Rock and Roll Hall of Famers Lynyrd Skynyrd has just released a live version of their iconic hit, “Sweet Home Alabama.” The new single and music video is the second release from their upcoming live album and DVD, “Celebrating 50 Years – Live At The Ryman” (Frontiers Music SRL) – spectacularly capturing the legendary southern rock band’s historic 50th-anniversary concert at Nashville’s legendary venue. The new release will be available everywhere on June 27, 2025. Pre-Order on 2CD/DVD, Blu-Ray or a double LP here: https://ffm.to/lsryman50
The new album showcases the band’s unparalleled energy and their signature blend of blues rock and Southern hard rock swagger and stands as a celebration of Lynyrd Skynyrd’s lasting legacy in music history. Special guests on the album include Jelly Roll, Marcus King, John Osborne (The Brothers Osborne), Brent Smith (Shinedown), and Donnie Van Zant (Van Zant & .38 Special).
This special release holds profound significance as it features the final performance of founding member Gary Rossington. Less than five months before his death in March of 2023, Rossington — the last surviving original member of Lynyrd Skynyrd — expressed an earnest hope that the band’s music would continue to be performed even after he wasn’t around. And just as they’ve done for over 50 years, the band remains a driving force in rock, honoring their roots while bringing their signature sound to new audiences.
With over 28 million records sold in the U.S. and a sound as iconic as the American culture it celebrates, Lynyrd Skynyrd continues to inspire fans of all ages while embodying the very soul of Southern rock. From their humble Jacksonville beginnings, through tragedy, reunion, and redemption, the band has earned its place on Rolling Stone’s list of the “100 Greatest Artists of All Time” – as well as a prominent spot in the hearts of generations.
Originally formed in 1964 as My Backyard, the band evolved into Lynyrd Skynyrd in 1968, with a lineup featuring Ronnie Van Zant (vocals), Gary Rossington (guitar), Allen Collins (guitar), Larry Junstrom (bass), and Bob Burns (drums). Their 1973 debut album introduced the world to their unmistakable blend of blues, country, and hard rock. Hits like “Sweet Home Alabama” and the timeless “Free Bird” cemented their status as pioneers of the genre.
At the peak of their success, in 1977, a devastating plane crash claimed the lives of lead singer Ronnie Van Zant, guitarist Steve Gaines, and backup vocalist Cassie Gaines, leaving the music world in shock. Despite the unimaginable loss, Lynyrd Skynyrd’s legacy endured, and their music remained a beacon of Southern rock.
In 1987, the band reformed with Ronnie’s younger brother, Johnny Van Zant, taking over as lead vocalist. Lynyrd Skynyrd continued to tour and record, with guitarist Rickey Medlocke returning to the fold in 1996. Though founding member Gary Rossington’s passing in 2023 marked the end of an era, Lynyrd Skynyrd’s influence remains stronger than ever. Their enduring music, spirit, and legacy will forever stand as a testament to the power of rock and roll.
“This is all about the music and keeping it alive and keeping those guys alive through the music,” says Johnny Van Zant. “People want to hear it, and they want to hear it played live. I have people all the time saying, ‘Thank you for carrying it on so we can experience it.’”
Adds Rickey Medlocke: “Gary expressed many times his wishes that the music didn’t perish with him, that the legacy of the music would continue, not just on the radio or TV or in soundtracks but for the band to take it to the fans, go out and make sure that we delivered it 100 percent. That’s what we do.”
If Janis Joplin had joined Peter Green’s Fleetwood Mac…. It might have sounded a lot like this.
Eric Gales needs no introduction. Guitar World’s Best New Talent for 1991, Billboard blues chart-topper, and a 2022 Grammy nominee, Gales is also a Cleopatra Records regular (most recently his 2023 collaboration with Doug Pinnick, covering Cream’s “Sunshine of Your Love”), as well as a regular on the official Jimi Hendrix tribute tours.
Mick Jagger is a fan, and so is Joe Bonamassa, who has described him as“one of the best, if not the best, guitar players in the world.” Now he’s playing alongside Swedish born, LA based Linn Holmes, on her Cleopatra Records debut single, spreading molten guitar across an audacious cover of the Allman Brothers’ “Whipping Post.”
“He is such a phenomenal guitar player and musician,” says Linn. “I’ve listened a lot to his previous work. I am beyond honored that he wanted to work with me on this track!
Linn was still a child the first time she heard Gregg Allman’s “Whipping Post” – not on the Allmans’ debut album where it first appeared, but via the southern rockers’ 1971 Fillmore live album, where it consumes one entire side of vinyl.
It remains one of her all-time favorite songs, but taking it into the studio with Gales, plus producers Daniel Jakubovic and Rev. Tom Chandler, she adopted an altogether different approach to the number.
Condensing the Allmans’ 22 minute epic to less than three-and-one-half minutes, without losing an iota of the energy, was a tall order after all. But drenching the song even deeper in the blues, Linn’s vocal is spellbinding and Gales’ guitar is electrifying. There’s ears out there that have been listening to the Allmans’ version for over half a century. But with Gales at his most incendiary, Linn makes it her own regardless.
”As a massive Allman Brothers fan, recording ‘Whipping Post’ – I have never had more fun in the studio, getting to pay tribute to one of my favorite bands of all time and to get to create our own take on the song.
“I hope the listeners can feel the pure excitement of working on this track, as we are beyond thrilled to share it with you.”
Of course, none of this should come as a surprise. A long standing stalwart of the LA session scene, Linn’s magnificent voice is familiar too from her work alongside the 12-piece vintage rock group Harry Katz and the Pistachios, with the duo Asteron, Canadian rockers Elderoth and Quiet Riot bassist Chuck Wright’s Ultimate Jam Night all-stars.
Her own solo career, too, is exploding. Invited to appear on Fernando Perdomo’s 2025 tribute to Hall & Oates’s epochal War Babies album, Linn turned in what has to be one of the vocal performances of the year.
Two 2024 singles, “Cut Me” and the vivacious “Baby Blue,” meanwhile, set the stage for her debut EP Introducing Linn Holmes, described by The Source as “reflect[ing] Holmes’ deep appreciation for the rich musical heritage of the past while infusing it with a contemporary flair.”
Now Linn has joined the Cleopatra family, and her label debut, accompanied by a captivating video, can only embed her even deeper into the vanguard of modern rock’s most dynamic vocalists.
Catch Linn live with an acoustic set at the Foundation Room at the Los Angeles House of Blues, on Saturday May 31.
With “And the Now”, Norwegian Grammy winners Gaahls Wyrd are revealing the beating heart of their upcoming second album. The third single spun from Braiding the Stories twist and turns black metal into something darker and dreamier.
“And the Now” captures the essence of Gaahls Wyrd’s latest musical evolution. The third single off Braiding the Stories draws us deeper into the mercurial frontman’s self-appointed “White Lodge”, which floats somewhere between dreams and the subconscious.
Anchored by Kristian “Gaahl” Espedal’s dynamic vocals and Ole “Lust Kilman” Walaunet’s stunning guitars, “And the Now” channels the energy of ‘80s and ‘90s gothic rock without sacrificing the esoteric intensity that defines Gaahls Wyrd. Recorded at Solslottet Studio in Bergen, Norway, and produced alongside Iver Sandøy (Enslaved, Wardruna), the song reinforces the band’s commitment to experimentation and depth. Once again, they’re cinematic, vivid, and audaciously unclassifiable.
Tracklist 1. The Dream (2:11) 2. Braiding the Stories (8:37) [WATCH] 3. Voices in My Head (2:00) 4. Time and Timeless Timeline (3:03) [WATCH] 5. And the Now (5:49) [LISTEN] 6. Through the Veil (1:57) 7. Visions and Time (6:00) 8. Root the Will (5:25) 9. Flowing Starlight (7:11) Full runtime: 42:15
Norwegian Grammy-winning metal outfit Gaahls WYRD stun with their new album, Braiding the Stories, via Season of Mist. Featuring vocalist Gaahl (aka Kristian Espedal), guitarist Lust Kilman (aka Ole Walaunet), drummer Spektre (aka Kevin Kvåle), and bassist Nekroman (aka Andreas Salbu), the group’s sophomore full-length elaborates conceptually on and widens the musical gaze of Gaahls WYRD sonic aesthetic. To wit, they’ve artfully united introspective vistas and violent upheaval on singles “Braiding the Stories,” “Time and Timeless Timeline,” and “And the Now.” If The Humming Mountain (2021) resided between spaces, Braiding the Stories is the lighthouse out of it.
“I call it the White Lodge,” Gaahl says, referring to Braiding the Stories’ differentia. “Maybe I’ll call it the Bright Lodge. I wanted to put focus on where I think Ole is most comfortable music-wise. There’s more things he’s connected to on this album than before. So, I jumped over the more black metal tracks, as I felt they didn’t belong to this process. For example, when we sat down in the studio, we wanted a specific energy. That energy is a ‘80s and ‘90s thing. Almost gothic rock, but it’s more about the sound than the style. It’s an aesthetic for sure. If I may, everyone should pay close attention to Ole’s fantastic solos. They’re pieces of music [inside the songs].”
Braiding the Stories doesn’t scream retro, though. As with previous releases GastiR – Ghosts Invited (2019) and The Humming Mountain, it’s also not easy to pin down. From the unbridled dissonance of “And the Now,” the first track out of Gaahl’s grimoire, and driving scenery of “Flowing Starlight” to the heavy metal-prone “And the Now” and the aching nostalgia of the title track, Gaahls WYRD cleverly stalk their influences, while also ensuring their unorthodox fingerprints and adventurous mindset remain unspoiled. Reinforced by show-stopping musicianship and Gaahl’s penchant for Peter Gabriel-esque showmanship, Braiding the Stories isn’t black metal, death metal, or any other metal. Truly and utterly, this is Gaahls WYRD.
“Musically, it’s unique,” says Gaahl. “It’s not necessarily connected to GastiR and The Humming Mountain. Those albums are connected to very earthly elements, the natural flow of things. This album is another dimension—behind the veil, if you will. I remember I wanted to release ‘And the Now’ as the first single, but there’s probably too much information to be the first track out. Throughout this album, I use a lot of different voices, and I’ve thought a lot about how all these different characters fit [into the music]. So, I wanted the listener to fall into the album, not be distracted, and I think I’ve accomplished that. It’s cinematic.”
While most artists abhorred the pandemic, Gaahl adored it. Not for its destructiveness, but for what it afforded the songmaster. The isolation was creatively energizing. Without the thrum of the record industry and all its demanding machinations, Gaahl crafted his heavily-cerebrated metals unagitated. Indeed, much meaning and purpose was imbued into the process that fueled Braiding the Stories. The last words (about sleep) uttered by Gaahl on The Humming Mountain have transited into the first words (about dreams) on “The Dream.”
“I always work with the subconscious,” Gaahl says. “And dreams are where we are at the most aware of our subconsciousness, I think. In a way, Braiding the Stories is a continuation [of ‘The Sleep’] but told from a different perspective. So, to simplify, Braiding the Stories deals with dreams. Not specific dreams, though. The transitions of dreams, emotions flowing from one to another without pause. Everything I do tends to end up with a melancholic flow and feel without it necessarily being an idea–it just happens, really–but I avoided that this time around. It’s less physical. I referred to the White Lodge before. This time around, I feel I visited the White Lodge not the Black Lodge.”
The old adage says, if it’s not broken, don’t fix it. Gaahls WYRD are very much the “old adage” type. For the production, the group returned to Solslottet Studio in Bergen, Norway to co-produce with ace Iver Sandøy (Enslaved, Wardruna). There, they put down and perfected “Time and Timeless Timeline,” “And the Now,” and the title track, as well as the album’s three vivid interludes “The Dream,” “Voices in My Head,” and “Through the Veil.” Though Braiding the Stories wasn’t recorded all at once, it’s audio-visually breathtaking. Sandøy also mixed and mastered the sessions.
“Me and Iver have been working together on several albums,” says Gaahl. “He’s an important part of Gaahls WYRD. He’s used to my way of working. Sometimes, I can be quite frustrating to work with. If my mind isn’t feeding me inspiration, I won’t get anything done. In that way, I’m very comfortable working with Iver. I need to spar conceptual ideas with someone, and Iver’s very good at that. I don’t annoy the rest of the band with these things. Iver and I have a lot of discussions, and the ideas naturally grow from there. This time around, it was very easy.”
The striking cover art by visual artist Øivind Myksvoll (Wardruna, Trelldom) is just as mysterious and arresting as his work for The Humming Mountain. Look closely and you’ll find what appears to be hair (aka the veil) and the cosmos (crystallized wine from Gaahl’s collection). Indeed, the group’s signature horned figure lurks between the layers. For Gaahls WYRD, music, lyrics, concept, and art are synonymous. They’re designed to be experienced in their entirety and in unison. Braiding the Stories isn’t an obvious listen, but it gently (and sometimes maniacally) pulls at the listener. The sensation of the journey from opener “The Dream” to closing epic “Flowing Starlight” is quite unlike anything before. All hail Braiding the Stories!
Line-up: Kristian Espedal «Gaahl» – All Voices Ole Walaunet «Lust Kilman» – All Guitars Andreas Salbu «Nekroman» – Bass Kevin Kvåle «Spektre» – Drums
Production Credits: Recorded at Solslottet Studio, Bergen, Norway. Produced by Iver Sandøy & Gaahls WYRD. Mixed & mastered by Iver Sandøy at Solslottet Studio, Bergen, Norway.
Swedish trash metal newcomers SARCATOR are now unleashing two freshly recorded guitar playthroughs for “The Deep Ends” as well as “Burning Choir,” which are both taken from the band’s recently released third studio album, ‘Swarming Angels and Flies.’ Both played by guitarist Mateo Tervonen and recorded at Studio-MT in Sweden, the playthroughs showcase the guitarist’s strong technicality and the band’s talent for both shredding and songwriting.
The playthrough for “The Deep Ends” can be found HERE.
‘Swarming Angels & Flies’ was released in January 2025 via Century Media Records and can be streamed, ordered, and downloaded HERE.
In addition, SARCATOR will be conquering Europe on an extensive run of live performances started yesterday, May 8, where they will first support 1349 on their “The Wolf & The King Eastern European Tour,” alongside The Ruins Of Beverast and label-mates Vitriol. Additionally, the thrashers have various festivals lined up for 2025 across Europe, starting in June. The quartet will also be supporting Yoth Iria during their shows in Germany and Poland. The full itinerary can be found below while tickets can be found HERE.
More shows TBA soon… stay tuned!
Sarcator – Live 2025, remaining shows:
09.05. Bratislava (SK), Randal + 1349, The Ruins Of Beverast & Vitriol 10.05. Zagreb (HR), Boogaloo + 1349, The Ruins Of Beverast & Vitriol 11.05. Belgrade (RS), Dorcol Platz + 1349, The Ruins Of Beverast & Vitriol 12.05. Thessaloniki (GR), Principal Theatre + 1349, The Ruins Of Beverast & Vitriol 13.05. Athens (GR), Fuzz Live Music Club + 1349, The Ruins Of Beverast & Vitriol 15.05. Istanbul (TR), IF Besiktas Performance Hall + 1349, The Ruins Of Beverast & Vitriol 16.05. Sofia (BG), Old Skulls + 1349, The Ruins Of Beverast & Vitriol 17.05. Bucharest (RO), Quantic + 1349, The Ruins Of Beverast & Vitriol 18.05. Cluj-Napoca (RO), Form Space + 1349, The Ruins Of Beverast & Vitriol 04.06. Sölvesborg (SE), Sweden Rock Festival 06.06. Essen (DE), Battle Cry Festival 07.06. Hauptmannsgrün (DE), Chronical Moshers Open Air 20.06. Copenhagen (DK), Copenhell Festival 27.06. Uppsala (SE), Parksnäckan + Dark Angel, Eternal Evil & Bloodstain 26.07. Freissenbüttel (DE), Burning Q Festival 27.07. Weinheim (DE), Cafe Central + Midnight & Yoth Iria 28.07. Berlin (DE), Lido + Midnight, Yoth Iria & Bloodfang 29.07. Warsaw (PL), VooDoo + Yoth Iria 30.07. Poznan (PL), Pod Minoga + Yoth Iria 31.07. Leipzig (DE), Hellraiser + Yoth Iria 28.08. Copenhagen (DK), Stengade 30.08. Roosendaal (NL), Roosendaal Open Air 05-07.09. Baltic Sea, Close-Up Cruise Festival 19.09. Schrobenhausen (DE), Metal im Woid Festival 20.09. Hamm (DE), Ragers Elite Festival
Torture (cover – originally by Sadus)* *Bonus track on Ltd. CD Jewelcase in O-Card only
At a juvenile age of 14-20, Sarcator released their first demo tape, “Visions of Purgatory”, via the American label Redefining Darkness Records in 2019. Just two years later the quadrumvirate got nominated for best rock/metal album for the Swedish music award P3 Guld with their 2020’s self-titled debut release for the same label. After releasing their 2nd album, “Alkahest”, via Black Lion Records in 2022, Sarcator finally got a proper chance to play live, captivating crowds with their intense, blackened live shows.
With their current line-up fully committed to the band despite their young age (all members are between 19 and 25) it was time for them to record their third album, which still features previous guitarist Emil Eriksson. Shortly after signing a new worldwide deal with Century Media Records and heading out on a debut European tour supporting Hellripper and Cloak, Sarcator will be releasing ‘Swarming Angels & Flies’ on January 17, 2025.
This album marks the most intense, brutal and rawest creation yet for the band. It is a remarkably mature and sophisticated piece of work, from mercurial musicians who are only in their early 20’s, and still at the beginning of their creative journey. Across eight, grotesque and utterly venomous tracks, Sarcator have deftly blended the wide-eyed extremity of their debut album with the inspirational musicality of their second record “Alkahest”, while playing everything with more intensity than ever before. Both deliriously melodic and mercilessly brutal: “Swarming Angels & Flies” is the most dangerously potent record the Swedens have made to date.
Sarcator explains about the record and its creation process, “We wanted to highlight the most aggressive and extreme parts of us, but we still wanted to work with dynamics, so you still have elements of classic rock and post-punk, which we started experimenting with on the last record. There is no question that it’s our most intense, brutal, and rawest creation yet – It’s not really a genre album and we like to keep it that way.”
With plenty of live activity in support of the upcoming album, Sarcator are already at the forefront of an emergent, highly determined new generation of Scandinavian extreme metal bands and ready to take the rest of the world by storm soon too.
Lineup: Mateo Tervonen – Vocals, Guitar Felix Lindkvist – Bass Leo Buchalle – Guitar Jesper Rosén – Drums
Progressive symphonic metal band Scardust are thrilled to announce the release of their anticipated new studio album “Souls”, out on July 18th, 2025, via Frontiers Music Srl.
The band also share the new single and accompanying official video, “Dazzling Darkness”, watch below.
The band commented on the new album by saying: “Souls is a deep personal journey for us, combining everything from intricate progressive elements to sweeping symphonic passages, anthemic choruses and epic choirs. This album is a milestone for the band. It contains the Scardust DNA while experimenting with different writing and composing methods, involving every single musician in the band, resulting in the creation of the next evolution of our sound and pushing the boundaries of what we can express through music.”
“Thematically we’ve explored ideas of memory, belonging, loss, and the desire for connection, weaving in influences from different musical worlds, including orchestral, Mediterranean, and even Celtic sounds”, they added. “Souls is our most ambitious album to date, incorporating Scardust’s signature technical musicianship, and featuring the Hellscore choir and a string quartet throughout the entire album plus guest appearances from some international top tier musicians like Ross Jennings (Haken), Ally Storch (Subway to Sally), a Turkish orchestra and the TLV orchestra. It’s bold, it’s emotional and we hope it resonates deeply wherever it is heard.”
Scardust’s early years saw their debut EP, Shadow (2015), position them as a promising newcomer, while their first full-length LP, Sands of Time (2017), cemented them as one of the leading progressive metal bands in Israel. Scardust rapidly rose to the top of the local metal scene, selling out shows and opening for the likes of Symphony X, Therion, and Epica. They soon expanded their reach, touring overseas and playing festivals and headline shows in Germany, China, and the UK, while continuing to dominate stages at home.
Despite the challenges of Covid-19, 2020 saw the release of their sophomore album Strangers through M-Theory Audio, accompanied by seven self-produced music videos. Described by Dead Rhetoric as “captivating from start to finish,” Strangers introduced a unique concept album built on complementary song pairs, earning strong critical and fan acclaim.
2022 started on a high note with the visit of folk star Patty Gurdy, who joined Scardust for a live show in Israel and filmed the band’s most viewed video to date, Concrete Cages. The song, featuring a duet between Noa and Patty, tells a tale of mankind’s loss of connection with nature – culminating in a shocking twist.
That summer, the band headlined multiple shows across Europe, performing to packed arenas at Wacken Open Air and Dong Open Air. Testament’s Steve Di Giorgio, upon hearing the band from backstage, ran out front and watched the entire set, later describing himself as “mesmerized.” The year ended with the release of the dramatic one-shot video Evolution of the Disney Princess – But She’s METAL, where Noa weaves through a high-energy metal arrangement of beloved Disney Princess songs in just three and a half minutes.
2023 saw the release of Game of Now, a cinematic piece set in a futuristic dystopian live show. Scardust played festivals and concerts across Europe, spent two weeks on tour with power metal legends Blind Guardian, and signed a major multi-album deal with Frontiers Records – marking a significant milestone in their career.
Following an extended period of recording, the end of 2024 brought the release of My Haven, a powerful music video exploring the concept of finding a safe space. Shortly after, they unveiled RIP, a haunting track accompanied by a visually striking video centered around the enigmatic figure of Bitcoin’s creator, Satoshi Nakamoto. Scardust continued working with filmmaker Lahav Levi, whose creative vision has played a key role in bringing their music to life on screen.
Alongside Scardust’s rise, Noa Gruman’s metal choir, Hellscore, has been gaining significant recognition. Known for their unique a cappella renditions of metal classics, they have collaborated with renowned artists and bands such as Epica, Therion, Amorphis, and Alestorm. Hellscore is also an integral part of Scardust’s sound, performing on all their albums and live shows.
Noa Gruman is also much in demand as a vocalist and the already-impressive list of her recent guest vocal appearances includes albums by Amorphis, Ayreon, Therion, Gloryhammer, Nino Helfrich and Orphaned Land.
If you are looking for the most fresh and innovative progressive album, “Souls” is set to be a milestone for the genre.
“Souls” Tracklist:
1. Long Forgotten Song 2. My Haven 3. RIP 4. Dazzling Darkness 5. Unreachable (feat. TLV Orchestra) 6. End Of The World 7. Searing Echoes (feat. Ally Storch) 8. Touch Of Life I – In Your Eyes (feat. Ross Jennings) 9. Touch Of Life II – Dance Of Creation 10. Touch Of Life III – King Of Insanity (feat. Ross Jennings)
Line Up: Noa Gruman – Vocals Gal Gabriel Israel – Guitar Aaron Friedland – Keyboards Orr Didi – Bass Yoav Weinberg – Drums
The Metal Voice recently spoke to former Iced Earth and Ashes of Ares Singer Matt Barlow about the bands upcoming Euro Tour celebrating 30 years of the Iced Earth’s classic Album ‘The Dark Saga’.
Barlow also talked about the upcoming Ashes of Ares new studio album that will be released in the summer of 2025.
When asked if his announcements to go out and perform Iced Earth’s ‘The Dark Saga’ in its entirety, with Ashes of Ares in Europe caused any backlash from Jon Shaffer’s involvement of Jan 6 “We don’t live in a tube of silence here. I think at the end of the day it’s the music and I hope that everybody’s respectful because I’m going to celebrate Jon (Shaffer) and what he’s done .You know (Jon) he’s written some F- amazing music and I’ve been fortunate to be a part of that. So outside of that I’m not going to get political with anything. We’re just talking strictly about music and it’s for the love of the music and I hope that everybody understands that. If Jon wants to tour again and play this music again I wholeheartedly look forward to that. If that’s a possibility. We’re just going to go out there and celebrate this music that is very special for a lot of people. We’ve been given the blessing to do so by Jon. So that’s super important to us as well.”
When asked if he would rejoin Iced Earth ” Well it’s not on the table. Something like that would be entirely up to Jon, that’s Jon’s band 100%. So that would be something that Jon would have to decide. Whether I would be a part of it or not either way but whether Iced Earth goes out and does it I look forward to that. Whether it would be me involved with it or some somebody else if that were to happen and I can’t speak to it.”
When asked if there is a new Ashes of Ares studio album coming out “We got a new record coming out called New Messiahs. I think there’s some really really good music in this record, we’ve been sitting on it for a while. As far as the release times, we got pushed back a little bit but the record has been in the can for about a year.We’ve been sitting on it for a while and it’s really tough man. It’s really tough to sit on music that you’re really excited about people hearing. It’ll be out this summer 2025. We’re getting ready to release some promotional videos and stuff like that too. So that’s that’s coming. It’s amazing.”
Chief Shock Video
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Ads
Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 