Metal Shock Finland (World Assault )

The Magic Of Metal

  • Home
  • Interviews
  • Reviews
  • CHIEF SHOCK VIDEO
  • Metal Shock Times
  • PARTNERS
  • WhoWeAre
    • Advertising
    • Contact Us
    • MSF STAFF
    • We Recommend…

Co-Founder Kim McAullife: “GIRLSCHOOL’s late guitarist Kelly Johnson is still an iconic image to the band”

Posted by tarjavirmakari on July 13, 2023
Posted in: Int. News, News. Tagged: GIRLSCHOOL, Kim McAuliffe, The Metal Voice. Leave a comment
Photo credit- Adam Kennedy

Canada’s The Metal Voice recently interviewed GIRLSCHOOL’s guitarist, vocalist co-founder Kim McAuliffe. In the interview McAullife talks about the bands beginnings, their relationship with Lemmy from Motorhead over the years and the bands new upcoming studio album WTFortyfive.

Girlschool’s new album WTFortyfive? will be released on July 28th via Silver Lining music.

Forty-five years young, British hard rock royalty GIRLSCHOOL comes out swinging with their fourteenth studio album, WTFortyfive?, a deliciously dirty declaration that age is a number that shows how much real raw attitude you have when it really counts.

When asked about the legacy of late guitarist Kelly Johnson
“Well she left the band and then went on with her life for a few years then came back again and rejoined but then sadly got ill. She was everything to the band because obviously we started it off together. We were all in South London and she lived in North London so of course that’s bloody miles away, North London it’s like a different country to us. So she came and lived with me and Mum and Dad and um yeah so we shared a room and of course we were really young at that point at that time. We had the right old laugh and we just sort of did a lot of growing up together really. She was and still is like an iconic image and her playing I still sort of get Shivers up my spine. She just was unique really. She would just pick up an instrument and just play it straight away.”

When asked how Lemmy from Motorhead helped the band in the early days
“People think that just suddenly (Lemmy) saw us and then it all happened all overnight you know well no it wasn’t as simple as that. We were actually touring around as Girlschool especially around Europe in my mum and Dad’s stolen van, poor Mum and Dad. They bought this van that they were going to turn into a camper van and go and touring around well. That sort of went out the window because we ended up commandeering it and just touring all over the place and put it into the ground. So we were touring for a couple of years but the thing is over here especially every time we played a punk Club they thought we were heavy metal we played heavy metal clubs they thought we were punks so we couldn’t win either way you know . But good friends of ours, a band called UK Subs they just recorded a single with a little independent company called ‘City Records and then ‘City Records’ asked us because we were great mates with them, asked us if we wanted to record a single and of course we jumped at it because you know it’s every band’s dream isn’t it you know um to get in the recording studio. So we knocked out ‘Take it all away’ (song) the single got some radio play and then Lemmy and Motorhead were looking for a band to support them on their first major British tour which was the Overkill tour and then he heard the single and then sort of saw pictures of us. Meanwhile we’d have already got given the 10 inch single of theirs a vinyl the Motorhead single and we thought bloody hell you know that’s a great Racket and then of course saw the photo of them thought oh my God look at them sort of thing you know. The next thing we know Lemmy’s invited himself down to one of our rehearsals so we didn’t know what to expect we were going oh God you know after just seeing the photos of him um but yeah of course we just got on like a house on fire. And he invited us onto the tour, cool tour and so that was that and so we were suddenly thrust into the bigger stages and the proper touring and finally we sort of found our niche because again it was like Motorhead were the same they were sort of crossover between the punk and rock.”

When asked about Lemmy’s most endearing qualities
“Oh he was the funniest I mean he was just hilarious he’s have you in stitches. Just really funny and really nice and so supportive and it wasn’t just us he supported as females he went on to support quite a lot of other females in rock. He did his bit for women and rock that’s for sure.”
When asked if she could define the new album in one sentence
“The new album is a slab of heavy metal rock and roll.

Lead single “Are You Ready?” sets the pace; a racy, raunchy, fun-saturated shapeshifter co-written with Alcatrazz’s Joe Stump that shows GIRLSCHOOL’s leathers may still carry the well-baked battle scars of decades past, but their songs and attitude are as fresh, fun, heavy, and catchy as ever before. There’s the addictive mototörcharged scuzz of “It Is What It Is”, the Wandsworth via Sunset Strip sway of “Bump In The Night,” the youthful, punky romp of “Up To No Good,” and the smart, sassy, rock ‘n’ roll hooks of “Believing In You,” with McAuliffe’s vocals sounding as sharp and raucous as ever. And if that isn’t enough, their raunch roars and rolls alongside Biff Byford (Saxon), Phil Campbell (Motörhead), and Duff McKagan (Guns N’ Roses) on a cracking cover of “Born To Raise Hell!” So throw away your inhibitions and join these spectacularly wild women on the most glorious of rock ‘n’ roll rides. Lemmy knew, so should YOU! WTFortyfive? will be released on 12” vinyl, digipak-CD, digital download and streaming and special D2C bundles.

Preorder yours today at THIS LOCATION. Additionally, head over to girlschool.tmstor.es for a chance to win a GIRLSCHOOL WTFortyfive? custom made real leather jacket. T&Cs apply. WTFortyfive?

Tracking Listing:

  1. It Is What It Is
  2. Cold Dark Heart
  3. Bump In The Night
  4. Barmy Army
  5. Invisible Killer
  6. Believing In You
  7. It’s A Mess
  8. Into The Night
  9. Are You Ready? (feat. Joe Stump)
  10. Up To No Good
  11. Party
  12. Born To Raise Hell (feat. Biff Byford, Phil Campbell, Duff McKagan)

GIRLSCHOOL:
Kim McAuliffe – guitar/vocals
Denise Dufort – drums
Jackie Chambers – guitar/backing vocals
Tracey Lamb – bass

TAKIDA Sign Record Deal with Napalm Records, Release Standalone Single & Official Music Video ‘The Loneliest Hour’

Posted by tarjavirmakari on July 13, 2023
Posted in: Int. News, News. Tagged: TAKIDA. 1 Comment
[photo credit: Christoph Voy Rockstock]

TAKIDA, one of Sweden’s most successful current rock bands, have signed a record deal with Napalm Records! The band comments: ”Exciting times are just around the corner and we can’t wait to start working with Napalm Records. Let’s do this!”

In celebration, they have also released a new standalone single, “The Loneliest Hour”! Formed in 1999, TAKIDA are at the top of the Swedish rock scene with six platinum singles (one of them 4x platinum), three platinum albums and no less than five #1 albums. Additionally, the band is regularly at the top of the international radio airplay charts – so there is no doubt that “The Loneliest Hour” will be a future radio hit!

The new single “The Loneliest Hour” is TAKIDA’s follow up their 2021 Falling From Fame album. It embodies the distinctive unmistakable TAKIDA sound with infectious huge chorus carried away by one of Robert Pettersson’s strongest vocal performance to date.

TAKIDA are currently on the biggest tour of their career so far, including arena shows in their home country and huge festivals such as Wacken Open Air in Germany. Make sure to catch TAKIDA live at one of their tour dates and stay tuned for more news to come!

TAKIDA on the new single:        
“‘The Loneliest Hour’ is about seeking the ultimate thrill, constantly being on the verge of losing one’s footing, until eventually being unable to resist the obsessive thoughts. To become too greedy and seek something better, and in the end, one loses everything, over and over again.”

TAKIDA are starting their Swedish summer tour on the release date 13th of July with a total of nine shows across Sweden.
At the same time they are continuing their run of German summer dates throughout the summer with includes a Wacken Open Air date.

Experience TAKIDA live this summer:
13.07.23 SE – Östersund / Skidstadion
14.07.23 SE – Dalhalla / Rättvik
15.07.23 SE – Vadstena / Vadstena Slott
21.07.23 DE – Augsburg / Sommer am Kiez
22.07.23 DE – Braunschweig / Westand
28.07.23 SE – Borgholm / Slottsruinen
29.07.23 SE – Höga Kusten / Naturscen Skuleberget
04.08.23 DE – Wacken / Wacken Open Air
05.08.23 DE – Dinslaken / Open Air am Burgtheater
11.08.23 SE – Stockholm / Betongparken
12.08.23 SE – Ystad / Öja Krog
17.08.23 SE – Örebro / Gustavsvik
18.08.23 SE – Göteborg / Trädgårdsföreningen
19.08.23 SE – Johannishus / Björketorps Gård

TAKIDA are:
Robert Pettersson – Vocals
Tomas Wallin – Choirs, Guitars
Mattias Larsson – Guitars
Chris Rehn – Bass, Keyboards, Guitars, Programming and Arrangements
Kristoffer Söderström – Drums

TAKIDA online:
Instagram
Facebook

British Progressive Melodic Rockers ATLAS Announce New Album “Built To Last”, Out October 20th

Posted by tarjavirmakari on July 13, 2023
Posted in: Int. News, News. Tagged: ATLAS. Leave a comment
Photo by Sam Fenton

British progressive melodic rock band ATLAS are pleased to announce the release of their highly anticipated third studio album Built To Last. 

The new album will be released by Metalapolis Records on Friday 20th October and is available to pre-order HERE. The first single All Or Nothing is available to stream HERE.

Watch the All Or Nothing music video HERE. 

ATLAS is comprised of five musicians, Craig Wells (lead vocals), James Thorley (keyboards), Howie Little (lead guitars), Chris Redfearn (bass guitar), and Ryan Briggs (drums).

Keyboard player James Thorley founded the band in 2017 with the intention to create signature music that focused its roots around the 80s AOR, Prog, and melodic rock genre, whilst delving into other areas of modern hard rock, and metal.

To date, ATLAS have released two studio albums through the European label AOR Heaven. Their second album, Parallel Love, charted in Japan at #36 and debuted in the Top 10 Amazon Classic Rock Albums Chart on release week. They have toured the UK sharing the stage with The Quireboys, Eric Martin (Mr Big), FM, Vega, Big Country, and Praying Mantis.

Distributed by SPV, Built To Last is a continued evolution of the band’s unique Progressive AOR sound that builds on themes of survival, hope and overcoming hardships.  It is the result of several years of refined songcraft, featuring polished arrangements, shredding guitar hooks, massive choruses, and soaring vocals.

“BUILT TO LAST” – TRACK LISTING
EAN Code: 4056813553161 Cat Number: MPR0155

1. All Or Nothing (4:09)
2. You’re Not Alone (4:24)
3. One More Night (4:15)
4. Another Heartbreak (4:09)
5. Tears (5:31)
6. Unfamiliar Love (4:25)
7. Just Like That (4:19)
8. Chasing Portraits I: Lonely Hearts (6:53)
9. Chasing Portraits II: Closer To The Picture (3:13)
10. Chasing Portraits III: Painted Memories (5:38)
11. Bury A Lie (4:47)
12. Best Is Yet To Come (5:38)

ALBUM TRACK BY TRACK

All Or Nothing
All or Nothing was written with an “album opener” in mind. We wanted to write a track that had a lot of energy, heavy but still having melodic elements, and with a huge hooky chorus. We wanted to represent elements of the whole album in one song, which was a challenge, but we always love to rise to a challenge!

You’re Not Alone
This was one of the first songs written for the album. It’s about coming out of lockdown and overcoming difficulties, depression and the general unknown that most of us felt during that time. It’s got a radio friendly approach, but we didn’t hold back with the big anthemic chorus.

One More Night
This song is built around a real proggy syncopated guitar riff with a classic AOR theme for the lyrics and chorus.

Another Heartbreak
“High energy” was a feeling we wanted to tap into with this album, and this track certainly has that! It’s about not being able to shake the memory of a previous love no matter how hard you might try, backed up with stacks of harmonies!


Tears
Tears is dynamic, bombastic, melodic, and powerful. It’s about always being there for someone no matter what, even when you know they don’t feel the same way anymore.

Unfamiliar Love
A very Def Leppard inspired riff and chorus helped build the foundation to this song. Who says you can’t have a drum, keyboard, and guitar solo trade off?

Just Like That
We wore our love for 80s AOR on our sleeves for this song. Huge catchy guitar/synth hook interplayed with a staccato chorus stacked full of harmonies, with an air guitar instrumental to top it all off!

Chasing Portraits I: Lonely Hearts
We’ve flirted with progressive rock on our previous two albums, but for this album we set out from the beginning to write a longer progressive piece, that could be split into three sections. Lonely Hearts starts with the devastation of loss and confrontation of loneliness, finishing off with a Kansas inspired guitar/Hammond trade off.

Chasing Portraits II: Closer to the Picture
Closer to the Picture deals with recovery and reflection and is one of the rarer synth driven tracks on the album.


Chasing Portraits III: Painted Memories

An epic finale to that Suite. The song itself is about the memories of past relationships being somewhat clouded by the negatives that caused that bond to end. We basically create our own narrative of our past and move on with our lives, sometimes forgetting the good that may have come from our experiences.

Bury A Lie
The heaviest track we’ve written to date.  The song was built around a 7-string guitar riff and features an awesome proggy instrumental section.


Best is Yet to Come
We wanted to end the album with a banger rather than an epic or a ballad! So, we saved the best until last, a Journey inspired melodic rock anthem with a huge sing-along ending.

PRODUCTION CREDITS
All music recorded by ATLAS
Recorded at InMotion Studios
James Thorley – Producer, Engineer, Mixer
Thomas Johansson – Mastering

BAND LINE-UP
Craig Wells – Vocals
Howie Little – Guitar
James Thorley – Keys
Chris Redfearn – Bass
Ryan Briggs – Drums

ADDITIONAL MUSICIAN
Sam Millar – Additional Backing Vocals

ATLAS ONLINE – BANDCAMP | FACEBOOK | INSTAGRAM | TWITTER 

WEEDEATER Announce Fall 2023 Tour Rolling Through the Northeast + Midwest

Posted by tarjavirmakari on July 13, 2023
Posted in: Int. News, News. Tagged: WEEDEATER. Leave a comment

Photo credit: Scott Kinkade

WEEDEATER are loaded up and ready to ride.

The sludge-stoned cowboys are blazing the ol’ dusty trail later this summer with 10+ shows across the Northeast and Midwest. Along the way, they’re hitting a couple festivals, including headlining spots at Albuquerque’s Rock City Fest and Slower & Harder Fest in Atlanta.

Joining Weedeater is the grindin’, frashin’ punk rock wrecking machine King Parrot.

God Luck and Good Speed.

Tour dates
08/05 Albuquerque, NM @ Rock City Fest [TICKETS]
08/30 Charlotte, NC @ Snug Harbor [TICKETS]
08/31 Washington, DC @ Black Cat [TICKETS]
09/01 Brooklyn, NY @ Meadows [TICKETS]
09/02 Montague, MA @ RPM Fest [TICKETS]
09/03 Buffalo, NY @ Mohawk Place [TICKETS]
09/04 Detroit, MI @ Sanctuary [TICKETS]
09/06 Grand Rapids, MI @ Pyramid Scheme [TICKETS]
09/07 Cave In Rock, IL @ Full Terror Assault Fest [TICKETS]
09/08 Champaign, IL @ Loose Cobra (On Sale 07/15)
09/10 Atlanta, GA Atlanta Utility Works @ Slower & Harder Fest [TICKETS]
09/11 Greensboro, NC @ Hangar 1819 [TICKETS]

At its founding, Weedeater rose like a doobie phoenix out of the ashes of BUZZOV•EN. When the cult sludge act called it a day, bass player Dave “Dixie” Collins teamed up with guitarist Dave “Shep” Shepherd and founded Weedeater in the harbor town of Wilmington about the year 1998.

Their crushing and massive first full-length ‘…and Justice for Y’all’ (2001) created an immediate buzz, while critics were struggling to put a tag on their sound. Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls “weed metal”. The debut was produced by renowned engineer Billy Anderson (Eyehategod, Neurosis) as well as sophomore album ‘Sixteen Tons’ (2002). Weedeater went out to perform live with Corosion of Conformity and Alabama Thunderpussy among others.

After some detours of Dixie Dave, who played shortly with Bongzilla and Sourvein, third album ‘God Luck and Good Speed’ hit the world in 2007 and shifted the band’s focus slightly towards the stoner side. The latest full-length ‘Jason… the Dragon’ got delayed when vocalist Dixie Dave lost a toe due to an incident with his favorite shotgun. When the sludge driven album finally came out in 2011, shows in the US and Europe cemented the band’s reputation as a fierce live entity.

After signing to Season of Mist, Weedeater reissued their full back-catalogue on their new label. Yet the Bible Belt state of North Carolina, USA remains a fertile ground for hemp and stoner rock. Their latest album, ‘Goliathan’, makes the South smoke again. It’s a monster record that’ll blow your mind.

Line-up:Dixie Dave : Bass, vocals
Shep : Guitar, vocals
Travis T-Boogie Owen : Drums

More info at

  • http://www.weedmetal.com/
  • https://weedeater.bandcamp.com/music
  • https://www.facebook.com/weedmetal
  • https://www.instagram.com/weedeaterband/
  • https://open.spotify.com/artist/40uWyieMnDCdIlba6Pr7xL
  • https://twitter.com/weedmetal

SVALBARD Announce New Studio Album “The Weight Of The Mask”, Out October 6th

Posted by tarjavirmakari on July 13, 2023
Posted in: Int. News, News. Tagged: SVALBARD. Leave a comment

📸 by Georgia Penny Photo

SVALBARD are proud to announce their ardently anticipated new studio album, The Weight Of The Mask, due out on October 6th via Nuclear Blast Records. 

White-hot new single ‘Faking It’ has also been revealed, accompanied by a video. The track lays bare a poignant, candid account of dealing with depression and coming to the realisation that you are “faking it” to just get by. 

Svalbard’s intention with their music is to make people feel less alone, and to be there for people in their darkest times. The Weight Of The Mask bravely lays out experiences of mental illness and depression, hoping to help destigmatise these topics. 

Svalbard’s Serena Cherry stated,
“If the previous record was about facing your demons, then The Weight of The Mask is about fighting them with everything you’ve got. You can literally hear the depression transform into aggression in these songs. The Weight of The Mask was admittedly a challenging album to make because we cut so deep this time around, it was a painful but ultimately cathartic process. This album is the sound of two years worth of internal darkness boiling away inside and then finally being unleashed.
Faking It is a song about feeling deprived of meaningful human connection due to depression acting like a wall that shuts you off from others. It addresses the ways in which those who suffer with depression can feel guilted into putting on a happy mask. The lyrics are a reflection on happiness as a social obligation and how scarily good you can become at deceiving everyone around you into thinking that you’re fine when you’re not. With Faking It, we are both acknowledging the pressure for forced positivity, the fear that people won’t like you if you’re sad and also questioning where the root of this intolerance towards depression lies.” 

Pre-order The Weight Of The Mask + stream ‘Faking It’ HERE 

Watch the ‘Faking It’ video below.

Serena added about the ‘Faking It’ video,
“This video leans on deliberately obvious binary oppositions to hammer home the message of the song. We have the glossy smiling shots, filmed in the fakest place we could find: The Selfie Factory; mixed with dark, expressive performance footage that represents the internal struggle within.”

The Weight Of The Mask was recorded at The Ranch Production House, UK. The record was produced and mixed by Lewis Johns, with mastering by Grant Berry. Engineering was handled by Lewis Johns, assisted by Matt Janke, with additional editing by Kel Pinchin and Sebastien Sendon.

The beautiful album artwork was created by artist and illustrator Hestor Aspland, with layout by Lee O’Connor.

Serena Cherry stated about the album artwork,
“We have been huge fans of Hester Aspland’s Illustration since we saw her stunning art work carved into a wooden table at our favourite metal bar, The Gryphon. The intricate, floral aspect of her artwork for The Weight of The Mask reflects the sonic beauty within our melodies. Then the bleaker animal skull mask symbolises the lyrical content. Working with Hester was an absolute dream and we love the art she has created for us.”

The Weight Of The Mask – tracklist:
01. Faking It
02. Eternal Spirits
03. Defiance
04. November
05. Lights Out
06. How To Swim Down
07. Be My Tomb
08. Pillar In The Sand
09. To Wilt Beneath The Weight

SVALBARD will be returning to the EU mainland for six headline show dates in October, which will be concluded by a headline date at The Key Club in Leeds, UK. 

Summer Festivals
04-06 Aug – CH, Gränichen, Gränichen Open Air 
11-13 Aug – BE, Kortrijk, Alcatraz Festival
16-19 Aug – UK, Compton Martin, ArcTanGent
October Headline Dates
14 Oct – NL Nijmegen, Soulcrusher
15 Oct – DE Cologne, Helios 37
16 Oct – DE Berlin, Urban Spree
17 Oct – DE Dresden, Chemiefabrik
18 Oct – DE Neunkirchen, Stummsche Reithalle
19 Oct – FR Paris, Backstage By The Mill
21 Oct – UK Leeds, The Key Club

THE LION’S DAUGHTER Share Unnerving Music Video for New Song ‘Bath House’, Reveal New Album Details

Posted by tarjavirmakari on July 13, 2023
Posted in: Int. News, News. Tagged: THE LION'S DAUGHTER. Leave a comment
Photo by: Chris Bauer

St. Louis horror metal outfit THE LION’S DAUGHTER will be releasing its brand new full-length, ‘Bath House,’ on October 13, 2023 as an independent entity. In celebration of this new release, the band has partnered with Metal Injection for the premiere the title track along with a disturbing music video that is certain to shock and excite horror fans everywhere. The video can be found at THIS LOCATION.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on ‘Bath House’s’ unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

In addition, The Lion’s Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

‘Bath House’ is now available for pre-sales HERE.

The artwork for ‘Bath House’ was created by UK artist Daniel Peacock and can be found below along with the tracklist.

‘Bath House’ Tracklist:
Bath House (4:10) [WATCH]
Maximize Terror (3:24)
Your Pets Died on TV (4:19)
Liminal Blue (4:11)
Rerouted (4:22)
12-31-89 (4:47)
Crawler Night (5:12)
She Does Not Exist (3:40)
End Credits (5:19)

The Lion’s Daughter Live Dates (U.S.):
10/13: St. Louis, MO @ Red Flag (Album Release Show)
11/11: Indianapolis, IN @ Black Circle Brewing

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” – H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:
Rick Giordano – vocals, guitars, bass, synths
Erik Ramsier – drums
Scott Fogelbach – additional vocals on tracks 2, 7, 8

Live Lineup:
Rick Giordano – guitar and vocals
Scott Fogelbach – bass and vocals
Aaron Akin – guitar
Erik Ramsier – drums

Guest Musicians:
Sarah Vie – violin and vocals on tracks 2, 4, 7, 9

Recording Studio: Encapsulated Studios
Producer // Sound Engineer // Mixing // Mastering: Gabe Usery

More info at: Bandcamp – Facebook – Instagram – YouTube – Spotify – Apple Music

Posts navigation

← Older Entries
Newer Entries →
  • THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
  • Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
  • Ads

  • Metal Shock Finland

    Metal Shock Finland
Website Powered by WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    Metal Shock Finland (World Assault )
    Join 948 other subscribers

    Have a WordPress.com account? Log in now.

  • Metal Shock Finland (World Assault )
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar