–Composed & lyrics by Saku Rekonen –Cover art by All4band Design
The band comments: ” “Linguicide” is the first taste of our upcoming EP “Lost in Translation.” With its catchy groove and memorable guitar melody, it is arguably the most “commercial” track from the EP, yet it contains a great blend of all the elements that make our music what it is. Musically, the song is the oldest one on the EP, with the first demo going as far back as February 2020. Lyrically, the song went through two or three rewrites before finding its final form. Some of the discarded ideas have since been used in songs meant for future releases. As a product of our times, “Linguicide” deals with cancel culture and the death of independent thought, whether through self-censorship or outside pressure.”
Lost in Translation Track list:
Tomb Service
Linguicide
The Performer
Uticensis
Comatose Waltz
Cover art by All4band Design
Krateros is an emerging metal band from Helsinki, Finland, founded in 2023 and led by vocalist/guitarist and main songwriter Saku Rekonen. The band’s music combines influences from old-school thrash metal bands such as Annihilator, Exodus, and Megadeth with more contemporary acts like Trivium, Machine Head, and Stam1na — all the while being filtered through a progressive lens.
The band’s first EP, “Lost in Translation,” released through Inverse Records, is a response to a perceived lack of riffs that seems to plague the metal scene of the 2020s.
Blossoms Fall are a female-fronted metalcore band from Albuquerque, New Mexico (USA), and they own the sweet spot of our sonic zone like a massive tsunami that would crash on our shores! The band just dropped an emotional new music video and single entitled “Luna” which happens to feature Wasted Potency on guest vocals. The music video was directed by Luis Escalara of Adelphia Studios. This is the first single & music video taken from their upcoming EP album La Alma which will be released on February 6, 2026 via Eclipse Records. The album was produced and mixed by Matthew Torres (Lights on the Coast, Cloudtrails, Wasted Potency) at Nightscape Recordings, and mastered by Kevin Thrasher (Escape the Fate, Machine Gun Kelly, Blink 182, Avril Lavigne) at Thrasher Productions.
“This song is in the middle of the EP and is full of emotion” says guitarist Matt Torres. “Foxes are very symbolic of spiritual guidance through turmoil in many different cultures and the idea was to encapsulate that ideal. This video is a metaphor for chasing your dreams and not stopping until you’ve made them a reality. The fox manifests a goal and chases it endlessly until it has been achieved. It represents our naturally devious nature that spoils the garden, in a sense. To inspire hope, the message is that we can change our outlook on life and find purity and happiness just by chasing the things that make you happy and bring peace and light. Sometimes that can take longer than expected but never giving up is key. This will be a clear theme throughout the EP and in visuals altogether.”
The new album La Almaby Blossoms Fall is metalcore, but so much more than the current genre classification would indicate. Genre is a moniker, a nickname if you will, and in terms of La Alma, we could thrust a slew of “warriors” into the ring for this fight, like hyper pop, emo core, or modern metalcore with a trance vibe. We could claim that Blossoms Fall create music that resembles a good thriller soundtrack in that they lead our emotions one way, and then they twist us into unexpected contexts, causing glorious disequilibrium and life changing interpretations of our own emotional and psychological landscapes. In other words, this album is a blast of beautiful chaos leading us to the edge of the cliff yet giving us wings…to the lip of the abyss armed with a blazing torch and a backbone of granite. Musically, the first thing we might notice is that drums are absolute thunder, produced to be a force in the forefront and earning its position with monster fills even in the verses. The guitar work is heavy with maximum crunch, like a fiery blast from the jaws of the dragon, the bass a “wall of pound” and the vocals cleverly patterned with textured growls and melodic tapestries. We are also given flashes of ethereal keys and tasty syncopation, demonstrating the band’s ability to not only show force but to add a flavor profile unique, devasting, and addictive as hell.
La Alma was produced and mixed by Matthew Torres (Lights on the Coast, Cloudtrails, and Wasted Potency), mastered by Kevin Thrasher (MGK, Blink 182, Escape the Fate, and Iann Dior). The album art was designed by Luis Escalara of Adelphia Studios, and it is scheduled for release on February 6, 2026.
Hard-rock and metal powerhouse Steve Gordon MIA officially impacts U.S. commercial rock and metal radio today with his explosive new single “BROKEN” (feat. Ray West of Spread Eagle). The track is the #6 most added song at metal radio and lands on the metal radio chart at #34 its first week.
Driven by Gordon’s massive riffs, haunting atmosphere, and West’s electrifying vocal firepower, BROKEN fuses the emotional weight of classic metal with the precision and punch of modern production. It follows Gordon’s prior charting single “We Go To War” (feat. Ray West), which also reached #18 with strong national airplay.
Importantly, the collaboration between Steve Gordon MIA and Ray West is not a band, but part of Gordon’s solo vision. Ray West has lent his voice to both “We Go To War” and “BROKEN” as a featured vocalist, while the upcoming Steve Gordon MIA album, arriving December 2025, will also showcase a mix of instrumental hard rock/metal tracks and songs featuring other well-known singers across the heavy music spectrum. This approach emphasizes Gordon’s role as a guitarist, songwriter, and producer curating a diverse and powerful project.
The single continues Gordon’s creative partnership with Ray West, best known as the frontman of NYC hard rockers Spread Eagle. Together, they deliver another explosive performance that blends modern heavy metal intensity with the raw, emotional edge of classic hard rock.
“‘Broken’ is about having that craving or addiction you can’t live without,” says Gordon. “ It consumes you. If you can’t have it, it drives you insane. It controls your thoughts and makes you do things you’ll regret just to satisfy that hunger.”
Ray West adds, “ When the thing that comforts your addictive brain suddenly betrays you, you’re left broken. You can either lay down and die — or fight back and take control of your life. And sometimes taking control leads to an act of violence.”
Recently, Gordon’s instrumental single “Pharaoh Lives” gained radio exposure and charted internationally entering at #8 in Germany’s Instrumental Rock charts alongside heavyweights like Metallica at (#1), Megadeth, Testament, and Slayer. That same day, the track debuted at #1 in Los Angeles on the Best of Hard Rock/Metal charts by Bad Wolf Records. The achievement highlights not only U.S. momentum but also growing global traction.
About Steve Gordon
A veteran musician, Steve Gordon has played guitar on dozens of Gold and Platinum records across genres, collaborating with icons such as Rob Thomas, Rod Stewart, Celine Dion, Phil Collins, Bon Jovi, Frank Sinatra, Wu-Tang Clan, Brian Howe (Bad Company), James Ingram, Natalie Cole, Betty Wright, Phyllis Hyman, Rita Marley, Crew to Crew (Motley Crüe/2 Live Crew), Inner Circle, and Tito Jackson.
As a mixer and producer, his credits also include projects with Regina Belle, Aretha Franklin, Prince, Natalie Cole, Donell Jones, Tony Braxton, Najee, David Sanborn, Kirk Whalum, Howard Hewitt (Shalamar), Matt Kramer (Saigon Kick) and Morgan Wallen—where he mixed half of Wallen’s Stand Alone (10th Anniversary Deluxe Edition), which reached the Top 15 on Billboard’s Top Country Albums Chart. Gordon mixed Donell Jones’ albums Forever (#8 Billboard R&B/Hip-Hop Albums) and Lyrics (#20 Billboard R&B/Hip-Hop Albums), including the singles “Forever” (#14 R&B Singles) and “Love Like This” (Top 5 R&B Singles).
Gordon is also a Grammy-nominated engineer for Betty Wright & The Roots’ song titled “Surrender” and was personally asked by Regina Belle to remix all her #1 hits—including “A Whole New World,” “Baby Come to Me,” and “Make It Like It Was.”
Through the 1980s and 1990s, Gordon became a highly sought-after ghost session guitarist, frequently flown to New York, Los Angeles, and Chicago just days before a record release to repair and replace guitar parts for major record company releases. Often called in when artwork and album covers were already finalized and ready for immediate distribution worldwide, record executives and A&R departments trusted him to make the subtle but crucial changes that elevated tracks to their final, polished versions.
One of the most notable examples was when Gordon was called by manager Doc McGhee and producer Barry Mraz to step in on “Heart of America”—a song written by Bon Jovi for Farm Aid—where he replaced Richie Sambora’s guitar parts due to untold circumstances. He also contributed guitar work to Rob Thomas’ early band Tabitha’s Secret (the precursor to Matchbox Twenty) and played guitar on two songs on the Wu-Tang Clan album Iron Flag.
Because of his consistent ability to rescue and transform songs just days or hours before a release, Steve Gordon was often referred to as the “SECRET WEAPON”—the guitarist who could elevate a track to Top 40 Billboard chart success with his parts and additions. His behind-the-scenes work helped many artists achieve recognition that pushed them to icon status.
As Gordon was fully aware in his role as a ghost guitarist for some of rock and pop’s most iconic artists, he knew his name would not appear in the liner notes. However, his contributions were still formally recognized after release through lifetime royalties paid by AIE for all his ghosting sessions, cementing his status as an essential but often unseen contributor to many top charting records still played worldwide on radio every day worldwide.
In addition to his recording and session work, Gordon has placed about 27 songs in major films and soundtracks, including “The Little Things” starring Denzel Washington, “80 For Brady” starring Jane Fonda, Sally Field, Rita Moreno, Lily Tomlin, and NFL legend Tom Brady, and “Mafia Mama” starring Toni Collette and Monica Bellucci. His work also extends to Disney movies & soundtracks, as well as placements across Netflix, HBO, and Paramount, showcasing his versatility and wide-reaching impact.
Maltese death metallers BEHEADED return wideo a visualizer for the track “Xtrajt l-infern”. The song is lifted from the band’s new album “Għadam” released late July on Agonia Records.
Watch the clip, here:
“Għadam” is an album that marks a significant evolution in the band’s journey making it the first death metal album ever written in Maltese, tying Maltese horror, literature and death metal into a cohesive concept. The album incorporates musical influences rooted in the island’s heritage, blending the band’s signature ferocity with elements of traditional religious and folklore music, creating a unique fusion that pays homage to the band’s cultural origins. With “Għadam”, BEHEADED not only pushes the boundaries of their sound but also cements their legacy as pioneers of Maltese death metal.
“Għadam” is based and inspired by the books of Maltese horror author Anton Grasso including the title itself. The work comprises nine songs that all use the title of a book by the author, which are then interpreted in a story, theme or subject different from what one finds in the book. It is also worth mentioning that on “Għadam”, one finds passages, phrases, subjects from classic works of local poetry, as well as excerpts taken from prayers and religious references.
The idea behind the choice for “Għadam” to be a work written entirely in Maltese is that it pays homage and explores the local cultural heritage in the context of everything related to horror, fear, superstitions, the occult, the macabre, folklore and how these exist hand in hand with faith and devotion.
BEHEADED comments: “Għadam, the band’s seventh album, is a dark narrative unfolding across the nocturne-esque Maltese landscape. It delves into the island’s folklore, where superstition and fervent religious devotion create a chilling atmosphere. This journey into the abyss is led by the authoritative voice of Anton Grasso’s works, the infamous Maltese horror writer, whose stories serve as a guiding light through the gloom. While retaining the essence of their signature sound, Beheaded infuses Għadam with the haunting sonorities of traditional religious harmonies and funeral marches, creating a sonic tapestry that is both brutal and profoundly unsettling.”
The album was recorded and mixed at MK2 Recording Studios (Italy) by Davide Billia (Antropofagus, Coffin Birth) with analog synth engineering done by Nicolò Brambilla at Echoes Studio (Italy) The song “Irmied” was recorded at Railway Studios (Malta) by Peter Borg and performed by Simone Brigo on a traditional hand made harp guitar courtesy of Josef Camilleri (Cross Guitar Work). “Għadam” was mastered by Wojtek Wiesławski at Hertz Studio (Poland). A photo shot by Raffaele Montepaone graces the cover artwork.
Musician, actor, and celebrated horror icon Courtney Gains, known for his role as Malachai in the 1984 horror classic Children of the Corn, is celebrating Halloween with a brand-new track.
A hook-laden heavy rock horror anthem, “Fear the Boogie,” is a collaboration between Gains and Peruvian guitarist/producer Wal. The song was written for the soundtrack to Barn III, an upcoming horror film starring Gains and Kelly Maroney (Fast Times at Ridgemont High).
Drums on the track were recorded by Toni Mateos (www.tonimateos.com), an accomplished session drummer with credits spanning rock, pop, and film music.
Gains and Wal previously teamed up to contribute a song – titled “Wander and Dream” – to the Marshes to Mountains: Savannah, GA Helps Rebuild Western NC Through Song compilation — a benefit album raising funds for hurricane recovery efforts. This song, along with the upcoming “Fear the Boogie,” hints at the duo’s artistic chemistry, which will be further explored on a full-length album planned for a 2026 release.
“Fear the Boogie” is now available on streaming platforms. Follow Courtney Gains on Spotify for more.
Gains and Wal previously teamed up to contribute a song – titled “Wander and Dream” – to the Marshes to Mountains: Savannah, GA Helps Rebuild Western NC Through Song compilation — a benefit album raising funds for hurricane recovery efforts. This song, along with the upcoming “Fear the Boogie,” hints at the duo’s artistic chemistry, which will be further explored on a full-length album planned for a 2026 release.
“Wander and Dream” is one of over 200 songs featured on the compilation. Download the album at fakefangsrecords.bandcamp.com.
2024 saw Gains celebrate the 40th anniversary of Children of the Corn with a slate of horror-con appearances and a 35MM screening of the film at the Sitges Film Festival in Spain, regarded as the biggest horror/sci-fi festival across Europe. Recent projects include The Wrath of Becky, Thy Will Be Done, October 31, Lookout Weekend: Cruel Summer IV, Christmas Cowboy, and a standout role in the heavy-metal-infused horror film, Infernal. The Grime House Films production won Best Horror Feature Film at the Clout Film Fest. Watch the trailer here.
The screening for Infernal took place at the infamous Bastrop, TX gas station featured in the 1974 classic The Texas Chainsaw Massacre. Gains and his band played an exclusive set at the event. A live recording of the performance
is forthcoming.
In 2023, Gains released his Safe Haven EP — a six-track blend of rock, folk, and Americana that highlights his gritty vocals and honest songwriting. The critically acclaimed record captures a raw, roots-driven sound that reflects Gains’s hands-on approach and unfiltered style
Wal Bio:
Walter Peche, known artistically as Wal, is a Peruvian songwriter, guitarist, and producer whose music fuses the intensity of metal with the versatility of rock, blues, and pop. With more than a decade of experience, he has toured internationally across Mexico, Ecuador, and Colombia, establishing himself as one of Peru’s most distinctive and versatile musical voices.
While based in Peru, Wal and his band opened for legendary acts including KISS and The Smashing Pumpkins. Beyond live performance, he is also a seasoned mixing engineer and sound designer. A graduate of SCAD’s M.F.A. in Sound Design program, where he received the Outstanding Academic Achievement Award (2024), Wal brings cinematic depth and technical mastery to every project.
As the founder of Rituality Records and Electric Andean Studios, Wal has built a creative hub where he writes, produces, and develops innovative music alongside emerging artists. Driven by vision, independence, and a passion for pushing boundaries, Wal continues to carve out his place as a bold new voice in the global rock and metal scene.
Line-up: Courtney Gains – Vocals, Lyrics Wal – Guitars, producer Toni Mateos – drums
To celebrate the release of the double album “Reborn”, italian metal act KLOGR regalano ai propri fan “Bleeding”, new single featuring Lamb Of God drummer Art Cruz as a special guest and which represents one of the most intense and significant moments of the entire project.
KLOGR release their brand-new single “Bleeding” today, coinciding with the launch of their double album “Reborn”. The track features a very special guest, Art Cruz, drummer for Lamb of God, and marks one of the most powerful and meaningful moments of the entire project.
Originally released in 2011, Bleeding was the very first single in the band’s career and marked the beginning of their international journey. Thanks to that track, KLOGR caught the attention of a promoter who brought them on tour with PRONG in 2014 – and it was during that tour that Rusty (vocalist and founder of KLOGR) met Art Cruz for the first time. That meeting sparked a bond that went far beyond a simple friendship. After 30 days spent together on the road, sharing stages and buses, Art and Rusty stayed in touch, reconnecting in Los Angeles, Europe, and eventually in Italy.
“We saw each other again last January at the NAMM Show” says Rusty “I asked him if he’d be interested in joining the Reborn project, and he said: ‘Brother, if you need me… this is the year to do it”.
The recording session took place in June 2025 at Zeta Factory Studio. After five intense days of musical collaboration and creative energy, the new version of Bleeding came to life – darker, rawer, more melodic, and more aggressive, driven by Cruz’s explosive and inspired drumming.
“I’ve never believed in doing features just for exposure, even though I understand why it’s a smart move”Rusty adds “For me, music means something deeper. This collaboration was born out of friendship, mutual respect, and passion. I’ll always be grateful to Art for his honesty, for everything he’s taught me over the past decade, and for the inspiration he continues to bring”.
“Reborn” is available in double vinyl limited edition, cd and digital, and available at this LINK.
In November, KLOGR will embark on an extensive European and UK tour alongside Katatonia and Evergrey: “We couldn’t have chosen a better time to find clarity within ourselves, with our audience, and to show that this time we really mean business”.
10.11.25 FI – Turku / Logomo 11.11.25 FI – Tampere / Tavara-asema 12.11.25 FI – Helsinki / House of Culture 14.11.25 NO – Oslo / Rockefeller 15.11.25 SE – Gothenburg / Pustervik 16.11.25 DE – Hamburg / Gruenspan 18.11.25 PL – Warsaw / Progresja 19.11.25 DE – Berlin / Huxleys 20.11.25 DE – Leipzig / Täubchenthal 21.11.25 CZ – Prague / Palac Akropolis 22.11.25 AT – Vienna / Simm City 24.11.25 DE – Munich / Backstage Werk 25.11.25 DE – Stuttgart / LKA Longhorn 27.11.25 IT – Milan / Alcatraz 28.11.25 CH – Zurich / Komplex 29.11.25 FR – Lyon / La Rayonne 01.12.25 ES – Madrid / BUT 02.12.25 ES – Barcelona / Salamandra 03.12.25 FR – Toulouse / Le Metronum 05.12.25 UK – London / Electric Ballroom 06.12.25 UK – Glasgow / Garage 07.12.25 UK – Manchester / Academy 2 08.12.25 UK – Bristol / SWK 10.12.25 FR – Paris / Le Trabendo 11.12.25 LU – Luxembourg / Rockhal 12.12.25 DE – Frankfurt / Batschkapp 13.12.25 DE – Cologne / Live Music Hall 14.12.25 NL – Amsterdam / Melkweg Max 16.12.25 BE – Antwerp / Trix 18.12.25 DK – Copenhagen / Amager Bio 19.12.25 SE – Karlstad / Nöjesfabriken 20.12.25 SE – Stockholm / Fållan
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 