adding tension and attitude to the song’s message.

Manuela “Ella” Bibert puts the icing on the cake with her distinctive solo vocal interludes during the final choruses, while Mathias Dieth’s extraordinary guitar solo breaks free from any convention, unapologetically bold and perfectly in line with the band’s uncompromising approach. Why should we care about rules?

Lyrically, “Batter The Power” draws on classic heavy metal imagery of battle, resistance and liberation. Lines like “we’ll die to be free” and “never surrender” underline the song’s central message: relentlessly challenging oppressive power in the name of freedom and justice.

With the “Batter The Power” video, DIRKSCHNEIDER & THE OLD GANG once again highlight the timeless strength of classic heavy metal, reinforcing „Babylon“ as an album that proudly bridges the past and present with experience, conviction and raw power.

Listen to „Babylon“ on your favourite streaming platform or get your CD/LP/Earbook here: https://datog.rpm.link/babylon

WITHERING SURFACE’s “Unique” Digital Re-Release Out Now

Posted by tarjavirmakari on February 8, 2026

Posted in: Int. News, News. Tagged: WITHERING SURFACE. Leave a comment

Hear, in the year 2026, a raw recording from a young WITHERING SURFACE with various musical directions and inspirations, trying to find their own music style. Does it stand the test of time? Yes

For fans of (early) Eucharist, In Flames, Amorphis

Back in 1994 in a town called Naestved in the South of Sealand, Denmark, Michael H. Andersen used most of his spare time working on his fanzine Emanzipation. Nineteen-year-old still living with his parents, MHA was about to get an awakening. He had recently fell in love with the first demo tape from Eucharist and an advance tape for the upcoming In Flames album and loved the direction At The Gates and Amorphis was heading. Almost no one in the circle of musicians in the South of Sealand had any idea what those bands were all about. This is before the internet and in the outskirts of Denmark, so all information about new bands was through tape trading or the records the local record store managed to get, and occasionally the trip to record stores in the capital city Copenhagen.

The Danish scene back then mainly had focus on brutal death metal and hardcore/thrash. MHA wanted to start up what he thought would be the first Danish melo-death band. After having meet two equally minded metal fans at a local metal show, Jimmy Christensen and Kaspar Boye-Larsen, and approaching Allan Tvedebrink from the local thrash band Mortifere and adding Jakob Gundel from MHAs other band Crawcell, the first melo-death band in Denmark was born: WITHERING SURFACE. A few rehearsals later and a search for the perfect band name, Withering Surface was a reality in late 1994. Just six months later the four young guys, aging from 14 to 21, entered the Take-One studio for 3 days where four songs were recorded, mixed and mastered with producer Kasper Munkebo, who had previously worked with Dominus among others. The result was “Unique”. A recording that was baptized a “promo tape” and sold close to 2000 copies worldwide through the underground scene with trades, and physical money bills sent to MHA. The four songs also ended up being licensed for cassette release South America.

“Unique” now sees the light of day again on all streaming services. Henrik West at Medley Studio was handed over three versions of the original “Unique” cassettes to do a digital re-master. Not an easy job, but he pulled it through. What you hear in the year 2026, is a raw recording from a young band with various musicial directions and inspirations trying to find their own music style. Does it stand the test of time? Yes.

Now, “Unique” is now finally available in all streaming services, roughly 30 years after its original release.

Withering Surface went on to record four albums, played numerous profile shows and tours around the world from 1995 to 2005, Wacken and Roskilde among others, touring with Arch Enemy, Opeth and Dimmu Borgir etc., being Grammy nominated etc. until the band took a 15 year break and did a successful comeback in 2020 with the album “Meet Your Maker” and a handful of well attended shows (a lot of shows got cancelled, including Copenhell, due to covid19). In 2024, they released their latest album “Exit Plan” and toured extensively around it.

“Unique” is out now on all streaming services via Mighty Music

Recording lineup:
Kaspar Boye Larsen – bass
Jakob Gundel – drums
Allan Tvedebrink – guitar
Jimmy Christensen – guitar
Michael H. Andersen – vocals

Digital:
https://withsurface.lnk.to/unique

Webshop:
https://bit.ly/ws-tgt

Further links:
Tidal
Qobuz
Deezer
Soundcloud

PYOGENESIS Release New Single ‘Uncontrolled’

Posted by tarjavirmakari on February 8, 2026

Posted in: Int. News, News. Tagged: Pyogenesis. Leave a comment

German alternative and gothic metal pioneers PYOGENESIS return with their new single “Uncontrolled”, a fierce and uncompromising track which dives deep into the turmoil of adolescence and emotional awakening.

Vocalist Flo V. Schwarz says “Uncontrolled” is raw and unfiltered. It felt liberating and brutally honest to write it. The musical and vocal aggression is emotionally charged and the track captures the moment when hormones are going crazy. It describes what’s going on inside young people as everything changes, while they try to find their place in the world.

STREAM THE SONG HERE: https://save-it.cc/massacre/uncontrolled-aiaib

“Uncontrolled” is a raw eruption of puberty-fueled chaos, where feelings ignite rage and instinct overrides reason. It captures the violent inner clash between desire, confusion, and loss of control. Trapped between childhood and adulthood, the mind spirals while the body burns. A brutal soundtrack to growing up under pressure.

With this release, PYOGENESIS continue to expand the darker aspects of their artistic identity, reaffirming their ability to combine psychological depth with crushing intensity. “Uncontrolled” stands as a reminder that growth is often confusing and deeply uncomfortable, and that some scars are forged long before adulthood truly begins.

ICYMI:

PYOGENESIS & THE OTHER “All I Am Is Bleeding” OFFICIAL VIDEO: https://youtu.be/jspI9pvQVbs

PYOGENESIS are:
Flo V. Schwarz – Guitars, Vocals
Malte Brauer – Bass
Gizz Butt – Guitars
Sebastian Michalski – Drums

PYOGENESIS online:
https://pyogenesis.com/
http://www.facebook.com/pyogenesis
http://www.instagram.com/pyogenesis_official

MISERERE LUMINIS Premiere New Song ‘Aux bras des vagues & des vomissures’

Posted by tarjavirmakari on February 8, 2026

Posted in: Int. News, News. Tagged: MISERERE LUMINIS. Leave a comment

Montreal’s MISERERE LUMINIS have explored a stridently emotive and richly-layered strand of anguished Black Metal since their 2008 formation. Following their 2009 self-titled debut and 2023’s acclaimed “Ordalie“, the trio will release new album “Sidera” – a third tumultuous and cinematic masterwork – on March 6th.

To highlight their unique blend of dark kinetic energy and beauteous rapture, MISERERE LUMINIS now premiere a second single from “Sidera“. Listen to ‘Aux bras des vagues & des vomissures‘ directly below:

Opening with melancholic restraint, the song patiently builds tension before unfolding in a masterful surge of epic Black Metal as sweeping melodies and towering intensity converge into a deeply affecting crescendo.

Composer Neptune relays the musical and lyrical depth of the track:

““Aux bras des vagues & des vomissures” really delves into the experimental and cinematic side of MISERERE LUMINIS, exploiting our love for sonic textures and mood dynamics. We feel it certainly has a unique and distinctive footprint in the album. Most of the songs on “Sidera” were written by the three of us exchanging ideas in our rehearsal space, however the writing process for ‘Aux bras des vagues & des vomissures‘ was completely different. The song was entirely written on the piano, from two different main ideas I had, and we went into the recording studio not knowing exactly how the song would sound like in the end, but we decided to “trust the process”. After the drums and piano were recorded, we tried incorporating more instruments to flesh out the composition, layer by layer, making some sections more metal-oriented than they were originally thought out to be, until it slowly became what it is on the album, with the vocal performance of Annatar really sealing what the song was meant to be.

The main lyrical idea of “Sidera” (and “Ordalie” – since “Sidera” is it’s completing half) is the exploration of suffering and the transformations it induces in the self, viewing them as forces or tools to unveil a deeper sense of meaning and purpose. In the texts, this takes place through a “dialogue”, and ultimately a reunion, between two different conceptual parts of the human psyche. More specifically, ‘Aux bras des vagues & des vomissures‘ is about finding a sort of peace, a quiet patience, among the feeling of loss, of disorientation, a sense of being overwhelmed by existence. It is about taking the time to extract something precious from wavering moments of pain.“

For further immersion in the mesmerizing soundscapes of MISERERE LUMINIS, check out the first unveiled song from the new album – ‘De cris & de cendres‘ – here.

Find all info about “Sidera” here and follow the band on Facebook and Instagram!

“Sidera” will be released on CD, vinyl and digital on March 6th. A special t-shirt design will accompany the launch. Pre-orders are possible via DMP’s EU, US and Bandcamp shops.

This April, MISERERE LUMINIS will embark on a European tour alongside Austrian Black Metal band DÉTRESSE. Find all confirmed dates below and tickets here:

MISERERE LUMINIS are an unorthodox, atmospheric Black Metal band who hail from Montreal and are born from the minds behind GRIS and SOMBRES FORÊTS, two prime-movers in the Québécois underground Black Metal scene. The band’s eponymous debut album was released in late 2009 on Sepulchral Productions, after which the band returned to the shadows. MISERERE LUMINIS was resurrected in 2018 for the creation of acclaimed second opus, “Ordalie“, which was unleashed in June 2023. Various live gigs – including an expansive Autumn 2024 tour through Europe with GIVRE – followed and demonstrated the band’s move towards a more luminous presence in future.

Intense works are currently in motion on an upcoming third album which will be released by Debemur Morti Productions.

MISERERE LUMINIS is: Neptune, Annatar, Icare

Emotional UKĆ Reveils Video for Title Track of New Album “Anomalie”

Posted by tarjavirmakari on February 8, 2026

Posted in: Int. News, News. Tagged: UKĆ. Leave a comment

UKĆ is the original project of Łukasz “Icanraz” Sarnacki, known for his work with Corruption, Devilish Impressions, Virgin Snatch, Hermh, and Christ Agony.

Due to his one-man nature, Łukasz and his music were never meant to leave the confines of a recording studio. Immediately after the album’s release, the first proposals to bring the music to the stage arose, resulting in the completion of a live lineup. The band has performed both in Poland and abroad, and these performances are imbued with a powerful emotional charge woven from the most genuine feelings. UKĆ is metal that isn’t shy about its vulnerability.

Some argue that the UKĆ project split Polish metal in half. Their bold, unconventional lyrics and broad approach to music sparked much controversy, quickly making UKĆ one of the hottest newcomers in recent years. The 2023 album “Coming Out” divided not only metal fans but also music editors, who gave the album both the highest and lowest ratings, unanimously emphasizing that a similar phenomenon hadn’t been seen in Polish metal for many years.

After almost three years since the debut album, the time has come for a new release.

All the instruments and vocals for the new album, titled “Anomalie (Upadek Konającego Ćwierćwiecza)“, were recorded by Łukasz “Icanraz” Sarnacki at Hertz Studio in collaboration with Karol Andres (Quo Vadis, Supreme Void). The duo of Łukasz Sarnacki and Wojtek Wiesławski handled the mixes, while Wojtek Wiesławski, who has previously worked with bands such as Behemoth, Decapitated, and Vader, provided the final mastering. The cover art was created by Rafal Kubisiak. The album will be released on March 6, 2026, in digital format and on CD by Via Nocturna (pre-order). The photoshoot was conducted by Magdalena Zagóra.

TRACKLIST:

1. Upadek Konającego Ćwierćwiecza
2. Anomalie
3. Nieobecność
4. Ślepe Uszy
5. Mętne Słońce
6. Czyściec
7. Odmęty
8. W Ciszy

On February 6, exactly one month before the album’s release – UKĆ revealed the music video for the title track, “Anomalie.” The video was created in collaboration with Art Of Vision.

Icanraz comments on the single: “Anomalie is a song about an autistic boy trying to relate his inner world to the real world. It’s a song about misunderstanding, rocky acceptance, and the difficult but unconditional love between a parent and a child. The lyrics were inspired by the relationship and observations of a close child on the advanced spectrum, who opened the door to his world for me. In the song, you can hear the boy’s voice addressing his parent. This boy is my son, Cyprian, who also played the main role in the song’s music video.
Musically, “Anomalie” is pure emotion circulating between cold black metal and the stylistic openness of prog rock. The whole thing is underpinned by hard rock melodies and closed with a groove-like metal rhythm“.