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Jamey Jasta & Company Unleash JASTA Music Video for New Song ‘Suicidality’, Ft. Phil Demmel

Posted by tarjavirmakari on May 8, 2024
Posted in: Int. News, News. Tagged: Jamey Jasta, Jasta. Leave a comment

Hatebreed frontman Jamey Jasta & company are back with a brand new JASTA music video for the song “Suicidality,” which features special guest Phil Demmel (Vio-lence). The song is taken from the upcoming ‘AND JASTA FOR ALL’ album, which will arrive digitally on May 17! The clip, which was shot by Alex Zaranak, can be found at THIS LOCATION.

The video was filmed at The Rave / Eagles Club during Milwaukee Metal Fest in 2023. The album is “ALL RIPPER NO SKIPPERS” and features guest appearances from Scott Ian (Anthrax), Chuck Billy (Testament), Zetro (Exodus), Joey Concepcion (Arch Enemy) & Phil Demmel (Vio-lence).

Jamey Jasta comments on the story behind JASTA, “Fan funded, four years in the making, got to work with my thrash heroes and couldn’t be happier with this album, it’s ALL RIPPERS, NO SKIPPERS! Play loud it!”

‘AND JASTA FOR ALL’ guitarist Charlie Bellmore (Toxic Holocaust, Dee Snider, Many Eyes) adds, “Jamey asked me to write “a few thrash songs” quite a while ago and over the years they slowly grew into a remarkable love letter to thrash metal. Jamey, Nicky and myself busted our butts to make a serious ripper of an album, and Jamey delivered some of his best vocal performances of his career on this. I can’t wait for everyone to crank this up!!!”

Pre-order ‘AND JASTA FOR ALL’ HERE. Use code AJFA. 

‘AND JASTA FOR ALL’ TRACKLISTING:

  1. They See Us As Prey (feat. Nick Petrino)
  2. Armor Your Mind
  3. Create The Now (feat. Chuck Billy)
  4. R.M.P.C. (feat. Scott Ian)
  5. Suicidality (feat. Phil Demmel)
  6. Assimilation Agenda (feat. Steve “Zetro” Souza & Joey Concepcion)
  7. Ring of Truth
  8. Terminal Lucidity
  9. No Dream Is Free
  10. The Phoenix Way

JASTA will be performing a series of album release shows for ‘AND JASTA FOR ALL,’ which will kick off at the official Milwaukee Metal Fest Pre-Party on May 16 at The Rave/Eagles Club and will feature special guests Bobby Blitz (Overkill), Steve “Zetro Souza” (Exodus), Bobby Hambel (Biohazard), Hoya Roc (Smoke AD, ex-Madball), and more surprises! Milwaukee Metal Festival pass holders will be given access to the pre-party in addition to all three days, while single tickets are available for those who are not attending the full festival. Tickets can be found HERE.

JASTA Album Release Shows:
05/16: Milwaukee, WI @ Milwaukee Metal Festival Pre-Party
05/31: Lititz, PA @ Mickey’s Black Bx (w/ Overkill)
06/01: Sayreville, NJ @ Starland Ballroom (w/ Overkill)

‘AND JASTA FOR ALL’ was produced by Nick Bellmore (Toxic Holocaust, Dee Snider, Many Eyes)
Label: Perseverance Media Group

JASTA band is
Jamey Jasta – Vocals
Charlie Bellmore – Guitars
Chris Beaudette – Bass
Nick Bellmore – Drums
Joey Dibiase – Drummer in the video

Estonia’s GORESOERD Unleash Highly Anticipated Sixth Album “Inkvisiitor”

Posted by tarjavirmakari on May 8, 2024
Posted in: Int. News, News. Tagged: GORESOERD. Leave a comment

Photographer: Erlend Štaub

Goresoerd, the powerhouse of Estonia’s metal scene unleashed their highly anticipated sixth album, “Inkvisiitor,” on May 3rd, 2024. Known for their dark and unwavering style that pulls listeners into a deathly cold chokehold, Goresoerd’s music is a force to be reckoned with.

“Inkvisiitor” promises a sonic journey through mysticism, filth of the earth, war, suffering, and degradation. The album encapsulates the band’s authentic essence, presenting listeners with unrelenting fury and power.

Recorded and produced by Laur Lindmäe, with co-production by Goresoerd, “Inkvisiitor” boasts the mixing expertise of Jörg-Erik Hanikat from Leveler Audio and mastering by Jens Bogren at Fascination Street Studios in Sweden. The album’s striking cover art is created by Eero “Nagy” Soomere, with album design by Bruno Palmik.

“Inkvisiitor” is a testament to Goresoerd’s evolution and dedication to their craft. This album marks a milestone in their musical journey, showcasing their stylistic diversity and raw energy.

Listen to the album on music services (Spotify, Apple Music, Deezer, Tidal etc.): https://push.fm/fl/goresoerd-inkvisiitor

Inkvisiitor -tracklist

  1. Lõpp
  2. Inkvisiitor
  3. Rotikari
  4. Leviaatan
  5. Katk
  6. Maokaev
  7. Valküür
  8. Surmatants
  9. Picatrix
  10. Eksortsist
  11. Lein
  12. Painaja

https://www.facebook.com/goresoerd
https://www.instagram.com/goresoerd/

SYMPHONY OF SWEDEN: Rediscovering Resonance — The Revival of ‘She’s In My Head’

Posted by tarjavirmakari on May 8, 2024
Posted in: Int. News, News. Tagged: SYMPHONY OF SWEDEN. Leave a comment

Symphony of Sweden open up about the evolution of their hit song, “She’s In My Head” which is now re-released along with a brand new music video! Originally a tale of love and heartbreak, the track has transcended from personal inspiration to become “An Anthem for the Broken-hearted,” resonating with listeners worldwide.

Lee and Evan share insights into the creative process behind revitalizing the song, maintaining its core essence while infusing it with renewed energy and power. The re-release promises to deliver a compelling blend of nostalgia and innovation, capturing the raw emotion that made the original a fan favorite.

-What inspired the lyrics and melody of “She’s In My Head” originally, and how have those inspirations evolved for the re-release? 

Lee: -Originally it was about an old ex of mine. Right love, wrong time. A lot of passion but too many lies.
She became the Muse for the song and gave me a lot of inspiration to tell my story.
Later on, a lot of people commented and wrote to me that the song nails all their thoughts, anger, and hurt towards a person in their life or who has been in their life.
So, I think the song can relate to most people it doesn’t matter how old the song is.

Evan: –I remember I wanted a small change in the melody from the one Lee came up with initially, but I just wanted to have that lower note on the word mind on the choruses.
Lee was not sure about it but gave it a try. So, we only had 3 takes with the melody that ended up as the melody we used on the final version. But it was enough for having the lead vocal and two doubles for left and right channels as we usually produce the lead vox on the choruses.

-Can you walk us through the creative process behind re-recording and editing “She’s In My Head”? What were the key decisions made? 

Evan: –The original version was one of the first songs we wrote together, and we knew it was a great song, and it turned up to be one of our top songs on Spotify and still is! However back in 2020, we were still kind of rookies production-wise and we also just made a basic ”in the studio” video. But we believe strongly in this track, and we think it is worth a great destiny. Therefore, it is about time we gave it a slightly more powerful costume but without changing too much as we want to keep the core vibe of the original as much as possible. But all drums are re-recorded with Bullen, and we laid down some more guitars and bass as well. The lead vocal is the original one as it was just great from the start! And we made a new video for it!

-How do you feel the new version of the song captures the essence of the original while also bringing something fresh to the table? 
Evan: –We hope that all core elements that people love will still be there, but we first tried to improve on small things like making the intro and first verse slightly more interesting and “driving”. Then for the big change, we let the energy really flow on the choruses with more punchy drums, and more pumping guitars but still let Lee’s vocals lead the way!

-Were there any particular challenges or breakthrough moments during the re-recording process of “She’s In My Head”? 

Evan: –The re-recordings went really well as we already had the target or benchmark so to speak, so it was just a matter of doing similar things just slightly better. Bullen was not playing on the original, so he had to listen to the original a couple of times to nail the drum pattern as we wanted it to be quite similar however with the extra touch and magic of Bullen! As we used the original lead vocals and much of the original backing vocals as well, it was a nice and smooth ride overall!

 -How do you think the changes made to “She’s In My Head” enhance its impact or resonance with listeners? 

Lee: -It’s our second most streamed song. People love it, so I hope that they love it even more now that it has a more modern twist to it. And don’t worry, the original will still exist.

Evan: -First of all, we of course hope that all people liking the original would love the new version as well but then we hope that the rest of the 99.99% of the earth’s population who never have heard the original will love the song, no matter if it is a remake or a brand-new version. For most people, there will be a new sensation and hopefully, we will gain some new fans with this re-make! 

-What do you hope fans will take away from the re-release of “She’s In My Head” that they might not have from the original version? 

Evan: -We hope they will see it as improvements on all levels, like more interesting and more powerful in a good way. Of course, the original will still be there as well for those who prefer the original. But as we know the original is so popular we didn’t want to make too big changes on the new version.

Lee: -It has more drive now. More anger on the guitar and drums.

stream on Spotify

-Can you describe the evolution of the instrumentation or arrangement in the re-recorded version of “She’s In My Head”? 

Evan: -There is a new re-recorded guitar on the intro which plays on top of the violin’s melody and basically, I wanted it to tell the listener that this is a new version right from the start. You can say from bar 1 that this is the reloaded version when you hear the additional guitar.

Then we added two more electric guitars playing power chords in 8ths on the chorus along with two guitars playing on whole bars only as they were played on the original.

The drums are re-recorded but still have pretty similar patterns even though they are punchier this time.
There are also some new, high-range backing vocals but you can barely hear it. Very low level in the mix. There is also a newly added Yamaha CP-80 electro-acoustic grand piano added to the choruses.

For the first verse, we are making this trick which is very common in dance music with filtering the drums. You sweep a filter to make the drums go from very muddy to brighter and brighter to build up tension up to the chorus, or to the drop they say in dance music. (laughs)

-How do you approach balancing nostalgia for the original song with the desire to innovate and experiment in the re-release? 

Evan: -As the original indeed already is very popular there was no need to change too much. We just wanted to add some more energy to the chorus and make the overall sound a bit more professional basically. 

-Are there any specific moments or lyrics in “She’s In My Head” that hold new significance or meaning in the re-recorded version? 

Lee: -Before it was “my song”, my story, I mean it still is… But now it’s more for everyone. To the people that have that person they can’t forget, that haunts their mind and try to find answers to why it didn’t work. “An Anthem for the Broken-hearted.”

Evan: –For me, there is this breakdown or middle 8, people are questioning what words Lee really sings. But I love that magic when you can hear different words which also gives it different meanings. So, if we wanted to have that ”clinical perfect” version, we may have re-recorded the vocals on that part, but no, I love Lee’s performance on that part of the song.

-What do you hope listeners will feel or experience when they hear the re-release of “She’s In My Head” for the first time?

Evan: –Wow, what a great song, Let’s listen to it again!

About the band

Welcome to the musical world of Symphony Of Sweden!

Coming from the North of Sweden with winter and ice bears all over the place, the music is the other way around. Grand and epic with huge arrangements, the missing link between pop and metal – this is Symphony of Sweden! Add the powerful voice of Linus “Lee” Wester and the creative talent of Pontus “Evan” Hagberg you will have a concept that brings you on a journey from here to eternity.

Symphony Of Sweden is:
Pontus „Evan” Hagberg
Linus „Lee” Wester

Contributing musicians for “Haunted”:

🥁 Niklas “Bullen” Bengtsson – Rhythmic Dynamo 🔥

Fueling the band’s heartbeat on drums, Niklas “Bullen” Bengtsson brings relentless energy and precision. His percussive artistry lays the foundation for the intense sonic landscapes that make “Haunted” an unmissable chapter in the Symphony Of Sweden saga.Evan and Lee lived in the same small town up north in Sweden. Lee had his own little service point, betting shop, tobacco store nearby which also happened to be Evan’s local service point where he went to get his parcels. After saying hello to each other for a couple of years, there was one day Evan had a parcel to get – which obviously was music-related. They fell into conversation with each other, a few days later Evan invited Lee to his studio. Evan: „he had found one of my instrumental tracks on Youtube and sang it with a new melody on top and lyrics for me in the studio, right there when he just arrived! I was blown away, and a week later we had our first ever track produced and completed. As soon he sang his first two words in the studio I wanted to work with him!”

The band released their first album, Inner Demons in January 2021, and their second album, Saints Of Yesterday came out on the 3rd of February, 2022. The band’s latest material, Haunted was released on the 7th of February, 2024.

More information at https://www.facebook.com/symphonyofsweden

KVAEN to Release “The Formless Fires” Full-Length Album on June 21st

Posted by tarjavirmakari on May 7, 2024
Posted in: Int. News, News. Tagged: KVAEN. Leave a comment
Photo by Amanda Lindelöf

KVAEN will release their third album, and first for Metal Blade Records, The Formless Fires, on June 21st.

There are many great extreme metal bands in Sweden, but only one from Kalix. This remote beauty spot near the Finnish border, on the northernmost shores of the Baltic, is home to Jacob Björnfot, creative mastermind behind melodic black/death metal project, KVAEN.

A sumptuous but bitingly intense exploration of beauty and violence, KVAEN‘s The Formless Fires is a melodic black metal masterwork radiating an inspirational sense of place. Even more than 2020’s folky, speed metal-infused debut The Funeral Pyre or 2022’s compelling, expansive follow-up, The Great Below, the vast pine woods and icy lakes are powerfully evoked in the elemental gloom riffs, chilly melodies, and windswept solos running through these eight mighty songs.

Assisting in this record’s immersive sweep are Björnfot’s fascinating lyrics. Like many Swedish songwriters, his use of English reveals a love and care for the language that few native speakers even bother to rival. If this album seems less intimate and more universal than the raw candor of its predecessor, it’s only because Björnfot’s knack for allegory has improved. Illuminating some of the lyrical themes, Björnfot asserts “I love mythology. ‘Basilisk’ is, for example, the king of serpents but is rarely mentioned by the mainstream. ‘The Perpetual Darkness’ is about being born different from those who are ‘normal.’ It is also about being a lone wolf and banished from society. That song has become a personal favorite of mine.” Additionally, ‘De Dödas Sång (Song Of The Dead)’ tackles the disturbing theme of Ättestupa, the ancient Norse suicide ritual whereby elderly villagers jump to their deaths from sheer precipices.

Comments Björnfot on the record’s eponymous opening track and first single, “‘The Formless Fires’ was actually written for another project of mine featuring members from Dissection, Lord Belial, Sacramentum, and Naglfar but I convinced myself to keep it for the next KVAEN album instead and I’m glad I did – this is one of my top favorites off the new album.“

Watch KVAEN‘s “The Formless Fires” video below.

All instrumentation on The Formless Fires was composed and performed by Björnfot with the exception of drums which were resoundingly hammered by ex-Amon Amarth basher Frederik Andersson. The record features the guest solos of Sebastian Ramstedt (Necrophobic) on “Traverse The Nether” and Chaq Mol (Dark Funeral) on “The Wings Of Death.”

Find pre-orders at: metalblade.com/kvaen

The Formless Fires Track Listing:
01. The Formless Fires
02. Traverse the Nether
03. Tornets Sång
04. The Ancient Gods
05. Basilisk
06. De Dödas Sång
07. The Perpetual Darkness
08. The Wings of Death

KVAEN Live:
6/21/2024 Helvete – Oberhausen, DE
6/22/2024 Boarstream Open Air 2024 – Buchenbach, DE
6/23/2024 Nachtleben – Frankfurt, DE
8/30-31/2024 Bulasal Metal Fest – Västeräs, SE
5/03/2025 Karmøygeddon Fest – Kopervik, NO

KVAEN:
Jacob Björnfot – everything

KVAEN Live Lineup:
Jacob Björnfot – vocals/guitars
Kristian Gustavsson – guitars
Rasmus Rova – guitars
Per Lindström – bass
Fredrik Andersson – drums

https://www.facebook.com/OFFICIALKVAEN
https://www.instagram.com/officialkvaen

GÅTE Announce European Tour 2024 in December

Posted by tarjavirmakari on May 7, 2024
Posted in: Int. News, News. Tagged: GÅTE. Leave a comment
Photo: Sarah Lousie Bennett (EBU)

On the back of their already successful Eurovision adventure, and as requested by an ever-growing fan group, GÅTE are excited to announce an upcoming European tour! This tour sees the band visit UK, Germany, The Netherlands, Italy and many more in December 2024.

“We`re excited to bring our blend of traditional Norwegian folk music and rock to the European stages” comments guitar-player Magnus Børmark. “We`re on a mission to revitalize our common folklore and traditions which we also share with so many people across Europe. There is so much history and culture binding us together in a positive way, this tour will carry this message.”

Feb. 2nd 2024, the Gåte was chosen to represent Norway in the international finals of the Eurovision Song Contest with their unique and spellbinding song Ulveham Gunnhild’s powerful vocals and the band’s mesmerizing live performance has unleashed an avalanche of positive feedback worldwide. With their captivating blend of traditional folk and modern rock, this unique cultural gem has become quite the talk in the ESC community.

The performance is an astonishing portrayal of raw female energy where Gunnhild Sundli excels in her role as lead vocalist, and Ulveham has clearly stirred up something fundamental in souls across borders and generations, calling forth an inner primal strength.

Listen to the Ulveham album here: https://orcd.co/ulvehamalbum

photo: NRK

Dates – European tour 2024

03 Dec.- Aschaffenburg, Colos-Saal, DE
04 Dec.- Bochum, Zeche, DE
05 Dec.- Munich, Muffathalle, DE
06 Dec.- Vienna, Arena, AT
08 Dec.- Milano, Santeria Toscana 31, IT
09 Dec.- Zurich, Plaza, CH
10 Dec.- Paris, Machine du Moulin Rouge, FR
12 Dec.- Dublin, The Academy, IE
13 Dec.- London, O2 Islington Academy, UK
14 Dec.- Manchester, Club Academy, UK
16 Dec.- Utrecht, Tivoli Vredenburg – Pandora, NL
17 Dec.- Hamburg, Gruenspan, DE
18 Dec.- Berlin, Columbia Theater, DE
19 Dec.- Krakow, Kwadrat, PL
20 Dec.- Warsaw, Proxima, PL

About Gåte:
Gåte’s music is a dark, mesmerizing and stunningly beautiful take on Nordic folk. Where they flirt with elements from traditional Norse and pagan music as well as from more modern genres like rock and industrial.

The band emerged in the early 2000s, seamlessly blending traditional Norwegian folk music with explosive rock, catapulting them from the confines of a practice space to grand stages in record time! With this unique take on folk/trad rock and their triumphant live shows the band has managed to captivate massive audience.

Gåte took a 12-year break before making a much-anticipated comeback in 2017, where they once again experienced enormous success with lauded live shows, two critically acclaimed studio albums, two EPs, and a mesmerizing live record.

In 2024 they were chosen to represent Norway in the Eurovision Song Contes, marking yet another milestone in the band’ career!

More information at Facebook | Instagram | Spotify | Homepage | YouTube

SEVERE TORTURE Inflict Sonic Annihilation on ‘The Pinnacle of Suffering’ Single

Posted by tarjavirmakari on May 7, 2024
Posted in: Int. News, News. Tagged: SEVERE TORTURE. Leave a comment
Photo by © Thijs van Laarhoven

SEVERE TORTURE unleash another brutal beating on Torn from the Jaws of Death, their upcoming sixth album. Today, the veteran Dutch band are releasing their third single, which grinds and twists into a raw pinnacle of death metal, stream it below.

Torn From The Jaws of Death comes out June 7 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/SevereTortureTorn
Pre-save: https://orcd.co/tornfromthejawsofdeathpresave

With all the sublety of a warhammer, Severe Torture hit upon the purest, most ferocious strain of brutal death metal. Torn from the Jaws of Death emerges from the grim embrace of Torture Compound Studios, where it was sharpened to diabolic perfection under the fiendish expertise of Mendel bij de Leij.

On “The Pinnacle of Suffering”, Severe Torture wields the macabre like a rusty chain. Marching to a blistering beat of drums, these death masters drag you into a shadow world where no one can hear you scream. 

Cover Art by Pär Olofsson

Tracklist
1. The Death Of Everything (4:07) [WATCH]
2. Marked By Blood And Darkness (4:14)
3. Hogtied In Rope (3:23)
4. Torn From The Jaws Of Death (4:27) [WATCH]
5. Christ Immersion (3:30)
6. Putrid Remains (4:29)
7. The Pinnacle Of Suffering (3:09) [LISTEN]
8. Through Pain And Emptiness (3:30)
9. Those Who Wished Me Dead (2:26)
10. Tear All The Flesh Off The Earth (5:21)
Total runtime: 38:36

For over 25 years, SEVERE TORTURE has embodied the ethos of Brutal. Death. Metal. A genre-defining titan, they’ve held a commanding presence in the metal universe since 1997, blending intense performances with a relentless commitment to their visceral, raw sound.

Born from the bowels of the Dutch underground, the band emerged onto the world stage with their debut album Feasting On Blood, hailed as an epic watershed in the nascent wave of brutal death metal in 2001. Their hard-hitting, merciless sound has since rippled across North and South America, Europe, and Mexico; their trail marked by five ground-breaking releases over the past quarter-century.

Remaining relevant in the ever-evolving realm of metal is no small feat, a task Severe Torture met by continuously levelling up. In pursuit of rejuvenation and to capture the aggression and energy befitting of a new era, they amicably parted ways with original drummer Seth in 2018, bringing Damiën Kerpentier into the fold. The move signified a new chapter for the seasoned ensemble, marking a seismic shift that breathed fresh air into their creative process, leading to some of their darkest, most profound work yet.

This invigorated spirit came to life in 2022 with the release of the EP Fisting The Sockets – the band’s first release in an astounding 12 years. The record served as a triumphant herald for their resurgence, re-signing with Season of Mist and rekindling the flame of their brutal origins amidst a pandemic-stricken world.

Now, in 2024, Severe Torture is set to escalate to new heights of sonic savagery with their sixth full-length album, Torn from the Jaws of Death. Recorded at the infamous Torture Compound Studios, the album stands as a testament to the raw energy, blood, sweat, and relentless brutality that the band represents.

From the aggressive whirlwind of riffs in The Death of Everything, to the haunting black metal nuances of the title track Torn from the Jaws of Death, the album is a death metal cogitation on murder, torture, and the madness of organized religions. Crafted with an unwavering commitment to the genre, Torn from the Jaws of Death is a grim reflection of the world, drenched in the band’s signature brutal death metal sound.

As the anticipation mounts for the release of Torn from the Jaws of Death, you can be sure Severe Torture remains alive and thriving in the heart of brutal death metal, pushing boundaries, and refusing to bow to conventions. A quarter-century in, these stalwarts of the scene are just getting started. Stay tuned to witness their relentless progression as they continue their incessant march through the annals of metal history.

Lineup
Dennis Scheurs – Vocals
Patrick Boleij – Bass
Damiën Kerpentier – Drums
Marvin Vriesde – Guitars Right & Leads
Thijs van Laarhoven – Guitars Left

Recording Studio
Torture Compound Studios

Production Credits
Damiën Kerpentier – Engineer
Mendel bij de Leij – Mixing & Mastering Engineer

Official Website: www.severetorture.com 
Facebook: https://www.facebook.com/severetorture
Instagram: https://www.instagram.com/severetorture_official/
Twitter: http://twitter.com/SevereTorture
Bandcamp: http://severetorture.bandcamp.com/
Deezer: https://www.deezer.com/us/artist/5606
Spotify: https://open.spotify.com/artist/2LkGWKBS0nNlEtqx4khGf1
Apple Music: https://music.apple.com/us/artist/severe-torture/258831121
Tidal: https://tidal.com/browse/artist/3619737
Amazon: https://www.amazon.com/music/player/artists/B000WWD62K/severe-torture

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