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Simon Efemey & Shane Embury’s Heavy Metal Project ABSOLUTE POWER Announce New Album “Needs Must When The Devil Drives”, Out October 30th

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: ABSOLUTE POWER, Shane Embury, Simon Efemey. Leave a comment

“Needs Must When The Devil Drives”, the long-awaited second album from ABSOLUTE POWER, will be released on October 30th, 2026 via Time To Kill Records.

Fifteen years after the release of their self-titled debut, the heavy metal project founded by vocalist and producer Simon Efemey and Napalm Death bassist Shane Embury returns with a powerful celebration of classic heavy metal. Drawing inspiration from the timeless legacy of Judas Priest, Saxon, Black Sabbath, Dio and the New Wave of British Heavy Metal, “Needs Must When The Devil Drives” combines old-school riffs, unforgettable melodies and larger-than-life songwriting with the energy and attitude of a new era.

The world is in meltdown, and we’re all going to hell in a handbasket. Thankfully, ABSOLUTE POWER are here to offer maximum-volume resistance to the madness with their monumental second album, “Needs Must When The Devil Drives”.

ABSOLUTE POWER is the brainchild of vocalist and producer Simon Efemey and bassist/multi-instrumentalist Shane Embury, two heavy metal lifers who, between them, have left an indelible imprint on modern music.

Embury is the longtime bassist of grindcore pioneers Napalm Death, a band that began pushing music to its furthest extremes in the 1980s and has never stopped evolving. Efemey is one of the most influential British metal producers of his generation, having shaped the modern scene through his work with artists including Paradise Lost, The Wildhearts and Napalm Death, while also developing a reputation as one of the most charismatic figures behind the scenes.

Together, they spent five years crafting “Needs Must When The Devil Drives”, an exhilarating tribute to the classic heavy metal they grew up with, infused with the energy and attitude of 2026.

“I want people to have a good time in the old school way,” says Efemey of the album. “I want them to forget the mundane, boring or horrible parts of their jobs. I want them to forget themselves for a couple of hours. That’s what good music should allow us all to do.”

The album continues the vision that originally brought ABSOLUTE POWER together: a desire to recapture the sense of adventure, grandeur and excitement that defined the heavy metal of their youth.

“When we did the first album, we wanted to make songs like our heroes – Judas Priest, Saxon, the New Wave of British Heavy Metal – everything we liked as kids,” explains Efemey. “When we were on tour buses, we’d have a few drinks and start blasting old-school heavy metal like Black Sabbath or Dio. One day we said we should write our own tunes like that.”

The debut album was embraced by fans of traditional metal, and “Needs Must When The Devil Drives” expands on that foundation, delivering a collection of songs built around powerful riffs, memorable hooks and a strong sense of identity. The title itself comes from an old proverb that Efemey and Embury would jokingly repeat to each other during the recording sessions.

Alongside the title track, “Saviour” and “Kernschmelze” showcase the band’s most direct and energetic side, while “Mountain Of Hope” increases the epic dimension that has always been central to ABSOLUTE POWER. Meanwhile, “Within” temporarily strips away some of the heaviness in favor of a more atmospheric and hypnotic approach, recalling the psychedelic spirit of 1970s classics such as Black Sabbath’s “Planet Caravan”.

The album also features a reinterpretation of Queen’s 1978 classic “Sheer Heart Attack”, preserving the original’s punk-driven energy while adding the unmistakable personality of ABSOLUTE POWER.

“The drums sounded terrible on it,” laughs Efemey.

For “Needs Must When The Devil Drives”, Efemey and Embury invited several respected musicians to contribute to the album’s expansive sound. Former Judas Priest and Iced Earth vocalist Tim “Ripper” Owens returns after appearing on the first record, delivering his unmistakable screams on the title track. The Mission and Tricky guitarist Mark Gemini Thwaite adds subtle layers and textures to several songs, expanding the band’s traditional metal foundation.

“I’ve known him for years,” says Efemey. “I recorded a demo for his old band years ago. I sent him some tracks and he put some magic on them. He added a little goth flavour to some of those tracks. It took it further than the first album, which was just straight-down-the-line traditional metal.”

Also appearing on the record are Napalm Death guitarist John Cooke and drummer Carl Stokes, whose career includes collaborations with bands such as Cancer and The Groundhogs.

At the heart of ABSOLUTE POWER, however, remains the partnership between Efemey and Embury. Both grew up in the West Midlands and shared formative experiences attending concerts at Birmingham’s legendary Odeon before following very different paths: Embury becoming one of extreme metal’s defining musicians, and Efemey establishing himself as a highly respected producer.

“Over the years our paths crossed, and we realized we had a similar love for music and a similar sense of humour – Monty Python, The Young Ones, really dark humour,” says Efemey.

Throughout his career, Efemey has worked with artists ranging from British indie heroes The Wonder Stuff to extreme metal pioneers Napalm Death, but his influence has always extended far beyond production. His larger-than-life personality and his approach to music have made him a unique figure within the British scene.

“You hear the stories from back in the day about these legendary bands and the mad stuff they’d get up to,” he says. “For me, that’s part of rock’n’roll. I never wanted to just be the guy sitting there in the studio nodding along with what bands say. It was more about entertaining people and entertaining ourselves.”

Yet behind all the chaos, Efemey has always remained focused on the most important element: the songs.

“We don’t take ourselves too seriously, but we’re serious about the music,” he says of ABSOLUTE POWER. “We reject ideas that aren’t good enough. Every song needs a good riff and a catchy melody. I wouldn’t let anything go out that was just fodder. That approach has always been prevalent in my work.”

That philosophy defines “Needs Must When The Devil Drives”. The album carries the confidence of a band that knows exactly what it wants to achieve, embracing the foundations of classic heavy metal while sounding fully alive in 2026. As the world falls apart around them, ABSOLUTE POWER stand tall, armed with riffs, melodies and songs built to last.

“I can’t think of many new British bands doing what we do,” says Efemey. “I think people like our stuff because it’s old-school with melodies you can sing along to. We use the formula from the 70s and 80s because we know it works. We make this kind of music because we love it and we want people to sing along with us.”

Tracklist:

1. Needs Must When the Devil Drives (feat. Tim “Ripper” Owens)
2. Saviour
3. Kernscmelze
4. Stand Up and Be Counted
5. Within
6. Mountain of Hope
7. Insanity
8. Hammer of Justice
9. Praise the Fire
10. Sheer Heart Attack
11. Orphans of the Storm

Line-up:

Simon Efemey – vocals
Shane Embury – Bass, Additional Instruments

Guests musicians:

​Tim “Ripper” Owens – vocals (ex Judas Priest, Iced Earth)
Mark Gemini Thwaite – guitars (The Mission, Tricky)
John Cooke – guitar (Napalm Death)
Carl Stokes – drums (Cancer, The Groundhogs)
Joe Taylor – drums
Dominik Gryzbon – lead guitar
Ilsa Nielson – lead guitar

https://absolutepower.bandcamp.com/
https://www.instagram.com/absolute_power__uk_metal/
https://www.facebook.com/AbsolutePowerUK/

THE NIGHT ETERNAL Drop New Video for ‘Eurydice (Don’t Look Back)’

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: THE NIGHT ETERNAL. Leave a comment
Photo by Nona Limmen

German melancholic heavy metal outfit THE NIGHT ETERNAL today presents their video for “Eurydice (Don’t Look Back).” The track comes by way of the band’s critically adored Cold Velvet full-length out now on Metal Blade Records.

Serving as both focus track and fourth single, “Eurydice (Don’t Look Back)” showcases all the signature elements of THE NIGHT ETERNAL: an instantly memorable chorus, mesmeric guitar work, and straight-forward, uplifting rhythms. On a lyrical level, the song expands the band’s ongoing exploration of Greek mythology, continuing themes introduced in tracks like “Elysion” and “In Tartarus” while retelling the tragic tale of Orpheus. Forged as the very first song for the album, “Eurydice” set the uncompromising direction for everything that followed.

Watch THE NIGHT ETERNAL‘s previously released videos for “The Veins Of Time” HERE, “Where This World Ends” HERE, and “Caught In A Spell” HERE.

With Cold Velvet, THE NIGHT ETERNAL has ultimately carved out its own subgenre, weaving darkness, dreamlike unease and deep melancholy into a dramatic yet untainted heavy metal rock ‘n’ roll attitude. Recurring trademarks such as hypnotic, ritualistic rhythms, mesmeric guitar riffs and melodies, and irresistibly catchy choruses permeate every track drawing the listener into a trance-like state and unleashing a relentless surge of dark energy and dopamine.

Cold Velvet was recorded between May and December 2025 at Church Of Sound Studios in the greater area of Munich, Germany. Production, recording, and mixing duties were handled by Michael Zech – guitarist of black metallers Secrets Of The Moon and a highly respected producer known for his work with Sulphur Aeon, Triptykon, and The Ruins Of Beverast, among others.

Preview/purchase the record at: metalblade.com/thenighteternal

Cold Velvet Track Listing:
1. Where This World Ends
2. Eurydice (Don’t Look Back)
3. Caught In A Spell
4. When The Last Candle Dies
5. The Veins Of Time
6. The Watcher Of The Burning Veil
7. Shape Of Sorrow
8. Dance On Crimson Ground

THE NIGHT ETERNAL Live:
8/27/2026 Drums of War Festival – Barcelona, ES
9/25/2026 Delta Zinnober – Essen, DE

w/ Messa:
10/27/2026 Le Dodu – Marseille, FR
10/28/2026 Sala Salamandra – Barcelona, ES
10/29/2026 Sala Copernico – Madrid, ES
10/30/2026 Antirouille – Montpellier, FR
10/31/2026 Rock Art Festival – Trier, DE * THE NIGHT ETERNAL only
11/01/2026 Petit Bain – Paris, FR
11/03/2026 Cathouse – Glasgow, UK
11/04/2026 Rebellion – Manchester, UK
11/05/2026 Rescue Rooms – Nottingham, UK
11/06/2026 Thekla – Bristol, UK
11/07/2026 The Garage – London, UK
11/09/2026 13 – Tilburg, NL
11/10/2026 Kavka – Antwerp, BE
11/12/2026 Franz Club – Berlin, DE
11/13/2026 Logo – Hamburg, DE
11/14/2026 Rockpalast – Bochum, DE
11/15/2026 Artheater – Cologne, DE
11/17/2026 Das Bett – Frankfurt, DE
11/18/2026 Backstage – Club Munich, DE
11/19/2026 Dynamo – Zurich, CH
11/20/2026 Sunset Bar – Martigny, CH
11/21/2026 Live Club – Trezzo sull’Adda, IT

THE NIGHT ETERNAL:
Ricardo Baum – vocals
Robert Richter – guitar
Henry Käseberg – guitar
Aleister Präkelt – drums

https://www.facebook.com/thenighteternal
https://www.instagram.com/thenighteternal_official
https://thenighteternal.bandcamp.com

BREFORTH Sign with Fireflash Records & Offer Signed Version of Their Latest Album “Metal In My Heart”

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: BREFORTH. Leave a comment

Back in the early, glorious 1980s, the world of heavy metal looked very different indeed. There was a unique spirit of creativity combined with a rebellious sense of new beginnings, and the now-classic works of IRON MAIDEN, JUDAS PRIEST, SAXON and other icons influenced and inspired generations. Right at the heart of it all was Jürgen Breforth from Münster, who, alongside MAD MAX, founded one of the first heavy metal bands in German history, following in the footsteps of ACCEPT and the SCORPIONS. Their first EP was released in 1981, followed by their debut album „Heavy Metal“ (1982), whose title said it all.

MAD MAX are still active and will soon release their anniversary album „Stories Of Destiny“. It is closely linked to the history and experiences of Jürgen Breforth, who has kept them alive for over 45 years. Musically, however, he has primarily anchored the band in the hard rock genre, which enabled them to achieve great success worldwide in the 1980s.

At heart, however, Jürgen Breforth is a true metalhead whose riffs still possess the same edge and who has the NWoBHM in his blood. Under his aptly named own quality label, BREFORTH, the string wizard has established a second venture, through which he musically reconnects with his early days and with heavy metal itself. The debut album “Metal In My Heart” could hardly have been more aptly titled and offered flawless, traditional old-school heavy metal. In frontman Peter Lenzschau, he made the perfect choice, as his raspy voice is at times reminiscent of Udo Dirkschneider. The North German quintet is completed by Erik Blumenthal on lead guitar, Jens Lükermann on bass and Arne Fleischhut on drums. Together, BREFORTH won the ‘German Rock & Pop Award’ in 2023 with their debut album.

BREFORTH are currently working on new songs for a second studio album, due to be released in 2027 on their new label, Fireflash Records (Holy Moses, Wolf, Rock Justice, amongst others). The first new single, entitled “Colombian Hills”, is set to be released during October and is currently being given the finishing touches.

“The motto of my new label, Fireflash Records, is ‘HEAVY METAL IS THE LAW’, and that’s exactly why I founded my band Mad Max back in 1981; Breforth, too, have ‘Metal in my heart’. That’s why I’m absolutely delighted that BREFORTH have found the right partner in FIREFLASH RECORDS to tell many more exciting stories through music from my now more than 40 years in the heavy metal business,” states Jürgen Breforth.

“I’m absolutely delighted to welcome another veteran of the scene, Jürgen Breforth, to Fireflash Records. I had the honour of taking a trip down memory lane with Jürgen to work on and realize the reissue of the Mad Max debut, and the chemistry was spot on right from the start. In my opinion, Breforth’s album „Metal In My Heart“ is an absolute masterpiece that far too few fans are aware of and should discover. Metalapolis Records were kind enough to pass on to us the majority of their remaining stock, which the band signed to celebrate the signing of the contract. We’d like to offer it to you at a special price via our Bandcamp shop page. Do yourselves a favour and grab this heavy metal gem on LP or CD, or stream it on repeat. You can also look forward to new material and a few surprises”, adds Fireflash owner Markus Wosgien.

Markus Wosgien (Fireflash Records) and Jürgen Breforth (Breforth)

“Metal In My Heart” is now available via Fireflash Records digitally, and on CD & Vinyl via Bandcamp in a signed version exclusivly. 

Stream/Download the album: https://save-it.cc/fireflash/metal-in-my-heart
Get the CD & Vinyl (with signatures) on Bandcamp: https://ff-breforth.bandcamp.com/album/metal-in-my-heart

BREFORTH Live:
27.08.2026 (GER) Jheringsfehn – Sturmflut Festival

BREFORTH is:
Peter Lenzschau – Vocals
Jürgen Breforth – Guitars
Erik Blumenthal – Guitars
Jens Lükermann – Bass
Arne Fleischhut – Drums

BREFORTH online:
Facebook: https://www.facebook.com/BreforthBand
Instagram: https://www.instagram.com/breforthband/
YouTube: https://www.youtube.com/@BreforthBand

DER WEG EINER FREIHEIT Announce Instrumental Version of Sixth Album “Innern”, Out September 11th

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: DER WEG EINER FREIHEIT. Leave a comment
Photo by © Mario Schmitt

The German progressive black metal band Der Weg einer Freiheit are announcing an instrumental version of their critically-acclaimed sixth album. The instrumental version of Innern marks the album’s one-year anniversary by highlighting the compositions and instrumentation that underpins one of the band’s most introspective albums.  

Along with the announcement, today, Der Weg einer Freiheit are releasing the instrumental version of “Xibalba” across all digital platforms. The song carries particular significance for Innern. It was the first song on the album that the band finished the instrumentation for but was the last to receive vocals.  

Listen to the instrumental version of “Xibalba” on the Season of Mist YouTube channel.

The instrumental version of Innern comes out on all digital platforms September 11, 2026 via Season of Mist. Pre-save: https://orcd.co/derwegeinerfreiheitinnern

“The initial idea came from our bassist, Alan,” says Der Weg einer Freiheit vocalist and guitarist Nikita Kamprad. Alan Noruspur spent months living with the instrumental version of “Xibalba” during the writing process for Innern. He found himself missing it once vocals were added. That attachment led the band to reconsider an idea they had floated even before the original release of Innern: a fully instrumental companion to the album.

The instrumental edition is not simply a muted version of the original mix. Kamprad built an entirely new mix for the release, rebalancing instrument levels and adding new atmospheric layers in places. “The instrumental version has to carry the same atmosphere, emotion and narrative on its own,” he explains. “Removing the vocals allows all of these carefully crafted details to breathe.” With the vocal layer gone, the synthesizers and ambient textures that give Innern its cinematic scale, treated by Kamprad as compositional elements rather than embellishments, move to the foreground, alongside the interplay between Kamprad and Nicolas Rausch’s guitars, Alan Noruspur’s bass and Tobias Schuler’s drums.

“Every song usually begins as an instrumental composition, so in many ways, this version of Innern represents the songs in their original form” Kamprad says. “We don’t see it as an alternative to the original album, but as another perspective on the same body of work, one that places the focus entirely on the music itself.”

The original version of Innern is available now on Season of Mist. Order & Stream: https://orcd.co/derwegeinerfreiheitinnern

Track list

  1. Marter (Instrumental) (09:24)
  2. Xibalba (Instrumental) (10:07)
  3. Eos (Instrumental) (07:30)
  4. Fragment (Instrumental) (06:24)
  5. Finisterre III (Instrumental) (02:00)
  6. Forlorn (Instrumental) (07:44)
    Full runtime: 43:09

Catch Der Weg einer Freiheit this fall on their headline tour of Europe with Conjurer and Brnjsmin

Get tickets: derwegeinerfreiheit.de/live

Der Weg einer Freiheit 2026 European Fall Tour
with Conjurer and Brnjsmin

October 16 – Dresden, DE @ Groovestation
October 17 – Kraków, PL @ Zascianek
October 18 – Warsaw, PL @ Mechanik
October 19 – Brno, CZ @ Melodka
October 20 – Graz, AT @ Explosiv
October 21 – Milano, IT @ Q-Hub
October 22 – Wörgl, AT @ Komma
October 23 – Sion, CH @ Le Port Franc
October 24 – Langenthal, CH @ Old Capitol
October 25 – Maastricht, NL @ Samhain (without Brnjsmin)
October 26 – Cologne, DE @ Essigfabrik
October 27 – Marburg, DE @ KFZ
October 28 – Bremen, DE @ Tower
October 29 – Hanover, DE @ Bei Chez Heinz
October 30 – Rostock, DE @ Peter Weiss Haus
October 31 – Stuttgart, DE @ Kulturquartier

With Innern, their sixth studio album, DER WEG EINER FREIHEIT return with their most introspective and compositionally expansive work to date. A meditation on suffering, transformation, and the fragile thresholds of the human psyche, Innern refines the band’s signature blend of black metal intensity and post-metal atmosphere. The title, German for “inward”, anchors the album’s conceptual weight: a turning away from the external, into a realm of personal reckoning, silence, and renewal. Across six meticulously crafted tracks, the band explores cycles of disintegration and emergence, inviting listeners to confront the deep and often contradictory nature of existence itself.

DER WEG EINER FREIHEIT formed in Würzburg, Germany in 2009, the brainchild of guitarist and composer Nikita Kamprad and original vocalist Tobias Jaschinsky. The band’s early beginnings were humble but explosive: their self-released debut quickly sold out, drawing attention across the underground metal scene. A reissue in 2010 with newly recorded drum parts by Christian Bass (Heaven Shall Burn, ex-Night in Gales) established the band’s first official lineup and led to extensive touring across Germany and Europe. From the outset, DER WEG EINER FREIHEIT were set apart not just by their technical prowess, but by a philosophical inclination that would become the band’s artistic hallmark.

Their 2012 sophomore album, Unstille, expanded on their debut’s melodic harshness, while introducing a deeper emotional weight. It also marked the first appearance of drummer Tobias Schuler, whose intricate and expressive playing would become central to the band’s identity. Though vocals on Unstille were still performed by Tobias Jaschinsky, he would leave the band shortly after its release. Kamprad took over vocal duties in the months that followed, stepping into the role of frontman in time for the writing and recording of their next album.

Stellar, released in 2015 via Season of Mist, solidified the band’s stature within the modern black metal landscape. Drawing from post-rock and progressive influences, the album embraced wider dynamics and cinematic structures, aligning them with the likes of Wolves in the Throne Room and Deafheaven, without sacrificing their own Germanic rigor and introspection.

In 2017, Finisterre signaled a conceptual leap forward. It confronted themes of isolation, personal dissolution, and spiritual finality across sprawling arrangements and stark tonal shifts. This period saw further lineup changes, with the departure of guitarist Sascha Rissling and bassist Giuliano Barbieri, and the arrival of Nicolas Rausch and Nicolas Ziska. Finisterre also marked their first chart placement in Germany and set the stage for increasingly ambitious live performances.

A live album, Live in Berlin (2019), captured the raw power and cathartic energy of the band’s concerts, affirming their reputation for immersive, emotionally charged performances. But it was Noktvrn, released in 2021, that truly redefined what DER WEG EINER FREIHEIT could become. Inspired by the ambiguous state between wakefulness and dreams, and drawing influence from classical composers such as Chopin and Arvo Pärt, the album saw Kamprad experiment with clean vocals and subdued textures. It was both a thematic and sonic breakthrough and was received by critics as their most refined and contemplative release to date.

Now, with Innern, DER WEG EINER FREIHEIT move even deeper into the abyss. Produced, mixed, and mastered by Kamprad in his own studio, the album is an intensely focused work. “Eos,” the album’s lead single, contrasts war and renewal, imagining a post-human earth fertilized by sacrifice and reclaimed by nature. “Marter” follows as a searing portrayal of inner torment and emotional release—suffering not only as a source of agony, but as a path toward transcendence. “Xibalba” then confronts the machinery of fear—media, propaganda, and spiritual fragmentation—urging a return to our collective essence through introspection and clarity. And with “Forlorn,” the band delivers their most vulnerable statement yet: a delicate plea for emotional refuge, sung in English to underscore its universality. The album also marks the studio debut of bassist Alan Noruspur, whose presence brings a new emotional and personal depth to the band’s sound.

Musically, Innern leans into contrast and contradiction. Kamprad and Rausch’s guitar interplay oscillates between searing aggression and elegiac restraint. Noruspur’s basslines pulse with warmth and gravity, while Schuler’s drumming remains as meticulous as ever-bridging technicality with emotional nuance. The album’s production captures a sense of immediacy and live energy, yet remains rich in detail and atmosphere. It is not merely a refinement of past styles, but a reinvention—one that places the listener in direct confrontation with the void.

DER WEG EINER FREIHEIT stand now at the peak of a fifteen-year evolution. Their music is as concerned with silence as it is with sound, as shaped by introspection as by fury. As they prepare to bring Innern to European stages in autumn 2025, they do so not as provocateurs of extremity, but as artists navigating the fragile space between collapse and clarity. In a genre often defined by spectacle, DER WEG EINER FREIHEIT remain committed to vulnerability, transformation, and truth.

Line-up:
Nikita Kamprad — Guitars
Nicolas Rausch — Guitars
Alan Noruspur — Bass
Tobias Schuler — Drums

Production Credits:
Recorded, mixed & mastered in Würzburg, Germany by Nikita Kamprad.
Drums recorded separately at Studio Weißmann, Würzburg, Germany.

Cover Art:
Design & layout by Max Löffler (https://maxloeffler.com/)

Photography:
Mario Schmitt

Follow Der Weg Einer Freiheit:
Official Website: https://derwegeinerfreiheit.de/
Bandcamp: https://derwegeinerfreiheit.bandcamp.com/
YouTube: http://www.youtube.com/derwegeinerfreiheit
Instagram: http://instagram.com/derwegeinerfreiheit
Facebook: http://www.facebook.com/derwegeinerfreiheit
Spotify: https://open.spotify.com/artist/7e823b0KQoVtLG86Ui5xGD
Apple Music: https://music.apple.com/artist/der-weg-einer-freiheit/363526020
Deezer: https://www.deezer.com/artist/1386896
Tidal: https://tidal.com/browse/artist/4479035

TERAMAZE Revisit Fan-Favourite “Weight of Humanity” with Fresh New Recording, Out Now

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: TERAMAZE. Leave a comment

Progressive metal powerhouse Teramaze have revisited one of their most beloved tracks, “Weight of Humanity,”delivering a brand-new recording featuring the band’s current lineup.

The decision to re-record the song came from a simple place: the band still absolutely love playing it live.

Rather than radically reinventing the track, Teramaze have taken the original song and brought it into the present day. The arrangement remains faithful to the version fans know, but the performance reflects the energy, chemistry and musical identity of the band’s current lineup.

“We absolutely love playing this song live, so we thought it would be fun to give it a fresh recording and a slightly new spin. We’ve kept the song essentially the same, but played it the way we perform it today.”

The result is a fresh take on a Teramaze favourite — familiar enough to retain everything that made the original special, while capturing how the band sounds and performs in 2026.

“Weight of Humanity” features:
Dean Wells — Guitars / Backing Vocals
Nathan Peachey — Vocals
Andrew Cameron — Bass Guitar
Nick Ross — Drums
Luke Rosten — Keyboards

For longtime fans, the new recording offers a chance to hear a classic Teramaze track through the lens of the band as it stands today. For newer listeners, it serves as a powerful introduction to the chemistry and dynamic of the current lineup.

“We hope you enjoy it!” — Dean Wells

More info: https://www.facebook.com/teramaze

THE DAMN TRUTH Release New Single & Lyric Video ‘Killer Whale’ from Upcoming Deluxe Edition Album

Posted by tarjavirmakari on August 25, 2026
Posted in: Int. News, News. Tagged: THE DAMN TRUTH. Leave a comment
Photo Credit: Sergio Albert

Riding the wave of their critically acclaimed, JUNO Award-nominated self-titled album, Canadian rock powerhouse The Damn Truth are turning up the heat ahead of the worldwide release of The Damn Truth (Deluxe Edition) on 11 September 2026 with the release of their explosive new single “Killer Whale” on Tuesday, 25 August 2026, complete with a brand-new music video.


“Killer Whale” is available on all streaming platforms HERE. The official music video is available to stream on YouTube HERE.


The Damn Truth (Deluxe Edition) is available to pre-order HERE.

Exploding from the band’s acclaimed self-titled album, “Killer Whale” is a live-wire fan favourite that has become a highlight of The Damn Truth’s electrifying shows. Produced by Bob Rock (Metallica, Bon Jovi, Aerosmith), this adrenaline-fuelled rock anthem surges with power, hope, and celebration.

Says the band –


“In true rock n roll fashion Killer Whale started with a banging guitar riff. Screaming through the vintage amp we knew we had something special with this song. Bob heard it too when we recorded it in Vancouver at The Warehouse Studios. The song itself is not about heartbreak. It’s about what gets left behind after all the noise has gone.

“Night after night, all over the world, “Killer Whale” gets the rock ’n’ roll party started early in the set, lighting the fire that burns through the full 90 minutes of pure rock ’n’ roll that is The Damn Truth.”

The release of “Killer Whale” offers fans excitement and celebration as one of the standout tracks from the Deluxe Edition album. The new single also coincides with The Damn Truth’s UK tour which kicks off with a free acoustic session at The Gibson Garage in London from2 –2:30pm on Thursday August 27th. 

The Gibson Garage acoustic session is open to the public. Entry is available on a first-come, first-served basis. Fans are advised to show up early on the day, to ensure admission to the rare and intimate acoustic performance. Address: 61–62 Eastcastle Street, London, W1W 8NQ.


With another action-packed year ahead, The Damn Truth are set to keep the momentum roaring with tour dates across the UK, Europe, and Canada, including high-profile special guest appearances on Europe’s The Final Countdown – 40th Anniversary Tour, along with major festival appearances and electrifying headline shows.

THE DAMN TRUTH – 2026 TOUR DATES

TICKETS AVAILABLE FROM WWW.THEDAMNTRUTH.COM

AUGUST 2026

27 Aug – The Gibson Garage, London, UK (free acoustic session)
28 Aug – The Live Rooms, Chester, UK
29 Aug – Stonedead Festival, Newark, UK
30 Aug – Nightrain, Bradford, UK


SEPTEMBER 2026

01 Sep – The Globe, Cardiff, UK
02 Sep – Cavern, Exeter, UK
03 Sep – The Craufurd Arms, Milton Keynes, UK
04 Sep – Bear Cave, Bournemouth, UK
06 Sep – The Waterloo Music Bar, Blackpool, UK

EUROPE’S THE FINAL COUNTDOWN – 40TH ANNIVERSARY TOUR
FEATURING SPECIAL GUESTS: THE DAMN TRUTH

30 September – Glasgow, SEC Armadillo, UK
2 October – Wolverhampton, Civic Hall, UK
3 October – London, Eventim Apollo, UK
5 October – Arnhem, Musis Sacrum, Netherlands
6 October – Paris, L’Olympia, France
8 October – Barcelona, Poble Espanyol, Spain
9 October – Bilbao, Arena Miribilla, Spain
10 October – Madrid, La Cubierta, Spain
12 October – Lausanne, Salle Métropole, Switzerland
13 October – Zurich, Volkshaus, Switzerland
14 October – Milan, Alcatraz, Italy
16 October – Stuttgart, Liederhalle, Germany
17 October – Vienna, Gasometer, Austria
19 October – Berlin, Admiralspalast, Germany
20 October – Warsaw, COS Torwar, Poland
22 October – Frederiksberg, Falconer Salen, Denmark
23 October – Gothenburg, Sweden
24 October – Stockholm, Sweden
26 October – Oslo, Sentrum Scene, Norway

More information: Website | Facebook | Spotify | Instagram | X | TikTok | YouTube

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