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CITOVITZ AND THE FIREFLIES OF FEBRUARY Release New Single ‘Venom & Stardust’ on DESMOND CHILD’s birthday – A Tribute to Legendary Songwriter’s Influence

Posted by tarjavirmakari on October 29, 2025
Posted in: Int. News, News. Tagged: Andrzej Citowicz, CITOVITZ AND THE FIREFLIES OF FEBRUARY, Patryk Szymański. Leave a comment

Spontaneous Creation Celebrates Rock Icon’s Impact on Polish Guitarist’s Songwriting Journey

Cairo, Egypt – [10/29/25] – Andrzej Citowicz, performing as CITOVITZ AND THE FIREFLIES OF FEBRUARY, has released “Venom & Stardust”, a new track from the forthcoming album “Living Room Rockstar Part 2”. The release coincides with the birthday of legendary songwriter Desmond Child, whose influence on Citowicz’s musical journey runs deeper than the artist himself realized.

A SPONTANEOUS HOMAGE
“Venom & Stardust” emerged from a spontaneous writing session several weeks ago, with the song’s distinctive key changes and melodic progressions flowing naturally and unexpectedly.

“I was playing guitar, and everything just came—all these key changes, these progressions, these moments that felt right,” Citowicz recalls. “When I stepped back and listened, I thought: this sounds like something Desmond Child would create. And that’s when I realized how much his work has shaped the way I think about songwriting, even on a subconscious level.”

DESMOND CHILD: THE ARCHITECT OF ANTHEMS
Desmond Child stands as one of rock music’s most influential songwriters, crafting hits for Bon Jovi, Aerosmith, Alice Cooper, and countless others. His work defined the sound of 1980s and 1990s rock, creating anthems that combined accessibility with emotional depth.

For Citowicz, growing up in Wałbrzych, Poland, Child’s compositions provided more than entertainment—they offered a masterclass in songwriting craft.
“Desmond Child wrote the soundtrack to my youth without ever knowing it,” Citowicz reflects. “Songs like ‘Livin’ on a Prayer’ and ‘You Give Love a Bad Name’ weren’t just hits—they were blueprints. They taught me that rock music could be both massive and intimate, both anthemic and personal. When I was alone in my room with those Bon Jovi posters and a battered guitar, I was studying Desmond’s work, learning how to build a chorus that connects, how to create that moment where everyone sings along.”

He continues: “What makes Desmond’s songwriting so powerful is the marriage of craft and emotion. The songs are meticulously constructed—those key changes, those melodic hooks, those bridges that elevate everything—but they never feel calculated. They feel inevitable, like they’ve always existed and he just discovered them. That’s the magic I chase in my own writing.”

THE GUITAR AS STORYTELLER
For Citowicz, the guitar serves as both instrument and voice, a means of expressing what words alone cannot capture.
“The guitar is my first language,” he explains. “Before I write lyrics, before I think about structure, I play. The guitar tells me where the song wants to go. Sometimes it’s angry, sometimes it’s melancholy, sometimes—like with ‘Venom & Stardust’—it’s playful and ambitious, pushing into these key changes that feel like reaching for something just out of grasp.”

He adds: “When you play guitar, you’re not just making sound. You’re telling a story without words. Every bend, every slide, every choice of whether to let a note ring or cut it short—those are narrative decisions. The guitar solo in ‘Venom & Stardust’ says things I could never articulate verbally. That’s what I learned from players like Richie Sambora and the songwriters who understood how to let guitar breathe within a song.”

WHAT MUSIC MEANS: SURVIVAL AND SALVATION
Throughout our conversations, Citowicz has consistently described music not as a career choice but as a necessity—a form of therapy, communication, and survival.

“Music for me isn’t optional,” he states plainly. “It’s how I process everything I can’t process any other way. Being on the autism spectrum means the world often feels overwhelming, confusing, difficult to navigate. But when I pick up a guitar, when I’m writing a song, suddenly everything makes sense. The noise becomes melody. The chaos becomes structure.”

He continues: “After losing ,my Son, Jonasz, music became even more essential. It’s the only place where I can hold all these contradictory emotions at once—the grief, the love, the anger, the hope. A conversation has rules, social cues, expected responses. A song has no rules except honesty. That’s why I keep creating, even when it’s painful. Especially when it’s painful. Because music can hold what nothing else can.”

THE LIVING ROOM ROCKSTAR PHILOSOPHY
“Venom & Stardust” will appear on Living Room Rockstar Part 2, scheduled for release in November 2025. The album, dedicated to Citowicz’s late son Jonasz, represents a father’s tribute and a musician’s journey through grief toward healing.

“The ‘living room rockstar’ concept is about understanding that you don’t need stadiums to matter,” Citowicz explains. “I never became the rockstar on those posters in my teenage bedroom. But I became someone who still plays, still writes, still believes that creating music means something, even if the audience is small or imaginary. That’s not failure—that’s victory. That’s survival.”

He adds: “Desmond Child wrote songs that played in stadiums, that millions sang along to. I write songs in my living room that maybe hundreds will hear. But the act of creation is the same. The need to say something through music is the same. The hope that your song might reach someone who needs it is the same. That’s what being a living room rockstar means—you keep playing like it matters, because it does.”

ABOUT THE SONG
“Venom & Stardust” showcases Citowicz’s guitar-driven rock aesthetic, featuring dynamic key changes, anthemic choruses, and the melodic craftsmanship that connects his work to the classic rock tradition. Patryk Szymański’s bass work provides the song’s foundation, adding depth and power to the composition.

“The title ‘Venom & Stardust’ captures the duality I was chasing,” Citowicz notes. “The venom is the edge, the bite, the acknowledgment that life isn’t all beautiful. The stardust is the hope, the magic, the belief that something transcendent can emerge from ordinary moments. That tension between darkness and light, between earthbound and reaching for the sky—that’s what makes rock and roll powerful.”

A BIRTHDAY TRIBUTE
Releasing “Venom & Stardust” on Desmond Child’s birthday serves as both celebration and acknowledgment of artistic debt.

“I’ll never meet Desmond Child,” Citowicz reflects. “He’ll never know about the Polish kid in Wałbrzych who studied his work like sacred texts. But that doesn’t diminish the impact. He taught me how to write songs that connect. He showed me that rock music could be both intelligent and accessible, both crafted and passionate. This song is my way of saying thank you to someone who changed my life without ever knowing I existed.”
He concludes: “That’s the beautiful thing about music—it travels across borders, across decades, across circumstances. A songwriter in one place and time creates something that reaches a listener in another place and time, and that listener becomes a creator themselves. That’s the lineage. That’s the tradition. And on Desmond Child’s birthday, I’m honoring that tradition by releasing a song that exists because of everything he taught me.”

ABOUT LIVING ROOM ROCKSTAR PART 2
Living Room Rockstar Part 2, scheduled for November 2025, will feature ten tracks exploring themes of loss, resilience, love, and the transformative power of music. The album is dedicated to Citowicz’s late son, Jonasz, and represents the artist’s journey through profound grief following the loss of his stillborn son whilst maintaining commitment to creative expression.

Recent singles from the project include “Serpents of Tomorrow,” “Living Room Rockstar,” and collaborations with Citowicz’s wife, Shereen, on tracks like “Burn Like Thunder,” “When The Fight Is Gone,” and “The Space Between.”
“Venom & Stardust” is available exclusively as an official audio on YouTube: https://www.youtube.com/watch?v=FED3dekP0uY

Listen to the first single “Serpents of Tomorrow”: https://youtu.be/Mlwy6guwlK0

CREDITS:
Music, Lyrics, Guitars: Andrzej Citowicz
Bass: Patryk Szymański

RELEASE INFORMATION:
Single: “Venom & Stardust”
Artist: Citovitz and the Fireflies of February
Album: Living Room Rockstar Part 2 (November 2025) Available: YouTube (Official Audio – Exclusive): https://www.youtube.com/watch?v=FED3dekP0uY

“Desmond Child wrote the soundtrack to my youth without ever knowing it. This song exists because of everything he taught me about craft, about connection, about the magic that happens when melody meets meaning. On his birthday, I release ‘Venom & Stardust’ as my tribute to a man who changed countless lives, including mine.” — Andrzej Citowicz

++++++

About Andrzej Citowicz:
Andrzej Citowicz is an acclaimed Polish guitarist and songwriter currently based in Cairo, Egypt. As a former recording artist for DownBoys Records, he has built a reputation for emotionally resonant songwriting and distinctive guitar work. His music combines classic rock influences with contemporary production, creating a sound that bridges generational and cultural gaps while maintaining artistic authenticity. His YouTube channel has garnered over 70,000 views from an international audience.

Connect with Andrzej Citowicz:
Spotify: https://open.spotify.com/artist/7aIeg5DyI7xwkYLsBgJNWf
YouTube: https://www.youtube.com/@AndrzejCitowicz
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

℗© 2025 Citovitz and The Fireflies of February / Andrzej Citowicz

MOONSPELL Premiere Colossal Live Version of ‘Extinct’, Feat. Orquestra Sinfonietta de Lisboa

Posted by tarjavirmakari on October 29, 2025
Posted in: Int. News, News. Tagged: MOONSPELL. Leave a comment
[photo credit: Rui Vasco]

On October 26, 2024, MOONSPELL performed their first-ever symphonic Orchestra show, dubbed “Opus Diabolicum”, at the MEO Arena in Lisbon, Portugal’s capital city. The band made history at this unforgettable live event, adding another magnificent chapter to both metal music made in Portugal and their very own legacy, while revisiting their classics and the bombastic album “1755” at a one-off, exclusive show and their biggest production to date. The heavy metallic power of the dark metal pioneers met the classical magnitude of the 45-piece Lisbon Sinfonietta Orchestra – one of Portugal’s finest orchestras – conducted by maestro Vasco Pearce de Azevedo!

Now, a year later, this monumental event can be yours to view anytime, available in DVD/Blu-ray, 2 CD, Black and Colored Vinyl and Digital formats, arriving this Friday, on October 31st via Napalm Records.

To shorten your wait, today, the dark metal pioneers are premiering a stunning live video for “Extinct”, the anthemic title track taken from the band‘s iconic 2015 studio offering. The orchestral arrangements add new depth to the song’s apocalyptic beauty, while Fernando Ribeiro’s commanding vocals reach chilling new heights. The frontman comments:

“Extinct was quite a landmark for us and helped us to shake off some of the heavy legacy of our early albums, something very needed by the band. It was certainly celebrated by our wolfpack all around the world and created new anthems live, and fresh memories. No wonder we picked up some of it and gave it the “orchestral treatment” as in the original songs we’d already recorded with a The Mumim Sezler string group, from Turkey. It was challenging for the musicians to recreate that oriental flair, but in the end it all came together and it sounds powerful and tasteful. With Opus Diabolicum, we wanted to bring together the power of heavy metal and the magnitude of orchestral, without sweetening the deal or watering it down for gentle ears. This is Moonspell full force, backed by an orchestra. Enjoy it, thanks for sharing, and stay tuned for our new album next year!”

“I have never been the one to push MOONSPELL into an orchestral direction,“ Ribeiro admitts.

“I mean, like any fan, I can recognise the impact Classical had over Heavy Metal (Quorthon, from Bathory, used to quote Wagner as his favourite “band”) and in my musical collection Mussorgsky, Prokofiev and Ravel, could be found, shoulder to shoulder with the aforementioned Bathory, Celtic Frost, Sarcófago or Maiden. But, I wasn’t a fan of the metal meets orchestra efforts myself and when I approached Jaime (Gomez Arellano) to mix this beast, I asked him: have you heard S&M and other “live with an orchestra” metal band’s albums? We want nothing like that!

This is work of passion: truly the work of the devil (opus diabolicum): imperfect, unprocessed, untamed. A release made by friends to all the friends we have around this goth forsaken world and that in an arena in Lisbon or in a sweaty club in Texas, keep the spell going, until we are no more.”

No MOONSPELL fan, anywhere in the world, should miss their chance to add this rare and massive performance to their own collection! Pre-Order “Opus Diabolicum” now at THIS LOCATION!

“Opus Diabolicum” track listing:
1. Tungstennio (CD + DVD/Blu-ray only)
2. Em Nome do Medo
3. 1755
4. In Tremor Dei
5. Desastre
6. Ruinas
7. Breathe (Until We Are No More)
8. Extinct
9. Proliferation
10. Finisterra
11. Everything Invaded
12. Scorpion Flower
13. Vampiria
14. Alma Mater
15. Fullmoon Madness

MOONSPELL live:
31.10.2025 (PT) Halloween United (w/ Dark Tranquillity & Sinistro) – Lisbon, LAV’s Arena

MOONSPELL is:
Fernando Ribeiro – Vocals
Ricardo Amorim – Guitars
Pedro Paixão – Keys
Aires Pereira – Bass
Hugo Ribeiro – Drums

For More Info Visit:
https://www.moonspell.com
https://www.facebook.com/moonspellband
https://www.instagram.com/moonspellofficial
https://label.napalmrecords.com/moonspell

DAVID ELLEFSON Announces European Bass Warrior Tour, Ft. Andy Martongelli

Posted by tarjavirmakari on October 29, 2025
Posted in: Int. News, News. Tagged: Andy Martongelli, David Ellefson. Leave a comment

GRAMMY Award winning bassist DAVID ELLEFSON has announced his BASS WARRIOR TOUR in Europe for winter 2025. The tour will feature Ellefson and his solo band performing select cuts from his well-known catalog of Mega hits, solo material and other hard rock & metal favorites which inspired him during his 40-year music career. Direct support on all dates is Screaming Mad Dee Calhoun. Wardogs will be joining as additional support on December 4th.

Ellefson states, “It’s been a super fun and productive year and even more so to be able to close out the calendar one last time with my Bass Warrior shows across Europe. I’m excited to be taking this show into new cities as we celebrate each night with songs from across my career and more!”

Ellefson launched his Bass Warrior tour in 2024, with musical director Andy Martongelli (Ellefson-Soto, Artemis) as a way to perform songs for fans across Europe from his 40+ years as a world renowned recording artist. 

Tickets and VIPS go on sale Friday, October 31st. More Information can be found at www.basswarriortour.com 

FROZEN LAND to Release New Album “Icemelter” on November 21st, New Single ‘Dead End’ Out Now

Posted by tarjavirmakari on October 29, 2025
Posted in: Int. News, News. Tagged: FROZEN LAND. Leave a comment

Finnish power metal outfit FROZEN LAND return with their third full-length, “Icemelter”, set for worldwide release on November 21, 2025 via Massacre Records on Digipak CD, limited vinyl LP and digital.

Alongside the album announcement, the band unleash the brand-new single “Dead End,” a hard-charging anthem that stares down life’s futility to find a paradoxical sense of peace. Anchored by relentless riffing and a fist-raised chorus, “Dead End” confronts the inevitability of decay and the liberation that comes from accepting it—an existential rallying cry that distills the album’s darker themes into four visceral minutes.

STREAM/PURCHASE THE SONG HERE: https://save-it.cc/massacre/dead-end

On “Icemelter”, FROZEN LAND push into their most aggressive territory to date, fusing unusually brutal, steel-edged guitar work with soaring, classic power-metal vocals and widescreen atmospheres. The result is a lean, muscular record that lands impact after impact while carrying a distinctly Finnish sense of melody and melancholy. Lyrically, the album threads short, unflinching vignettes about a world corroded by corruption, fear and spiritual exhaustion—nowhere more stark than on “Dead End.”

The album’s precision comes courtesy of a top-tier production team: mixed by Matias Kupiainen (Stratovarius), drums recorded at Sonic Pump Studios, Helsinki, and mastered by Elmo Syrjäläinen, with striking cover art by Andrey Vasilchenko. All music and lyrics were penned by Tuomas Hirvonen, channeling the band’s sharpened identity into eight tight, explosive tracks.

Tracklist:
The Carrier
Dead End
Dream Away
Chosen, Corrupt And Cancerous
Losing My Mind
Icemelter
Haunted
Black Domina

FROZEN LAND are:
Tony Meloni — vocals
Tuomas Hirvonen — guitars
Eero Pakkanen — bass
Lauri Nylund — keyboards
Matias Rokio — drums

FROZEN LAND online:
https://www.facebook.com/Frozenlandband/
https://www.instagram.com/frozenlandofficial/

HOLLOW PEAK Sign with Massacre Records + Announce Debut Album “Obsidian Cult”, New Single & Lyric Video ‘Attack’ Out Now

Posted by tarjavirmakari on October 29, 2025
Posted in: Int. News, News. Tagged: HOLLOW PEAK. Leave a comment

Norwegian melodic metal newcomers HOLLOW PEAK have officially signed a worldwide record deal with Massacre Records, and are set to release their debut full-length album “Obsidian Cult” on December 5, 2025 as Digipak CD, Limited Vinyl LP and digital.

To celebrate the announcement, the band unleash their brand-new single and video “Attack” — an energetic and defiant anthem about survival and reclaiming control in times of turmoil.

Stream / Download the single: https://save-it.cc/massacre/attack

Through battle-inspired imagery and cinematic soundscapes, “Attack” captures resilience, courage, and the determination to rise from destruction. Blending fierce guitars, thunderous drums, and Ragnhild Westgaard’s commanding vocals, the track sets the tone for an album that combines intensity with emotional depth.

Produced by Ragnhild Westgaard and Marius Karlsen, and mixed and mastered by Corey Bergeron, Obsidian Cult marks a bold evolution from the band’s 2023 self-released EP. The record presents a heavier, darker, and more refined sound — balancing atmosphere, melody, and strength in equal measure.

The album’s concept explores alienation in the digital age, inner battles, and personal renewal. From the reflective opener “From Ashes Rises a Crown” to the haunting title track “Obsidian Cult”, each song unfolds as part of a larger journey between chaos and clarity.

Obsidian Cult – Track listing

  1. From Ashes Rises a Crown
  2. Euphoria
  3. Labyrinth
  4. Unseen
  5. Ray of Light
  6. Liberation
  7. Attack
  8. Obsidian Cult
  9. Celest
  10. Town

With their debut, HOLLOW PEAK rise as one of Norway’s most promising melodic metal acts — uniting emotion, atmosphere, and power in a striking first statement.

HOLLOW PEAK are
Ragnhild Westgaard – Vocals
Marius Karlsen – Drums
Vegard Frydenlund Ripsrud – Guitars
Henning Ramseth – Guitars
Stian Dalslåen – Bass

HOLLOW PEAK online
https://www.facebook.com/profile.php?id=100091543082236
https://www.instagram.com/hollowpeakband

1349 Unleash New Performance Video for ‘Striding the Chasm’ from Forthcoming Live Album

Posted by tarjavirmakari on October 29, 2025
Posted in: Int. News, News. Tagged: 1349. Leave a comment
Photo by © Henrik Sander

True Norwegian black metal horde 1349 is now unleashing a new performance video for the song “Striding the Chasm,” which is taken from the band’s upcoming live album, ‘Winter Mass,’ via Black Metal Promotion. The blistering clip can be found at THIS LOCATION.

‘Winter Mass’ will be released on November 28, 2025 via Season of Mist. The concert was captured on November 20, 2021 in the band’s hometown of Oslo (NO) at the venue Parkteatret.

1349 frontman Ravn comments, “‘Striding The Chasm’ is an emblematic track. It maintains the 1349 signature ferocity, but also adds a complexity in its approach and stands out as the most thrash-infused pinnacle in our catalog. It is the track that challenges the listener to confront their own dark and primal nature. Performing this track live was a revelation to me as the imminent connection between the song and audience became an instant hit and I feel the track’s potential is enhanced even more now within a live setting, within our Live Ritual…within our ‘Winter Mass.'”   

Bassist Seidemann adds, “‘Striding the Chasm’ from ‘Winter Mass’ showcases 1349 in supersonic splendor. The live version is a flawlessly executed, hyperaggressive up-tempo rendition, demonstrating the black metal mastery of 1349.”

The offering will be released on vinyl and CD; pre-orders are now live HERE.

1349 has also recently been announced among the first wave of bands to take the stage at next year’s edition of Beyond the Gates Festival. The epic four-day metal event will take place once again in the heart of Bergen (NO) from July 29 – August 1, 2026. Tickets are available HERE.

The cover artwork and layouts for ‘Winter Mass’ were created by Kim Diaz Holm. The Norwegian artist has captured more than 2,000 concerts, often while standing to the side of the stage. Holm has worked with larger-than-life artists like Abbath but developed a special connection with 1349 after drawing them at both Inferno Festival and Hulen in 2012. Over the past 13 years, he has continued to document the band’s incendiary live shows and even designed their merch. What he’s created for Winter Mass draws fans even closer to fire. Sketched while he was headbanging in the pit, these drawings leap off the page with the same raw, dark spirit as their muse.

Tracklist:

  1. Enter Inferno (1:48)
  2. Sculptor of Flesh (3:18)
  3. Slaves (4:43)
  4. Through Eyes of Stone (3:36)
  5. Cauldron (5:34)
  6. Striding the Chasm (5:56) [WATCH]
  7. Chasing Dragons (7:15)
  8. Serpentine Sibilance (5:00)
  9. I Am Abomination (5:16) [WATCH]
  10. Golem (1:38)
  11. Atomic Chapel (8:17)
  12. Dodskamp (5:39)
  13. Abyssos Antithesis (7:08)
    Total runtime: 1:05:07

Pre-Order // Pre-Save: https://orcd.co/1349wintermass

With their signature aural hellfire, 1349 embodies the original spirit of black metal.  

Unhappy with the direction the genre took during the mid-90s, in 1997, vocalist Ravn formed the 1349 with like-minded bassist Seidemann. The band’s current lineup – which is bolstered by guitarist Archaon and Frost (who also drums for Satyricon) – has been in place since 2001. Over the past two decades, they have ignited major European festivals such as Wacken Open Air and Hellfest with their fiery performances and toured internationally with the likes of Cannibal Corpse and Carcass. Each of their eight studio albums have been inspired by the same guiding principal: to bring back the grimness, the eeriness and the primal emotions of Norwegian black metal.

Now, fresh from the ashes of their eighth album, The Wolf & The King, 1349 are releasing a new live album. Though recorded shortly after pandemic lockdown was lifted, ‘Winter Mass’ explodes out the gates with the band’s signature aural hellfire. This hour-plus set, recorded at Oslo’s Parkteatret, enraptured their home crowd with apocalyptic spells from across their discography’s massive cauldron of chaos. Early classics like “Sculptor of Flesh” thrash with unchained madness. Recent favorite “Striding the Chasm” whips by at a blistering pace that could only be captured by cover artist Kim Diaz Holm, who drew the album’s artwork while headbanging in the pit.   

“I will always be here / In all ways in all times”, snarls Ravn on hellacious cut “I Am Abomination”. After three decades and counting, what was once a proclamation is now a testament to 1349’s enduring firepower. 

Experience aural hellfire live in the flesh back where it all began with ‘Winter Mass.’

Live Line-up
Archaon – Guitars
Destructhor – Guitars
Frost – Drums
Ravn – Vocals
Seidemann – Bass

Recording:
Parkteatret, Oslo on November 20, 2021

Production Credits
Producer & Sound Engineer – Hugo Alvarstein
Mixing Studio – Alvarstein Mix & Mastering Studio Oslo Norway
Mixing Engineer – Hugo Alvarstein
Mastering Studio – Alvarstein Mix & Mastering Studio Oslo Norway
Mastering Engineer – Huge Alvarstein

Cover + Layout Artist:
Kim Holm

Links: Official Website – Facebook – Instagram – X – Apple Music – Spotify

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