In addition to their current Teutonic Terror Attack 2012 co-headlining tour with fellow countrymen KREATOR and openers SWALLOW THE SUN, German heavy metal legends ACCEPT have booked the following eight headline shows for October:
October
6 – Starland Ballroom – Sayreville, NJ
7 – Montage Music Hall- Rochester NY
8 – Blondies – Detroit, MI
9 – Phoenix Hill Tavern- Louisville, KY
11 – Scout Bar – Houston TX
12 – Borderfest – Hidalgo TX
13 – South Texas Rock Fest – San Antonio, TX
14 – Rocktoberfest – Lubbock, TX
Ticket purchase links the the band’s full live itinerary can be found at the Accept Facebook page.
Accept’s Wolf Hoffmann will be a featured guest on this week’s episode of Noize In The Attic (Where Your Past Comes Back To Haunt You) this Friday (September 28th) from 2 – 4 PM, EST on WNHU 88.7FM New Haven, CT (streaming live on WNHU.net).
Wolf updates us on all things Accept as well as confirming the existence of a forgotten Bon Scott-era AC/DC demo for ‘I’m A Rebel’.
A full list of repeat air times and affiliates as well as a link to the free podcast can be found at Noizeintheattic.com. Noize In The Attic is also available as a free podcast in iTunes.
Ruben Mosqueda of Oregon Music News recently conducted an interview with guitarist Wolf Hoffmann of reformed German heavy metal legends ACCEPT. A couple of excerpts from the chat follow below.
Oregon Music News: With “Stalingrad” being Mark Tornillo‘s [vocals] second record, was he more involved on the new album than the previous album?
Wolf: (pause) I’d say Mark‘s involvement was about the same; the songwriting process hasn’t changed in the band’s 30-year career. It’s Peter [Baltes, bass] and I who take one of the riffs and begin to come up with some of the raw ideas for the song. There are times that we already have some ideas for a chorus, other times we don’t. We then give what we have to Mark at a certain point and he put his own spin on it. After he gets his hands on it — sometimes it might change the direction of the song, other times it might remain close to the original idea. An example of a song that came together very quickly is “Stalingrad”, and it is very close to the original idea or concept we had in mind — that was one of the very first things we did, actually.
Oregon Music News: You retained [producer] Andy Sneap for “Stalingrad”. Things went incredibly well the last time around; it sounds like you took the “if it isn’t broken, don’t fix it” approach.
Wolf: Oh yeah, absolutely. We knew, “Why change it if it’s working so well?” you know? That was our thought going into the new album — whatever worked the last time, we’ll do that again. Why mess with it? I guess the way that we looked at it, we wanted it the same without it being the same. We wanted ideas that were like you heard on “Blood Of The Nations” — huge backing vocals, heavy guitar riffs, which makes the ACCEPT anthems. The hard part was the first album; we were searching for what ACCEPT would sound like today. When we found what that was we just wrote more songs. The great thing about that is that we tossed out some of the crazy ideas that did not sound like ACCEPT; those weren’t worth pursuing.
Oregon Music News: Will Wolf Hoffmann write a biography at some point? It would be a great read, I think. It could be a behind-the-scenes of the band, a love story with you and [your wife and ACCEPT‘s manager] Gaby. There’s so many angles that you could take.
Wolf: Ain’t gonna happen, man, it ain’t gonna happen! [laughs] Here’s why, because I’ve asked Gaby about it, too. She’s got the stories to tell more than I do. She’s the one pulling the strings behind the scenes and she doesn’t want to do it because it would open so many old wounds. We can’t talk about the past without hurting a few people and saying a few negative things. If you’re going to write a book, you have to tell the truth; otherwise you’d be cheating yourself and the public. If you’re telling the story how it really happened, it’s going to be painful. Right now we don’t want to go there. I think sometimes it’s better to leave things alone and just move on. Anyone that has been in the entertainment business will tell you it’s never all smooth sailing — a lot of stuff happens along the way that you’d really rather forget.
Oregon Music News: An ACCEPT documentary would be great as well.
Wolf: I don’t really know. I think I’d have to look at the format, but as I said, these things aren’t my favorite things to do. I’m not the best member of the band to ask stuff related to the band’s past. I don’t recall all the details. I don’t live in the past mentally. I am a person that feels what is done is done — I’ll put it aside and move forward. Sometimes I have a hard time recalling who produced a particular album. It’s funny, a lot of fans know all these details about the band that I can’t even recall — and I was there! [laughs] I say to them, “Oh, yeah that’s right — I almost forgot about that.”
The team at Bloodstock have just announced three more additions to the bill for the festival in 2013 -the legendary ACCEPT, and also FOZZY and Greek melodic metal band FIREWIND.
German metal gods, ACCEPT are excited to bring their classic sound to Bloodstock’s hallowed turf. ACCEPT’s founder/guitarist, Wolf Hoffmann, is looking forward to his band’s return to our shores, commenting, “Hey Dudes & Dudettes! It was the UK and Judas Priest who made it possible for ACCEPT, overnight, to be put on the map!! We believe that without our British fans, the career of ACCEPT would have taken a different turn. We are honoured and very grateful to be invited to play BLOODSTOCK 2013 – our only show in the UK! Let’s rock together…See ya there!” ACCEPT’s Andy Sneap-produced ‘Stalingrad’ album hit stores in April; wrap your ears around the title track at http://soundcloud.com/nuclearblastrecords/accept-stalingrad .
What is Bloodstock in for? Watch this recent fan-captured clip of classic song ‘Balls To The Wall’ live from New York City…
FOZZY’s frontman, WWE legend Chris Jericho, is similarly enthused. When asked about FOZZY’s appearance at Bloodstock, he told us; “Next summer, it’s going to be such an honour for FOZZY to be a part of the biggest growing festival in the entire UK! I’ve been following the evolution of Bloodstock for years now, and this fest reminds me a lot of FOZZY…getting bigger every year, and poised to take over the world! I promise that this will be the biggest FOZZY show EVER and we can’t wait to tear your f&@king heads off, England!!!!” Meanwhile, FOZZY released their ‘Sin & Bones’ album through Century Media in August. Check out an album sampler at the following link, including the track ‘Sandpaper,’ which features a guest appearance from AVENGED SEVENFOLD frontman, M.Shadows:
Greece’s biggest metal exports, FIREWIND are also exclusives at Catton Park this year. FIREWIND’s leader, guitar maestro Gus G states; “We are very excited to be returning to the Bloodstock Festival next summer! This will be an exclusive UK gig for us, so you can count on a very special FIREWIND show! See you there!” The band are celebrating their 10th anniversary this year in grand style, with a #1 album in their home country (the first metal band to ever hit #1 in Greece), and are ready to bring Bloodstock a taster of their current ‘Few Against Many’ album, which is out now via Century Media. Feast your eyes on the official video for ‘Wall Of Sound’ in the Youtube video below and see what they have in store for Bloodstock 2013.
Quality fan-filmed video footage of ACCEPT‘s September 7 performance at the Best Buy Theater in New York City can be seen below.
ACCEPT‘s new album, “Stalingrad”, sold around 5,400 copies in the United States in its first week of release to debut at position No. 81 on The Billboard 200 chart. The band’s previous CD, “Blood Of The Nations”, opened with around 2,900 units back in September 2010 to land at No. 187.
“Stalingrad” was released on April 6 via Nuclear Blast Records. The CD was once again helmed by British producer Andy Sneap (MEGADETH, EXODUS, NEVERMORE, ARCH ENEMY), who worked on the band’s critically acclaimed comeback effort, “Blood Of The Nations”.
Jason Bodak of Examiner.com recently conducted an interview with guitarist Wolf Hoffmann of German heavy metal legends ACCEPT. A couple of excerpts from the chat follow below.
Examiner.com: ?Now that you got your “comeback” album out of the way with “Blood Of The Nations”, and now that vocalist Mark Tornillo has been overwhelmingly welcomed to the fold by fans and critics alike, was it a much more pleasant experience recording the follow-up album, “Stalingrad”?
Wolf: Well, yes and no. “Blood Of The Nations” has been a total freefall for all of us as we just opened up and let it out. [ACCEPT bassist] Peter [Baltes] and I have been writing songs together since we were 16 years old. “Blood Of The Nations” surprised us as much as the fans. After being not in the business for so long, we did not even know if that what came out was “it.” Our producer, Andy Sneap, was as much a miracle as us running into Mark Tornillo, when none of us had plans to revive the band again. Two world tours later, the next round was foreboding… lots of pressure. But because we wrote the album in such a short time after the first, it seemed as we just continued where we left [off]. I am probably the biggest “problem” in all of that, as I am a perfectionist and a never-ending critic of myself. So, perhaps we were not that “innocent” the second time around, as we wanted to please our fans. The verdict is out: we got that covered.
Examiner.com: ?Working with producer Andy Sneap has now yielded two exceptional albums. What is it about working with him that brings out the best in you?
Wolf: Maybe that he grew up with ACCEPT as one of his most influential bands. We believe that he brought us back to us, the way we were… and besides many other outstanding talents he has, this was perhaps the key moment in all of this.
Examiner.com: You’ve written many, many great songs with former vocalist Udo Dirkschneider, and now you are writing great songs with Tornillo. Has the songwriting process changed at all, having a new vocalist, or is there a set methodology for creating a new ACCEPT album?
Wolf: You know, we do not talk about Udo at all. Never. He left the band 25 years ago. People forget that sometimes. He has painted a picture about his role in ACCEPT and we are so very disconnected from the past that we would have a hard time to go back to define his role. One thing I can say for sure: his reality has never been ours. We hope he is doing what he loves to do… really! Mark presented us with a special situation. It is not the question about who is a better singer. The question is: what does the singer inspire the songwriters to do, how far can they go in the moment they are at that minute? I like to compare the relation between a singer and a band to a marriage. Not everybody in a marriage is bringing the best out in the other. That has nothing to do with good or bad, just with what do they inspire and positively bring out in each other. Peter and I are joined at the hips at songwriting — always have been. For us the process has never changed, but the possibilities have, big time! People are different and different experiences make you do different things. Mark is as he is now and we are as we are now: a match made in heaven. We never felt we have to prove anything beyond the songs we are writing and performing. And with great humility. I tend to believe the fans got that. We are who we are and we write songs and perform always with one thought in mind: this is the moment where you get the best we have. You judge if that is what you have been looking for. Seems to me… after a little over 30 months from the very first show we did, the fans said and say yes!
Examiner.com: With your new lineup, do you feel you could go in certain musical directions that you couldn’t before?
Wolf: We know now only one direction works for us; the time of searching is long gone. But then you never know… I am pretty sure we are where we want to be and when that is the case, I believe, you do not search for something else. I guess we’re busy to better ourselves and therefore we automatically step into new waters. You get cocky when something works well. We can do that freely, as we have Andy who will rein us in when needed!
J.N.K. from the Petie Fleur Winery based in California’s famed Napa Valley has announced the birth of the official ACCEPT wine called Wolfsblut.
A statement reads as follows:
A true marriage of great wine meeting great metal. This project was actually talked about last year at the famous Rainbow Bar and Grill in Los Angeles on the Sunset Strip. How rock n’ roll is that?
When I met with the band I was bombarded with the places that they have traveled to. The different foods that they experienced and the beverages that comforted them on the road. We all decided that this wine project does not replace the concert t-shirt. This is a true wine experience and will not disappoint those whom love wine already. Accept never does anything short, especially if it is a product that is offered to the fans.
So therefore, the fruit for Wolfsblut comes from the world famous, Napa Valley. The hillside vineyards for this wine are sustainably farmed. The barrel aging process is 100% French oak. Like I said, no short cuts. This is a wonderful food wine that would go well with any of your pasta dishes but feel free to challenge it with a thick, medium-rare steak. Most important of all this wine, with it’s layers of blueberry, cherry and vanilla can easily be enjoyed by itself.
Pop the cork and be prepared to howl at the moon!”
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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