On April 24th, KING DIAMOND will release CD and LP versions of the classic albums Abigail and Fatal Portrait via Metal Blade Records. The vinyl editions feature spined sleeves with an insert and download card; the CDs contain a mini-LP CD-insert with a small fold-out poster.
King Diamond adds, “These are not remasters. These are the albums as they were originally done in the old days from the original production masters. They retain all the original dynamics that were captured at the time. It’s very exciting to present these to fans as they were originally released.”
For The Metal Voice former Anthrax singer Neil Turbin spoke to King Diamond guitarist Andy LaRocque and Bassist Pontus Egberg on December 3 2020 in California at The Grove of Anaheim. LaRocque spoke about the making of the new single Masquerade of Madness and gave an update on the upcoming album The Institute.
Watch the interview below.
When asked about the latest single Masquerade of Madness
“So far we only have one song from the upcoming album done, we are still working on the new songs for the next album. We really haven’t composed that many songs yet I have about 4-5 in the loop and King has a lot of ideas and he hasn’t had time to put them down on the computer. So one song Masquerade of Madness, we have managed this summer to play live. For this song I came up with the music and then King needed to re-arrange a few things to make it work with his vocals and then of course he wrote the lyrics. A little back and forth between me and King until it worked.”
When asked about an update on the upcoming albums
“2007 was the last album, it’s been a few years but music takes time. While King Diamond will be with MercyFul Fate doing shows in the summer I will be working on the songs, recording, mixing for the album, I will be busy. ”
When asked when The Institute album will be released
“There will be two albums, the first one will be released late 2020, it will be a concept story over two albums. The second part of the story will be released in the future.”
When asked how the Institute compares musically to past King Diamond albums
“Music wise, I have been looking back to the origins of King Diamond music back in the 80’s and that’s what we have been trying to go back and find, the original roots. So I would say the new album is back to the roots. a lot of riffs will have the style of the early album.”
KING DIAMOND have revealed the title and theme for the first studio album in 12 years: The Institute! For a preview of this upcoming record, the new single, “Masquerade of Madness”, has been launched today. Mixed by Andy Larocque and King Diamond at Sonic Train Studios, “Masquerade of Madness” can be heard at: kdcoven.lnk.to/masquerade
King Diamond comments: “‘Masquerade of Madness’ is one of the first King Diamond studio songs in a long time. It will be featured on a future two album horror concept story, of which the first part is titled ‘The Institute‘. The style is very classic King Diamond with lots of dynamics and limited amounts of compression to achieve very natural sounding vocals and instruments throughout the song. You’ll find some complex orchestrations, including the typical choir works you’re used to hearing from King Diamond, and a special thought process bringing vocals back to the forefront: ‘All vocals are lead vocals.’
Both Andy and I are presently working on several different songs with high potential for the upcoming album; all of which are absolute killers. We will continue this work when we’re back from our North American tour in December, during which you can hear the live version of ‘Masquerade of Madness’. For now, we hope you’ll enjoy the brand new studio version of ‘Masquerade of Madness’.”
Catch King Diamond on the road now in North America with Uncle Acid & the Deadbeats and Idle Hands (see below for dates). Limited Meet & Greet packages with King Diamond are available for the first time ever on this tour at: kingdiamondcoven.com – reserve yours now!
King Diamond tour dates w/ Uncle Acid & the Deadbeats, Idle Hands
Nov. 8 – Worcester, MA – The Palladium
Nov. 10 – Philadelphia, PA – The Tower Theater
Nov. 11 – Baltimore, MD – The Lyric
Nov. 12 – Montreal, QC – M-Telus
Nov. 14 – Detroit, MI – The Fillmore
Nov. 15 – Cleveland, OH – The Agora Theatre
Nov. 16 – Louisville, KY – The Palace Theatre
Nov. 18 – Chicago, IL – The Riviera
Nov. 19 – Minneapolis, MN – Palace Theater
Nov. 22 – Denver, CO – The Fillmore
Nov. 23 – Salt Lake City, UT – The Complex
Nov. 25 – Seattle, WA – The Paramount
Nov. 26 – Portland, OR – The Schnitzer
Nov. 27 – Vancouver, BC – The Queen Elizabeth
Nov. 29 – San Francisco, CA – The Warfield
Dec. 1 – Los Angeles, CA – The Wiltern
Dec. 2 – San Diego, CA – Magnolia
Dec. 3 – Anaheim, CA – The Grove of Anaheim
Dec. 4 – Phoenix, AZ – Comerica
Australian Metallers LORD are continuing to ride the success of their latest album Fallen Idols with the announcement of a 10 part podcast series named Nod to the Old School, hosted by the band’s very own Andy Dowling.
Nod to the Old School is all about the old school mix tape and metal compilation. Andy finds himself chatting with some of the best in the business about their first introductions to heavy music and what were on those early mix tapes.
The 10 episodes, which will be released over November and December, match up with the 10 tracks from Fallen Idols. The array of guests are as varied as the styles covered in LORD’s latest release, further solidifying the love of the metal mix tape.
Andy says, “I’ve been podcasting for the past 5 years with my own show The Andy Social Podcast, so it’s only natural that we now bring the worlds together. We are using the popularity of podcasts to not only share great stories from these amazing people in the metal world but to further promote LORD and our new album Fallen Idols”.
Episode 1 features the legendary Andy LaRocque of King Diamond which is available right now on all podcast platforms including Apple Podcasts, Stitcher, Spotify and more. The remaining episodes will be periodically released over the coming weeks.
All episodes will be released 7am, Sydney AEDT time (GMT +11 hours).
1. Andy LaRocque (King Diamond) – Friday November 8th.
2. Jennie Skulander (Devilskin) – Tuesday November 12th
3. Daniel Dekay (Exciter, Diemonds, Banger TV) – Friday November 15th
4. David Ellefson (Megadeth) – Tuesday November 19th
5. Willie Gee (Guitar Tech for Slayer, Anthrax, Megadeth and more) – Friday November 22nd
6. Brittney Slayes (Unleash the Arches) – Tuesday November 26th
7. Johnny Dee (Doro) – Friday November 29th
8. Lord Tim (LORD, Blackened Angel, Serenity Defiled) – Tuesday December 3rd
9. Joel Green (Witchskull, Armoured Angel) – Friday December 6th
10. Paul Murphy (Utopia Records in Sydney) – Tuesday December 10th
Fallen Idols saw the band enjoying one their most successful releases to date with the album debuting at #20 in the Australian Artist ARIA charts and #2 in the Australian Independent Charts. Two singles and video clips have been released to date with United (Welcome Back) and Kill or Be Killed, setting up Fallen Idols to be heavily considered in many ‘best metal album of 2019’ end of year lists.
KING DIAMOND will kick off his anticipated North American headlining tour this weekend. The month-long journey will commence on November 2nd in Dallas, Texas and run through December 4th in Phoenix, Arizona with support provided by Uncle AcidAnd The Deadbeats and Idle Hands. VIP packages with KING DIAMOND are available for the first time ever this tour. Visit kingdiamondcoven.com to purchase your ticket or VIP upgrade now. See all confirmed dates below.
KING DIAMOND will be touring in support of The Institute, his first studio album in twelve years! Fans can expect the album in 2020; in the meantime, a tour teaser with a sneak peak of the new stage set can be viewed below.
KING DIAMOND w/ Uncle Acid And The Deadbeats, Idle Hands:
11/02/2019 Bomb Factory – Dallas, TX
11/04/2019 Tabernacle – Atlanta, GA
11/05/2019 Dr. Phillips Center – Orlando, FL
11/07/2019 Kings Theatre – Brooklyn, NY
11/08/2019 The Palladium – Worcester, MA
11/10/2019 The Tower Theater – Philadelphia, PA
11/11/2019 The Lyric – Baltimore, MD
11/12/2019 M-Telus – Montreal, QC
11/14/2019 The Fillmore – Detroit, MI
11/15/2019 The Agora Theatre – Cleveland, OH
11/16/2019 The Palace Theatre – Louisville, KY
11/18/2019 The Riviera – Chicago, IL
11/19/2019 Palace Theater – Minneapolis, MN
11/22/2019 The Fillmore – Denver, CO
11/23/2019 The Complex – Salt Lake City, UT
11/25/2019 The Paramount – Seattle, WA
11/26/2019 The Schnitzer – Portland, OR
11/27/2019 The Queen Elizabeth – Vancouver, BC
11/29/2019 The Warfield – San Francisco, CA
12/01/2019 The Wiltern – Los Angeles, CA
12/02/2019 Magnolia – San Diego, CA
12/03/2019 The Grove Of Anaheim – Anaheim, CA
12/04/2019 Comerica – Phoenix, AZ
“Once upon a midnight dreary, while I pondered, weak and weary, over many a quaint and curious volume of forgotten lore, while I nodded, nearly napping, suddenly there came a tapping.” As of some one hardly rocking, rocking at my smart phone. WOLF to reveal some surprise, raven has never told me any lies. Ah, distinctly I remember it was a night in September. Picked up my phone called Nik, Let’s talk, it will be quick….
Swedish heavy metallers, WOLF have recently shocked their fans with their new line up, featuring Johan Koleberg and Pontus Egberg and that was not all. They revealed that they working on their eighth studio album, entitles “Feeding The Machine”. To find out more I conducted an interview with Niklas Stålvind, an excerpt can be read below.
Asked him about the days that Richard and Andy left the band, what was the story, Nik seemed to be not very happy to talk about that era but he answered:
“We still haven’t finished recording. We have date set for mixing, dead line and we have a release date but it’s been very long process this one… Couple of weeks before [UK] tour, Andy called me, we are good friends but he’s not the guy who call you or at least he never called me. So I was really happy when he called me but then he said there’s nothing to be happy about because I’m quitting the band, but I’ll do the tour but the last thing I’ll do because I don’t feel it’s fun for me to be in the band anymore. Also I should say that Andy is playing totally a different kind of music in his other band and he seems really happy there…. I phoned up Richard to discuss the situation with Andi and everything and he told me that he’s also leaving the band…. I felt like let’s just let it go, because it seems to me neither of the guys are happy with the band and in my head I only had to finish the album and then we can sort it out.”
So what’s story of finding new members, now he sounded more excited and he replied:
“I felt a bit chaotic and I had no idea how we’re gonna to release this album with just half of the band…. Then a friend of us Mike Wead from King Diamond, he’s a close friend of Simon. He knew that we’re looking for people, so he asked Pontus the bass player of King Diamond if he knows anyone around Stockholm area for drummer. He said, yes I know a really good guy, my childhood friend, Johan, who I’ve been playing with for a long time. So I checked out Johan and he was really good drummer and seems to be a nice person as well. Mike Weed also told the bass player of King Diamond the they [WOLF] are looking for a bass player as well but I don’t think you’d be interested. But actually he was …. I did a bit of research on the guys of course, I thought they sound great and they seem to be normal nice guys! So we had a meeting with the guys and they are in the band now.”
“It’s been an emotional roller coaster the last couple of months because it’s not a good way of, I mean people quitting and new members getting in, it’s been really very exhausting to say the least. But I am very happy to have the [new] guys in the band and they wanted to be not just like hired musicians, they really wanted to be in the band for real.”
I asked him what took them so long for a new album, as “Devil Seed” was released in 2014. Nik answered:
“When we were making the “Devil Seed” album I didn’t have a job, I had to quit my job because I was burned out and I took my sick leave and invested on writing music… After the release of the album, I got a new job and start to work full time and that’s what I was doing. I have a family with two kids and also we did more touring on “Devil Seed” than we done with other albums so we were playing more lives… But mostly because I’ve been working, all the WOLF members have been working full time with day jobs but I wrote the first song for this album in 2015…. For this album, I wanted to go deeper into myself, I couldn’t really force it, to me it is just not like any songs….”
What’s the concept and idea behind the title of “Feeding The Machine” album, Nik answered me thoughtfully:
“The idea, I got, I think it was in 2016, I started to noticing that social media has become something very manipulating. When I was unemployed, I used social media to sell my artworks and I was fortunate that people saw them and buy them so I can buy foods for my children, I was very thankful. But around 2016, I started to noticed, what the f*ck is this, it’s not me using Facebook anymore, it’s Facebook using me. It’s so manipulative and it just make people gather in small groups hating each other and I felt something is really wrong there. Whatever. I take Facebook as an example but it’s the same with Google and everything, if you don’t buy service then you are the merchandise! Not only that, they are really manipulating opinions, elections, these companies are not neutral… Some people recognize it and some people don’t…. We are all feeding this machine!”
Nik and I spoke many other things like how the upcoming album would sound like and its production, so you can listen to the whole of this interview on the Audio Player below: