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Three decades ago, in the rebellious spirit of 1988/89, Aftermath forged their underground thrash classic, Eyes of Tomorrow. Though the musical brilliance had already taken shape, the album’s arrival in stores faced an unexpected delay, pushing its release to March 1994. This unique timeline, resulting from a label bankruptcy during recording sessions, only adds to the mystique of this iconic record.

The album, which spearheaded a new era in thrash metal when initially composed, unfortunately found its release during one of metal’s lowest points. Yet, true to the unpredictable nature of Aftermath, their journey has never been straightforward or conventional.

Multiple reissues of the album followed its initial release over the years including: 1995 on Thermometer Sound Surface (USA), 1998 on Black Lotus Records (Greece), 2010 on Area Death Productions (China), and 2015 on Shadow Kingdom (USA).

The band will be giving away some of the original pressings of the CD that are super rare. Drop a comment on THIS POST to be eligible.

Listen to the album here: Spotify – Aftermath Chicago

Founding members Kyriakos “Charlie” Tsiolis (vocals) and Steve Sacco (lead guitar) reflected on the album. “We wrote the songs on Eyes of Tomorrow between 1988 and ’89 when we were a five piece, but the year before as a four piece, we released a demo called Killing the Future that was 5 songs of pure crossover speed,” said Tsiolis.

He continued, “Eyes of Tomorrow had none of the crossover elements because we set out to write a progressive/technical thrash album.The genre was in its infancy. We wanted to be the Pink Floyd of Thrash. It felt natural but looking at it now all these years later, we were out of our minds.”

“We totally changed everything that made us Aftermath a year earlier and despite the challenges we had to release it we wouldn’t have it any other way.”

Sacco adds, “Thirty years ago we wanted more than to be a thrash band. We wanted to bend and stretch boundaries. We weren’t going to settle for anything less. Either it was the best it could be or forget it. Our drive led us to what we thought did just that.”

When reflecting on the album now, Sacco states, “I listen back now and must say it still holds up. Give it a listen and let it take you back to that fresh new sound and know that the guys behind those crazy riffs with heavy creative vocals and lyrics had a blast creating not just for themselves but for you the fans of this music. 30 years has nothing on us but appreciation to keep making music we love.”

Ray Schmidt, the band’s drummer adds, “Still love this album as much as when we finished it 30 years ago. Great times.”

“The “Eyes” album is composed of dynamic movements, texture, spans the spectrum of tempos, and the gents played with intricate precision. My workload was full, as I listened intently to learn the parts. When we perform songs from the “Eyes” record in present day, I make every effort to do the songs justice and not fuck it up,” says George Lagis, the band’s current bass player.

Eyes of Tomorrow has stood the test of time, garnering critical acclaim and continuously attracting new enthusiasts of technical thrash. Each passing year adds another layer to the album’s legend, with its intricate compositions and groundbreaking style still resonating with fans worldwide.

Join us in commemorating the 30th anniversary of this gem that defied the odds and left an indelible mark on the thrash metal landscape!

Chicago based Aftermath, fronted by Kyriakos “Charlie” Tsiolis, formed in October 1985 when Charlie and his schoolmate Steve Sacco (Guitar) got together. This early incarnation with Adam (Bass) and Ray Schmidt (Drums) released their first demo in 1986 featuring “Sentenced to Death”, “Revenge”, “Shotgun” and “The Aftermath”.

In 1987, they unleashed their second demo entitled Killing the Future featuring the tracks “When Will You Die”, “Going No Place”, “Chaos”, “Meltdown” and “War for Freedom”. The band pursued a mind-blowing speed and technical brand of thrash that soon set them apart from the pack and in the process made them a pioneering crossover thrash band.

The tracks “War for Freedom” & “When Will You Die” were both featured on the British Metal Forces magazine_compilation LP Demolition: Scream Your Brains Out in 1988. Their appearance on the Metal Forces compilation further expanded the band’s international appeal.

By 1988, the band’s musical direction was changing, and Adam’s raw and simple bass lines would soon be replaced with complex and technical bass parts handled at first by John Lovette. Ironically, John never played bass on any Aftermath recording and was not even a bass player. He wanted to join the band so badly, however, that he came to the audition with a friend’s bass he had just started to play. The speed and complex playing he displayed were like nothing the members had ever seen before on bass. He landed the gig that day. When the band decided it was time to add a second guitarist, Lovette told his bandmates of his desire to switch to guitar and for the first time he came clean he was a guitar player pretending to be a bass player all along. His bass playing was surpassed by his guitar skills and the band found its second guitar player, but unfortunately the search for a bass player was forced to resume. Luckily, the search (for the time being, anyway) ended with Danny Vega. His warm and precise playing was the perfect complement to the guitar playing of Lovette and Sacco and worked amazingly well with Schmidt’s powerful drumming. With Lovette handling most of the song writing duties, Aftermath was about to make an unbelievable musical change.

By 1989, that change brought on by Lovette’s writing and the band’s musical tastes and stylings had slowed and matured as evidenced by the release of the underground classic demo Words That Echo Fear. Danny Vega was replaced on bass by Chris Waldron. The band went onto to become a trailblazing progressive/technical thrash band in the years that followed.

In 1990, based on the huge international success of the Words that Echo Fear demo, the metal label RoadRacer Records (a subsidiary of Roadrunner Records) approached the band for a demo deal, which resulted in a live four track demo featuring the songs “Eyes of Tomorrow”, “Afraid Of Time”, “The Act Of Unspoken Wisdom” and “Reflecting Pictures”. Negotiations eventually broke down and Aftermath signed to New York’s Big Chief Records. The label’s collapse halfway through the recording sessions led to a long delay in finishing the record. While the band struggled to pay the studio bill, the album the band started to record in 1990 would not see the light of day for four years. The experience left the band reeling and forced them to issue the album under their own imprint with the help of their manager through Zoid Recordings in 1994. Four long years had passed since the initial recordings for the record Eyes of Tomorrow and the scene had dramatically changed.

The album was subsequently re-released on Thermometer Sound Surface / Zoid and released yet again four years (1998) later on Black Lotus Records in a re-mastered version.

Quite famously, Aftermath, in a notable court case Tsiolis v. Interscope. Records. Inc., 946 F.Supp. 1344, 1349 (N.D.III. 1996) sued high-profile millionaire rapper DR. DRE over the ownership of the Aftermath name. The Rapper tried to buy the name for $50,000, which the band rejected. The band sued him. As part of the settlement, Interscope Records signed the band. To the label’s surprise, the band delivered a record under the moniker Mother God Moviestar. Its eponymous Electro-Metal debut was released in March 1998. The case has been studied in law schools around the US related to the issue of trademark dilution.

Aftermath has continued to receive critical acclaim as one of the major influences in the genre. The band was featured on pages 9 and 10 of Gary Sharpe-Young’s A – Z of Thrash Metal, available on Cherry Red Books. Aftermath is also given an entire feature section in Alexandros Anesiadis’ 2019 book Crossover the Edge: Where Hardcore, Punk, and Metal Collide.

Twenty-five years after its formation, Aftermath’s music made its return in 2011 with the release of the Box Set 25 YEARS OF CHAOS on Area Death Productions and the vinyl When Will You Die on F.O.A.D. The reemergence of one of the most original thrash bands ever continued in 2014 with their decision to reunite for several concerts in 2015.

Coming off their first show in 20 years at Ragnarokkr Metal Apocalypse in their hometown of Chicago, the band ripped the stage apart at Headbanger’s Open Air in Hamburg, Germany that summer. In the Fall of 2015, the reunion continued with the reissue of Eyes of Tomorrow. With an expanded booklet and remastered by Paul Logus (Pantera, Steel Panther), Shadow Kingdom Records released the band’s debut along with bonus material. Following this release was the Killing the Future reissue on Divebomb Records. Once again Paul Logus remastered the tracks from their original source and created a wall of sound in the process. Killing the Future, along with the expanded booklet and bonus tracks from the band’s 1986 first demo completed the celebration of the band’s 30th anniversary.

In 2017, the band started writing the material for their new album. There is Something Wrong is an 11-song opus recorded by Chuck Macak, mastered by Ted Jensen and released through Ingrooves by Zoid Entertainment and The Label Group in 2019. A concept record in the truest sense of the word, the album features a mix of old-school crossover thrash and technical/progressive metal and is a commentary on what is wrong with the world today. A calling out of the masses to wake up and know the real enemy. The music is urgent, and the lyrics challenge the listener to seek the truth. Aftermath went back to its early days and revived its crossover thrash stylings on several songs, but those are only samples of what the listeners have in store for them once they put on their headphones and listen to There is Something Wrong in its entirety.

In 2020, Aftermath released a re-imagined version of the John Lennon classic, “Give Peace a Chance”. The song was remixed and remastered for the new album and included on the record because of the message.

“John Lennon’s urgent call for peace in Give Peace a Chance is more important today than ever, and our call for peace with this cover is the perfect message to follow up our previous album. We released a dark concept album with a bleak message and felt it was important to follow that up with something positive. The visuals in the video are as important as the lyrics in a way. We live in a visual world today and this video needed to get out the message of HOPE. Having a young girl be the focus of the video was our way of getting that across. Seeing only positive acts when she puts on Lennon’s famous glasses was the perfect visual metaphor. Lennon’s message is transmitted not only through his lyrics but also through the perspective created by his unique lenses” says the band.

The video was directed by critically acclaimed video director Steven Nathan in New York City.

Aftermath unleashed their highly awaited masterpiece, No Time to Waste, through Zoid Entertainment/TLG/INgrooves on March 17, 2023. This release stands as the triumphant conclusion to a powerful trilogy, representing a notable departure from the somber tones of its predecessor.

In an exclusive statement, Kyriakos “Charlie” Tsiolis shared, “We take immense pride in this album, a culmination of a trilogy that commenced with our debut. Crafted during a challenging era in contemporary history, ‘No Time to Waste’ emerges as an anthem of hope. In contrast to our previous dark conceptual endeavor, we’ve refined this record. The ten tracks within are both weighty and charged, delivering a potent metal experience coupled with a profound message – that collectively, we can overcome, but time is of the essence.”

AFTERMATH is:
Kyriakos “Charlie” Tsiolis – Vocals
Steve Sacco – Guitar
Ray Schmidt – Drums
George Lagis – Bass

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