For the first time in history, Iranian and Scandinavian metalheads joined forces to pay a tribute to the unique rock and metal legend, Lemmy and BRAVEWORDS is there to support! JUPITERIUM is proud to release ‘King of Spades’, a tribute song to Ian Fraser Kilmister, Lemmy; featuring amazing artists as special guests, Marko Hietala (NIGHTWISH, TAROT), Johan Koleberg (Ex-HAMMERFALL, Ex-THERION, WOLF), Niclas Etelävuori (Ex AMORPHIS, FLAT EARTH) via a lyric video which can be watched here.
The song was mixed and mastered by JUPITERIUM’s Ehsan Imani and artwork and lyric video is done by Mohsen “Stargazer” Fayazi at Stargazer MultiMedia.
“I think we can call 2020 many names but one can be the year of division, even in the metal music community, people are getting divided over their political opinions and this virus makes it even worse.” Stated JUPITERIUM’s Mohsen “Stargazer” Fayazi “I believe in situations like this, Lemmy, an icon over anyone or anything, could bring us all back together and remind us that we, metal brothers and sisters are more alike than different! That’s what we tried to do in this tribute project but still no one is like him! We miss you very much Lemmy! Gone but not forgotten!”
2020 is the twentieth anniversary of MOTORHEAD‘s iconic song, ‘Ace of Spades’ which was released on 27 October 1980 and stormed British music charts for weeks. This year is also the fifth anniversary of Lemmy who left us on December 28, 2015.
A solo album by late MOTÖRHEAD icon Lemmy should be out later this year, according to its producer Jim Voxx, reported teamrock.com.
The Skew Siskin guitarist had been working with Lemmy on the long-term project – and he reports that everything is in place for a 2017 release.
Voxx tells Metal Talk: “We are in the very last stages of the Lemmy solo album.
“I still don’t know when it will be released because this is in the hands of the Motorhead management and it took a while. Lemmy had so many things left – there are so many other recordings and they all had to sort out how to proceed.
“There is no real time rush to release this album so I can imagine it will be towards the end of this year.”
Voxx reports that he began working with Lemmy in 2003, with the pair hooking up in Berlin between Motorhead’s live commitments.
Voxx adds: “Lemmy also recorded some tracks in America with Dave Grohl or Reverend Horton Heat and in London he was working with The Damned. All these tracks came to me in Berlin.
“We started out with two Skew Siskin songs. It was the total opposite of working with Motorhead because he had to do it in his free time between the Motorhead work.
“But I gave him the possibility to come here and work in the studio whenever he needed and step-by-step we got the songs together. We have 10 songs, and we thought it would have been released a long time ago but when Lemmy got ill, we stopped working on it but the recordings were all done.”
Motorhead’s official Facebook page also posted news of the solo album with the caption: “Exciting things in the works.”
The release of a new album by legendary New Jersey thrashers, OVERKILL, was a good reason to have a chat with the band’s frontman Bobby ‘Blitz’ Ellsworth to speak about “The Grinding Wheel” plus more news from the band. Several excerpts of this interview can be read below:
It’s always cool to start the chat about “Chaly” if you are talking with an OVERKILL member or a die hard fan. So after asking how Chaly was today, we started to have a chat about the idea: “When Overkill started we were obviously a cover band, playing stuff we like – everything from Motorhead to NWOBHM to some punk rock. And one of the newcomers on the scene back then that was making the biggest splash, was Iron Maiden and they had Eddie.
We were an unsigned cover band, we said that ‘they have Eddie, we need something like Eddie’. I remember D.D. drawing on a cocktail napkin, it looked like Popeye’s head with two wings on it. It was an awful rendition that actually made it to a few tshirts at the beginning, then we finally had an artist do it… Eddie came first, so I would think Eddie would be the father.”
If “The Grinding Wheel” is not their best album then it is definitely one of the band’s top three. It is one of those albums which I am not getting tired of listening to. OVERKILL‘s thrash style of music mixed with some elements of old school heavy metal, made this album stunning! So I asked Bobby where this came from?
“I think the idea first and foremost that should be understood is that Overkill never forget where we come from. Just even having that talk of Chaly versus Eddie, we understand that we came from a certain era and that era was a combination of things. That era was rock ‘n’ roll, NWOBHM, traditional heavy metal and punk rock. And it became other things over the years – it became groove, it became hardcore, so all these elements were added to it. And I think that what we do, we use the elements where we come from, knowing what we want and putting it through a kind of Overkill machine. So then at the end of the experience or process, it comes out with the Overkill brand.
At the end of the day when the mix is done, it says Overkill and I think that’s always our goal, to put our stamp on our performances.”
OVERKILL is mentioned as the Mötorhead of thrash metal, I agree with that. I asked Bobby how he feels about that and also what influences Mötorhead had on their band?
“You can just look at the name of the band and say that we were influenced greatly by Motorhead. This was a band that we were actually covering, when Chaly started taking shape for us in the early days.
So Motorhead has been there for us as an influence or a love from the beginning. And I can probably say to this day that I’m still a Motorheadbanger. It’s what it was all about for us with one of our favourite bands. So I think that the influence is the rock ‘n’ roll influence that Overkill has, I think thrash is heavy metal with energy, but rock ‘n’ roll is not far away from it. I think it’s one of the characteristics that we’ve carried for many years.”
I changed the subject and brought “The Big Four” into our conversation, asking Bobby how he feels about his band not being classed as one of them and what were the facts behind the forming of The Big Four?
“Who? (laughs) I’m sorry I just like doing that. That’s my answer! First and foremost I think it’s necessary to be concerned with your own house as opposed to what other people do. I think for sure they’re a great complement to the metal community and it shows the power of being able to play the size of venues that they do. They reinvented music on a heavy level by showing that a band out of San Francisco could make this happen at this large scale.
When you talk numbers, numbers make the world go around, numbers put food on your table and numbers put the Big 4 in arenas. For me, it’s not a concern. To even be asked the question from you is quite a compliment, but this is quite simply an accounting issue. He who sells the most gets to be in the Big 4.”
I asked “Blitz” about his favourite singles and albums but he preferred to speak about his favourite singers:
“These are guys that I like for different reasons. I was always a huge fan of Freddie Mercury and probably that record would be Sheer Heart Attack. I think he is the full package with regard to presentation, songwriting and singing talent.
Other singers, let me see, Iggy Pop – but that’s more of a pop approach to things.
I was a big fan of Dee Snider, the reason is that I always thought he did more with less.
Rob Halford – to this day, this many years into it, I have a note that I use, a real high pitched scream. I always think when I’m doing it, if only I could do it as clear as Halford. To some degree he still inspires me this many years later.”
Back to “The Grinding Wheel“, Andy Sneap who seems to be one of the busiest people in this industry, was part of the production personnel on this album. So I asked Bobby‘s opinion on working with him:
“One of the things about Andy – he’s got a state of the art feel to understanding this type of music. I think he works within a template of how he does things. What I like about him is that he thinks out of the bounds, for instance, what I mean is making each band sound like that band. He’s got to give them individuality within that template.”
You can listen to the whole of this interview on the audio player below: