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HANRY Announce New Album “What Came From Silence” + Reveal First Video Single ‘Aurora’

Posted by tarjavirmakari on March 11, 2026
Posted in: Int. News, News. Tagged: HANRY. Leave a comment
Credit: Gregory Perrochon

French post-rock collective HANRY have announced their debut album What Came From Silence, arriving 29th May via Pelagic Records. Marking a defining moment in the band’s evolution, the record captures HANRY at their most expansive and self assured, a sweeping, cinematic body of work where delicate restraint gradually gives way to towering crescendos and luminous emotional release. Alongside the announcement, the band have unveiled the album’s first single, ‘Aurora’, offering the first glimpse into their carefully sculpted world.

Pre-order What Came From Silence here: https://orcd.co/hanry-wcfs  

“’Aurora’ is HANRY’s first single from the album and the spark that ignited the band’s story,” the band explain. “Originally composed around ten years ago by Anthony Leliard at the inception of the project, the track was later reshaped and arranged collectively for our debut album What Came From Silence. Dark and tense, ‘Aurora’ moves through contrasting periods, from heavy, shadowed moments to brighter, more radiant passages. The piece builds and recedes in hypnotic waves before culminating in a massive, liberating explosion that carries the listener toward new horizons.”

Formed in 2022, HANRY have quickly developed a reputation for expansive compositions that balance atmosphere with weight. Built around patience, texture and carefully controlled crescendos, their music moves fluidly between fragile ambient passages and towering, emotionally charged climaxes.

Written during a particularly long winter in Brittany, debut album What Came From Silence carries an atmosphere of tension and introspection across its eight immersive tracks.

Across the record, HANRY lean further into the contrast that defines their sound. Clean guitar tones shimmer before dissolving into waves of saturated distortion. Ambient passages slowly evolve into powerful, widescreen moments. Even at their most delicate, there is motion, subtle pulses and shifting textures that push the music forward. When the band unleashes its full force, the sound remains articulate; each instrument retains its identity within the surge. 

“Since the beginning of HANRY, cinematic imagery has been at the core of our artistic vision,” the band say. “We often compose from mental images, landscapes or scenes that could almost belong to a film. We wanted the album to feel like a continuous experience, something listeners can fully immerse themselves in and interpret in their own way.”

Initially composed by the core trio of Anthony Leliard (bass/guitar), Marc Mifune (keys) and Jean-Anaël Aubaux (J.A) (guitar), the album was then further developed with the full band in their own studio. With J.A. and drummer ClémentChampigny both working as sound engineers, HANRY produced and mixed the record themselves at DiscoCasino Studio, ensuring complete control over its identity. It was mastered by Chab at Chab Mastering. 

‘Phantom Rush’, the closing track on the album features a stunning collaboration with pianist Mariposa, adding an additional layer of depth and emotional intensity to the record.

Artwork was created by French artist Aloïs Lecerf, who describes the piece as reflecting the same tension between stillness and eruption that runs through the record itself.

“It’s balanced between restraint and release. The cover evokes a presence that gradually emerges , something calm, dense, almost motionless, that eventually becomes vast and luminous. It seeks to capture that moment when silence begins to crack. Within a grainy, incandescent landscape, an immobile silhouette slowly fractures, allowing light to emerge.”

The album arrives at a pivotal moment for the band. A recent performance at the renowned Trans Musicales in Rennes was broadcast nationally to thousands, while a live session with KEXP signals growing international momentum.

With What Came From Silence, HANRY deliver a record that feels both expansive and deeply personal, a carefully constructed journey where silence, texture and atmosphere carry as much weight as the crescendos themselves.

What Came From Silence track list:

1. Noise Drowns Out
2. Aurora
3. Dustwake
4. Her Crown, Her Empire
5. Remains
6. Time’s Collapsing 
7. Dead Waves
8. Phantom Rush

Catch the band live at Pelagic Fest in August, with more live dates to be announced soon. 

HANRY are:
Jean-Anaël Aubaux: Guitars, Synth.
Hadrien Benazet: Guitars.
Clément Champigny: Drums.
Anthony Leliard: Bass, Guitars, Synth.
Marc Mifune  Piano, Synth, Cello

For more information: INSTAGRAM • FACEBOOK • BANDCAMP • PELAGIC ARTIST PAGE

CITOVITZ AND FIREFLIES OF FEBRUARY Release ‘The Demon Was Once an Angel’ — Final Lyric Video from “My Revenge” EP

Posted by tarjavirmakari on March 11, 2026
Posted in: Int. News, News. Tagged: Andrzej Citowicz, Cherine Citowicz, CITOVITZ AND FIREFLIES OF FEBRUARY, Patryk Szymański. Leave a comment

CITOVITZ AND FIREFLIES OF FEBRUARY have released the official lyric video for “The Demon Was Once an Angel” — the fifth and final track from the “My Revenge” EP, released on Andrzej Citowicz’s 50th birthday, February 10th, 2026. With this release, the EP’s lyric video cycle is complete: five songs documented, five chapters closed, five truths placed permanently on record.

THE PHILOSOPHY OF THE FALLEN

The song was written by Shereen Citowicz — the same lyricist behind “My Revenge”, the EP’s title track. Where that song burns with defiance, “The Demon Was Once an Angel” asks a harder, quieter question: not how did we survive, but what did surviving cost us?
“Demons weren’t born demons. They were angels who fell. Good things that got broken. Innocent souls who learned the world doesn’t reward innocence. My wife Shereen wrote these words about transformation we never asked for. About how pain changes you into something different — not necessarily worse, just harder, less trusting, more guarded.”

The song’s central thesis — that the fallen were once innocent — carries enormous compassion within what could easily become a statement of despair. Shereen’s words refuse to judge the changed. They seek instead to remember what was there before the breaking. To acknowledge that the hardness people carry was once softness that the world refused to protect.

Watch the lyric video here:

MEMORY AS SALVATION

The lyric video presents the song’s most profound insight plainly: if you have become something harder, something more guarded, something the world might call a demon — you were likely an angel once. And that memory, however faint, is not defeat. It is a thread. It is what keeps a person from losing themselves entirely.

“If you’ve become a demon, maybe you were an angel once. And remembering where you came from — that’s what keeps you from being completely lost.”
This is grief literature written as rock music. It is the kind of truth that doesn’t announce itself loudly but settles slowly — in the chest, in the memory, in the quiet moments when a person sits with what they have become and tries to find the version of themselves that existed before the damage.

MUSICAL APPROACH: WINGER’S LEGACY, CARRIED FORWARD

Musically, “The Demon Was Once an Angel” draws from the tradition established by Winger and Kip Winger — technical without being cold, intricate without losing emotion. It is rock that thinks as it feels, that constructs carefully even as it speaks from an unguarded place.

Bassist Patryk Szymański — Andrzej’s collaborator of over a decade, a brother in every meaningful sense of the word — delivers bass work that does more than anchor the rhythm. It speaks. It carries its own narrative thread through the song, responding to and deepening the lyrical content rather than simply supporting it.

“Patryk’s bass doesn’t just support — it speaks its own truth. When you’ve been creating with someone for over ten years, there’s a musical intelligence that develops between you that can’t be faked. On this track especially, he understood exactly what these words needed.”

THE END OF MY REVENGE: FIVE SONGS FOR FIFTY YEARS

The “My Revenge” EP was conceived as a statement of survival — five tracks for fifty years of living, released as a 50th birthday declaration. Each song carries a different dimension of that survival: defiance, brotherhood, the theft of time, grief transformed into dignity, and now — the memory of innocence in the face of everything that has hardened.

The five tracks span two lyricists and one sustained emotional vision: Andrzej wrote “You’re Not My Friend — You’re My Brother, My Friend,” “Time Is a Thief,” and “I Am a Gentleman Tempered by Grief.” Shereen wrote “My Revenge” and “The Demon Was Once an Angel.” Together, they form a complete arc — not a tidy resolution, but an honest accounting.

“This is the final song from ‘My Revenge.’ Five songs for fifty years. Five pieces of survival turned into sound. Thank you for walking this journey with us. From the first song to this last one. You made my revenge complete.”

THE LYRIC VIDEO SERIES: WORDS MADE VISIBLE

The decision to document each track from “My Revenge” with its own lyric video reflects a consistent artistic philosophy: words this personal deserve to be seen, not just heard. Lyrics that emerge from lived experience — from grief, from loss, from the long work of remaining human — carry meaning that the ear alone cannot always hold. The lyric video format allows listeners to sit with the words, return to specific lines, and find themselves in the text.
With this final release, that documentation is complete. Every word Shereen and Andrzej put into this EP now has a visual home. The record is permanent.

STREAM & WATCH

YouTube lyric video: https://www.youtube.com/watch?v=pPa5Fn9MQek
The complete “My Revenge” EP is available on Spotify, Apple Music, Amazon Music, YouTube Music, and all major streaming platforms.

++++++

About Andrzej Citowicz:
Andrzej Citowicz is an acclaimed Polish guitarist and songwriter currently based in Cairo, Egypt. As a former recording artist for DownBoys Records, he has built a reputation for emotionally resonant songwriting and distinctive guitar work. His music combines classic rock influences with contemporary production, creating a sound that bridges generational and cultural gaps while maintaining artistic authenticity. His YouTube channel has garnered over 70,000 views from an international audience.

Connect with Andrzej Citowicz:
Spotify: https://open.spotify.com/artist/7aIeg5DyI7xwkYLsBgJNWf
YouTube: https://www.youtube.com/@AndrzejCitowicz
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

℗© 2026 Citovitz and The Fireflies of February / Andrzej Citowicz

EXTINCTION to Release New Album “The Horned God” on March 27th

Posted by tarjavirmakari on March 11, 2026
Posted in: Int. News, News. Tagged: Extinction. Leave a comment

Italian thrash/death metallers EXTINCTION have revealed full details for their new album “The Horned God,” due out March 27, 2026 via Punishment 18 Records. The band unveiled the final tracklist and the official cover artwork, created by Sheila Franco (Celtic Hills, Selvans, Hell in the Club, Cadaveric Crematorium, Eternal Tragedy, Rawfoil).

01. Divine Adoration
02. The Horned God
03. Jukai
04. Llorona
05. Wendigo
06. Human Dolls
07. The Ruling Plague
08. Mania
09. Pan

– Extinction –
https://extinction2.bandcamp.com/
– Punishment 18 Records –
https://media.punishment18records.com
http://www.facebook.com/punishment18records

DEREK DAVIS (Babylon A.D.) Releases New Video for Single ‘Running Man’

Posted by tarjavirmakari on March 11, 2026
Posted in: Int. News, News. Tagged: DEREK DAVIS. Leave a comment

Fresh off the successful releases of the last two “Babylon A.D.” albums (‘Rome Wasn’t Built In A Day’  & ‘When The World Stops’), Derek Davis brings his creative energy to life with his solo project, penning a brand new explosive up-tempo rocker, ‘Running Man‘. 

The funk driven, hard-hitting rock/metal track delivers the angst and vocal delivery for which he is known. Both lyrically and musically, the track speaks to the frustration and passion of the forgotten man in today’s ever changing world. The AI evolution and political divide that shapes our thoughts and lives are explored through his cinematic story telling.

“Running Man” is a rock anthem at its core, with an uptempo fist pounding funkifed bass line and searing guitar riffs, the hooks never stop. Davis’s exploration of combining Hard Rock, old school R&B and Funk is awe inspiring and leaves the listener wanting more. Having played all the instruments, mixing and producing the track, as well as editing and creating the accompanying video, he once again proves to be a visionary force in the music industry. Derek Davis is a multi-talented performer, singer, songwriter, musician and producer who delivers it all with ‘Running Man’!

Order here: https://derekdavismusic.hearnow.com/running-man

Davis has showcased his extraordinary singing, songwriting, and musicianship in several areas. He has had several songs placed in films and TV, and has recorded six studio albums, three live albums and two EPs with the band Babylon A.D. He also wrote all the tracks, produced and released the band “American Blues Box” album and wrote, created and produced three solo albums “Revolt”, “Revolutionary Soul” and “Resonator Blues” as well as seven solo effort singles and  videos

Over the last few years Derek Davis has performed, produced, wrote or co-wrote all the tracks for the Babylon A.D.s releases: 2018’s “Revelation Highway” Via “Frontiers Records” – 2023,“ Live Lightning” on Perris/Apocalypse Records, 2024’s “Rome Wasn’t Built In A Day”, Perris/Apocalypse Records and in 2025, “When The World Stops” from Kivel Records. He has also created 10 Videos in this time for each single released by the band, and has done multiple tours in the United States, the U.K and Greece, proving once again the band’s staying power in the history of hard Rock. 

PRESENT DAY… As 2026 begins Derek Davis a has full schedule set for the rest of the year. Two more video/singles are scheduled for release by Babylon A.D. Davis is in full throttle writing mode for his next solo effort, another Soul inspired Funk Rock album that is set for release in the fall. The first track “Running Man” will be released on 10th March as a single and video. 

Over the years, Derek Davis has amassed a published music catalogue of over 200 original compositions, very impressive and quite suitable compared to other artists. Derek has also mastered his video editing skills and production skills and is always trying something new to expand his musical journey. Derek Davis is the consummate, Singer/Songwriter/Musician/Producer, a born creator with a natural gift in the music landscape of our times

For more on Derek Davis check out these links:
https://open.spotify.com/artist/5ZDnlmvRRtTLlfcjwWXxGb
https://music.apple.com/gb/artist/derek-davis/447597256
https://www.youtube.com/@DerekDavisMusic
https://derekdavismusic.com/
https://www.facebook.com/derekdavisrevolutionarysoul/
https://www.instagram.com/derekdavismusic777/
https://babylonadband.com/
https://www.facebook.com/Babylonadband/

DRACONIAN Drop First Single + Video ‘Cold Heavens’ from Upcoming Album

Posted by tarjavirmakari on March 11, 2026
Posted in: Int. News, News. Tagged: Draconian. Leave a comment
[Photo Credit: Therés Stephansdotter Björk]

The undisputed leader of the 2nd wave of Gothic Doom Metal, DRACONIAN, is finally back – and they return in better shape than ever! Their new studio album, In Somnolent Ruin, will creep its way from the artist’s spirit into the light of day on May 8, 2026 via Napalm Records. This promises to be one of the most personal records in the band’s discography, revealed through a dream-like journey across nine tracks and the poetic lyricism of vocalist Anders Jacobsson. The new album also marks the return of long-time vocalist Lisa Johansson – the band’s vocalist for their first five records.

First Single is “Cold Heavens”, which is about finding no comfort in Heaven as there is no difference between being alive or dead.

Johan Ericson about the new single:
“In need of a more up-tempo song, “Cold Heavens” was the final piece written for In Somnolent Ruin. The intention was to create a simple, straightforward track to balance the album’s longer compositions and add versatility. Lisa’s laid-back vocals take center stage, guiding us through a bleak, cold landscape before giving way to Anders’ more spiteful and desperate delivery. The song ends with a sense of resignation, leading into the album’s next track.”

Pre-Order Your Copy of In Somnolent Ruin HERE

In Somnolent Ruin Tracklist:
1. I Welcome Thy Arrow              
2. The Monochrome Blade         
3. Anima (feat. Daniel Änghede)
4. The Face of God         
5. I Gave You Wings       
6. Asteria Beneath the Tranquil Sea       
7. Cold Heavens              
8. Misanthrope River    
9. Lethe

Six years have passed since the band released its predecessor, Under a Godless Veil, DRACONIAN’s most successful record to date. Much has changed since then, yet everything feels familiar: After introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come. Johansson had been the band’s vocalist for their first five records before leaving DRACONIAN in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (Antikult, ex-Wormwood), who joined DRACONIAN as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019. It’s the first album on which longtime member Daniel Arvidsson can be heard on bass, to which he switched from guitar in 2022.

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything – and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.
 
In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow”, which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics.  “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe”, references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat.” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget – not a single blink of an eye.

DRACONIAN Live:

Latin America

16.05.26 BR – Sao Paulo / Carioca Club
17.05.26 AR – Buenos Aires / Teatro Flores
19.05.26 CL – Santiago / Sala Metronomo
21.05.26 CO – Bogota / Teatro Astor Plaza
23.05.26 MX – Mexico City / Circo Volador
 
06.08.26 CZ – Jaromer / Brutal Assault
25.09.26 ES – Madrid / Revi Live
26.09.26 PT – Lisbon / Under the Doom
 
Japan Tour
12.10.26 JP – Tokyo / Shibuya Stream Hall
13.10.26 JP – Osaka / Shinsaibashi Sunhall
 
EU tour 2027
18.02.27 DE ­­– Hamburg/ Knust
19.02.27 DE – Berlin / Lido
20.02.27 DE – Leipzig / Hellraiser
21.02.27 PL – Krakow / Hype Park
23.02.27 PL – Warsaw / Hydrozagadka
24.02.27 AT – Vienna / Szene
25.02.27 CZ – Prague / Futurum Club
26.02.27 DE – Munich / Backstage Halle
27.02.27 DE – Aschaffenburg / Colos-Saal
28.02.27 IT – Milan / Legend Club
02.03.27 LU – Esch-sur-Alzette / Rockhal
03.03.27 DE – Oberhausen / Kulttempel
04.03.27 NL – Utrecht / Tivoli Vredenburg
05.03.27 BE – Kortrijk / DVG
06.03.27 FR – Paris / La Machine Du Moulin Rouge
07.03.27 UK – London / The Dome

DRACONIAN is:
Johan Ericson – Guitar, Vocals, Keys
Anders Jacobsson – Vocals
Lisa Johansson – Vocals
Daniel Arvidsson – Bass
Niklas Nord – Guitar
Daniel Johansson – Drums

DRACONIAN online:
WEBSITE
FACEBOOK
INSTAGRAM
NAPALM RECORDS

IMPURE WILHELMINA Announce New Album “Le Sanglot”, Music Video for ‘Électricité noire’ Out Now

Posted by tarjavirmakari on March 11, 2026
Posted in: Int. News, News. Tagged: IMPURE WILHELMINA. Leave a comment
Photo by © Mehdi Benkler

Since being born into Switzerland’s underground in 1996, Impure Wilhelmina have followed their own singular path. The Geneva quartet have combined hardcore riffs, atmospheric sludge and gloomy melodies into alternative rock that’s as sharp and versatile as a Swiss Army Knife. Now, after three decades of evolution, the band are releasing their most radical yet organic album to date.

Today, Impure Wilhelmina are announcing their sixth full-length album, Le sanglot, which is also the band’s first that’s entirely in French. Its lead single introduces the album’s emotional and conceptual core. “Électricité noire” is both a crackling ode to rock music and an enduring meditation on its cathartic force.

Le sanglot comes out May 22nd, via Season of Mist. Pre-order & pre-save: https://orcd.co/iwlesanglot

Within the broader narrative of Le sanglot, “Électricité noire” occupies a crucial position. Conceived as the sonic equivalent of a sob, the album observes the world through a stark lens, confronting ugliness, mediocrity and quiet violence. Yet the opening movement carried by its lead single also hints at the possibility of grace, establishing the fragile tension between darkness and light.

Opening with a massive and haunting arpeggio, “Électricité noire” gradually unfolds into a surge of raw energy. A solitary voice emerges within the song as a reminder that rock itself is a form of dark electricity. Through performance and expression, sorrow is allowed to speak. In a world that appears fractured and unstable, the song frames music as a necessary outlet for anger, grief and disillusionment.

Accompanying “Électricité noire” is a music video directed by Steven Blatter (Prog-Pics). Filmed with Impure Wilhelmina playing in a stripped and direct setting, the music video reflects the song’s focus on the raw force of music.

Tracklist

  1. Électricité noire (5:01) [WATCH]
  2. Cent mille plaies (3:43)
  3. Abîme (6:26)
  4. Larmes de joie (5:02)
  5. Dévoreur d’étoiles (6:00)
  6. Train mort (4:03)
  7. Frelon ivre (4:40)
  8. Blanche réalité (5:35)
  9. Demain J’abandonne (4:04)
  10. À Jamais radieuse (5:52)
    Full runtime: 50:28

Born from Geneva, Switzerland’s thriving alternative music scene, IMPURE WILHELMINA has been developing a truly unique blend of sound over the years, somewhere in between metal and progressive-tinged dark rock. The band’s distinctive style is dense, melodic and deeply melancholic, brought to life by introspective lyrics both profoundly humane and chilling, infused with raw emotion.

Impure Wilhelmina was founded in 1996 and made a name for itself in the early 2000s, with a series of iconic albums – I Can’t Believe I was Born in July (2003) and L’amour, la mort, l’enfance perdue (2005) along with several European tours. Little by little, the quartet led by guitarist and vocalist Michael Schindl won over the hearts of a now loyal fan base, who appreciate how the band turns dark themes into a universe of healing sound.

Impure Wilhelmina’s story is also one of perpetual renewal. The band’s sound has evolved from its gritty beginnings to more mature, melodic productions driven by clear magnetic vocals. Black Honey (2014), Radiation (2017) and Antidote (2021), widely appraised by critics, pushed horizons further yet for the band, signed to the label Season of Mist since 2015.

Throughout the years, Impure Wilhelmina has played hundreds of shows across Europe, performing at underground venues and large festivals alike, including opening for icons such as Gojira, Baroness, Amenra, Sólstafir and Crippled Black Phoenix.

Since 2023, the band has been working on its next album to follow Antidote. The process is enriched by the arrival of new guitarist Edouard Nicod, joining Sébastien Dutruel (bass), Mario Togni (drums) and Michael Schindl (guitar and vocals). Their new album entitled Le sanglot, set to be released by Season of Mist in 2026, will showcase the band’s next radical yet organically logical transformation: lyrics entirely in French, unleashing dimensions of sound you wouldn’t expect, with renewed creative energy.

« Rescapé de l’ancien monde, touché par la grâce »

Line-up:
Michael Schindl — Vocals, Guitar
Mario Togni — Drums
Sébastien Dutruel — Bass
Edouard Nicod — Guitar

Production Credits:
Recorded at Kitchen Studio, Geneva, Switzerland.
Produced, engineered & mixed by Yvan Bing at Kitchen Studio, except for track 9, recorded by Serge Morattel at Rec Studio.
Mastered by Magnus Lindberg at Redmount Studio, Stockholm, Sweden.

Recording Line-up:
Michael Schindl
Mario Togni
Sébastien Dutruel
Edouard Nicod

Guest Musician:
Marion Leclercq (Mütterlein) on the track 6, ‘Train Mort’.

Cover Art:
Giganto (http://giganto.ch/)

Photography:
Mehdi Benkler

Follow Impure Wilhelmina:
Bandcamp: https://impurewilhelmina.bandcamp.com/
Facebook: https://www.facebook.com/impurewilhelmina/
Instagram: https://www.instagram.com/impurewilhelmina/
Apple Music: https://music.apple.com/artist/impure-wilhelmina/299336044
Spotify: https://open.spotify.com/artist/29luUtCyre5DdAujrV8Pob
Tidal: https://tidal.com/artist/4178564
Deezer: https://www.deezer.com/artist/1309118

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