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Ex BLACK SABBATH Drummer Vinny Appice: “I Turned Down The Ozzy Gig To Join Black Sabbath When Bill Ward Left The Tour in 1980”

Posted by tarjavirmakari on February 23, 2021
Posted in: Int. News, News. Tagged: The Metal Voice, Vinny Appice. Leave a comment

Jimmy Kay and Alan Dixon of The Metal Voice spoke to former Black Sabbath and Dio drummer Vinny Appice about the new Black Sabbath reissues of the classic albums Heaven and Hell and The Mob Rules out on March 4 2021.

Vinny Appice also spoke about his time recording with Dio on Holy Diver.

When did you first join Black Sabbath
“Before the Sabbath thing (1980) I got a call from Sharon Osbourne saying she is putting a new band together for Ozzy and they wanted me to fly to England and hang out with Ozzy and see how we would get along and possibly be in the band. I thought I would ask my brother Carmine about Ozzy and I decided not to do it. So I actually turned that gig down and then about two months later I get a call from Sabbath saying they are in town looking for a drummer. Bill Ward left the tour and they heard about me and would you like to come down and meet Tony Iommi at the hotel in LA. So I said yeah, so next day I went to meet Tony and he had an album under his arm that I did with a band called Axis and there was a really good drum sound on it. Tony like the album and we got along great. Tony then invited me to rehearse the next day with Black Sabbath that is when I met Ronnie, Geezer Butler and Geoff Nicolls who was the keyboardist and the first song we ever played was Neon Knights cause I heard it on the radio a couple of weeks before. I thought wow that new singer for Sabbath sounds great cause at the time I didn’t really follow Dio. The rehearsal went really well so they asked me to join the band until Bill comes back. That was the premise. We only had four days of rehearsal before the next show.”

Did you get along with Ronnie James Dio right away
“Ronnie and I were both Italian even though he was 14-15 years older than me we got along like brothers. We were both from New York, we liked the same kind of food so we hit it off right away. I never really been around British people at that time and that Birmingham accent was really heavy and sometimes they talked and I didn’t know what they were saying. And I would say hey Ronnie what are they saying but I got used to it  over time “

What was the feeling going into the writing and recording of Mob Rules
“On the Heaven and Hell album tour we did the song Mob Rules for the movie ‘Heavy Metal’. So we went to John Lennon’s house (Ringo Owned it) to record and we put together the ideas and wrote the whole song there. We did the song in two days and it was mixed, finished and kicking ass. So the band was excited that something that came out so good with a new drummer. Everybody loved it. and it was easier when we finally got around to writing all of Mob Rules record. For the record we would just went in everyday and jammed nobody ever came in with songs written. The Mob Rules was just us sitting together in a room jamming. We would record the music play it back and go that sounds good let’s work on that, that’s the way the album was put together.” 

Tell us about working with late Martin Birch as a producer on the Mob Rules 
“I just remember he was such a really nice guy, sweat heart, very low key. He did his thing in the background and got great sounds, great suggestions and was a great guy to work with and we were all on the same team, it was a good team. It sounded like Heaven and Hell album with a little bit different approach here and there.” 

Tell us about Ronnie’s lyrics on Mob Rules
‘The band was happy at that point and Ronnie was very happy and we all looked forward to going to rehearsals, when the band is happy the music comes out great.  Ronnie’s lyrics just fit the music.”

How did the band fall apart after Live Evil
“Everything was going great then I don’t know exactly what happened as far as why the band split up. At the end of tour there was an American limo and a British limo and stuff like that started happening, It didn’t matter to me so much I would go in either limo. Obviously they had some business disagreements, I’m not sure. It’s got to be a business thing cause it was not a musical thing.  So when that tour ended Ronnie said I’m going to put a band together and I would like you to join me and Sabbath wanted me to stay so I had a choice. So I thought it would be exciting to do something with Ronnie, he’s the man and we lived miles apart it was easy to get together. I had to have a talk with everybody and I decided to go with Ronnie. “

Looking back at Dio Holy Diver album did you think Rainbow in the Dark would be a big hit at the time
“We almost didn’t do that song, that song was a jam. I recorded the beginning, as I was always in charge of recording, we hit that chord and that feel was there. I came in the next day and said this is cool. I know a couple of girls I played it for and they liked it and that is a good sign and Ronnie didn’t want to do it thinking it was too poppy. But then we kept working on it. The keyboard part that was pretty prominent was us playing back the tape in the rehearsal room and bassist Jimmy Bain having a Jim Bean and Coke in one hand and a cigarette in his mouth, he just went over to the keyboard and played it and we went that is great man! The ash from his cigarette didn’t even drop and then he walked away simple as that.”

Tell us about the sound effects on Holy Diver on the song Invisible
“In the beginning of the song the sound effect , Ronnie wanted that invisible sound and how do you do that there were no computers back then?  He said like air rushing out and our pot dealer who was in the studio I got a spare tire on my truck. So we get the tire in the studio, now there is a mic on the spare tire. I don’t think anybody has ever recorded a spare tire before. So we recorded the tire and they added effects. So that is what that is.”

Where there any backward messages on Holy Diver
“Ronnie and I were talking why don’t we put something backwards on a song on the record. So if you listen to ‘Shame on the night’ the last track on ‘Holy Diver’ on the fade out you will here Ronnie backwards saying ‘Crucify the Diver’ backwards. So we put it in and you could hear it and we thought this will feed all of that Satanic frenzy, nobody even mentioned a word. (laughs)”

When asked about an update on the Last in Line band
“We are finishing up a new album, we went in the studio and recorded six songs, four are pretty much finished, we got about 6 or 8 more ideas to put those down too and we are probably going to play some gigs in the summer we will see how it goes.”

VEXED Announce Debut Album “Culling Culture”, Out May 21st

Posted by metalshockfinland on February 23, 2021
Posted in: News. Leave a comment
[photo credit: Andy Ford]

The UK’s most exciting new talent, fearless alt-metal upstarts VEXED, instantly turned heads and took names with the release of two recent standalone singles – including the fearsome “Elite” featuring Thy Art Is Murder’s CJ McMahon – creating a palpable underground buzz and giving fans a hefty sample of what to expect in the future. Now, the wait is over – the crushing Hertfordshire foursome have resurfaced with the announcement of their aggressive and uncompromising debut full-length, Culling Culture, out May 21, 2021 via Napalm Records.

With their devastatingly heavy first output, VEXED underline their refusal to be pigeonholed into sonically conformist categories. Their instrumental dagger is sharpened by unrelentingly adept, technical prowess, gripping you with assertive swagger and hyper-focused brutality. Moreover, for as confident as they are musically, VEXED is as poignant lyrically. The title of the album, Culling Culture, and portions of its contents deliver the band’s unfiltered response to the world’s latest social phenomena of public ostracism, “cancel culture”.

Facing very personal experiences, Culling Culture is a tribute to hate, betrayal and anger, whilst also reflecting post-modern society with strikingly honest songwriting and heavy groove. Their first single, “Hideous”, along with a captivating official music video, not only serves as a first taste and vicious wake up call, but also showcases that anger can either destroy you or provide real strength. With this offering, VEXED prove the latter.

VEXED on their first single:
“It gives us great satisfaction to share with you our Grindhouse inspired music video for our debut single, “Hideous”. Fueled by the feeling of ‘seeing red’ and having to decide how to react in moments of betrayal and rage, do you let your blood boil over or sit and wait for the killing instinct to pass?”

Watch the official music video for “Hideous” HERE:

[Credit: Purple Yam Productions]

Pre-Order VEXED’s debut album Culling Culture NOW!

Unrelenting lead vocalist Megan Targett’s vicious vocal assault blending venomously low growls, soaring cleans and razor-sharp rap-like deliveries (see “Fake” and “Weaponise”) is backed by the pure technical proficiency of bandmates Willem Mason-Geraghty (drums), Jay Bacon (guitar) and Al Harper (bass). The warning instrumental “Ignorant” prefaces the record’s menacing atmosphere and provides a flawless basis for smashing wake up call “Hideous” and fiery, threatening tracks “Fake” and “Narcissist”. Ghostly “Aurora” and disrespectfully heavy album-closer “Lazarus” showcase Targett’s multi-faceted clean vocal delivery while clashing otherworldly auras with resonating, melodic rhythms. “Epiphany” blends both, offering a bold message of moving past self-loathing, while superciliously weighty offering “Weaponise” seethes between violent hatred and ambient darkness.

Culling Culture Tracklisting:
01. Ignorant
02. Hideous
03. Fake
04. Epiphany
05. Misery
06. Narcissist
07. Weaponise
08. Purity
09. Drift
10. Aurora
11. Lazarus

AMERICAN TEARS Release Video For ‘Woke’, Mark Mangold Gives Behind The Scenes Look At Classic Keyboard Sound On Michael Bolton Track “Fools Game”

Posted by tarjavirmakari on February 23, 2021
Posted in: Int. News, News. Tagged: AMERICAN TEARS, Mark Mangold, Michael Bolton. Leave a comment

Mark Mangold is often asked about the track he co-wrote and recorded with Michael Bolton which is, for melodic rock fans, one of the better tracks from the singer. As he is holed up in Stockholm, Sweden during the current pandemic, Mark took the time to walk us through how he got that classic 80’s keyboard sound. Mark looks back, “A nice memory of recording Fool’s Game with Michael…ah those chops and power chords.  I didn’t want to settle for just piano…wanted to push the envelope a bit.”

Mark Mangold has also just released the latest from AMERICAN TEARS “Free Angel Express” through Deko Entertainment. American Tears released their first record, Branded Bad, on Columbia Records in 1974, it’s second, Tear Gas, in 1975, and its final for Columbia, Powerhouse in 1977 before keyboard player Mark Mangold reformed them in 2018. The latest, Free Angel Express features Alex Landenburg (Stratovarius, Kamelot, Rhapsody, Cyhra) on drums, with guest appearances by Barry Sparks (UFO, Dokken), Doug Howard (Touch, Utopia, Edgar Winter Band) and Charlie Calv (Angel, Shotgun Symphony). American Tears continues its journey with keyboard rock that varies from extended progressive and heartfelt songs offering anthemic choruses, lush tapestries, scathing soloing and poignant lyrics.

View the video for Sledgehammered  here: https://tinyurl.com/y2pyh8sn

For a limited time you can get Free Angel Express + White Flags (while supplies last), which can be ordered via: https://tinyurl.com/y6gehgpa

“Free Angel Express” Tracklist:
Sledgehammered
Set It On Fire
Free Angel Express/Resist/Outta Here
Not For Nothing
Glass
Everything You Take
Roll The Stone
Blue Rondo
Can’t Get Satisfied
Woke
Shadows Aching Karma
So Glow
Rise To The Light
Tusk (Blood on the Ivory) DOWNLOAD ONLY

WHEN RIVERS MEET Release New Single “Walking On The Wire”

Posted by tarjavirmakari on February 23, 2021
Posted in: Int. News, News. Tagged: WHEN RIVERS MEET. Leave a comment

British husband and wife blues rock duo WHEN RIVERS MEET are pleased to announce the release of their new single “Walking On The Wire” on Friday February 26th. The single is available to pre-save HERE.

“Walking On The Wire” is the third single taken from their debut album “We Fly Free”. It follows hot on the heels of their previous singles “Battleground” and “Did I Break The Law”. The new single will be accompanied by a music video filmed in the Essex countryside utilising stunning aerial drone footage.

Check out the music video trailer for “Walking On The Wire” on YouTube. 

When Rivers Meet is comprised of husband and wife, Grace, and Aaron Bond. Grace takes the lion’s share of lead vocals, plays mandolin and fiddle. Aaron plays guitar and sings.

“We love this song, and we know you will be joining us on the chorus: sing it loud,” says Grace about “Walking On The Wire”.  “Blending and interweaving our vocals around different harmonies is something we love to do, and we get to rock out at the same time. What could be more fun?”

In November 2020, the band released their debut album “We Fly Free” which attracted strong media support and popular demand from their growing fanbase, including rave reviews from Classic Rock, Blues Matters, Guitarist, Maverick, Blues in Britain, Fireworks, Vive Le Rock, Powerplay, and R’N’R.

Classic Rock Magazine said this about the debut album, “When Rivers Meet are heavy enough to get your attention and quirky enough to hold it, with songs that kick at you, but leave a boot-print on your heart.”

Prior to the debut album, the duo released two EPs “The Uprising” and “Innocence of Youth” which served as an effective precursor for the fans before the highly anticipated arrival of the debut album.

Over the past twelve months, the band has built up loyal fan engagement on their socials due to their weekly “Rockin’ The Lockdown” live stream concerts performed from their home. Airing Saturdays at 8pm, the live streams proved so popular, the duo are now performing twice weekly by adding an acoustic Wednesday morning show at 10am.

The band’s previous two singles “Battleground” and “Did I Break The Law” were played on Planet Rock for sixteen weeks. WRM were nominated in four categories at the UK Blues Awards including “Emerging Blues Artist of the Year”, “Blues Band of the Year”, “Blues Album of the Year”, and “Most Inspirational Online Performance of the Year”. 
“Battleground” was voted “Track of the Week” on Classic Rock Magazine’s Louder Sound website. The album was also voted Blues Rock Reviews’Top 20 Albums of 2020.

WRM’S passion for blues rock shows through with an underpinning of traditional blues and classic rock. On their debut album, Grace and Aaron made a concerted effort to keep to a genuine, gritty sound using authentic techniques, including tube tape echo and reverb chambers, which have created a live sound that keeps a truly vintage vibe that not only has energy, but is also a true representation of the ever-evolving sound this duo produces.

“The album is titled ‘We Fly Free’, which is indicative of where we are right now,” says Aaron. “We feel we’ve grown so much in this last year as people and as a couple: it’s really given us the confidence to write with freedom.”

STORTREGN Launch New Single “Nénie”

Posted by tarjavirmakari on February 23, 2021
Posted in: Int. News, News. Tagged: STORTREGN. Leave a comment

Recent The Artisan Era signees STORTREGN are proud to announce the upcoming release of their fifth full-length, Impermanence. Set for release on March 12th via The Artisan Era. 

The band partnered with Invisible Oranges today to premiere “Nénie”. The third and final early single to air from the band’s upcoming fifth album, Impermanence.

Invisible Oranges comments on today’s premiere
“On new single “Nénie,” which can be streamed prior to new album Impermanence below, Stortregn plays the “undeniably metal” card, boasting pretty sweet solos, dual guitar harmony, and black metal blasting alike. Though this might not have been on the top of my “to review” pile (I hadn’t casually listened to a melodic death metal album outside of “the classics” for some time at this point), I must admit to being impressed and, dare I say, happy enough to end up checking the whole album out. Stortregn is worth your time if you enjoy being filled with joy and also the intense rage which comes with listening to the right combination of riffs.”

Active since 2006, the Geneva-Switzerland-based act has released four albums and an EP to date which has garnered worldwide praise from music writers and extreme metal fans alike. Their most recent prior album, 2018’s Emptiness Fills the Void, boosted the band’s status and fanbase to new levels. Now the time has come for the group to take their next leap forward, a sentiment Impermanence embodies and embraces with unorthodox yet graceful conviction from start to finish.

Impermanence draws inspiration from a large array of influences including progressive tech-death to 90’s Swedish black metal, old-school heavy metal, and jazz in order to craft a unique style of death metal intertwined with a variety of black metal influences.

Stortregn – Impermanence is highly recommended for fans of bands such as Obscura, Opeth, Inferi, Dissection.

HURRICANE ON SATURN Release New Lyric Video ‘We Hate’

Posted by tarjavirmakari on February 23, 2021
Posted in: Int. News, News. Tagged: HURRICANE ON SATURN, Killing Field, We Hate. Leave a comment

Italy-based HURRICANE ON SATURN self-released their debut album “Killing Field” on November 13th 2020. Today the band has released a new lyric video ‘We Hate‘ from the album.

Watch the lyric video here:

Furthermore the new single OUTSIDER is coming out in March 2021. Don’t miss it, so stay tuned!

“Killing Field” Tracklisting:

1- Among the Shadows
2- Till We Die
3- The Weight of the Sky
4- Me Versus All
5- Killing Field
6- T.F.W.
7- I’m on My Own
8- Everytime
9- Coma
10- We Hate

Mixed in Los Angeles by Evan Rodaniche (Powerman 5000, Cage9)
Mastered in Milan by Carlo Camera

Also watch

  • ‘Me Versus All’: https://youtu.be/3c–CU4QXkE
  • ‘Coma’: https://youtu.be/vAL6dB6BZ1M
  • ‘Killing Field’: https://youtu.be/qtV0njWZF1M
  • ‘Till We Die’: https://youtu.be/1OU-CXFukNI
  • ‘I’m On My Own’: https://youtu.be/oQgdCG_8eRk

Buy and stream the album here:
Spotify – https://open.spotify.com/album/5mw2djXqFO2Zt5OkN47N85
Apple – https://music.apple.com/us/album/killing-field/1539253545
Amazon – https://music.amazon.it/albums/B08MXQY32R
Deezer – https://www.deezer.com/it/album/184894262
Bandcamp – https://hurricaneonsaturn.bandcamp.com/
And many more…

HURRICANE ON SATURN is a new Italy-based project started in 2019 by musicians coming from various musical genres with both national and international live/studio experience, named Dakm, Maydx, Antares, Rastaban, Menkib. The proposal out of any classification is based on a unique use of electronics combined with rock and metal influences.

Hurricane On Saturn line-up
Maydx – vocals
Dakm – vocals
Antares – guitars
Rastaban – bass
Menkib – drums

More information at:
BAND: https://www.facebook.com/hurricaneonsaturn | https://www.youtube.com/channel/UCCWoKGIC8EDhK8LfXJkUsZw
MANAGEMENT: https://www.facebook.com/SplitScreenManagement | http://www.splitscreen-management.com

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