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UNVERKALT Release New Video for Grief-Stricken ‘Ænæ Lithi’

Posted by tarjavirmakari on July 14, 2026
Posted in: Int. News, News. Tagged: UNVERKALT. Leave a comment
Photo by Phrenetica

After drawing closer and closer to the edge with each album over the past decade, Unverkalt are receiving high praise for the post-metal band’s heavy and heartfelt new offering.

“[…] there’s a good chance that Unverkalt could be one of this year’s breakout bands”, No Clean Singing wrote about the release of their new album Héréditaire.

Metal Injection agreed. “It’s a combo unlike anything I’ve heard before and I’m excited about it”.

As they bring Héréditaire to the world stage, today, Unverkalt are releasing a video for the album’s most gut-wrenching song. Dedicated in memory to the victims of the Asia Minor Catastrophe, “Ænæ Lithi” turns a historical tragedy into an aching monument for grief.  

“It is a great honor for me to create and share this video”, Unverkalt guitarist Themis Ioannou says. “The story behind our song ‘Ænæ Lithi’ is deeply personal to me, as it is part of my own family’s history. I dedicate it to my beloved grandmother and my father, who are no longer with us. This video is for them, and for the millions of people who lost their lives or were forced to abandon their ancestral homes during and after the Asia Minor Catastrophe of 1922”.

The video for “Ænæ Lithi” was directed and edited by Themis Ioannou at RAWBITE Studio

Additional video credits
Produced by Unverkalt
Cinematography – Themis Ioannou
2nd Assistant Camera – Eli Mavrychev
Lighting – Die Klinke
Location – Noir Surge Studios
Costume Design / Styling – Pieces by Sister Jane
Jewellery Design – Pieces by Eumorphia

Héréditaire is out now on Season of Mist. Order & Stream: https://orcd.co/unverkalthereditaire

Before they emerged as blackened beacons for post-metal, Unverkalt rose through the Greek underground. In lifting the veil from our cursed existence, Héréditaire bares the weight of a traumatic moment in their home country’s history. “Ænæ Lithi”, which in English roughly translates to “Eternal Oblivion”, mourns the years between 1914 and 1923, when Greek communities across Pontus, Ionia and Eastern Thrace were subjected to persecution, forced deportations, death marches and mass killings during the final years of the Ottoman Empire.

“The memory of those who suffered from the Asia Minor Catastrophe continue to be honored by their descendants and communities around the world”,  Ioannou says. “The music video for ‘Ænæ Lithi’, which uses historical photographs from this tragic event, is dedicated to preserving their memory and to the generations forever marked in its aftermath”.  

Amidst its smoky and simmering modern-day atmosphere, “Ænæ Lithi” stirs with sounds from a past that refuses to stay buried. Creeping dissonance and a slow pounding of toms intertwine with clarinet and qanun, hand drums, strings and lyrics in Greek.  “We are the source”, Unverkalt vocalist Dimitra Kalavrezou chants with her mesmerizing cleans. As the band rise with overwhelming force, “Ænæ Lithi” comes crashing down with the weight of what was lost and all the pain that remains.

Tracklist:
1. Die Auslöschung (6:06) [WATCH]
2. Oath Ov Prometheus (5:40) [WATCH]
3. Ænæ Lithi (5:34) [WATCH]
4. A Lullaby for the Descent (5:11)
5. Penumbrian Lament (6:02)
6. Introjects (5:25) [WATCH]
7. I, The Deceit (feat. Sakis Tolis) (5:47) [WATCH]
8. Death is Forever (4:50)
9. Maladie de l’Esprit (5:34)
Full runtime: 50:11

Catch Unverkalt live throughout 2026.

Unverkalt 2026 Show Dates
October 24 – Berlin, Germany @ Neue Zukunft
November 11 – Schwedt, Germany @ Exit
December 11 – Leipzig, Germany @ Heavy Crisis Festival

UNVERKALT are drawn to the edge. Since emerging from the underground, the Germany by way of Greece post-metal band have balanced boundless atmosphere with suffocating heaviness. Their third album and first since signing with Season of Mist doesn’t continue in that direction so much as it plunges into the darkness that’s always been waiting below. Héréditaire lifts the veil from our cursed existence. What emerges is Unverkalt’s heaviest and most heartfelt offering.

“Our aim has always been to blend softer, more romantic elements with extreme chaos. With Héréditaire that time has now come”, says the band’s guitarist and chief composer Themis Ioannou. “This album is a lament for what is far older than our very existence. It speaks of what seeps through generations, searching for an answer to one pervasive question: What do we carry that was never ours?”

From the beginning, Unverkalt was born from an urge to give life to grief. In 2017, Ioannou started the band with vocalist Dimitra Kalavrezou in hopes of creating something that was slow-burning and visceral, crushing yet delicate. Their debut made good on that promise: “…so rivetingly beautiful that you will have to deepen to digest it”, Metal Hammer Greece wrote in awe of L’Origine du Monde. “Easily on the top-10 of 2020”.

The band’s second album followed three years later to further acclaim. While swooning between obsession and annihilation, A Lump of Death: A Chaos of Dead Lovers sharpened Unverkalt’s vision by pushing their avant-garde streak with more force. “Beyond being able to point roughly towards a couple of different genres, it is utterly impossible to compare them to any other artist out there making music in the same vein”,  The Sleeping Shaman admired. Echoes and Dust agreed: “It stands in its own right as a beautiful slice of filmic post-rock, a soundtrack without a movie beyond the one playing in your head”.

Héréditaire is still possessed by cinematic visions. Like a camera coming into focus, lead single “Die Auslöschung” appears through a thickening haze before it’s snapped out of a trance by drummer Christian Eggers’ fiery blast beats. The album shifts between colors, textures, even languages. Stirred by a mournful saw of strings, “Ænae Lithi” raises memories of the Great Fire of Smyrna that were handed down by Themis’ grandmother. But where previous albums took cues from French painting and European film noir, this one throws back the velvet curtain in favor a veil. “Oath Ov Prometheus” dismantles the myth of man as god’s perfect creation with Kalavrezou’s freshly blackened vocals.

“We love to experiment with every album”, Ioannou says. “With Héréditaire, we wanted to introduce extreme vocals because they bring out all these heavy feelings. It’s like they’re shaking you awake”.


While Héréditaire is a pulse-pounding new direction for Unverkalt, the album’s arc traces back to our deepest and darkest origins. Amidst the tremolo-picked wreckage of “Penumbrian Lament”, long-held beliefs are swallowed into the void of guitarist Eli Mavrychev’s death growls. “It’s all sorts of dead ideas / They cling to us all the same”, Kalavrezou whispers, only to break into screams on “Introjects” beneath Joscha Hoyer’s throbbing bass line. “The concept behind the record is tied in with the album’s overall heaviness”, she says. “Each song peels back another blackened layer of memory, trauma and suffering, which linger over us like ghosts: invisible, yet endlessly present”.

Kalavrezou’s mystifying cleans remain one of Unverkalt’s defining traits. Even when trembling beneath the monolithic riff of “I, The Deceit”, her contempt for those who stand by as the world burns is heated when forged alongside her Athenian brother-in-arms Sakis Tolis from Rotting Christ. But as the album draws to a close, Héréditaire ends shadowed in doubt for the future. “Bathed in lies / Can we make it better” she wonders before disappearing into the shivering wake left by “Maladie de ‘Esprit”.

“This album is not meant to resolve”, the band says, “but to dissolve patterns from those who came before, faceless yet familiar. The colors have drained. What remains is veiled in black, not as a symbol, but as a truth that covers everything”.

On Héréditaire, Unverkalt lift the veil on our cursed existence with their heaviest and most heartfelt offering.

Recording Lineup:
Dimitra Kalavrezou — Vocals
Themis Ioannou — Guitars, Keys
Eli Mavrychev — Guitars, Vocals
Joscha Hoyer — Bass
Christian Eggers — Drums

Guest Musicians:
Sakis Tolis — Vocals on “I, The Deceit”

Songwriting Credits:
Comped by Themis Ioannou.
Lyrics by Dimitra Kalavrezou & Eli Mavrychev.
Lyrics for “I, The Deceit” by Dimitra Kalavrezou & Joscha Hoyer.

Recording Credits:
Recorded & Engineered by Unverkalt.
Drums Recorded & Engineered by Christian Eggers at Noir Surge Sound, Berlin, Germany.

Production Credits:
Produced by Themis Ioannou.
Vocals produced by Dimitra Kalavrezou & Eli Mavrychev.
Mixed by Joshua Barber.
Mastered by Lasse Lammert at LSD Studios, Lübeck, Germany.

Cover Art:
Themis Ioannou

Follower Unverkalt:
Bandcamp: https://unverkalt.bandcamp.com/
Instagram: https://www.instagram.com/unverkalt/
TikTok: https://www.tiktok.com/@unverkalt/
Facebook: https://www.facebook.com/Unverkalt/
Twitter: https://x.com/unverkalt/
YouTube: https://youtube.com/@unverkaltofficial/
Spotify: https://open.spotify.com/artist/55vU7DZVwI4ks0NpfKDAvK/
Apple Music: https://music.apple.com/us/artist/unverkalt/1524174404/
Last FM: https://www.last.fm/music/Unverkalt/

UNZUCHT Release New Single ‘Krieger (Photon Decay Remix)’

Posted by tarjavirmakari on July 14, 2026
Posted in: Int. News, News. Tagged: UNZUCHT. Leave a comment
(photo credit: Yuta Miyanaga)

German dark rock band UNZUCHT releases their new single ‘Krieger (Photon Decay Remix)’. 

Next up are the wild remixes of Unzucht tracks from their latest chart-topping album “Neon Dom”: this time, “Krieger” gets a hard trance makeover – both danceable and dramatic – from Stephan Büttner, aka Photon Decay, from Hameln in Lower Saxony. Check out the new breakdown with backing vocals!

With their new studio album ‘Neon Dom’, UNZUCHT herald a new era of musical darkness – without giving up the search for redeeming light.

The work combines brutal intensity with deep black emotionality, creating a soundscape that challenges, overwhelms and fascinates at the same time.

The songs lead like a controlled fall into a world permeated by shadows: carried by powerful guitars, uncompromising rhythms and the new voice of frontman Timm, who transforms pain, anger and unshakeable strength into pure energy.

‘Neon Dom’ is more than an album – it is a liberating blow. ‘Darkness is followed by light and I burn all bridges,’ says Feuerregen. Like a phoenix rising from the ashes, UNZUCHT rises anew: a musical monolith that only reveals its true power when you are ready to face your own demons.

Thematically, the album explores the boundaries of human existence: inner conflicts, a battlefield of fears and the disintegration of supposed certainties – and yet the tireless search for hope in a world that is increasingly slipping away.

Neon Dom breathes darkness in all its forms — no turning back. Or: Here begins the journey into the heart of darkness — no turning back.

Created from the shards of human fragility, reforged in the fire of an unyielding will.

TRACK LISTING

1 – Katharsis
2 – Neon Dom
3 – Feuerregen
4 – Krieger
5 – Chaos
6 – Nie mehr zurück
7 – 1000 Scherben
8 – Gegen die Zeit
9 – Koloss
10 – Apokalypsis
11 – Nachtschatten 1
12 – Nachtschatten 2

LINE UP
Vocals – Timm Hindorff
Guitar, Vocals, Programming, Electronics – Daniel De Clercq
Bass – Don Canone
Drums – Toby Fuhrmann

UNZUCHT links
https://www.unzucht-music.com/
https://www.facebook.com/Unzucht/
https://www.instagram.com/unzucht_official
https://open.spotify.com/intl-de/artist/2hfInImCCmb7zXIuCE15IN
https://www.amazon.de/music/player/artists/B007HCYTIS/unzucht
https://music.apple.com/de/artist/unzucht/508012767

Legendary KAT Return Announcing New Album Coinciding with 40th Anniversary of Their Debut Masterpiece

Posted by tarjavirmakari on July 14, 2026
Posted in: Int. News, News. Tagged: KAT. Leave a comment

Rockers And Other Animals is thrilled to announce the upcoming full-length album by KAT, arriving in tandem with a historic milestone: the 40th anniversary of the release of their legendary debut album.

One of the most influential and enduring forces in European heavy metal is about to make its grand return. KAT, true pioneers of thrash and black metal, have officially completed work on their highly anticipated tenth studio album, set to be released in the coming months.

Active since the late late ’70s and widely revered as a cult band on the international scene, the lineup is ready to reaffirm its pioneer status with a new work. This album seamlessly blends the razor-sharp riffs of their early days with a devastating modern production, guaranteed to resonate with both old-school fans and the newer generations.

This tenth chapter will mark a historic turning point for the group, celebrating a sonic legacy born four decades ago that has gone on to influence entire generations of extreme metal musicians.

While details regarding the tracklist and official release date currently remain under wraps, the album title, cover artwork, and physical/digital pre-order formats will be unveiled in the coming weeks. The announcement will be preceded by the launch of the first official single, which will be accompanied by a music video.

The Executioner is returning.

KAT online: Website – Facebook – YouTube – Instagram – Spotify

THE DEVIL WEARS NADA Release New Album “In Lust We Thrust” with Video for ‘Last Forever’

Posted by tarjavirmakari on July 14, 2026
Posted in: Int. News, News. Tagged: THE DEVIL WEARS NADA. Leave a comment

Swedish melodic rock force THE DEVIL WEARS NADA have released their highly anticipated sophomore album, ‘In Lust We Thrust’, out now on CD and limited-edition coloured vinyl via Eönian Records.

Scandinavia has long been a breeding ground for world-class melodic rock and AOR, and from Falköping, Sweden, THE DEVIL WEARS NADA emerges as a formidable new torchbearer of that tradition. Rooted in the golden era of melodic hard rock, from the mid-1980s through the early 1990s, the band fuses nostalgic grandeur with a dramatic, contemporary edge. Drawing theatrical inspiration from icons such as Alice Cooper, Ghost, and Lordi, they seamlessly merge arena-ready Scandinavian melodies with horror aesthetics and vintage hard rock energy.

Their debut album, “Postalgia”, on Eönian Records, earned global acclaim for its signature blend of cinematic flair, soaring vocal lines, and hook-laden choruses. Initially released under the name ‘Adecence’ in an ultra-limited pressing of just 100 CDs, the album quickly became a coveted collector’s item. Reintroduced and remastered under THE DEVIL WEARS NADA, the album featured two new studio recordings, a high-octane cover of “1989” by fellow Swedish rockers Nestor, and expanded deluxe packaging; the release became one of Eönian Records’ best-selling titles.

Check out their video for ‘Last Forever’ here:

With new album ‘In Lust We Thrust’, THE DEVIL WEARS NADA hope to shatter expectations and raise their creative bar to towering new heights. Fans of Nestor, Da Vinci, 220 Volt, and FM will recognize the soaring hooks, polished harmonies, and arena-sized ambition that define classic Scandinavian melodic rock. Yet this is far more than a nostalgic revival, it’s a bold reawakening.

Brimming with explosive choruses, cinematic atmosphere, and razor-sharp modern production, ‘In Lust We Thrust’ plans to deliver a revitalized, high-impact vision of the genre, poised to captivate longtime ’80s hard rock and glam metal loyalists and ignite a new generation of melodic rock devotees alike.
 
Guitarist Henrik Westergren describes the band’s sound, “Take the raw pulse of the ’70s, ’80s hard rock and glam metal, and mix it with our fascination for the macabre and the dramatic, that’s where THE DEVIL WEARS NADA lives.”
“It’s Ludvig’s songwriting sensibility mixed with our collective love for the bizarre and dramatic,” Westergren adds. “It creates something that’s both familiar and unsettling; in the best way possible.“
He concludes: “If you’re reading this, thank you, for taking the time to listen, and hopefully for supporting this album built from blood, sweat, and countless hours of passion. Let’s keep the spirit of melodic rock alive and loud. THE DEVIL WEARS NADA is just getting started.”

The Devil Wears Nada is:
Ludvig Alfvén on Drums, Keyboards, & Backing Vocals
Linus Johansson on Lead Vocals, Backing Vocals
Henrik Westergren on Lead Guitars, Keyboards, & Backing Vocals
Fredrik Svensson Carlström on Bass

‘In Lust We Thrust’ album track list: 
96.2 FM Postalgia Radio 
Brat With a Baseball Bat 
Last Forever 
Misery Is You 
In Lust We Thrust 
Elephant In the Room 
Victoria (Featuring Evan Stanley) 
Dead & Breakfast 
Shotgun Wedding 
Wednesday 
Ms. Black Widow 

Order the album here:

  • CD: https://www.eonianrecords.com/new-products/the-devil-wears-nada-in-lust-we-thrust
  • Vinyl: https://www.eonianrecords.com/the-vinyl-shop/the-devil-wears-nada-in-lust-we-thrust-vinyl
  • Digital: https://distrokid.com/hyperfollow/thedevilwearsnada1/in-lust-we-thrust

www.instagram.com/thedevilwearsnada_band
www.facebook.com/thedevilwearsnada_band
www.tiktok.com/@thedevilwearsnadaband

CITOVITZ AND THE FIREFLIES OF FEBRUARY Release First Single & Lyric Video ‘By The Time You Die, You’re Barely Human’ from Upcoming Album “Acoustism”

Posted by tarjavirmakari on July 14, 2026
Posted in: Int. News, News. Tagged: Acoustism, Andrzej Citowicz, By The Time You Die You're Barely Human, CITOVITZ AND THE FIREFLIES OF FEBRUARY. Leave a comment

In the middle of summer 2026 — while the world outside grew louder and hotter and less certain of itself — Andrzej Citowicz sat down in his home studio in Cairo and finished a song that had been pressing against the inside of his chest for a very long time.

The result is By The Time You Die, You’re Barely Human — the first official single from Acoustism, the forthcoming album from Citovitz and The Fireflies of February, scheduled for release in autumn 2026. The single is available now on all major streaming platforms and the official lyric video is available on YouTube.

It is one of the most direct, most unflinching, and most necessary pieces of music Andrzej has ever released.

THE WORLD THAT MADE THIS SONG

There are songs that arrive from craft. And there are songs that arrive from necessity — from the specific pressure of living through a moment in history that demands a response. By The Time You Die, You’re Barely Human is the second kind entirely.

The lyric does not soften its diagnosis. It looks at what modern civilisation has done to itself — the trading of truth for comfort, love for pride, humanity for the kind of progress that turns out to be organised sinking — and it refuses to look away. Every generation reaches farther, the second verse observes, finding less within its reach. It is the most concise summary of the modern condition Andrzej has ever compressed into a single line.

“The mirror never lied to us — we simply learned to celebrate.”
— from By The Time You Die, You’re Barely Human

But the song is not nihilism. It is grief — which is an entirely different thing. Grief implies that something worth mourning was lost. That the person doing the grieving once knew what it felt like to be more than what they have become. The chorus does not condemn so much as mourn. And the outro — perhaps the most quietly devastating lines Andrzej has ever written — does not end in accusation but in hope worn thin:

“If tomorrow still remembers us — let it remember we tried.”
— from By The Time You Die, You’re Barely Human

That line, Andrzej says, arrived last. And when it did, he knew the song was complete.

“I did not write this song to point fingers. I wrote it because I looked around at the summer of 2026 — at everything the world was carrying, at everything my own life had been through in the past year — and I needed to say something true. Something that did not flinch. This is that song.”
— Andrzej Citowicz

THE SOUND: WHERE ALTER BRIDGE MEETS UNPLUGGED BON JOVI

Musically, By The Time You Die, You’re Barely Human exists in a space that Andrzej has been approaching his entire career but has never quite occupied so completely until now. The acoustic version carries the intimacy and emotional weight of the great unplugged rock tradition — Bon Jovi’s MTV Unplugged performances, the raw confessional energy of a guitar placed directly against a lyric with nowhere to hide. Clean, wide open, and devastating in its simplicity.

“The acoustic version asks you to sit with the words .Some people need the quiet to hear clearly…”
— Andrzej Citowicz

ACOUSTISM: THE ALBUM THAT IS COMING

By The Time You Die, You’re Barely Human is the first window into Acoustism — the most ambitious and most personal album Andrzej Citowicz has ever announced. Due for release in autumn 2026, the album is built around the intersection of Andrzej’s acoustic guitar work and his identity as a person on the autism spectrum — his ICD-11 diagnostic code, 6A02, has already given its name to one of the album’s tracks — alongside songs that document the extraordinary personal journey of the past twelve months.

A life-changing year. The loss of a beloved friend and mentor — H — whose memory lives inside the For The Hawk album released earlier in 2026. The discovery of an adult daughter, Esther, whose arrival Andrzej describes simply as a miracle beyond imagination. The grief. The gratitude. The bittersweet, overwhelming experience of finding that life, in its fifties, still has the capacity to rearrange everything you thought you understood about yourself.

All of that is inside Acoustism. By The Time You Die, You’re Barely Human is its opening declaration — the song that sets the emotional and philosophical stakes for everything that follows.

“This album is unlike anything I have made before. Not because I planned it that way. Because life made it that way. I am a different person than I was twelve months ago. The music had no choice but to reflect that.”
— Andrzej Citowicz

ANDRZEJ CITOWICZ: THE LIVING ROOM ROCKSTAR

Born in Wałbrzych, Poland, and now based in Cairo, Egypt, guitarist ad songwriter, Andrzej Citowicz has spent his career building one of the most quietly determined independent music projects in contemporary rock. Recording under the name Citovitz and The Fireflies of February, he operates entirely without label support — writing, performing, producing, mixing, and mastering from his home studio, with Suno AI serving as his virtual band alongside his own guitar work and the lyrical contributions of his wife, Shereen Shoukry Citowicz.

His musical DNA runs deep in the classic rock and power ballad tradition — Bon Jovi’s New Jersey and Blaze of Glory eras, Def Leppard’s Hysteria and Adrenalize, Desmond Child’s songwriting architecture, the neo-classical guitar vocabulary of Joe Satriani’s The Extremist. These are not influences he has moved on from. They are the foundation everything else is built on — and By The Time You Die, You’re Barely Human demonstrates exactly what that foundation looks like when it is carrying the full weight of a life examined honestly.

2026 has been Andrzej’s most prolific and most personal year to date. Beautiful Damage: 1990–1996 — released April 13th — completed songs written between the ages of 14 and 20, discovered on old tape cassettes. For The Hawk — released May 4th, Star Wars Day — honoured the memory of a beloved friend and mentor. And now Acoustism arrives in autumn, carrying everything the year has taught him about loss, identity, love, and what it means to still be here.

“The guitar is always first. It has always been first. Modern technology helps me build what I hear around it. But what I hear — I have been hearing since the early 1990s. That has never changed. And it never will.”
— Andrzej Citowicz

SINGLE & ALBUM DETAILS

Single: By The Time You Die, You’re Barely Human
Versions: Acoustic Version
Music, Guitars & Lyrics: Andrzej Citowicz
Available: All major streaming platforms — now
Lyric Video: YouTube — now
Album: Acoustism — Autumn 2026
Artist: Citovitz and The Fireflies of February

STREAM & WATCH
YouTube: https://www.youtube.com/@AndrzejCitowicz
Spotify: https://open.spotify.com/artist/7aIeg5DyI7xwkYLsBgJNWf
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

By The Time You Die, You’re Barely Human — Out Now
First Single from Acoustism — Coming Autumn 2026
Citovitz and The Fireflies of February

℗© 2026 Citovitz and The Fireflies of February / Andrzej Citowicz

GOATEST: Finland’s Goatburner & Brazil’s Test Join Forces for Self-Titled Debut Album

Posted by tarjavirmakari on July 14, 2026
Posted in: Int. News, News. Tagged: GOATEST. Leave a comment

Finnish grindcore duo GOATBURNER have joined forces with Brazilian experimental grindcore outfit TEST to create GOATEST, a new collaborative project set to release its self-titled debut album through Time To Kill Records on September 23rd 2026.

The first single “Unseen Powers” is available now: Streaming: https://ffm.to/goatest-unseen-powers

Bringing together musicians deeply rooted in the international extreme music underground, GOATEST features Keijo “Kaos” Niinimaa, also known as the vocalist of Finnish grindcore veterans ROTTEN SOUND, and Jaakko “Spider” Forsman of RATFACE, alongside Thiago “Barata” and João Kombi of Brazilian grindcore unit TEST.

The collaboration mixes different backgrounds and approaches to extreme music in a concentrated burst of grindcore and sludge intensity, raw energy and uncompromising attitude, connecting the Finnish and Brazilian underground scenes through a shared instinct for restlessness, aggression and sonic extremity.

“GoaTesT” features fourteen tracks that span different shades of extreme metal, bringing together the distinct identities and musical backgrounds of its members. While much of the material is short, direct and fiercely executed, capturing the spontaneous energy of the collaboration, the album also ventures into more expansive and experimental territory. Slower-paced passages, unconventional textures and moments of controlled tension create a compelling ebb and flow, adding depth and unpredictability without ever diluting the record’s raw grindcore intensity.

Following the release, GOATEST will hit the road across Europe as part of the “Campaign For Musical Destruction Tour 2026”, joining grindcore legends Napalm Death alongside Master, Brat and Delinquentes for an extensive run of dates throughout November and December.

Tracklist:

01 Life in Hell
02 Bleeding
03 Unseen Powers
04 Unity
05 The Fire
06 Beyond
07 Hell Rising
08 Slow Burn
09 Next Level
10 Slowly and Steadily
11 Chaotic Events
12 Existential Crisis
13 Endless
14 The Horror

Preorders:
https://goatest.bandcamp.com/album/goatest
https://goatburner-extremeconditions.bandcamp.com/album/goatest
https://testgrind.bandcamp.com/album/goatest
https://timetokillrecords.com/collections/goatest

CAMPAIGN FOR MUSICAL DESTRUCTION TOUR 2026:

06.11 – Nürnberg, Germany – Löwensaal
07.11 – Flensburg, Germany – Roxy
08.11 – Copenhagen, Denmark – Pumpehuset
09.11 – Stockholm, Sweden – Kollektivet Livet
11.11 – Oslo, Norway – Vulkan
13.11 – Helsinki, Finland – Korjaamo
14.11 – Jyväskylä, Finland – Lutakko
15.11 – Tampere, Finland – Olympia
17.11 – Tallinn, Estonia – Paavli Kultuurivabrik
18.11 – Riga, Latvia – Spelet Concert Hall
19.11 – Vilnius, Lithuania – Loftas
20.11 – Kraków, Poland – Hype Park
21.11 – Jaroměř 1, Czech Republic – Nároďák Hudební Klub
24.11 – Bucharest, Romania – Bucharest
26.11 – Thessaloniki, Greece – WE
27.11 – Athens, Greece – Gagarin 205
28.11 – Osifa, Bulgaria – Studio Orfei
29.11 – Sofia, Bulgaria – Orfey Myuzik
01.12 – Ljubljana, Slovenia – Ljubljana
02.12 – Bologna, Italy – Locomotiv
03.12 – Aarau, Switzerland – KIFF
04.12 – Lindau, Germany – Club Vaudeville
06.12 – Utrecht, Netherlands – Tivoli Vredenburg

Line-up:

Jaakko “Spider” Forsman – drums, percussion, guitar, bass
Thiago “Barata” – drums, percussion
João Kombi – guitar, vocals
Keijo “Kaos” Niinimaa – guitar, vocals, bass

More info: https://goatest.bandcamp.com/

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