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Blackie Lawless Recaps Sweden the First W.A.S.P. Shows in Two And a Half Years

Posted by tarjavirmakari on August 9, 2022
Posted in: Int. News, News. Tagged: Blackie Lawless, W.A.S.P.. Leave a comment

Blackie Lawless W.A.S.P. Vocalist issues:

It was December 2019, Sao Paulo Brazil, the last time we set foot on any stage of any kind anywhere in the World. Little did any of us know this same “World” was about to dramatically change… for all of us!

At that time we were busy preparing for what was to be the “1984 To Headless” World Tour. In late January 2020 James Hetfield was premiering his Custom Car Collection at the Petersen Car Museum in L.A. and being a vintage “car guy” myself I was keen on going to check it out. There was a record amount of people attending the show. After taking pic’s with a lot of the people there and talking music and cars it all seemed a great time was had by all…. until about a week later. One week later I thought I had come down with the flu and was feeling pretty rotten for about 4-5 days, but then it got worse every day for about 4 more days. Each day seriously worse than the one before. I’d never had anything like this ever happen before. And then I lost all sense of taste and smell for about 10 days. This too had never happened before. So I fought it for about 9 weeks and slowly over the news we start hearing about this strange new illness that nobody really knows what it is. Fast forward a few months and find I’d unknowingly been selected to become a “Beta Tester” for this horrible new thing that didn’t yet even have a name.

Well everyone now knows how tragically it all played out all over the World. So let’s recap the last 2 1/2 years. One global pandemic, One serious worldwide recession with gas prices spinning out of sight, and a monster sitting in the Kremlin deciding now is his time to retake and remake the old Russian Empire.

Every single persons life was upended and quarantined into mass isolation with literally no where to go but sit and wait.

But slowly life, as resilient as it has always been, reared its bloodied head and pushed forward one more time.

So that brings us to Saturday night, July 23rd in Stockholm, Sweden. It’s now been 2 1/2 years since we stood and played in front of an audience. We were seriously concerned about actually getting there. With all the flight cancellations, moving a band and crew and gear is challenging in the best of times. But now there are nightmare scenarios going on out there right now with airlines. But the flight could not have been better and band and crew and gear all arrived safe and ready to make sound.

The longest break between shows I had ever done before in my life was a 3 year gap after touring the Crimson Idol in 92-93 and then to K.F.D. in 1996. But that was by design, this time it was not. But the funny thing was, when we got ready to do the rehearsals for the K.F.D. tour I had not played live or even been a rehearsal room with a band. I remember putting on the guitar for that first day of rehearsal and I thought, ’I have no idea how to do this anymore’. It was like I was in someone else’s body with no clue how to play much less try to sing. That whole first day it was like I was walking around bumping into walls and the simplest of things was like I’d never done it before. But the 2nd day I started getting the hang of it again and the muscle memory returned pretty quickly.

But although I expected it to be much the same as the K.F.D. rehearsals had been this time was totally different. Don’t ask me why. This time the first day in rehearsals I put on the guitar and said to the guy’s, ‘wow, this is the first time I’ve stood up with a strap on since Sao Paulo’. Meaning all the guitar playing I’d done during the pandemic was sitting down in a studio. But then I ran back in my head what I had just said. I thought. ‘I need to seriously rephrase that’ and I told them, ‘when I said I had not stood up with a strap on’, it sounded like I said ‘I hadn’t stood up with a Strap-on since Sao Paulo’. Or sit down with one either for that matter. Talk about the ultimate Freudian Slip!

Everybody in the room fell over laughing and from that moment forward playing all the songs was joy like I had not experienced in many, many years. Even when we got out on stage in Stockholm and being still totally jet lagged it was joy. The thing I’ll remember the most was looking at peoples faces in the crowd. It’s something I’ve seen so many times before but this time it was different. I saw happiness I had not seen in a long, long time and I don’t think it was just me. What I believe I was seeing was a collective reaction by the everyone there and it was not like people who had been locked away for a long time, it was more of a collective sense of just joy.

That’s the best way I can describe it, just pure joy! I’m sure there’s a lot to be said about “absence makes the heart grow fonder” and I’m sure deep down on some phycological level we all knew it. And when I say “we” I mean the band and the whole audience. But that’s not what it looked like. It was almost like we were all doing it again for the first time and remembering what all those early shows we saw were all about.

I’ll take your faces with me for the rest of my life. And for that priceless gift…. Thank You Stockholm!

After the first show in Stockholm we felt pretty good. Considering we had not been on stage in 2 1/2 years it all went pretty smooth. I don’t care what anybody says, any Band, and I mean any Band, is going to feel that kind of hesitancy and apprehension after that long of a layoff. You wouldn’t be human if you didn’t feel that. But within just a song or two it was like we never left. The reviews were positive and the audience all seemed to dig it so we up and running once again.

I would like to take a moment to explain that these 2 shows, as well as they were received, were never meant to be a representation of what the upcoming tour is going to be. They were festivals and our intention was to treat them as such. The upcoming 40th Anniversary Tour will look, sound and feel different than anything we’ve ever done before. That’s not hype, THAT’S A FACT !

We’ve been working on this presentation for a while now and I give you my word, this will be different than any other Rock Show we’ve ever done. On that note, I can say it’s been a while since I was as excited about the elements of a show like what we’re going to do this Fall. For the two Sweden shows we did not want to reveal anything that’s going to be in this coming tour. I don’t wanna keep you in suspense, but I’m sure you understand and I promise it’ll be worth the wait. Personally I can’t wait to get into rehearsals for this new show.

The Skogsrojet Show was great. It was a little cold when we took the stage, but I like that because it’s way easier to perform when it’s cooler than being in a swampy sauna. It was also good to talk to some of the other Bands on the bill that we had not been able to run into in a long time.

And then came the trip home. We got off stage at 1 AM in the morning and had to leave for the airport at 5:30 AM. After a 2 hour ride back to the airport in Stockholm and an 11 hour plane ride, from the time we got up the day before and the combined trip, we had gone 37 hours with zero sleep before we got back to L.A.

It’s like Ray Charles used to say, “I don’t get paid for playing, I get paid for traveling!”. Truer words have never been spoken.

So Good Night Sweden – We’ll See You Next Year.

BUT – Look out America – Very Soon….We’re Coming to Hurt You!!

Blackie Lawless Vocalist –W. A. S. P.

REVOCATION Launch New Single ‘Re-Crucified’ Ft.Trevor Strnad + George ‘Corpsegrinder’ Fisher

Posted by tarjavirmakari on August 9, 2022
Posted in: Int. News, News. Tagged: REVOCATION. Leave a comment
Photo credit: Alex Morgan

On September 9th, progressive death metal outfit REVOCATION will release their eighth full-length, Netherheaven, via Metal Blade Records. For a preview of the album, the new single, “Re-Crucified” – featuring Trevor Strnad (The Black Dahlia Murder) and George ‘Corpsegrinder’ Fisher (Cannibal Corpse) – can be heard now here:

Revocation songwriter/front-man Dave Davidson comments: “Normally we tend to close our albums with a more epic style of song, but with this record, I wanted to go in the opposite direction and end with a complete ripper. Inspired by ‘Dante’s Inferno’, this song is meant to feel like a journey through hell, and due to the story-like nature of the lyrics, I enlisted the vocal talents of Trevor Strnad and George ‘Corpsegrinder’ Fisher to aid in our journey into the abyss. Tragically, I received word of Trevor’s passing immediately after we had finished filming the music videos for ‘Netherheaven’, and I was completely devastated by the news. Trevor was a close, personal friend of mine, and his passing was a terrible loss, not only for myself, but for the entire metal community. I’m proud that I could be a part of Trevor’s immense and storied legacy in some small way. His performance along with George’s are two of the highlights of the record for me. Rest in power Trevor, you will be sorely missed but your legacy will never die.“

A video for the previously released single, “Diabolical Majesty” (directed by David Brodsky // mgenyc.com), can be viewed at: metalblade.com/revocation – where Netherheaven is also available for pre-order in various formats.

Four years in the making, the Billboard-charting trio that is Revocation – Dave Davidson (vocals/guitars), Ash Pearson (drums), and Brett Bamberger (bass) – meticulously explore the allegorical and literal aspects of Hell as they dig deeper into the darker, more diabolical side of death metal. In short, where the previous album, The Outer Ones (2018), jettison Revocation into the horrific maw of the cosmos, Netherheaven bores deftly through the nine rings of Hell to directly confront Lucifer and his multitudinous faces. “We’re definitely in more of a death metal mindset than on earlier albums in our catalog,” asserts Davidson. “We’re focusing on how we can write the best death metal-centric album that we possibly can while still pushing our boundaries. The new songs on ‘Netherheaven’ are evil and sinister but also have a progressive element to them to keep things interesting. It’s got our stamp on it, no question.“

Netherheaven was written during downtime after the album cycle for The Outer Ones was complete. The album’s nine tracks were written solely by Davidson, who spent his time between genuflecting at the altars of Luc Lemay (Gorguts), Chuck Schuldiner (Death), Marty Friedman (Megadeth), and celebrated jazz guitarists Wes Montgomery and Kurt Rosenwinkel. Between writing killer riffs and absolutely wild solos, the seven-stringer also practiced (technique), studied (theory), and taught guitar. Revocation truly changed gears when Davidson picked up audio engineering (with Apple’s Logic Pro) to use the pandemic-era lockdowns effectively. It made perfect sense for him to helm the engineer and producer’s chair at his newly-built HeatWave Studios for Netherheaven. Revocation then sourced Swedish studio ace Jens Bogren (Opeth, Kreator) to mix and master at Fascination Street Studios.

“We put a lot of blood, sweat, and tears into the album,” says Davidson. “We want people to be inspired. It’s brutal. We brought our A-game on ‘Netherheaven’.“

Netherheaven track-listing
1. Diabolical Majesty
2. Lessons in Occult Theft
3. Nihilistic Violence
4. Strange and Eternal
5. Galleries of Morbid Artistry
6. The 9th Chasm
7. Godforsaken
8. The Intervening Abyss of Untold Aeons
9. Re-Crucified [feat. Trevor Strnad (The Black Dahlia Murder) and George ‘Corpsegrinder’ Fisher (Cannibal Corpse)]

Album artwork by: Paolo Girardi (Firespawn, Power Trip)

Upon record release, Revocation will kick off a North American headlining tour with Krisiun, Alluvial, and Inoculation as support, before heading to Europe for another headliner in early 2023, this time featuring special guests Goatwhore, Alluvial, and Creeping Death. See below for all dates!

Revocation tour dates
w/ Krisiun, Alluvial, Inoculation
Sept. 9, 2022 – Lee’s Palace – Toronto, ON
Sept. 10, 2022 – Les Foufounes Electriques – Montreal, QC
Sept. 11, 2022 – La Source de la Martinière – Québec City, QC
Sept. 13, 2022 – Elsewhere Brooklyn – Brooklyn, NY
Sept. 14, 2022 – Middle East Restaurant & Nightclub – Cambridge, MA
Sept. 15, 2022 – Lovedraft’s Brewing CO – Mechanicsburg, PA
Sept. 16, 2022 – The Metro Gallery – Baltimore, MD
Sept. 17, 2022 – Elevation 27 – Virginia Beach, VA
Sept. 18, 2022 – The Blind Tiger – Greensboro, NC
Sept. 19, 2022 – The Masquerade (Purgatory) – Atlanta, GA
Sept. 20, 2022 – Brass Mug – Tampa, FL
Sept. 21, 2022 – Respectable Street – West Palm Beach, FL
Sept. 23, 2022 – Come And Take It Live – Austin, TX
Sept. 24, 2022 – Amplified Live – Dallas, TX
Sept. 25, 2022 – Rockhouse Bar & Grill – El Paso, TX
Sept. 27, 2022 – Nile Theater – Mesa, AZ
Sept. 28, 2022 – Brick By Brick – San Diego, CA
Sept. 29, 2022 – 1720 – Los Angeles, CA
Sept. 30, 2022 – Goldfield Trading Post – Roseville, CA
Oct. 1, 2022 – Santa Cruz Vets Hall – Santa Cruz, CA
Oct. 3, 2022 – Dante’s – Portland, OR
Oct. 4, 2022 – El Corazon – Seattle, WA
Oct. 6, 2022 – Metro Music Hall – Salt Lake City, UT
Oct. 7, 2022 – Bluebird Theater – Denver, CO
Oct. 8, 2022 – The Royal Grove – Lincoln, NE
Oct. 9, 2022 – Bigs Bar – Sioux Falls, SD
Oct. 11, 2022 – Turf Club – St. Paul, MN
Oct. 12, 2022 – Reggie’s Rock Club – Chicago, IL
Oct. 13, 2022 – The Sanctuary 2 – Hamtramck, MI
Oct. 14, 2022 – No Class – Cleveland, OH
Oct. 15, 2022 – Montage Music Hall – Rochester, NY
Oct. 16, 2022 – Enclave – Pittsburgh, PA

Revocation tour dates
w/ Goatwhore, Alluvial, Creeping Death
Jan. 19, 2023 – Schlachthof – Wiesbaden, DE
Jan. 20, 2023 – Matrix – Bochum, DE
Jan. 21, 2023 – Doornroosje – Nijmegen, NL
Jan. 22, 2023 – Logo – Hamburg, DE
Jan. 23, 2023 – Valand – Gothenburg, SE
Jan. 24, 2023 – John Dee – Oslo, NO
Jan. 25, 2023 – Pumpehuset – Copenhagen, DK
Jan. 27, 2023 – SO36 – Berlin, DE
Jan. 28, 2023 – AJZ – Chemnitz, DE
Jan. 29, 2023 – Hirsch – Nürnberg, DE
Jan. 30, 2023 – Futurum – Prague, CZ
Jan. 31, 2023 – Akvárium Klub – Budapest, HU
Feb. 1, 2023 – Viper Room – Vienna, AT
Feb. 2, 2023 – Backstage – Munich, DE
Feb. 3, 2023 – Kofmehl – Solothurn, CH
Feb. 4, 2023 – Alchemica Music Club – Bologna, IT
Feb. 5, 2023 – Le Rex – Toulouse, FR
Feb. 6, 2023 – Bóveda – Barcelona, ES
Feb. 7, 2023 – Copernico – Madrid, ES
Feb. 8, 2023 – Stage Live – Bilbao, ES
Feb. 10, 2023 – Trabendo – Paris, FR
Feb. 11, 2023 – The Black Lab – Lille / Wasquehal, FR
Feb. 12, 2023 – Islington Assembly Hall – London, UK
Feb. 13, 2023 – Rebellion – Manchester, UK
Feb. 14, 2023 – Whelans – Dublin, IE
Feb. 15, 2023 – Mama Roux – Birmingham, UK
Feb. 16, 2023 – The Fleece – Bristol, UK
Feb. 17, 2023 – Zappa – Antwerp, BE
Feb. 18, 2023 – Faust – Hannover, DE

FEAR CONNECTION Release Video for ‘The Ravishment’

Posted by tarjavirmakari on August 9, 2022
Posted in: Int. News, News. Tagged: FEAR CONNECTION. Leave a comment

On October 1st last year, the full-length debut of the Bremen-based death/crust metallers from FEAR CONNECTION was released with “Progeny Of A Social Disease”. Just in time for the next upcoming live shows in Bremen (Hellseatic Open Air) and Leer (Northstorm), the guys release an official video clip with “The Ravishment”, which impressively documents musically that they go exactly where it hurts: In Your Face! The album is still available on CD and vinyl and contains 9 brutal, dynamic and varied neckbreakers! Check it out below!

Next live shows
27 AUG – Leer, Szenerie, NORTHSTORM /w Final Cry, Powergame
9/10 SEPT – Bremen, BWK, HELLSEATIC /w Mantar, Necrotted, a.o.

Order
MDD SHOP: https://mdd-records.de/fearconnection
AMAZON: https://amzn.to/3zGAtle
VINYL: https://fearconnection.bandcamp.com/music

VERMOCRACY to Release New Album “Age Of Dysphoria” on September 30th

Posted by tarjavirmakari on August 9, 2022
Posted in: Int. News, News. Tagged: Vermocracy. Leave a comment

The second album by the Viennese melodic death metallers VERMOCRACY will be called “Age Of Dysphoria” and will be released on 30 September via Black Sunset/MDD! The band already caused quite a stir in the underground with their self-titled debut, released in 2020. The follow-up will contain 9 songs and will delight the listener with dark melodic death metal, with a clear homage to the genre greats of the 90s. Age Of Dysphoria” was recorded, produced and mastered in Norbert Leitner’s studio in Vienna, which gives the band a more than powerful sound. A first look at the impressive cover artwork, made by Armin Stocker, you find enclosed. Be prepared – more infos soon!

RECORD RELEASE SHOW
November 4th – Escape, Wien /w Infest, Dismal Lumentism Schänder

DELAIN Present New Singer + Release Video for New Single ‘The Quest and the Curse’

Posted by tarjavirmakari on August 9, 2022
Posted in: Int. News, News. Tagged: DELAIN. Leave a comment
[photo credit: Andrea Falaschi]

DELAIN, the brainchild of keyboardist, founder and main songwriter Martijn Westerholt, returns with full power, presenting themselves with a new lineup featuring the terrific Diana Leah as their next singer! Her powerful, heart-wrenching voice fits perfectly with the band’s style and adds a new strength to their sound. Rejoining the fold and bolstering the band’s continuity are original guitarist Ronald Landa and original drummer Sander Zoer, while new members Diana and bassist Ludovico Cioffi continue the evolution of the band’s sound. The multi-million streaming leading Symphonic Metal outfit sets off into their next era, creating the perfect symbiosis of tested strengths and new influences.

The band’s new single, “The Quest and the Curse”, implements this in an impressive manner. Trademark bombastic riffs, lush orchestrations, elements from film music, metal, pop, electronic, and much more mark an amalgamation of the old and new, and build the next chapter of the band’s history.

As Martijn Westerholt states:
“The future of DELAIN looks bright!”

Listen to “The Quest and the Curse” NOW

RAT BOOGIE Release New Single + Music Video ‘Gone Gone Gone’

Posted by tarjavirmakari on August 9, 2022
Posted in: Int. News, News. Tagged: RAT BOOGIE. Leave a comment
Photo by Iivari Aikio

 Finnish Oulu-based rocking power trio RAT BOOGIE released a new single Gone Gone Gone via Finnish record label Secret Entertainment. 

The band comments:
“Where did the day go again? Where did you lose it? A ‘short story’ of a single day in the style of Rat Boogie. A basic day is revived with a hard-hitting pop boost; just hang on, things get mellow in the end. Check our latest single now!”

Listen to Gone Gone Gone single on streaming services: https://push.fm/fl/rat-boogie-gone

Hailing from Oulu, northern Finland, Rat Boogie is a trio that melts different influences into a tightly rocking, original package. In the core there is always the organic live playing that gives the flowing melodies a solid backbone. With an amply aggressive but breathing sound, Rat Boogie adventures inside the rock’n roll nucleus, celebrating all the good things that can be achieved with guitars, bass and drums.

With long musical experience in Finnish bands such as EBPSATRFM, The Blaster Master and Laid Back Townies, Rat Boogie makes memorable melodies, while rocking tightly in the trio format. The songs are firmly connected to the reality around us, but not without imagination and humour.

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