After a promising debut album in 2017, Danish hard rockers JUNKYARD DRIVE were ready to explode in the scene in 2018 with their second studio effort, “Black Coffee”. The timing was right, the band was kinda hot, but no one could expect the amazing collection of songs that the collective would write and record for the album.
The record was an instant success, with hits such as “Where I Belong” “Sweet Little Dreamer” and “Way Too Long” getting massive airplay on Danish radio, topping the streaming charts, and granting Junkyard Drive spots in the main festivals and Denmark and a start to their international career. Today, “Black Coffee” is one of Denmark’s hard rock’s most listened albums online, with over seven million streams on the main platforms. “Where I Belong” is even the most popular Junkyard Drive song, with more than three million streams on Spotify.
Now, after years sold out, “Black Coffee” will finally have a new vinyl edition. It will be available on purple 180-gram LP, limited to 500 copies and hand-numbered. A classic format for a modern classic hard rock album, which the collectors will not want to miss.
“Black Coffee” reissue is out today on LP (180gr purple vinyl, limited to 500 hand-numbered copies). It can be ordered here.
“Black Coffee” tracklist:
1. Time Is Over 2. Sweet Little Dreamer 3. Sucker For Your Love 4. Make Up Your Mind 5. Backseat Baby 6. Way To Long 7. Through The Door 8. Same Old Story 9. Wasted Nights 10. Where I Belong 11. See You Next Time
Ever since 2014, Junkyard has been across half the world. With more than 100 concerts played, over five million streams, and three records to this day, they’ve solidly planted their flag on the international rock scene, playing the big stages as the one in Sweden Rock Festival and doing the big tours with, for instance, Eclipse.
After the promising debut “Sin & Tonic” in 2027 and hitting success in 2018 with “Black Coffee”, the Danes were back in 2022 with new faces and new razor-sharp songs. the band is now ready with their next record “Electric Love”. “Electric Love” marked a newfound maturity in the group’s universe and made them ready for the high flights that would follow – bigger festivals, bigger tours, bigger numbers, and wider exposure.
Before taking the next step forward – their biggest ever – Junkyard Drive now takes a deep breath, glances at the past, and reissues one of the stepstones in their career.
“Black Coffee” recording lineup: Kristian Johansen – lead and backing vocals Birk – lead guitar, backing vocals Ben Høyer – rhythm guitar, backing vocals Claus Munch – drums, percussions Tim Meldal – bass, backing vocals
The debut album of the southern German melodic doom / post-black metallers from SARLIC BLISS will be called “Brægn Hæft” and will be released on November 2nd via MDD!
The album brings it with only 6 songs on a stately length of over 45 minutes, whereby it should be clear that the fellows take here the necessary time to let a song unfold. Not surprisingly, the sound is characterized by dark, aggressive-melancholic sounds. Gloomy, brute and poignant at the same time. A first look at the cover artwork is attached, another musical sample will be available soon!
OLD RUINS can be rightly classified as BLACK METAL, whereby the resourceful German formation has created its own, very individual style with many influences from the areas of Heavy, Doom and Melodic Metal and is thus a very appreciated term to a large part of the underground scene already since their first demos on YouTube.
OLD RUINS also made first plans for their stage debut, but the Lord Of Destruction had other plans and brought the world a pandemic.
However, OLD RUINS were not discouraged by this and began in August 2020 with the recordings of the completely convincing 6-track debut EP “Old Ruins”, which physically and digitally passed the gates of hell on November 06, 2020 and brought darkness from the heart of the Ruhr area over Tristram.
On September 15, 2023, OLD RUINS will release their first long-player entitled “Always Heading East” on Doc Gator, with which the record company proves exquisite taste.
🎨 Timon Kokott
TRACKS:
The Dark Wanderer 06:56
Tristram 04:56
The Desert Sands 04:55
Risen From The Grave 07:03
The Fallen Temple 06:50
Mephisto 05:41
Lord Of Hell 04:07
Sescheron 04:59
total 45:27
OLD RUINS was founded in 2019 and was initially supposed to be a pure studio project of drummer Alexander Czernik and singer/lead guitarist Christian Krajewski.
But the thus only really hungry players quickly developed a damn dark, very atmospheric sound, which is still not easy to categorize and which remains not least because of this permanently as fascinating as exciting and wear-free. [ learn more here ]
LINE-UP: Christian Krajewski • Lead Guitars, Vocals Ersin Kara • Guitars Oliver Krajewski • Bass Alexander Czernik • Drums
New York City-based collective VRSTY (pronounced “Varsity”) — Joey Varela [vocals], Javy Dorrejo [bass], Chris Cody [drums], and Paul Gregory [guitar] — have announced their new album Levitate. The album is out October 27 via Spinefarm.
Today, the band has shared the video for the kiss-off anthem “Fuck You Forever,” which opens Levitate and is about that one thing that brings out the worst in you. VRSTY are not holding back with the song’s message — or its guitar heft and stadium-sized choruses. So go ahead and play it for the most recent person to break your heart!
“‘Fuck You Forever’ is very self-explanatory,” says Varela. “It’s a song about finally being done with being treated like an option and saying, ‘Fuck you, I’m better than this.’ It can sometimes be hard to see what you deserve when you’re treated like you’re not important but sometimes you just gotta say fuck it, fuck you, and move on.”
LEVITATE TRACK LISTING:
“Fuck You Forever” “Back to Back” “No Chill” “Black & Blue” “Wide Awake” “Dangerous” “The Plug” “The Way It Is” “Doomed” “Kill The Rich” “Glad You Came” “Powerless” “Can You Love Me” “The Feeling” “Levitate”
VRSTY ON TOUR:
THE RIOT MUSIC TOUR: EAST COAST 2023: WITH DROPOUT KINGS:
9/6 — Pittsburgh, PA — Crafthouse* 9/7 — Erie, PA — Basement Transmissions 9/8 — Harrisburg, PA — HMAC 9/9 — Baltimore, MD — The Crown 9/11 — Virginia Beach, VA — Scandals Live* 9/12 — Charleston, SC — Music Farm 9/14 — Columbia, SC — New Brookland Tavern 9/15 — Jacksonville, NC — Hooligans 9/16 — Jacksonville, FL — Jack Rabbits 9/17 — Fort Walton Beach, FL — Downtown Music Hall 9/18 — Orlando, FL — Conduit 9/19 — Tampa, FL — Orpheum 9/21 — Nashville, TN — The Cobra *Headline Date
WITH MONUMENTS + FOR THE FALLEN DREAMS:
9/26 — Spokane, WA — Big Dipper (Only For The Fallen Dreams) 9/27 — Seattle, WA — Substation 9/28 — Portland, OR — Dante’s 9/29 — Sacramento, CA — Old Ironworks 9/30 — Santa Ana, CA — Constellation Room 10/1 — Phoenix, AZ — Nile Underground 10/3 — Austin, TX — Come and Take It Live 10/4 — Houston, TX — Scout Bar 10/5 — Dallas, TX — Trees 10/6 — Springfield, MO — The Riff 10/7 — Chicago, IL — Reggie’s 10/8 — Detroit, MI — Sanctuary 10/10 — Lakewood, OH — The Foundry 10/11 — Albany, NY — Empire Underground 10/12 — Clifton, NJ — Dingbatz 10/13 — Rochester, NY — Montage Music Hall 10/14 — Manchester, NH — Angel City Music Hall 10/15 — Brooklyn, NY — Meadows
Emerging “power punk” sensations KID KAPICHI are electrify us all once again with their highly infectious new single, ‘Let’s Get To Work’.
‘Let’s Get To Work’ is an agitated blast of danceable and defiant punk, and an anthem for “all the dreamers, the ‘don’t stop believers’”. The title of the track says it all. “It’s a motivational song about getting a job done yourself,” says enigmatic frontman Jack Wilson. “That’s really important, especially at a time like this when you can’t rely on the government. You’re more reliant on your friends, family and loved ones to come together because no one else is going to help us.”
Having gained an ardent cult following with their 2021 debut ‘This Time Next Year’ and the rollicking 2022 follow-up ‘Here’s What You Could Have Won’, Kid Kapichi arrive with yet another instant hit, following in the footsteps of previous anthems, ‘New England’, ‘I.N.V.U’, ‘Smash The Gaff’, ‘Rob The Supermarket’ and ‘5 Days On (2 Days Off)’ solidifying Kid Kapichi’s position as one of the UK’s most exciting bands to watch.
The accompanying music video for ‘Let’s Get To Work’ takes viewers into the hallowed grounds of the band’s beloved Hastings United FC. The club, known for its rich history and passionate community, provided the perfect backdrop for the band’s playful narrative.
“My two biggest loves (and often biggest sources of stress) in life will always be music and football. So to be able to combine them in this latest shoot was a lot of fun.”, says Jack. “That was reinforced by the fact we were able to work so closely with Hastings United to make it a reality. We absolutely love the club and they hold many of the same values we think are important surrounding the community, which we cherish so much. Apologies to the groundsman who was re-seeding the pitch that day. I’m sure you absolutely loved having us there ruining all your hard work”
Kid Kapichi’s journey from their roots in Hastings to international acclaim has been nothing short of extraordinary. With a sound that combines the urgency of punk with establishment-challenging and socially charged tongue-in-cheek lyrics, the band have carved out a unique space in the music scene. Kid Kapichi are a band for the people and are here to help you party and protest in equal measure.
Kid Kapichi have smashed festival sets across the UK and Europe this summer (Glastonbury, 2000 Trees, Southside Festival, Teddy Rocks Festival, Hurricane Festival, Download Festival, Rebellion Festival, Bearded Theory) and are about to head out on tour in the US with Nothing But Thieves. More UK live news soon….
KID KAPICHI ARE: Jack Wilson (Guitars, Vocals) Ben Beetham (Guitars, Vocals) Eddie Lewis (Bass) George Macdonald (Drums)
East Bay thrash metal legends SADUS will make their long-awaited return this fall for the release of their first album in 16 years, The Shadow Inside, on November 17th via Nuclear Blast Records. Reunited in 2017, the band spent the last several years writing the record at their own pace, impervious to outside trends and influences, and recently finished recording with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios.
Featuring ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH), The Shadow Inside, is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos. It’s the record fans have been waiting desperately for and one of the year’s most crucial metal albums.
The Shadow Inside Track List:
First Blood
Scorched And Burnt
It’s The Sickness
Ride The Knife
Anarchy
The Devil In Me
Pain
No Peace
New Beginnings
The Shadow Inside
Commenting on the record’s impending release, founding vocalist/guitarist Darren Travis says: “I am giddy with excitement for this album to be unleashed upon the world. With the help of the entire Nuclear Blast team, we will bestow a hugely anticipated release of The Shadow Inside!! THANK YOU for your interest in our little band for all these years. I hope you will find the same release of excitement that WE DO!! The love of METAL is the only reason for SADUS!! Thank you ALL for the undying SUPPORT!!!! Fucking SADUS!!”
SADUS unleashed the first single, ‘It’s The Sickness,’ late last year. Today, the band has unveiled the record’s next track, ‘Ride The Knife,’ which is available now for streaming and is accompanied by the lyric video below.
It has been sixteen long years since the monstrous sound of SADUS last bestowed a new record upon the world, but the time has finally arrived. This November, Nuclear Blast Records proudly presents the triumphant return of the unconquerable SADUS with their sixth full-length studio album, titled The Shadow Inside.
Adorned with the compelling artwork of Travis Smith, the album cover depicts an all-consuming demon of the cosmos fiercely enveloping a tortured soul beneath, perfectly encapsulating the vision and duality that the songs on this record deliver. Founder and drummer Jon Allen shares his excitement about working with Travis once again, reminiscing about their collaboration on Elements of Anger. He points out that several tracks on the new album, such as ‘The Devil In Me’ and ‘The Shadow Inside,’ revolve around the idea of an internal entity constantly pushing us. At times, one might find themselves at the edge of reason, attributing their actions to the shadow within, an external force they blame for their choices. While not a concept album per-se, every song deals with life decisions and the importance of taking responsibility for one’s actions to unlock the best life has to offer. The track ‘The Shadow Inside’ boasts a heavier and slower tone, with a touch of classic, gut-wrenching grind, creating a fitting climax to the album.
A formidable darkness flows through tracks like ‘Anarchy’. Evidently influenced by the tumultuous post-Covid times of mass hysteria, looting, and general loss of control, the melody reflects this chaotic environment. Allen describes the track as “more straightforward and in-your-face, hitting listeners right in the gut. ”Despite the intensity, SADUS manages to retain their signature death/thrash blend, staying true to their old-school roots. The aggression remains palpable, allowing their music to speak for itself with raw, unapologetic power.
‘Scorched and Burnt’ follows suit, with its steady beat and chaotic vocals seamlessly intertwining with blistering guitar work. The track gradually transitions into an impassioned melody, igniting a fiery explosion as the song nears its conclusion. Although inspired by the literal wildfires that plagued California during its creation, ‘Scorched and Burnt’ delves deeper into the idea that individuals often feel like someone or something is constantly out to get them. Yet, in the end, the song urges unity, recognizing that every action, even in chaos, ripples through the lives of others.
The process of creating The Shadow Inside was unhurried and unencumbered by unnecessary roadblocks. SADUS allowed their creativity to flow naturally, collecting riffs and writing together in person.The band took their time, nurturing and developing their musical ideas until they evolved into the powerful tracks we hear today. Allen emphasizes that their drama-free and family-oriented approach to making music is one of the reasons their sound speaks so powerfully to their fans. Collaborating with Juan Urteaga of Trident Studios added another layer of refinement to the album, as his expertise in death metal played a vital role in shaping its overall sound.
All that being said, SADUS is not a band that simply stands apart from the crowd for the sake of being different. They stand tall, unswayed by mass hysteria and media influences, choosing to make their own decisions and encourage others to do the same. In a world filled with disinformation and false flags, they emphasize the importance of being smart, using common sense, thinking for ourselves, and remaining aware of our surroundings.
As November approaches, the anticipation for The Shadow Inside is sure to grow. With their uncompromising vision, SADUS continues to stand as a beacon of authenticity and integrity within the heavy metal community, forever forging their path in the ever-evolving landscape of music.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
