France’s Metal Sickness last month conducted an interview with vocalist Johan Hegg of Swedish melodic death metal tyrants AMON AMARTH. You can now watch the chat below. Source: Blabbermouth.net
France’s Metal Sickness last month conducted an interview with vocalist Johan Hegg of Swedish melodic death metal tyrants AMON AMARTH. You can now watch the chat below. Source: Blabbermouth.net
David is the founder and composer of the two Italian doom-oldswedeath Bands, Horrid (1989) and Tethra (2008). His eight album plus the mini cd “At The Gates Of Doom” were released the 2 November 2010 for the Occultum Production of Ossian, distributed in Italy by Masterpiece.
Some days ago, I had a chat with David, trying to figure out who he is and what he’s thinking about certain things …
Hello David! Welcome to Metal Shock! How are you today?
… a bit better thanks, tonight I was not very well but now I’m ready to begin another day ..
First of all, tell me briefly who you are, a short “David in the nutshell” …
mmm .. briefly it’s tough, I can tell you that I’m a man who has a respect to his humility and consistency lifestyle ..
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Kaaos TV conducted an interview with vocalist Johan Hegg of Swedish melodic death metal tyrants AMON AMARTH at the Finnish Metal Expo on February 18, 2011 in Helsinki, Finland. You can now watch the chat below. Source: Blabbermouth.net
Hellbound‘s Adrien Begrand recently conducted an interview with guitarist/vocalist Alexi Laiho of Finnish metallers CHILDREN OF BODOM. An excerpt from the chat follows below.
Hellbound: You’ve always been influenced by classic 1980s metal, but the riffs on [the new CHILDREN OF BODOM] album [“Relentless Reckless Forever”] seem to really draw from that era. Was that the case?
Alexi: I do agree; there’s a lot of ’80s hard rock guitar, especially with the guitar riffs, there’s a lot of influence from that type of music. I think it’s more out there with this album than it was on, say, “Blooddrunk”. I don’t know why, but that’s just how it turned out.
Hellbound: At times it feels like you’re channeling Warren DeMartini and George Lynch.
Alexi: That can be the case. [Laughing] Those guys, among many others. I grew up listening to it, and I still dig their stuff.
Hellbound: The interaction between guitar and keyboard has always been part of the band’s sound, but as the lead guitarist and songwriter, how hard is it for you to envision Janne’s [Wirman] keyboards as you’re writing a new song?
Alexi: It’s always been a part of CHILDREN OF BODOM’s music, and I’m not a good keyboard player or anything. I know how to play well enough to at least come up with some keyboard stuff. Usually I don’t need keyboards like that, I’ll just play it in my head and just tell Janne what to do. And we’ve been working together for such a long time that it’s easy to communicate as far as telling him what to play and how to play it. He gets it at the snap of a fucking finger. As far as the keyboard solos, he improvises the stuff. It’s a cool thing, something different as opposed to two guitar players
. And like you say, it’s always been a really big element in CHILDREN OF BODOM’s music.
Hellbound: The melodies on this album seem to come so naturally; nothing seems forced. Have you been noticing your own improvement in the actual craft of songwriting?
Alexi: The working method was exactly the same, it always has been, and we’ve never sat down and talked to each other about what we should sound like. I just started writing, and whatever came up, came out naturally. We just like to keep it that way. I don’t know if people ever want to plan beforehand what they want to sound like, but we don’t. That spontaneity has always been part of our sound.
Hellbound: Hearing how strong these new songs are, did you have a different mindset at the time when you were writing them as opposed to previous albums?
Alexi: Um…I don’t know! [Laughing] I do remember that this time around I had this fucking drive, I felt like that I really want to fucking kick ass. I’ve felt that same thing since I was fucking 19 years old. It felt like it was a time to show the whole world that we know how to fucking kick ass. That would definitely be a good thing. [Laughing]
Read the entire interview from Hellbound. – Source: Blabbermouth.net
Back in 1999, when Tuomas Saukkonen felt the need to break his routines as a drummer of a local band, his new metal project called BEFORE THE DAWN was born. As soon as the studio was booked, the following demo session started a decade that brought 3 demos, 5 full length albums, 1 DVD and 2 mini albums. BEFORE THE DAWN also hit both single and album charts in the bands home country Finland many times. Their 6th album “Deathstar Rising” will be released on 25 February via Nuclear Blast.
Some weeks ago I had a nice long chat with Tuomas, in fact, instead of the allowed 30 minutes we talked about an hour… but there were too many interesting things to talk about, and it seemed the time flew with wings…
Hi Thomas, and welcome to Metal Shock! How things are going?
Thank you, Tarja, they’re going very good! There are plenty of so-called “good-alike-hurry”.
Can you tell us a brief description of who you are, that is, Before the Dawn members and their roles in the band?
As a Band, we’re about 12 years old, 4-piece Finnish heavy metal band. The project started as my solo project, but over the years new members jumped in. Our solo guitarist Juho Räihä is also our sound engineer, who recorded and mixed the latest album “Deathstar Rising”. I produced it, and I play guitar and I’m the lead singer. You know, while recording the album there were no “outsiders” there in the studio, but we handled everything by ourselves. Norwegian-Finnish Lars Eikind is our bassist / vocalist and has also done a lot of studio work. This completely “self-made” -pattern became gradually as our normal way to do, also because I’ve done for years everything by myself, as well as Juho has done these things for a long time. So, the work in the studio is going well and smoothly, as all of us can work in a professional way, so the result is the best possible, just the way we want, and quickly. Just think that the recordings went all in under two weeks’ time, plus mixing, but the time we spent in all for this album, were three and a half weeks, 8-10 hours a day, and the whole album was ready. After all, this is our sixth album, so we’ve practiced well and we’ve cut off the so-called useless mess.
Our fourth member is Atte Palokangas, he has been our session drummer for two years (and well over 100 gigs). To all of us it was already clear that Atte will stay in the band, but for some reasons his status was still “open”, so when we realized that he hadn’t yet been made permanent, we wanted to fix the situation right before entering the studio 🙂
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On January 14, NIGHTWISH keyboardist and main songwriter Tuomas Holopainen was interviewed by his official web site, The Escapist, at his hotel in London, England during the recording sessions for the band’s new album, “Imaginarium”. You can now watch the chat in two parts below. Source: Blabbermouth.net