ARMORED SAINT Present New Video for ‘Every Man-Any Man’

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: . Leave a comment
Photo by Travis Shinn

ARMORED SAINT today presents their video for “Every Man-Any Man.” The track comes off the band’s critically-lauded new full-length, Emotion Factory Reset, out now on Metal Blade Records.

“‘Any man has his price’ is a more familiar phrase and that’s the theme, but we didn’t want to call it that,” recalls vocalist John Bush on the track, “It was too obvious. We said, ‘How about we call the first part of the line ‘every man-any man’ and then stop there.’ The intro guitar part almost has this Andy Summers/Police vibe. Then [Joey Vera] goes into the cool bass groove. That’s vintage Joey; he’s such a grooving bass player, and it sounds super unique; you probably won’t hear a groove like that from too many metal bands.

Combined with [drummer] Gonzo [Sandoval], sometimes the grooves that they combine on are essential to ARMORED SAINT’s sound and have been for years. When those two guys are locked in, it’s pretty awesome, because it’s like they could be playing in the Commodores. That’s the feeling that, I think, is the beauty of ARMORED SAINT; it takes it to another place that a lot of bands can’t go to in the metal world. That’s a perfect example of it.”

Adds Vera, “I liked the idea of having the verse, music, and chorus be the same music parts, but with different vocal parts. This idea was inspired by a song by the band The Police. I also wanted to add all the kitchen sink ingredients, so there are nods to Foo Fighters, Thin Lizzy, and it all ends with a crushing ARMORED SAINT riff.”

Watch the band’s previously released video for “Close To The Bone” HERE and “Hit A Moonshot” HERE.

Emotion Factory Reset, ARMORED SAINT‘s ninth studio album, is a resurrection of sorts, a tearing down and a rebuilding in eleven songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by bassist Joey Vera and mixed by Jay Ruston (Anthrax, Stone Sour), the record finds the quintet challenging themselves. Songs like “Close To The Bone,” “Hit A Moonshot,” and “Every Man-Any Man” have ARMORED SAINT honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.

Emotion Factory Reset was recorded across several studios including 606 Studios, Secret Hand Studios, Skullseven Studios, Constantine Studios, and Bridge Recording, engineered by Oliver Roman, Bill Metoyer, Joey Vera, and Jason Constantine, and features cover art by DDKing.

Preview/purchase the record at: metalblade.com/armoredsaint

ARMORED SAINT has confirmed performances throughout the Spring and Summer months both Stateside and abroad as well as a North American co-headlining tour with Metal Church this Fall! The Metal Saint Tour 2026 will commence on November 2nd in San Juan Capistrano, California and runs through November 21st in Agoura Hills, California. Additional support will be provided by LiveKill.

Tickets + VIP upgrades are available now at: nationalactsvip.com/armoredsaint. See all confirmed dates below.

ARMORED SAINT:
6/06/2026 Milwaukee Metalfest @ The Rave/Eagles Club – Milwaukee, WI
7/30/2026 Pumpehuset – Copenhagen, DK w/ Metal Church
7/31/2026 Skogsrojet Festival – Rejmyre, SE
8/01/2026 Pustervik – Gothenburg, SE w/ Testament, Metal Church
8/02/2026 Mejeriet – Lund, SE * w/ Testament, Metal Church
8/05/2026 Brutal Assault – Jaroměř, CZ
8/07/2026 Alcatraz Festival – Dessel, BE
8/08/2026 Poppodium Boerderij – Zoetermeer, NL *ARMORED SAINT headlining show
8/09/2026 Keep It True Legions – Geiselwind, DE
8/11/2026 Progresja – Warsaw, PL w/ Savatage, Nevermore
8/12/2026 Collosseum – Kosice, SK w/ Vio-Lence
8/13/2026 Klub Studio – Krakow, PL w/ Testament, Metal Church
8/29/2026 Stonedead Festival – Newark, UK

w/ Metal Church, LiveKill:
11/02/2026 Coach House – San Juan Capistrano, CA
11/03/2026 The Glass House – Pomona, CA
11/04/2026 The Nile – Phoenix, AZ
11/06/2026 Sunshine Theater – Albuquerque, NM
11/07/2026 Sunshine Studios – Colorado Springs, CO
11/08/2026 The Federal – Denver, CO
11/10/2026 Neurolux – Boise, ID
11/11/2026 The Newberry – Great Falls, MT
11/13/2026 Dantes – Portland, OR
11/14/2026 Redwood Theater – Bremerton, WA
11/15/2026 Rickshaw Theater – Vancouver, BC
11/17/2026 Great America Music Hall – San Francisco, CA
11/18/2026 Goldfield Trading Post – Roseville, CA
11/19/2026 The Whisky – Los Angeles, CA
11/20/2026 Observatory North San Diego – San Diego, CA
11/21/2026 Canyon Club – Agoura Hills, CA

ARMORED SAINT:
John Bush – Vocals
Joey Vera – Bass
Jeff Duncan – Guitars
Gonzo Sandoval – Drums
Phil Sandoval – Guitars

https://www.armoredsaint.com
https://www.facebook.com/thearmoredsaint
https://x.com/thearmoredsaint
https://www.instagram.com/thearmoredsaint

GRAVEYARD Announce Brand New Album “Fever”, Out October 9th

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

One of the most distinctive and revered forces in rock music, Sweden’s GRAVEYARD have announced October 9th, 2026 as the release date for their highly anticipated seventh studio album, Fever. Three years after the dreamlike haze of much-lauded previous record Six, the band return with a heavier, more direct sound — while still carrying the blues-soaked soul that defined their breakthrough album Hisingen Blues.

GRAVEYARD commented:
“Alright folks. Here it is — album number 7.
Fever. Haven’t we always had it?
The itch, the burn and the restlessness.
The urge to push forward into the fog. Even with the teeth of hopelessness snapping at our asses and all the smoke and mirrors of our time telling us we got no future.
Come what may. Let’s go!

This time around, we decided to waste no time. No outside producer. No detours.
Just GRAVEYARD, straight to the point, doing what we do best.
This just might be our greatest album so far!
Hope you like it, too.”

The striking artwork for Fever was created by acclaimed Dutch artist Maarten Donders, whose powerful and expressive visual style has been showcased at the renowned cult festival Roadburn. Over the years, Donders has created artwork for more than 50 artists, ranging from Acid King to Frank Zappa.

Handling mixing duties is Pelle Gunnerfeldt, celebrated for capturing the raw intensity of bands such as The Hives and Refused, while more recently working with Viagra Boys.

Fever -tracklist

  1. Back From The Grave
  2. Tongue Tied
  3. A Better Cut (Note To Self)
  4. Year Of The Horse
  5. A Means To An End
  6. Time To Tell
  7. Don’t Shoot!
  8. Room Tempered
  9. Dead Note

Furthermore, GRAVEYARD have confirmed the first leg of their 2026 / 2027 tour with BLUES PILLS. Scroll down for all confirmed shows. Stay tuned for more European dates to be announced!

More exciting news regarding Fever and additional GRAVEYARD live dates will be revealed soon!

GRAVEYARD LIVE:

w/ BLUES PILLS & SKRAECKÖDLAN
31.10. SE Eskilstuna, Lokomotivet *
06.11. SE Mejeriet, Lund *
07.11. DK Århus, Voxhall *
13.11. SE Örebro, Club 700 *
14.11. SE Karlstad, Nöjesfabriken *
20.11. SE Falun, Magasinet *
21.11. SE Norrköping Arbis *
27.11. SE Göteborg, Gothenburg Film Studios **
28.11. SE Stockholm, Fållan **

*with Skraecködlan
**with Blues Pills

GRAVEYARD ONLINE:
https://www.instagram.com/graveyardmusic
https://www.facebook.com/graveyardofficial
http://www.youtube.com/@graveyard

LARRY WALLIS Lets The Motörhead Classic Out ‘On Parole’

Posted by tarjavirmakari on June 3, 2026
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When Lemmy initially contacted Pink Fairies guitarist Larry Wallis about forming a new band together, Larry was both astonished and delighted – “It was just as if the serendipity fairy had arrived. Now he was flexing his leathern wings.” In much the same month as Lemmy was relieved from his duties in Hawkwind, the Pink Fairies shattered. The pair got together for a drink, a jam, a dream “It just had to be.”

​Larry bought a clutch of his own compositions with him into the band – when the newly christened Motörhead (now joined by drummer and future Pink Fairy Lucas Fox) went into the studio in June 1975 to record their first album, “Vibrator,” “Fools” and the Pink Fairies favorite “City Kids” were all on the schedule.  And so was “On Parole,” a lasciviously-grinding stomp that remained in Motörhead’s live repertoire long after Larry and Fox left the band, and followed  the guitarist onto the next stage of his career, as the b-side to his first solo single, 1977’s “Police Car.”

​A short while after, it was still there as Larry went into London’s Eden Studios with Man guitarist Deke Leonard, Elvis Costello drummer Pete Thomas and bassist Big George Webley to record what could have become his first solo album had Larry not moved on yet again, leaving the tapes incomplete.

Close to 50 years later, June 12 finally brings those sessions out into the world. I’m Not An Archivist, titled for Larry’s explanation whenever he was asked about old tapes, is a lovingly compiled and curated glimpse not only into what the album might have looked like (the occasional guide vocal or instrumental notwithstanding), but also a clutch of out-takes and alternate versions, rounding out the CD in dramatic fashion.  

​“We went into Eden Studios ready to lay down taped dynamite,” Larry said years later, and I’m Not An Archivist backs him up all the way.  Both “Police Car” and “On Parole” were rerecorded, apparently at the new bands express request. “No disrespect to the [musicians who played on] the first versions,” said Larry, “but I was so excited to be working with George, Pete, and Deke in a big studio with unlimited time; how could I say no?”  

​Released today as the second single from the album (following last month’s “Crying All Night”), this new version of “On Parole” might well be the definitive version of a song that Larry regularly returned to later in his career – how could it not be with Deke Leonard on board as one half of the most adventurous guitar duo of the age?

SINGLE: https://orcd.co/larrywallis_onparole

Yet the album itself bristles with new-to-most-ears joys, from the freshly reupholstered “Police Car” – present as both an instrumental overture and a coruscating set closer; Larry’s personal take on “As Long As The Price Is Right,” a song he had already seen hit the UK chart with Dr Feelgood; the dynamic blueprints for his mid-80s single “Leather Forever”/“Seeing Double”; and a clutch of killer covers.

​Wreckless Eric‘s “There Isn’t Anything Else” was transformed from the endearing punky thrash that Larry produced for Eric’s first album, into what verges on a stadium rock monster. George Gershwin‘s “Rhapsody in Blue” traveled in the opposite direction entirely, as “a load of wasted individuals” played the tune, while Webley and Thomas had “what they considered to be a ‘New York Argument’”; and writer/poet Mick Farren’s “Godzilla” rampaged unapologetically through the studio. (Larry later retitled the song, aptly, “I Think It’s Coming Back Again”).

​Several of the tracks have appeared on other Cleopatra albums – The Sound of Speed (2017)​and Police Car – The Anthology (2024). This, however, is the first time that the full session has been brought together.  And its unfinished state means while it’s not quite the album that Larry originally intended it to be. Still in terms of untrammeled energy, unstinting adrenalin and white hot guitar and songwriting, it stands loud and proud alongside any of Larry’s other accomplishments.  

​Indeed, almost half a century after that week in the studio, it remains as fresh and frenetic as it did as it was being recorded.

CD/VINYL: https://cleorecs.com/search?q=larry+wallis&options
​DIGITAL: https://orcd.co/larrywallis_imnotanarchivist

Track listing

1. Police Car Overture (Instrumental)
2. On Parole (Alternate Version)
3. Godzilla
4. As Long As The Price Is Right
5. I Can’t See What It’s Got To Do With Me
6. Seeing Double (Alternate Version)
7. There Isn’t Anything Else (Instrumental)
8. Story Of My Life
9. Crying All Night
10. Leather Forever
11. Rhapsody In Blue (Instrumental)
12. Police Car (Alternate Version)
13. Godzilla (Version 2) [CD ONLY]
14. Crying All Night (Version 2) [CD ONLY]
15. I Can’t See What It’s Got To Do With Me (Version 2) [CD ONLY]
16. As Long As The Price Is Right (Version 2) [CD ONLY]
17. Leather Forever (Version 2) [CD ONLY]
18. Story Of My Life (Version 2) [CD ONLY]
19. Seeing Double (Version 2) [CD ONLY]
20. Rhapsody In Blue (Instrumental) (Version 2) [CD ONLY]

GENTLE GIANT’s “In a Glass House” Returns in Newly Remixed & Remastered Edition, Out July 31st

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

One of progressive rock’s most daring and influential albums, In a Glass House by Gentle Giant returns in a powerful new form, newly remixed and remastered by Grammy Award-winning producer Eber Pinheiro alongside the band’s own Derek Shulman.

Originally released in 1973, In a Glass House stands as a bold artistic statement that pushed the boundaries of composition, musicianship, and studio experimentation. With its intricate arrangements, shifting time signatures, and thought-provoking themes, the album remains a cornerstone of progressive rock and one of Gentle Giant’s most celebrated works. The album features some of the band’s most enduring compositions, including “The Runaway,” “Experience,” and the epic closing title track “In a Glass House.”

For the first time ever, In a Glass House has been newly mixed and made available in both 5.1 surround sound and Dolby Atmos, opening up the album’s dense arrangements and intricate performances in an entirely new way. 

“When we made In a Glass House, we were pushing ourselves musically and creatively in every direction,” said Derek Shulman. “Hearing the recordings again and being able to remix them with today’s technology has revealed details and textures that were always there but never fully heard. We wanted to present In a Glass House the way we always hoped it could sound, clearer, more dynamic, and true to the original vision. The detail in the performances really comes through in this new mix.”

“The Dolby Atmos and surround mixes really allow the listener to step inside the music,” Shulman added. “It’s incredibly rewarding to hear the album take on a new life while still staying completely true to what we created in 1973.”

For longtime fans and new listeners alike, this new edition of In a Glass House presents the album with greater power, depth, and transparency than ever before, reaffirming its place as one of the defining recordings of the progressive rock era.

The release will be available in multiple formats, including a standard 180g vinyl LP, limited edition clear vinyl, CD, and a deluxe CD/Blu-ray edition featuring stereo, 5.1 surround sound, and Dolby Atmos mixes.

‘In a Glass House’ Track Listing:

  1. The Runaway (7:24)
    2.An Inmates Lullaby (4:28)
  2. Way of Life (7:52)
  3. Experience (7:48)
  4. A Reunion (2:11)
  5. In a Glass House (7:39)
  6. Index (1:20)

Pre-Order: https://linktr.ee/gentlegiantband

ODDLAND Announce New Studio Album “Unilluminate To Illuminate”, Out August 21st

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: . Leave a comment
Photo by Teo Pyykkönen

Finnish progressive metal band Oddland are thrilled to announce the release of their new studio album, “Unilluminate To Illuminate”, out on August 21, 2026, via Frontiers Music Srl.

Having previously released two tracks from the album, “Eternal Erode” and “Freefall”, the band now unleash the new single “Soar”, along with an official video, available below.

They commented: “’Soar’ is a song that tells a story of what happens when there is an absence of a father in your life and, more importantly, how that empty space in your life is filled with images that rise from stories that are told, from images within, and from the needs one experiences growing up. It is a song touching deeply on longing and wanting to hide from the world in shame but also about finding your strength and light within. The video follows the theme of the album, reflecting the interplay of light and shadow.”

Oddland are also set to embark on a handful of tour dates across Europe, the full list of shows can be found below.

Pre-Order “Unilluminate To Illuminate” HERE

Oddland return with their highly anticipated new album “Unilluminate To Illuminate”, reaffirming their status as one of the most innovative and compelling forces in modern progressive metal. 

Talking about the record, the band stated: “Unilluminate To Illuminate” reflects the need for polarity in life, the need for darkness in order to find joy in light, and the dance of these qualities that deepen the human experience. In the modern age there is a constant chase for dopamine rushes and shortcuts to euphoria. A constant state of happiness is not only impossible but an unfulfilling and untruthful way to live. There is darkness in all of us like there is light in all of us. And, in order to find your light, you must sometimes deeply explore your darkness. This is what the album aims to reflect in the songs and atmospheres we have created.”

Known for their intricate compositions and fearless approach to songwriting, the band continues to push boundaries while refining their already distinctive sonic identity.

The experience gained while supporting Soen on tour has clearly elevated the band to an even higher level, sharpening their performance edge and strengthening their sense of dynamics and impact. That growth is fully reflected in this new record, which feels more focused, confident, and mature than ever before.

This new album expands Oddland’s complex musical universe with heightened intensity, atmospheric depth, and razor-sharp precision. Shifting seamlessly between crushing heaviness and cinematic expanses, “Unilluminate To Illuminate” showcases a band operating at the peak of their creative powers, delivering a listening experience that is both technically impressive and emotionally resonant.

With a bold sense of dynamics and a strong conceptual undercurrent, the album captures the essence of a band that refuses to stand still. Each track reveals new layers upon repeated listens, blending progressive complexity with memorable themes and a powerful sense of direction.

“Unilluminate To Illuminate” stands as a striking statement from one of the finest names in modern progressive metal – a record that challenges, captivates, and ultimately elevates the listener.

“Unilluminate To Illuminate” Tracklist:

1.    Amokinus
2.    Eternal Erode
3.    Soar
4.    Ascent
5.    Freefall
6.    Unilluminate
7.    Illuminate
8.    Act Of Solace
9.    Red Canvas
10.    Unbound In Time
11.    Waterdrops

UPCOMING TOUR DATES:

29.08: DK – Næstved @ Næstved Metalfest
04.09: FI – Turku @ Logomo
 
Split headliner EU tour with Mother Of Millions:
17.09: DE – München @ Feierwerk
18.09: DE – Stuttgart @ Klub Zentral
19.09: NL – Zoetermeer @ Boerderij
20.09: BE – Diest @ Hell
22.09: Tba
23.09: HU – Budapest @ A38
24.09: SK – Bratislava @ Randal Club
25.09: RO – Cluj @ Machines Venue
26.09: RO – Bucharest @ Quantic

Line Up:
Sakari Ojanen – Vocals, guitars
Joni Palmroth – Bass
Ville Viitanen – Drums
Jussi Poikonen – guitars

Follow ODDLAND:
Website
Facebook
YouTube

BESVÄRJELSEN Unveil Video Single ‘Didn’t Come to Party’ & Details of New Album “Till Glömskan Ad Oblivionem”

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

Swedish forest rockers BESVÄRJELSEN drop the first advance single from their third album “Till Glömskan Ad Oblivionem” (Swedish and Latin for: “Into Oblivion”), accompanied by a slightly disturbing music video ‘Didn’t Come to Party‘ about that guy, the one nobody ever wants at their social gathering.

“Till Glömskan Ad Oblivionem” is scheduled for release on August 28, 2026, via Magnetic Eye Records.The album is available for pre-order here: https://spkr.store/collections/besvarjelsen

BESVÄRJELSEN comment: “There’s a scene in the Titanic movie that has always stayed with me, when the musicians keep playing as everything falls apart around them“, vocalist Lea Amling Alazam muses. “This is one of my all-time favorite moments in cinema, because it captures something important about music: the devotion, the need to create, and to hold onto something beautiful, even in the face of disaster. Like, we’re literally going under, but hey, let’s play. Dance to the sirens. In this day and age, it’s hard not to be affected by the chaos of the world. ‘Didn’t Come to Party’ is not a political statement but rather a cry of frustration. We’re living on this incredible planet, so why are we destroying it? Why war, why poverty, why harm the most vulnerable, when we have the resources to make life better for everyone? This quite reminds me of people who show up to parties just to ruin it for everyone else. Why is there such a drive to hurt, to dominate, to tear things apart in the pursuit of power? It’s senseless.“

Tracklist
01. The Greatest Sin
02. Accelerating Hearts
03. Battles
04. Counting Flies
05. Drifters on a Quiet Stream
06. The Mountain
07. Pulse
08. Interlude
09. Didn’t Come to Party
10. Black Wave
11. Oblivion

Swedes are supposed to be cool, and musically, BESVÄRJELSEN sure live up to that stereotype in the best possible way. What the self-proclaimed forest rockers deliver on their third full-length “Till Glömskan Ad Oblivionem” is so cool, in fact, that it’s a hot early candidate for rock album of the year.

The ‘forest rock’ moniker is the Swedes’ tongue-in-cheek answer to the term ‘desert rock’, which stylistically provides a great starting point to describe their particular musical brand. Being surrounded not by an abundance of sand but trees in their home province of Dalarna, it was also an obvious choice. On “Till Glömskan Ad Oblivionem”, BESVÄRJELSEN keep a profound punk-infused attitude, but have broadened their sound with a wide variety of sonic colours including blues, ska, metal, jazz and everything around and in between as long as it fits the mood of the song.

Add exceptional vocalist Lea Amling Alazam, who developed her passion for punk and stoner rock at the local skate park when she was just 13 years old, to the band’s plethora of riveting hooks and riffs, and you get an album that feels fresh and ready to deliver surprises for months if not years to come. If there is any justice, “Till Glömskan Ad Oblivionem” should make BESVÄRJELSEN as famous as the iconic wooden Dala horses that every tourist who visits the country takes home to put on their shelves.

That BESVÄRJELSEN were on the road to greatness became apparent on their previous album, “Atlas” (2022). This record received the prestigious Swedish Manifestgalan Award for “Metal Album of the Year” by the Swedish Independent Music Producers and partners, which crowned a string of excellent reviews around the globe.

BESVÄRJELSEN were co-founded by guitarists and vocalists Andreas Bajer and Staffan Vinrot in 2014. Their musical vision was based on the idea to channel the spirit and traditions of the vast Dalarna forests into a contemporary urban context. On this ancient crossroads of Norse and Finnish cultures, the echoes of runes and gods, shamans and spirits still linger. While drawing heavy inspiration from local lore, mysticism, and the dark, old musical traditions of their homeland, the band name was found in the old Swedish word for “conjuring”: BESVÄRJELSEN.

While the band’s story has its roots in the past of the land, the present came boldly knocking to demand its due. With the discovery of Lea Amling Alazam and her captivating vocals, the plot took a fascinating twist: She had grown up with her feet in more than one world. Accordingly, the charismatic singer added a fresh approach by embracing melodies and phrases of the grunge and emo sounds that defined her youth as well as African and Middle Eastern music with characteristic bluesy undertones.

In 2015, BESVÄRJELSEN released their debut EP “Villfarelser”, followed by the “Exil” EP in 2016. At the time, former DOZER and GREENLEAF drummer Erik Bäckwall joined the line-up as a permanent member. Although both EPs were self-financed and released with minimal promotion, they ended up well-received, and even got airplay on Swedish national radio.

The Swedes’ debut full-length “Vallmo” (2018) merged crushing riffs and storming drums with increasingly sophisticated melodies and thoughtful themes, even earning the band a festival slot opening for DEEP PURPLE. This paved the way for BESVÄRJELSEN to record their sophomore album “Atlas” with producer and drummer Karl Daniel Lidén (GREENLEAF, DOZER, CRIPPLED BLACK PHOENIX) in 2021.

With “Till Glömskan Ad Oblivionem”, BESVÄRJELSEN have conjured ‘Into Oblivion’ twice, in both Swedish and Latin, but the spellbinding five-piece also deliver a cathartic rock album that will rank among the finest heavy releases of the genre and beyond in 2026

Line-up
Lea Amling Alazam – vocals
Staffan Vinrot – guitars, vocals (& accordion, violin, keys, keyed fiddle)
Andreas Bajer – guitars, vocals
Erik Bäckwall – drums
Marcus Lindqvist – bass

Guest musicians
Fred Burman (SATAN TAKES A HOLIDAY) – lead & backing vocals on ‘Accelerating Hearts’ & backing vocals on ‘Didn’t Come to Party’
Pelle Andersson (LOWRIDER) – organ on ‘Black Wave’

Recorded by Andreas Baier & Marcus Lindqvist at Glashuset, Ludvika (SE)
Mix & mastering by Karl Daniel Lidén at Tri-Lamb Audio Studios, Solna (SE)

Cover art by Björn Olars
Layout by Erik Bäckwall

Links
www.facebook.com/besvarjelsen
www.instagram.com/besvarjelsen