Nourished by nightmares and the throbbing pulse of pragmatic terror, CARNIFEX have returned with their ninth full-length studio album, Necromanteum, out October 6th via Nuclear Blast Records. After existing as a band for over 18 years, CARNIFEX continue to experiment with fresh song arrangements, and adding a unique sense of atmosphere to their inherently deathcore foundation.
The band offers fans the next single from the album entitled, ‘Death’s Forgotten Children’ which features Tom Barber of CHELSEA GRIN. Lyrically the song was inspired by near-death experiences that Scott and Tom have lived through.
CARNIFEX’s Scott Ian Lewis comments, “I really had a great time working with Tom. Not only did we collaborate on the vocal patterns but we co-wrote the lyrics, which is something I’ve never done before. The song came out great and we both hope the fans love it as much as we do.”
Watch the video visualizer for ‘Death’s Forgotten Children’ featuring Tom Barber (CHELSEA GRIN) here:
The recording process took place over the course of several weeks with producer Jason Suecof in Florida, and saw the return of live drums since COVID-19 restrictions made doing so on Graveside Confessions impossible. Mastered by Mark Lewis in Nashville, TN, the album was also co-produced by vocalist Scott Ian Lewis and drummer Shawn Cameron. The cover artwork glows with an emerald and lavender fog; a ghostly energy erupting from the depths of a cemetery. Designed by renowned comic book artist E.M. Gist, this gateway represents the questions we ask about what lies on the other side of reality.
Decades ago, wealthy intellectuals began installing psychomanteum in their homes; a secret room completely filled with mirrors, or a single mirror, and in complete darkness, in order to speak to the dead in other dimensions, and gain their knowledge. It was often used as a healing tool to help dissolve grief or considered a form of prophecy. Necromanteum presents the concept: what if you could use that kind of room to speak with death, itself? What secrets of the world could you uncover from a direct conversation with the grim reaper? Not a monster, but a fellow intellect.
The festival season is almost done and international powerhouse BEAST IN BLACK are already gearing up for their next round of live dates, which will take them across USA and Canada for 31 shows.
Today they present their fans with a captivating music video of the track ‘To The Last Drop Of Blood’, taken from their latest album Dark Connection.
Witness the raw talent and unparalleled chemistry of each band member as they come together to create an unforgettable concert experience. From dynamic solos to breathtaking vocal performances, this live video showcases BEAST IN BLACK at the peak of their musical prowess.
The video was shot during their European tour between November 30 and December 5, 2022, directed by Damien Dausch from Psyrus Studio.
The band comments: “As we hit bigger and bigger stages in front of tens of thousands of fans, the power of the Beast continues to break loose! We also want to show this madness to those people who have never had the chance to see us live. For that, we chose a powerful song from our latest album, Dark Connection, and we asked Damien Dausch to film it on some shows of the tour. Now, we can proudly present you the music video for ´To The Last Drop Of Blood´! We hope it brings the big arena feeling into your home.”
Catch BEAST IN BLACK live on their dates in the USA and Canada! Special guest: DANCE WITH THE DEAD 07.09 USA Atlanta, GA – ProgPower USA 08.09. USA Richmond, VA – The Canal Club 09.09. USA Baltimore, MD – Baltimore Soundstage 10.09. USA Millvale, PA – Mr. Smalls Theatre 11.09. USA New York, NY – Gramercy Theatre 12.09. USA Harrisburg, PA – Harrisburg Midtown Arts Center 13.09. USA Cambridge, MA – The Middle East 15.09. USA Quebec City, QC – Imperial Bell 16.09. CAN Montreal, QC – Club Soda 17.09. CAN Toronto, ON – The Axis Club Theatre 20.09. CAN Winnipeg, MB – The Park Theatre 21.09. CAN Saskatoon, SK – Louis’ 22.09. CAN Calgary, AB – Dickens 23.09. CAN Edmonton, AB – The Starlite Room 25.09. CAN Vancouver, BC – Rickshaw Theatre 26.09. USA Seattle, WA – Substation Seattle 27.09. USA Portland, OR – Star Theater 29.09. USA Roseville, CA – Goldfield Trading Post 30.09. USA Santa Ana, CA – The Observatory 01.10. USA Mesa, AZ – Nile Theater 03.10. USA Salt Lake City, UT – Metro Music Hall 04.10. USA Denver, CO – Gothic Theatre 06.10. USA Dallas, TX – Granada Theater 07.10. USA San Antonio, TX – The Rock Box 08.10. USA Houston, TX – White Oak Music Hall 09.10. USA Baton Rouge, LLA – Chelsea’s Live 10.10. USA Birmingham, AL – Saturn 11.10. USA Nashville, TN – Exit/In 13.10. USA West Palm Beach, FL – Respectable Street 14.10. USA Tampa, FL – The Orpheum 15.10. USA Winter Park, FL – The Conduit
Also check out the European dates for 2024! GLORY AND THE BEAST – DOUBLE HEADLINE TOUR 2024 with GLORYHAMMER SPECIAL GUEST: BROTHERS OF METAL
10.01.24 SE Stockholm, Arenan Fryshuset 11.01.24 NO Oslo, Sentrum Scene 12.01.24 DK Roskilde, Epic Fest 13.01.24 DE Hamburg, Edel Optics Arena 14.01.24 NL Tilburg, 013 Poppodium 16.01.24 CH Zurich, Volkshaus 17.01.24 IT Milan, Alcatraz 19.01.24 DE Munich, TonHalle 20.01.24 HU Budapest, Barba Negra Red Stage 21.01.24 CZ Zlin, Sports Hall Datart 23.01.24 AT Vienna, Gasometer 24.01.24 PL Krakow, Studio 26.01.24 DE Leipzig, Haus Auensee 27.01.24 DE Oberhausen, Turbinenhalle 28.01.24 DE Wiesbaden, Schlachthof 30.01.24 FR Paris, Olympia 01.02.24 BE Brussels, Ancienne Belgique 02.02.04 DE Geiselwind, Eventhalle 03.02.04 DE Stuttgart, Wagenhallen 04.02.04 DE Saarbrücken, Garage 06.02.04 UK London, O2 Forum Kentish Town
DOG EAT DOG present “Never Give In”, the second single from taken from the forthcoming new studio album “Free Radicals” wich will be released on October 20th at Metalville Records.
DOG EAT DOG returns with a modern crossover anthem. Their message of sticking together and standing up for your beliefs in a rapidly decaying society rings out over big guitars, pounding drums, and uplifting saxophone melody. Assisted by friend DJ Plash on the turntables, “Never Give In” updates the dogs mix of hip hop and metal in a post pandemic word encouraging listeners to join them in the battle against oppression.
After a long period of only touring, DOG EAT DOG are finally back with their new full-length album “Free Radicals“ …and it was worth the wait!
The 14 explosive and inspiring songs combine a variety of contemporary styles without denying their roots.
The album surprises with a variety of tones, moods, dynamics, and tempos, accompanied by their never fading energy and positive attitude.
Singles “Lit Up”, “Never Give In” and “Man’s Best Friend” provide listeners with the big guitars, groovy beats and catchy choruses they are known for, while “Bar Down” carves out new territory for a band eager to explore the boundaries of thier abilities and experiences.
DOG EAT DOG’s bi-continental lineup and their unique approach to sound and performance has always made them a must-see live act.
With “Free Radicals,” the band reminds listeners why many consider them one of the pioneers of the crossover genre.
“Free Radicals” Track Listing
1. Lit Up 2. Kin 3. Never Give In 4. Time Won’t Wait 5. 1 Thing 6. Mean Str 7. Energy Rock 8. @Joe’s 9. Blvk Clvd 10. Bar Down 11. Man’s Best Friend 12. E1on1 13. Looking Back 14. Zamboni
Line Up John Connor – vocals Roger Haemmerli – guitars Dave Neabore – bass Brandon Finley – drums
Taiwanese black metal band LAANG 冷 have revealed their new single ‘Baoyu 暴雨’, from forthcoming LP Riluo, to be released 24th November via Talheim Records.
The band comment: “We are thrilled to unveil the first single from our new album. ‘Baoyu’ discusses bodily trauma through the metaphor of a great drowning flood. The song also expresses the feeling of disconnection from life and others following trauma. ‘Despite my birth and rebirth, my beating heart does not let me live’.”
Laang 冷 (“cold”) are born from an unearthly near-death experience, and the post-traumatic stress suffered by vocalist-guitarist Haitao Yang. The band’s music exquisitely explores the pain, misery, and struggle of trauma and recovery – a unique and highly cathartic project.
Laang 冷‘s musical style combines aggressive and non-canonical black metal riffing with melancholic melodies, tortured vocals performed in Mandarin Chinese, dark orchestras, and traditional erhu & guzheng instrumentation. Haunting and captivating, Laang 冷 provide a highly-charged tormented soundscape – heard throughout the meditative Riluo (“sunset”), with eight new tracks ruminating on death and beyond.
Although still a relatively new project, Laang 冷‘s list of achievements so far is impressive. Their debut album Haiyang 海洋 (“ocean”) was released in 2019 on Talheim Records, and received the Kaohsiung City National Culture Award, followed by headlining tours through Taiwan and Hong Kong. In 2021 the band released their second album Xinteng 心疼 (“misery”), again on Talheim Records, followed by a headlining North American tour May 2022.
Laang 冷‘s music has also been featured in several movies and video games, including the Hollywood horror film Antidote (2021), directed by Peter Daskaloff, and the video game Dyslite and Silver Squad.
Taken off their critically acclaimed, seventh studio album Bloodlines (released on June 23, 2023 via AFM Records, order HERE!) Danish prog-and power metal band, PYRAMAZE, has premiered a studio video for the song “Taking What’s Mine”.
Bringing along numerous traditional melodic and progressive metal trademarks with an immensely high recognition value by their unique feeling for great melodies, PYRAMAZE are an exceptional phenomenon in the international, heavy music scene The band is known for their technical finesse and unique arrangements, often melodic and atmospheric, and frequently including complex guitar riffs and solos supported by synthetic sounds. Following the success of their latest album Bloodlines – recorded, mixed and mastered by PYRAMAZE guitarist and renowned producer Jacob Hansen – today, the band is sharing the official studio video for “Taking What’s Mine”, now streaming here:
Renowned for ushering American roots into the contemporary era, the five-time-Grammy-nominated guitarist KENNY WAYNE SHEPHERD has announced his latest studio album, ‘Dirt On My Diamonds Volume 1’, set for release on November 17th via Provogue Records/Mascot Label Group. Birthed from the legendary FAME Studios in Muscle Shoals, Alabama, this project chronicles Shepherd’s journey of musical evolution, touching on stories of loss, redemption, and memorable melodies, all crafted by an elite team of songwriters. As Shepherd himself describes it, “Every record I make is a moment in time. And this is a really special moment.”
The album’s lead single, “Sweet & Low,” encapsulates modern urban influences blended with traditional blues undertones, bringing together the quintessence of Shepherd’s musical expertise. The track offers a fresh perspective on the old-fashioned courting ritual, emphasizing the irresistibly captivating groove. Shepherd recalls, “People I’ve played the album for, they consistently have the biggest reaction to that one.” Watch the official music video HERE.
Since the release of his debut album, 1995’s ‘Ledbetter Heights,’ this multi-platinum bandleader still sounds like the future of the blues. Approach ‘Dirt On My Diamonds Volume 1’ expecting autopilot twelve-bars and you’ll instead be thrown a volley of curveballs, from the modern urban edge of “Sweet & Low” to the speaker-tearing production from Shepherd and his partner-in-sound of recent years, Marshall Altman. “Working with Marshall, it’s like any productive relationship,” considers the guitarist. “We put our strengths together and push each other.”
Throughout, as the album title suggests, the grit and emotional honesty of these new songs is prized above guitar pyrotechnics (even for one of the modern scene’s most valuable players). Of the ‘Dirt On My Diamonds’ guiding philosophy, “Life has imperfections, and I actually prefer it that way. The imperfections are what make it interesting.”
Since his birth in North Louisiana, in 1977, Shepherd’s own life has never followed the script. Steeped in classic blues and rock ‘n’ roll from an early age by his dad – a respected Louisiana radio personality and promoter – the kid soon reached for his first Fender Stratocaster and found he didn’t require lessons to make it cry and wail. Long before Warner Brothers subsidiary Giant Records offered a deal, Shepherd had clocked up countless miles on a merciless touring schedule of clubs he was still too young to drink in. “For the first five years,” he says, “I was on the road non-stop.”
But that old-school apprenticeship sharpened both his chops and songcraft to a razor’s edge. Following up the aforementioned Ledbetter Heights, Shepherd changed his world forever with 1997’s ‘Trouble Is…,’ the breakthrough second album that saw him write songs of such eye-opening maturity as ‘Blue On Black,’ and sell over one million copies in an era when post-grunge supposedly held sway. “It was vindication,” he nods.
To understand the direction of travel on ‘Dirt On My Diamonds Volume 1’, it pays to revisit 2017’s ‘Lay It On Down,’ on which Shepherd’s enduring partnership with producer Marshall Altman began. “After ‘Lay It On Down’ and ‘The Traveler,’ this is my third consecutive album working with Marshall, and the evolution almost feels like chapters in a book. To me, this album sounds incredibly fresh, modern and current.”
It all started with the aforementioned session at FAME, where Shepherd and his favorite co-writers threw out the rulebook. “Nothing was off-limits,” says the bandleader of penning the songs whose vocal parts would be split down the line between himself and co-vocalist Noah Hunt. “We just wrote non-stop for three days, throwing out songs and letting the good stuff rise to the top. Sometimes with these writing sessions, especially in towns like Nashville, people will set up an appointment, like, ‘OK, we’ll get together from one til three’. But this time, we weren’t under the gun, it was just a bunch of guys having fun writing music. And of course, you feel the history down there in Muscle Shoals. You feel it in the air at a studio like FAME.”
Rolling with the punches, the project recommenced at a friend’s studio in Burbank for the handful of brass, vocal and guitar overdubs. “But the least amount necessary,” stresses the bandleader. “For me, it’s all about capturing the essence of the band playing live together, because that’s what we do best.”
With material this strong, no polish was needed. As on any KWS album, songs are the currency, and the seven originals from ‘Dirt On My Diamonds Volume 1’ demand to be heard, lifting listeners above their circumstances at a time when life often feels bleak and bone-raw. “I didn’t want this record to be dark or dreary,” considers Shepherd. “There’s not a lot of incredibly heart-wrenching or difficult subject matter…My goal is always to make music that makes people feel good, regardless of what it’s about.”
And of course, as befitted this most playful of album sessions, Shepherd dipped into his mental jukebox for a rabble-rousing cover of Elton John’s Saturday Night’s Alright For Fighting. “I always keep a catalogue in the back of my mind of songs I think my band could bring our thing to. The timing worked out well because Elton is doing his farewell tour. Also, I love his guitar player, Davey Johnstone. He’s a friend, too, and when we recorded that song, I sent him a message saying, ‘Hey man, we’re gonna cover Saturday Night…’ – and he said, ‘Go for it!’”
Shepherd will embark on an expansive tour starting Thursday, September 21st at the Uptown Theater in Kansas City, MO. This dynamic journey will take fans through iconic venues such as the Orpheum Theatre in Wichita, KS, the Capital One Hall in Tysons, VA, and the Grand Opera House in Wilmington, DE. After showcasing his unparalleled blues-rock prowess across multiple cities, the tour will culminate on Sunday, January 28th with a special performance aboard the Legendary Rhythm & Blues Cruise in Fort Lauderdale, FL. Along the way, fans can also catch Kenny at special events such as the Clearwater Jazz Holiday 2023, ensuring a blend of intimate venues and grand stages. For more information and to purchase tickets, visit https://www.kennywayneshepherd.net/
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video