Photo by Jaqueline Vanek / Editing by Brand.Stichters
Following their acclaimed Bionic Swarm debut album from 2021, Dutch Progressive Death/Thrash Metal outfit CRYPTOSIS continue to push the boundaries of the style with a new digital EP entitled The Silent Call, scheduled for release December 1st, 2023.
The brand-new EP’s title-track “The Silent Call” can be checked out now in a video created by the film Production Company F/53 / https://www.f-53.com here:
Next to the brand-new song that serves as title-track to this release, the EP contains the previously unreleased song “Master of Life” (from the 2021 album sessions) as well as live versions of the album songs “Prospect Of Immortality” and “Transcendence” recorded in Athens, Greece in November 2022 during CRYPTOSIS’ latest European tour.
CRYPTOSIS comment about the new song “The Silent Call” as follows: “”The Silent Call” is a thought-provoking glimpse into a world where the lines between reality and artificial control blur, leaving individuals feeling lost and insignificant in the midst of sprawling, concrete jungles we call cities. A hauntingly introspective track that casts a shadow over our human existence. It’s a sonic journey that invites you to contemplate the complexities of modern life and the eerie silence of the unseen forces shaping our world.” The Silent Call serves not only as a new sign of life by CRYPTOSIS, but also as first warning shot in anticipation of the band’s new studio album effort which is in the works for next year…so better look out!
CRYPTOSIS – The Silent Call Digital EP (19:32)
The Silent Call (05:00)
Master of Life (04:12)
Prospect Of Immortality (Live in Athens) (06:15)
Transcendence (Live in Athens) (04:05)
CRYPTOSIS – Live: 02.12.2023 Hengelo (The Netherlands) – Metropool / EP Release show 09.12.2023 Eindhoven (The Netherlands) – Eindhoven Metal Meeting
CRYPTOSIS line-up: Laurens Houvast – vocals / lead guitar Marco Prij – drums Frank te Riet – bass / mellotron / backing vocals
With remarkable records such as the self-titled Voodoo Circle or Locked & Loaded, Alex Beyrodt’s VOODOO CIRCLE quickly establish themselves as the epitome of quality in classic hard rock. This band has it all: lots of experience featuring members of PRIMAL FEAR, SINNER and PINK CREAM 69, outstanding songwriting skills and musicianship, passion and a sense for great hooks.
It’s obvious that VOODOO CIRCLE have enhanced their classic rock repertoire on the highest level. A German band never before sounded that international, with that much “American Hard Rock“ in their blood. These melodic anthems, cultivated by the powerful voice of David Readman, the tasteful Hammond-sounds by Jimmy Kresic, Mat Sinner’s as usual precise bass foundation and Markus Kullmann’s drumming in best Bonham tradition, appear to come down right from the Olympus of hard rock.
To shorten your wait for a new studio offering to follow in the hopefully not so distant future, on December 1, 2023, VOODOO CIRCLE present their Best Of “15 Years Of Voodoo” via AFM Records, featuring not only highlights of their discography ( Locked & Loaded, Raised on Rock, More Than One Way Home, Whisky Fingers, Voodoo Circle ), but also two previously unreleased tracks! One of them, “Sweet Devotion”, recorded in 2021 during the Locked & Loaded album-era, is now available with a music video, streaming below:
Says Alex Beyrodt:“Sweet Devotion is a typical Voodoo Circle song with all trademarks. David’s voice blows me away every time. I’m glad that the song now has its place on the Best Of album that will be released soon!“
Jimmy Kay and Alan Dixon of The Metal Voice recently spoke to Blackie Lawless of W.A.S.P. in a multi part series interview.
In part 2 Blackie discusses the passing of former W.A.S.P. drummer Steve Riley, the PMRC hearings and free speech, plus gives an update on the progress of new W.A.S.P. album and a whole lot more’
When asked about the passing of former W.A.S.P. Drummer Steve Riley “I wrote a thing for him, the day that it happened because that came as a big shock to all of us because none of us saw that coming. When something like that is so sudden, it catches you flat-footed, there’s no other way to describe it. I lost my dad four years ago this month and in an 18 month period I lost 11 people and not one of them to COVID. It was just you know one thing after another and 11 people in that short period of time. I start thinking to myself what’s going on here? I mean this is a wave that personally I’d never seen before. And to be honest to write eulogies over and over again it gets it’s draining because one of the conclusions I came to and I don’t mean for this to sound insensitive but death sucks. There’s no other way to describe it. I learned and as a writer there’s no words that we have that we can say that we can assemble together to make sense out of those losses. It’s like love, they say love is the most beautiful of all frustrations because there’s no words to describe what it really is. Death is the same way, there are no words that we can assemble or group together that really is going to change what it is but what do you say to someone to comfort them. So like I said in Steve’s case that that caught us all flat-footed, we did not see that coming. I wrote that in that eulogy (Official Statement on social media). One of the things that I said in there is that those songs that he played on Wild Child, Blind in Texas, I Don’t Need No Doctor, those songs cemented our Legacy (W.A.S.P.) and he’s a big part of that.”
When asked if it was a mistake having just him on the album covers, from album two to three “No because that was a conscious decision. What happened Tony Richards (Drummer), was forcibly removed from the band and I don’t really like to use those terms but it was against all of our will. I mean Tony had an alleged drug problem that EMI felt very strongly about. We signed the largest deal in history for any previously unsigned band, it was for $2.5 million we won the lottery overnight. But they had such a huge investment in us they were nervous. They (label) did not feel comfortable and they literally forced our hand to remove him and replace him and that’s where Steve Riley came in. But the problem with us was and Chris (Holmes) and I fought it tooth and nail because we understood how valuable Tony was to us. When Tony was there, we were a real band and we promoted ourselves as such but when Tony was gone we felt like we were mortally wounded and we were no longer the band that we once were. So as a band we made a decision to put me on the next two covers but even that didn’t feel right and if you’ve noticed ever since the band has never been on the cover from that time forward. “
When asked to give an update on the new W.A.S.P. Album “There are a number of subjects that I am looking at right now that are knocking on the door of what we are talking about. We’re pretty far into it right now but when this thing happened (Back Issues) on the tour and I blew a gasket, then all that got put on the back burner. But we’re pretty far into the writing process right now and we’re excited about it. It just looks like we won’t be able to get back to it until after the new year. Nobody makes money making records anymore, so if you’re going to make (New) records now you’re doing it because of your legacy. And if you’re going to do that then you really have to make sure that it’s as strong as it can be because it’s always going to be measured against what you did to begin with. All bands make their bones the first five years they’re together, the first five or six records they make their whole Legacy. Their Legacy is cemented there. It doesn’t mean you can’t make good records later on down the line but everything’s going to be constantly compared to that early stuff. So for it to get an honest review or a fair shake so to speak that new record has to maybe be even better than the original stuff because people have had so many years to romance those older songs in their heads.”
W.A.S.P. announce ‘The 7 Savage: 1984-1992’ deluxe 8LP boxset from their ‘Capitol Years’, with studio album half-speed mastering, LP of bonus tracks, 60 page book, posters and numbered certificate. The 7 Savage: 1984-1992 will be released Friday 27th October 2023 on Madfish and is strictly limited to 2000 copies worldwide.
Their first five studio albums (W.A.S.P., The Last Command, Inside the Electric Circus, The Headless Children & TheCrimson Idol) contributed enough on their own for W.A.S.P. to be considered one of the greatest rock bands of all-time. Those LPs are all presented in this set, mastered half-speed at Air Studios, London for a superior, sharper, more direct and engaging sound.
Packaged within a deluxe red leatherette effect double slipcase, ‘The 7 Savage: 1984-1992’ is completed on vinyl with two more LPs: 1987’s Live… in the Raw and new compilation Bonus Tracks & B-Sides featuring the controversial breakthrough anthem ‘Animal (F**k Like a Beast)’.
Compiled with the full cooperation of Blackie Lawless, the box set also includes a 60-page book with exclusive and rare pictures from legendary metal photographers (including Ross Halfin, Tony Mottram, David Plastik and Paul Natkin), along with extensive liner notes from Amit Sharma (Kerrang!, Planet Rock). Also included is an exclusive Blackie Lawless poster, plus an individually numbered circular saw shaped certificate.
DISC 1 – W.A.S.P. (Half-speed Master)
A.1. I Wanna Be Somebody [03:44] A.2. L.O.V.E. Machine [03:52] A.3. The Flame [03:42]A.4. B.A.D. [03:57] A.5. School Daze [03:35] B.1. Hellion [03:39] B.2. Sleeping (In The Fire) [03:56] B.3. On Your Knees [03:49] B.4. Tormentor [04:11] B.5. The Torture Never Stops [03:56]
DISC 2 The Last Command (Half-speed Master)
A.1. Wild Child [05:12] A.2. Ballcrusher [03:28] A.3. Fistful Of Diamonds [04:14] A.4. Jack Action [04:17] A.5. Widowmaker [05:18] B.1. Blind In Texas [04:21] B.2. Cries In The Night [03:42] B.3. The Last Command [04:11] B.4. Running Wild In The Streets [03:30] B.5. Sex Drive [03:12]
DISC 3 Inside the Electric Circus (Half-speed Master)
A.1. The Big Welcome [01:22] A.2. Inside The Electric Circus [03:33] A.3. I Dont Need No Doctor [03:26]A.4. 9.5. - N.A.S.T.Y. [04:48] A.5. Restless Gypsy [04:59]A.6. Shoot From The Hip [04:38] B.1. Im Alive [04:22] B.2. Easy Living [03:12] B.3. Sweet Cheetah [05:16] B.4. Mantronic [04:10] B.5. King Of Sodom And Gomorrah [03:50] B.6. The Rock Rolls On [03:52]
DISC 4 The Headless Children (Half-speed Master)
A.1. The Heretic (The Lost Child) [07:23] A.2. The Real Me [03:20] A.3. The Headless Children [05:46] A.4. Thunderhead [06:50] B.1. Mean Man [04:48] B.2. The Neutron Bomber [04:10] B.3. Mephisto Waltz [01:28] B.4. Forever Free [05:09] B.5. Maneater [04:47] B.6. Rebel In The F.D.G. [05:08]
DISC 5 The Crimson Idol (Half-speed Master)
A.1. The Titanic Overture [03:31] A.2. The Invisible Boy [05:13] A.3. Arena Of Pleasure [04:15] A.4. Chainsaw Charlie (Murders In The New Morgue) [08:43] B.1. The Gypsy Meets The Boy [04:15] B.2. Doctor Rockter [03:54] B.3. I Am One [05:24]
DISC 6 The Crimson Idol (Half-speed Master)
C.1. The Idol [08:40] C.2. Hold On To My Heart [04:22] C.3. The Great Misconceptions Of Me [09:44] D.1. The Story Of Jonathan (Prologue To The Crimson Idol)[16:35] D.2. Phantoms In The Mirror [04:36] D.3. The Eulogy [04:16]
DISC 7 Live… in the Raw
A.1. Inside The Electric Circus (live) [04:31] A.2. I Don`t Need No Doctor (live) [03:40] A.3. L.O.V.E. Machine (live) [04:27] A.4. Wild Child (live) [06:02] A.5. 9.5. – N.A.S.T.Y. (live) [05:11] A.6. Sleeping (In The Fire) (live) [05:27] B.1. The Manimal (live) [04:44] B.2. I Wanna Be Somebody (live) [06:43] B.3. Harder Faster (live) [07:19] B.4. Blind In Texas (live) [05:41] B.5. Scream Until You Like It (Theme from Ghoulies II) [03:25]
DISC 8 Bonus Tracks & B-sides
A.1. Animal (F**k Like A Beast) [03:07] A.2. Show No Mercy [03:48] A.3. Paint It Black [03:28] A.4. Savage [03:33] A.5. Mississippi Queen [03:22] A.6. Flesh And Fire [04:38] A.7. D.B. Blues [03:25] B.1. Locomotive Breath [03:00] B.2. For Whom The Bell Tolls [03:48] B.3. Lake Of Fools [05:33] B.4. War Cry [05:33] B.5. When The Levee Breaks [07:06]
Death metal battalion VITRIOL is proud to reveal that it will be releasing its sophomore full-length, ‘Suffer & Become,’ on January 26, 2024 via Century Media Records! In celebration, the band is now unleashing the emotionally-charged, pummeling first single, “The Flowers of Sadism,” along with a music video! The clip, which was created by Vile Luxe Entertainment, can be found at THIS LOCATION.
VITRIOL guitarist and vocalist Kyle Rasmussen explains of the single’s deeply personal themes, “‘Flowers’ explores the topic of early developmental trauma and the resulting emotional alchemy that can lead to the development of sadistic impulses. While not being an ideal strategy in the presence of healthier alternatives, embracing my more vicious instincts was the key to my psychological and emotional survival at a time when my environment was both hostile and inescapable. It marks the beginning of a complicated journey of seduction by the necessary evils adopted in the pursuit of that survival.”
Pre-orders are now live for ‘Suffer & Become’ HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).
The artwork for ‘Suffer & Become’ was created by Dylan Humphries and can be found below along with the tracklist!
“Suffer & Become” track listing:
Shame and its Afterbirth
The Flowers of Sadism [WATCH]
Nursing from the Mother Wound
The Isolating Lie of Learning Another
Survival’s Careening Inertia
Weaponized Loss
Flood of Predation
Locked in Thine Frothing Wisdom
I am Every Enemy
He Will Fight Savagely
Running Time: (00:42:14)
For Portland, Oregon’s VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, ‘Suffer & Become,’ says it all. “The title really sums it up,” says guitarist and vocalist Kyle Rasmussen. “I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn’t easy, but I think it was suffering well spent.”
At the core of ‘Suffer & Become’ lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal’s evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that’s just their jumping-off point.
Recounting VITRIOL’s initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. “I was starving for something that didn’t pull any punches,” says Kyle of VITRIOL’s caustic mission statement, which detonated into the realm of extreme metal with 2013’s ‘Antichrist’ demo. “Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn’t just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead.”
With 2017’s ‘Pain Will Define Their Death’ EP, VITRIOL took its spot as one of the underground’s most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019’s “To Bathe from the Throat of Cowardice,” was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, “Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through.” Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.
“Doing ‘Black Seeds of Vengeance’ alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a ‘pinch me’ moment,” Kyle recounts from VITRIOL’s early touring days. “More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total ‘Holy Fuck!’ moment.”
‘Suffer & Become’ is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It’s as dense and blackened as anything to erupt from Rasmussen’s vision of sonic disorder. From the onset of the opening track, “Shame and Its Afterbirth,” there’s a new sense of openness, grandeur, and occasional beauty in VITRIOL’s aural arsenal. “I wanted to have an album that had a stark duality to it,” says Kyle. “Very high highs and very low lows. We’re very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album.”
Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), ‘Suffer &
Become’ isn’t merely the sound of VITRIOL upping the ante in death metal’s musical arms race; it is also the sound of salvation for its driving force. “Living in the world of that first album was very difficult for me,” says Rasmussen. “It’s not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that.”
Not that the writing and recording of ‘Suffer & Become’ was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. “The record feels a bit like a Jungian Dante’s Inferno,” he states. “Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it’s not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable.”
Songs like “Weaponized Loss” or “The Flowers of Sadism” are what Kyle describes as a “dark baptism” in comparison to the absolute darkness of “To Bathe…”. The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. ‘Suffer & Become’ is death metal with a bloody, beating heart.
Line-Up: Kyle Rasmussen – Guitars and Vocals Adam Roethlisberger – Bass and Vocals Matt Kilner – Drums Daniel Martinez – Guitars
Producer // Mixing // Mastering: Dave Otero Album artwork: Dylan Humphries Photo Credit: Peter Beste Bio: Mike Gitter
Metal Blade Records just dropped the reissue of Cleveland, Ohio death metallers 200 STAB WOUNDS debut album, Slave to the Scalpel! The album was originally released in November of 2021 through Maggot Stomp and contains 9 tracks recorded at Bricktop Studios with Andy Nelson and mastered by Brad Boatright at Audiosiege. Metal Blade just released the album on CD, 45 RPM LP Vinyl, and across all digital and streaming platforms.
Excerpt taken from PITCHFORK’s review of Slave to the Scalpel: “There’s nothing subtle about 200 Stab Wounds. The Cleveland quartet plays death metal with all the nuance of a power drill to the temple-an experience they describe in detail on ‘Drilling Your Head,’ the lead single from their debut, Slave to the Scalpel. Alongside their Maggot Stomp labelmates Sanguisugabogg and Inoculation, 200 Stab Wounds are helping to establish Ohio as a new headquarters for brutal, bludgeoning death metal. Slave to the Scalpel demonstrates the band’s outstanding command over the core elements of the sound.”
Find the album, singles, and more at: metalblade.com/200stabwounds – and catch the band live as they tour across North America as direct support to Frozen Soul on the Assimila-Tour. Tour dates listed below.
Standard Tracklist: 01. Skin Milk 02. Tow Rope Around the Throat 03. Stifling Stew 04. Itty Bitty Pieces 05. Phallic Filth 06. Slave to the Scalpel 07. Drilling Your Head 08. Paths to Carnage 09. Expirated Spatter
Vinyl Side Splits: SIDE A 01. Skin Milk 02. Tow Rope Around the Throat 03. Stifling Stew 04. Itty Bitty Pieces
SIDE B 05. Phallic Filth 06. Slave to the Scalpel 07. Drilling Your Head 08. Paths to Carnage 09. Expirated Spatter
UPCOMING TOUR DATES: 2023 Assimila-Tour Frozen Soul w/ 200 Stab Wounds, Judiciary, Tribal Gaze 11/03 Hangar 1819 – Greensboro, NC 11/04 Canal Club – Richmond, VA 11/05 Gramercy Theatre – New York, NY 11/07 Underground Arts – Philadelphia, PA 11/08 Middle East – Boston, MA 11/09 Studio TD – Montreal, QC 11/10 Garrison – Toronto, ON 11/11 El Club – Detroit, MI 11/13 Ace of Cups – Columbus, OH 11/14 Avondale Music Hall – Chicago, IL 11/15 Amsterdam – St. Paul, MN 11/16 Waiting Room – Omaha, NE 11/18 Urban Lounge – Salt Lake City, UT 11/19 The Shredder – Boise, ID 11/21 Goldfields Roseville – Roseville, CA 11/22 Cornerstone – Berkeley, CA 11/24 Echoplex – Los Angeles, CA 11/25 Nile Theater – Mesa, AZ 11/26 American Legion Post 8 – Las Vegas, NV 11/28 Jake’s – Lubbock, TX 11/29 Rockhouse – El Paso, TX 12/01 Rock Box – San Antonio, TX 12/02 Secret Group – Houston, TX
2024 Terrasite Over Europe ’24 Cattle Decapitation w/ Signs of the Swarm, 200 Stab Wounds, Vomit Forth 03/01 Nijmegen, NL Doornroosje 03/02 Zurich, CH – Züri Gmätzlets VOL. III w/ Cattle Decapitation, Pig Destroyer, Signs Of The Swarm and more 03/03 Paris, FR Petit Bain 03/04 Brighton, GB Chalk 03/05 Southampton, GB The Loft 03/06 Exeter, GB Phoenix 03/08 London, GB Academy Islington 03/09 Manchester, GB Rebellion 03/10 Glasgow, GB Cathouse 03/11 Newcastle, GB Reds Bar 03/13 Limerick, GB Dolan’s Warehouse 03/14 Dublin, IE Academy 03/15 Leeds, GB The Key Club 03/16 Birmingham, GB Asylum 03/17 Bristol, GB The Fleece 03/19 Wiesbaden, DE Schlachthof 03/20 Munich, DE Backstage 03/21 Vienna, AT Szene 03/22 Budapest, HU Barba Negra 03/23 Prague, CZ MeetFactory 03/25 Berlin, DE Lido 03/26 Copenhagen, DK Pumpehuset 03/27 Stockholm, SE Fryhuset Klubben 03/28 Oslo, NO Inferno Metal Festival w/ At the Gates, Borknagar + more! 03/29 Gothenburg, SE Pustervik 03/30 Hamburg, DE Logo 03/31 Essen, DE Turock
About the band: Formed in 2019, the Cleveland death metal quartet that Brooklyn Vegan refers to as “Stupidly Heavy” pays homage to old-school death metal in the vein of Cannibal Corpse, Dying Fetus, and Mortician while carving out their own brutal sound in this new wave of death metal starting to boil up in the metal scene.
Cleveland death metallers 200 STAB WOUNDS have begun an epic run of live dates that will find the band rampaging their way across much of the US through the end of the year.
The onstage bedlam begins in November when 200 STAB WOUNDS serves as direct support to Frozen Soul on their North American Assimila-Tour from November 2nd in Atlanta, Georgia through December 2nd in Houston, Texas. Additional support will be provided by Judiciary and Tribal Gaze. After that, 200 STAB WOUNDS heads to Europe to kick off their 2024 touring as a part of labelmates Cattle Decapitation‘s Terrasite Over Europe with Signs of the Swarm and Vomit Forth.
Expect a new full-length studio album from 200 STAB WOUNDS in 2024. More details to be released over the coming months.
Lineup (current): Steve Buhl – vocals, guitars Ezra Cook – bass Owen Pooley – drums Raymond MacDonald – guitars
DIVINER have released their new video for third single ‘Dominator’. The track is taken from the band’s upcoming album “Avaton” that will be released on November 10, 2023 as Jewel Case CD, Black vinyl housed in 3mm sleeve with printed innersleeve (LTD. 200), Silver vinyl housed in gatefold sleeve (LTD. 200), Transparent Orange Vinyl housed in gatefold sleeve (LTD. 200) copies worldwide and digital streaming/download format.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
