Connecticut dark sludge outfit When the Deadbolt Breaks are heading to Europe for the first time in the band’s 20-year history. The band will play 12 European dates as direct support for David Ellefson’s Bass Warrior Tour, beginning December 3 in Rome, Italy, and concluding December 19 in Zagreb, Croatia.
The upcoming tour marks a major milestone for a band that has spent two decades operating on its own terms. Alongside the European dates, When the Deadbolt Breaks are also announcing the return of two older albums through Argonauta Records, as well as a new limited-edition cassette through FuzzTown Records.
Originally recorded between 2008 and 2009 and released in 2010, The Last Day of Sun was recorded almost entirely using analog equipment. The band has spent the past few months revisiting the album, remixing and remastering it from the ground up. “The result is almost an entirely different beast. Same songs. Same era. Different life”
Also returning is Drifting Toward the Edge of the Earth, which will be available again in its original form. Both albums have been sold out for some time, and the band is excited to see them return under the Argonauta Records banner. The band will also release a limited-edition cassette, The Weight We Carry, through FuzzTown Records. The tape features 10 songs spanning the history of When the Deadbolt Breaks and will be accompanied by a limited run of tour shirts. These items will be available specifically during the European tour, with any remaining copies eventually becoming available through the band’s Bandcamp. Earlier this year, When the Deadbolt Breaks also contributed to the Cathedral of Smoke tribute to Sleep. Their latest full-length, In the Glow of the Vatican Fire, was released in 2025.
Regarding their first European trip, the band says: “After 20 years of doing this, we’re finally crossing the Atlantic. We’re looking forward to plugging in, playing these songs in places we’ve never been, meeting new people, experiencing new cities and cultures, and seeing where this thing takes us” They add: “It’s a pretty massive undertaking for a band that has always operated on its own terms, but we can’t think of a better way to celebrate 20 years of When the Deadbolt Breaks” The band also thanks Mindsnap, David Ellefson and everyone involved in making the tour possible, as well as Argonauta Records for continuing to support the band and helping bring its older records back into the light.
20 years in. Still loud. Still strange. Still moving.
WHEN THE DEADBOLT BREAKS – EUROPEAN TOUR 2026:
October 24 – 10 Selden Woodbridge Connecticut USA October 31 – Henniker Brewing Henniker New Hampshire USA November 15 – Tampa Doom & Gloom Fest 2026 Tampa Florida USA November 28 – (Tour Kick-off show) Cherry Street Station Wallingford Connecticut USA December 3 – Kill Joy, Rome, Italy December 4 – Rock N Roll, Rho, Italy December 5 – Del Vino, Orchamps-Vennes, France December 7 – Music on the Hague, The Hague, Netherlands December 8 – Metropool, Enschede, Netherlands December 9 – Iduna, Drachten, Netherlands December 10 – Burghof Hühnerstall, Frankfurt, Germany December 12 – Stary Dom, Domecko, Poland December 13 – The Barrel Venue, Drogheda, Ireland December 15 – JS Retro, Nitra, Slovakia December 18 – Fest Club, Belgrade, Serbia December 19 – Hard Place, Zagreb, Croatia
Berlin-based symphonic metal band DYING PHOENIX is releasing “REBORN”—a title that couldn’t have been chosen better! The core of the band now consists of the vocal trio Pat St. James, Sophie Arcadia and Moran Magal, who has already made a name for herself as a solo artist! With this lineup, they are truly “REBORN,” just like the proverbial phoenix rising from the ashes.
This will be celebrated in style on November 13, 2026, at the “XV Years In Fire” anniversary show at the Maschinenhaus Berlin,
Dying Phoenix – That’s Symphonic Metal from Berlin. With the special mixture of three different vocal characters Dying Phoenix form an exceptional constellation in Symphonic Metal. With the help of producer Oliver Palotai (KAMELOT), some truly special symphonic songs are being created here.
Line-Up: Pat St. James – Lead Vocals Sophie Arcadia – Lead Vocals Moran Magal – Vocals, Keyboards, Piano
Serbian extreme metal force ALA have released the official music video for “Kill for Satan,” the second single taken from their debut album, “The Dragon’s Return”, set for release on October 23, 2026, via Wormholedeath.
A dark and confrontational warning, “Kill for Satan” aims at those who willingly embrace and defend the world around them, portrayed in the song as a prison created by a false and deceptive god. The track delivers ALA’s uncompromising blend of blackened thrash, traditional heavy metal, and oppressive atmosphere, driven by savage riffs, relentless speed, and a raw old-school intensity. Beneath its violent imagery lies a clear message of rebellion: ALA return as a force determined to destroy the children of the false god and ultimately bring down the Demiurge, the creator of this metaphorical prison.
The accompanying music video reinforces the track’s dark and confrontational character, translating its themes of rebellion, destruction, and defiance into a visual statement that matches ALA’s uncompromising aesthetic.
Founded by Damir Mirojević (Omadan IX / “O.”) during his time with Serbian black metal band KOLAC, ALA was created to bring together the diverse influences that have shaped his musical journey—from the hypnotic atmosphere of 1970s krautrock and psychedelic rock to the raw aggression of black metal. The result is a sound that is both ferocious and immersive, rooted in darkness while refusing stylistic boundaries.
Written throughout 2025, “The Dragon’s Return” introduces ALA with a record that embraces the spirit of classic extreme metal while forging its own identity. Drawing inspiration from legendary acts including Slayer, Motörhead, Mercyful Fate, Sarcófago, Dissection, Nifelheim, Destroyer 666, and Watain, the album combines razor-sharp riffs, relentless speed, memorable hooks, psychedelic guitar textures, and haunting ambient passages into an uncompromising listening experience.
Lyrically, the album explores rebellion, instinct, and transcendence, celebrating those who reject imposed limits in pursuit of their own path. Every song reflects ALA’s commitment to artistic freedom, honesty, and uncompromising expression.
The current lineup features O. (vocals, guitar), M. (guitar), G. (bass), and R. (drums), musicians whose backgrounds include KOLAC, Terrorhammer, Pustoš, Atomski Rat, Chaoist, Egzekutor, and Armburst.
Named after the Serbian word for a mythical serpent-like dragon of immense destructive power, ALA stands ready to carve its place in the international metal underground with a debut that is both savage and atmospheric. Devoratrix Mundi Omega Draconis.
Stubborn Rock Takes a Cinematic Turn as Spain-Born Frontman Diego “Bull” Avello Unveils First Single From Upcoming AlbumFull Tank of Couragevia TLG|ROCK | Distributed by Virgin Music Group
Bull Y Los Búfalos are turning up the heat with the release of their new single and official music video “Ghost,” available now via TLG|ROCK, distributed by Virgin Music Group. The track marks the first single from the band’s forthcoming album, Full Tank of Courage, due January 2027 on CD, vinyl, and all major streaming platforms.
For the “Ghost” video, Bull Y Los Búfalos went straight to one of cinema’s most iconic locations. The video was filmed primarily at the legendary cemetery in Spain where Sergio Leone’s classic Western The Good, the Bad and the Ugly was filmed, giving the visual a sweeping, cinematic atmosphere that perfectly complements the band’s larger-than-life sound.
“Ghost” introduces audiences to the next chapter of Bull Y Los Búfalos, the Nashville-based rock band fronted by Spain-born singer/songwriter Diego “Bull” Avello. Standing 6’6″ and bringing a larger-than-life presence both onstage and off, Bull combines the grit and swagger of American rock and roll with the fire and passion of his Spanish roots.
The result is what the band calls “Stubborn Rock.”
Stubborn Rock isn’t a genre. It’s a takeover. Bull Y Los Búfalos aren’t coming. They’re already here and they play to win. Rock and Roll is for the brave.
“Ghost” arrives as Bull Y Los Búfalos enter a major new era. The band recently signed with TLG|ROCK in Nashville, Tennessee, with distribution through Virgin Music Group, and has completed a new album recorded in Nashville. Full Tank of Courage is poised to be the band’s most ambitious and powerful work yet, with additional music and videos set to follow.
But the story behind Bull Y Los Búfalos extends far beyond music.
FROM A SMALL SPAIN MOUNTAIN TOWN TO THE AMERICAN DREAM
Diego “Bull” Avello’s journey from a small mountain town in Spain to the American rock-and-roll scene is the subject of the upcoming music documentary I TOOK THE ROAD LESS TRAVELED.
Filmed across the United States, Mexico, and Spain, the documentary chronicles Bull’s pursuit of the American dream, the challenges encountered along the way, a difficult immigration process, the sacrifices, struggles, friendships, and rock-and-roll lifestyle that shaped his journey.
The film is currently making its way through the 2026 film festival circuit and has already earned four awards, with additional festival submissions underway.
The documentary offers an intimate look at the man behind the towering stage presence and the philosophy that drives Bull Y Los Búfalos: never quit, never compromise, and keep moving forward.
ROCK & ROLL WITH A HOLLYWOOD CONNECTION
Three of the band’s songs have been featured on FX Network’sMayans M.C., the acclaimed Sons of Anarchy spin-off, giving their music exposure to a massive television audience.
The band has also established itself as a formidable live act, performing at NASCAR events in Nashville and Daytona Bike Week, Harley-Davidson events, biker rallies throughout the United States, and even an NBA halftime show for the San Antonio Spurs.
As a heavily supported Gibson artist, Bull Y Los Búfalos shared the bill at NAMM 2020 in Los Angeles with rock legends including Billy Gibbons of ZZ Top, Slash of Guns N’ Roses, and Don Felder of the Eagles.
Internationally, the band has performed at major biker festivals throughout Latin America, including Mexico, playing for crowds of more than 25,000 people.
Their touring history includes closing out 2022 on the road with Ace Frehley of KISS, followed by 2023 dates with 38 Special and Anthony Gomes. In 2024, the band returned to the Midwest for additional dates with 38 Special as well as Lynch Mob.
ONE-OF-A-KIND ROCK & ROLL
Bull Y Los Búfalos have released three studio albums, multiple EPs and singles, as well as a live album capturing the raw energy of their performances.
In 2019, MXD MAG, one of Texas’ leading rock publications, named Bull Y Los Búfalos Best Rock Band in Texas, while Bull was recognized as Best Rock Singer.
As an independent band, Bull Y Los Búfalos have accumulated more than 1 million music video views and 1 million Spotify streams, while their single “DINERO PRIMERO” made an impact at national Active Rock and Alternative radio through the LA Lloyd Rock 30.
Now, with the backing of TLG|ROCK, distribution through Virgin Music Group, strong support from Gibson, a new album, a documentary, and a growing international profile, Bull Y Los Búfalos are ready to take Stubborn Rock to an even bigger audience.
FOGHAT lead singer/guitarist Scott Holt takes center stage on the band’s soul-stirring take on the Elmore James blues classic, “It Hurts Me Too,” the second single released today from the upcoming triple-vinyl LIVE & LOUD ACROSS THE U.S.A. It arrives ahead of the album’s October 30 release on Foghat Records, distributed by Select-O-Hits, a division of Sun Records.
The video can be viewed on the band’s official YouTube page HERE and is available on all digital outlets HERE. The album can be pre-ordered HERE, which will be sold as two gold vinyl discs, along with a bonus third red vinyl disc (along with a double CD) that will include a reissue of the fan favorite Earl & the Agitators (aka FOGHAT) record, SHAKEN & STIRRED (produced/mixed/mastered by guitarist Bryan Bassett), which has never been available on vinyl until now.
Recorded live in 2024, “It Hurts Me Too” finds FOGHAT returning to the deep blues foundation upon which the band was built from their days with Savoy Brown. Written by Hudson Whittaker, it was first recorded by Tampa Red in 1940 and later immortalized by the great Elmore James. The song has traveled through generations of blues musicians, and in FOGHAT’s hands it becomes something immediate, raw, and deeply personal. Scott doesn’t simply sing the blues, he reaches inside the song and makes every word, note and silence count.
“This is the kind of song Scott was born to sing,” says FOGHAT founding drummer Roger Earl. “He doesn’t just play the blues; he understands where it comes from and what it supposed to feel like. Every night we play this song he takes us somewhere different. I’m sitting behind him listening, and I still get chills.”
It’s the follow-up to the album’s first single, “My Babe,” which was released August 14 on all digital outlets HERE. The video can be viewed on the band’s official YouTube page HERE.
A limited quantity of numbered and autographed copies of LIVE & LOUD ACROSS THE U.S.A. can be pre-ordered now on TalkShop.Live. On August 13, Roger Earl, Scott Holt, and Jason Peverett (Lonesome Dave’s son), and a few selected fans appeared on the site’s Rock & Roll Channel with their good friend and host Steve Harkins for an in-depth discussion about this new release and the band’s legendary career.
As Scott Holt tells it, he first learned of “It Hurts Me Too” from Junior Wells during his long tenure as guitarist with blues legend Buddy Guy, who took him under his wing as a young musician. He spent over a decade touring and recording with Buddy and received an extraordinary musical education (and life education). He traveled around the world and played onstage with greats such as Eric Clapton, Carlos Santana, B.B. King, John Lee Hooker, Willie Dixon, David Bowie, Double Trouble, among many others. He also played on Buddy Guy’s Grammy®-winning album, SLIPPIN’ IN, and went on to establish his own voice through seven solo records and decades of live performances.
“Buddy taught me that the blues has to be honest,” says Holt. “You can learn the notes, but if you don’t mean them, the audience knows. ‘It Hurts Me Too’ leaves you nowhere to hide. You have to step inside that story and tell the truth.”
Scott Holt’s journey into FOGHAT was not an overnight replacement or an attempt to recreate the past. It began back in 2014, when Roger Earl, guitarist Bryan Bassett and the late Craig MacGregor first met Scott and invited him to their studio, Boogie Motel South, to help write a couple of songs for their upcoming album, UNDER THE INFLUENCE. The chemistry was immediate and they ended up writing about 17 songs! Within a couple of years, after an unexpected recording session with students at Dark Horse Institute in Franklin, TN these four musicians found themselves with enough new music for a full album. Over a couple of bottles of Foghat Cellars Cabernet Sauvignon later, Bryan Bassett deemed this new venture as Earl & the Agitators, and in 2018 they released a record called SHAKEN & STIRRED under this new name.
When longtime vocalist Charlie Huhn retired in 2022, Scott was the natural choice to step forward. He already knew the musicians, the music, and the spirit of the band because he had been part of the FOGHAT family for years.
His arrival as FOGHAT’s lead singer along with his blues background also brought the band’s musical story full circle. FOGHAT was born in 1971 when Roger Earl and “Lonesome” Dave Peverett left Savoy Brown to follow their own path–taking the blues they loved and turning it into something louder, tougher, and unmistakably their own. More than five decades later, Scott’s lifetime steeped in the blues has reconnected FOGHAT with those earliest roots while helping drive the band forward.
Foghat has never been a museum piece. It’s a living, working band.
Founding drummer Roger Earl remains at its heart, and along with Scott is joined by longtime lead/slide guitarist Bryan Bassett, who has been not only a band member, but also the band’s producer and engineer since 1999(who had also played with “Lonesome” Dave Peverett for many years prior to that), along with bassist/vocalist Rodney O’Quinn, who joined in 2015 after being hand-picked by longtime bassist Craig MacGregor who sadly passed in 2018.
“A band is more than a list of names from one moment in time,” says Earl. “It’s the music, the history, the people who have carried it forward and the connection we still have with the fans every night. Bryan, Scott, and Rodney are not pretending to be anyone else. They have each brought their own history, talent, and heart to Foghat, and this band is playing with as much passion as we EVER have.”
Same name, different musicians, same spirit. One continuing story. It’s about the music! It’s not a disconnected side story. It is part of the same musical journey: longtime friends discovering powerful chemistry, writing, and recording together and ultimately becoming the FOGHAT heard today.
Here is the complete track list:
Disc 1 and 2 (LIVE & LOUD ACROSS THE U.S.A., including the cities where the songs were recorded):
Side A:
My Babe (Ferndale, WA)
Drivin’ On (Miami, OK)
Road Fever (Atlantic City, NJ)
She’s a Little Bit of Everything (Atlantic City, NJ)
Side B:
Let Me Love You Baby (Atlantic City, NJ)
Black Days & Blue Nights (Indianapolis, IN)
Home in My Hand (Great Falls, MT)
Slipped, Tripped, Fell in Love (Miami, OK)
Side C:
It Hurts Me Too (Tracy, CA)
Hold to Hide In (Great Falls, MT)
Somebody’s Been Sleeping in My Bed (Bethlehem, PA)
Third Time Lucky (Great Falls, MT)
Side D:
Sweet Home Chicago (Atlantic City, NJ)
I Just Want to Make Love to You (Miami, OK)
Disc 3 (SHAKEN & STIRRED — Earl & The Agitators):
Side E:
Guess Things Happen That Wat
Where’s the Rock n’ Roll
Linda Lu
Upside of Lonely
Honey Do List
Side F:
Wild Horses (Live)
Love Isn’t Kind
Hi-Heel Sneakers
Shaky Ground (Live)
LIVE & LOUD ACROSS THE U.S.A.
Roger Earl – Drums Scott Holt – Lead Vocals/Guitar Bryan Bassett – Slide/Lead Guitar Rodney O’Quinn – Bass and Lead/Background Vocals Eddie LeFebvre – Percussion/Background Vocals
SHAKEN & STIRRED — Earl & The Agitators (aka Foghat):
Roger Earl – Drums Scott Holt – Lead Vocals/Guitar Bryan Bassett – Slide/Lead Guitar Rodney O’Quinn – Bass and Lead/Background Vocals Craig McGregor – Bass Mark Petrocelli – Percussion (live tracks) Tony Bullard – Guitar (live tracks)
Check out the band’s itinerary below and on their official website:
DATE – CITY – VENUE Fri 10/2 – Murphys, CA – Ironstone Amphitheatre Sat 10/3 – Madera, CA – ApCal Rock N’ Ranch Sat 10/10 – Dodge City, KS – United Wireless Arena Thu 10/15 – Huntington, NY – The Paramount Fri 10/16 – New Haven, CT – Toad’s Place Thu 10/22 – Mesa, AZ – Mesa Amphitheatre Fri 10/30 – Hopewell, VA – The Beacon Theatre Sat 11/14 – St Charles, – Theatre Fri 11/20 – St Louis, MO – The Pageant
2027:
Fri 1/15 – Cedar Rapids, IA – Cedar Crossing Casino Sat 1/23 – Bloomington, IL – Bloomington Center For The Performing Arts Fri 2/19 – Toppenish, WA – Legends Casino Hotel Event Center Fri 3/19 – Abilene, TX – Outlaws And Legends Music Fest Sat 4/3 – Portsmouth, OH – Vern Rife Performing Arts Center Fri 4/30 – Fort Yates, ND – Prairie Knights Casino & Resort Sat 5/22 – Lancaster, PA – American Music Theatre Sat 10/23 – Dixon, IL – Historic Dixon Theatre
THE EXILES have released the music video for the track ‘I’m The One’ from their album ‘Turning Time”, available now on Bad Reputation Records.
The first single “Rainmaker” recently entered the top 10 on 97 Underground radio, debuting at #4.
Lead Guitarist Sean Manning talks about the song “I’m The One”, “I was really into Jimmy’s Outrider solo album when I initially wrote this riff. I love the Telecaster—such a raw and honest guitar. Paul came up with the chorus, which really finishes it off, and I added the heavy Les Paul onto the new track here in Dallas at Empire Studios. And it sounds like I nicked some early Bernie Marsden rhythm work for the chorus.”
The digital album is available on all digital platforms. It can be streamed and purchased now on Bandcamp a https://theexilesuk.bandcamp.com/
‘Turning Time’ track list:
Turning Time
Rainmaker
Soul Woman
Tearing Up A Storm
Ain’t No Fool
Travelling Blues
Friend
Feminine Side
Richmond Castle Walk
Woman Let It Shine
Mission Bell
Soul Has No Home
I’m The One
High Old Times
Carry You Home
Tracks 1, 4 Vocal – Paul Rafferty All Guitars – Sean Manning Harmonica – Sean Manning Bass – Frank Linx Drums – Myron Grombacher Keys – Jeff Jacobs
Tracks 3, 5, 6, 7, 8, 9, 10, 11, 12, 13 Vocal – Paul Rafferty All Guitars – Sean Manning Bass – Paul Andrew Stanley Drums – Terry Mascall Keys – Jeff Jacobs Drums – Alex Gerst (“Ain’t No Fool”) Harmonica – John Peyton (“T. Blues”)
Tracks 14, 15 Vocal – Paul Rafferty All Guitars & Bass – Sean Manning Drums – Dave Salinas Keys – Richard Baker & Jeff Jacobs
Track 2 Vocal – Paul Rafferty All Guitars – Sean Manning Bass – Paul Andrew Stanley Drums – Greg D’Angelo Keys – Jeff Jacobs
Tracks 1 and 4 originally recorded by Neil Giraldo at Soul Kitchen in Malibu, CA. Additional guitar and keyboard tracks recorded by Alex Gerst ant Empire Sound in Dallas, TX.
Tracks 3, 5–13 originally recorded by Ricky & Eddie Delana at Sunset Sound, Hollywood, CA, and Cornerstone Recording, Chatsworth, CA. Additional guitar and keyboard tracks recorded by Alex Gerst at Empire Sound in Dallas, TX.
Tracks 14 and 15 originally recorded by Roger Sommers at Royaltone Studios, North Hollywood, CA. Additional guitar and keyboard tracks recorded by Alex Gerst at Empire Sound in Dallas, TX.
Track 2 originally recorded by Greg D’Angelo at D’Angelo Studios, Studio City, CA. Additional guitar and keyboard tracks recorded by Alex Gerst at Empire Sound in Dallas, TX
About The Exiles:
Formed by English guitarist Sean Manning, whose credits include stints with HURRICANE and QUIET RIOT offshoot, LITTLE WOMEN, and fellow Brit Paul Rafferty, the original vocalist for BONHAM, The Exiles were mainstays on the Southern California music scene in the early 1990s writing and recording a wealth of material and performing at venues such as the Troubadour, Whisky a Go Go, FM Station, and Club Lingerie.
After originally moving to Los Angeles, CA to accompany his close friend and newly minted DIO axeman, Rowan Robertson, and intending to study jazz, things changed when Manning was introduced to Rafferty by legendary local music journalist, Jon Sutherland. Discovering their mutual love for British blues rock and bands such as Free, Bad Company, Led Zeppelin, and Faces, the duo quickly formed a strong writing partnership and recruited Hollywood-based English bassist, Paul Andrew Stanley. After briefly utilizing the services of former WHITE LION/CITIES drummer, Greg D’Angelo, the line-up was completed with the addition of Terry Mascall, a young John Bonham-style pounder from Cambridge.
“The Exiles were quintessentially an English band, four English blokes living in Hollywood playing classic rock…. just as Nirvana and grunge hit the scene!”, laughs Manning. “Paul and I were writing constantly over the course of the year, often up at Franklin Canyon reservoir, which resulted in all these tunes on the ‘Turning Time’ album. It’s a pretty broad pallete from traditional rock to some soul and blues numbers. Heavy electric to acoustic and mandolin with orchestration. I was and still am a huge admirer of Jimmy Page’s use of light and shade in the Zeppelin compositions. That sort of approach was really inspirational to us.”
While the bulk of the material on ‘Turning Time’ was recorded by the classic Exiles line-up, engineered and mixed by brothers Ricky Delana (NAZARETH, KIX) and Eddie Delana (QUIET RIOT, RHINO BUCKET), Manning and Rafferty would also team up with PAT BENATAR alumni, drummer Myron Grombacher and bassist Frank Linx, on ‘Tearing Up A Storm’ and the album’s ferocious title track opener, helmed by Benatar guitarist, Neil Giraldo, at his Malibu studio. Album closers ‘High Old Times’ and ‘Carry You Home’, the latter with Richard Baker (SANTANA, GINO VANNELLI) on flute and keyboards, were cut with Roger Sommers (TESLA, RIVERDOGS) at Royaltone Studios in North Hollywood and feature Dave Salinas (KENNY LOGGINS, DON FELDER) on drums.
First released in a limited capacity in 1996 as SEAN MANNING & PAUL RAFFERTY – ‘The Exiles’, ‘Turning Time’ constitutes an extensive re-working of the original 10 songs and adds five previously unheard bonus tracks unearthed by Manning during the process of transferring old reels to digital, including the stirring ‘Soul Woman’, ‘Ain’t No Fool’, a hypnotic ROLLING STONES-esque number, and ‘Soul Has No Home’, conjuring shades of early ROD STEWART.
Working at Empire Sound studios in Dallas TX over the course of several months, Manning added guitars and backing vocals to most of the tracks and brought in veteran keyboardist, Jeff Jacobs, whose credits include FOREIGNER and BILLY JOEL, to add Hammond B3 organ, piano. as well as strings to the album’s majestic magnum opus, ‘Richmond Castle Walk’, a not so subtle nod to LED ZEPPELIN.
“I am extremely pleased with how everything turned out”, states Manning who produced the project and re-mixed the album, assisted by Empire Sound operator, Alex Gerst. “When we recorded these songs originally, they were just quality demos, but we really didn’t get the chance to fully flesh things out the way we would have under different circumstances. I am grateful ‘Turning Time’ has afforded me the opportunity to return to the studio one more time and create a whole new album in the process.”
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
