The answer is “yes,” says Joe Lynn Turner. The singer insists he’ll cut a deal with his former RAINBOW bandmate for a reunion in 2015, according to guitarplayer.com.
“He’s itching to do some rocking, and we’re going to get together in the fall,” Turner told Classic Rock on April 5, following a solo performance in London.
“Ritchie is really, really ready to rock. He still has the chops too.”
Turner talked about a Rainbow reunion in December 2014, noting that Blackmore “deserves to go out in a big blaze of glory.” Talks were reportedly held that month.
“Now is the time—2015,” Turner said in December. “Everybody’s sitting there waiting for this to happen.”
Rainbow were active from 1974 through to 1984, when they disbanded. At the time, Blackmore and bassist Roger Glover returned to Deep Purple, where they had originally performed together from the late Sixties to the early Seventies. Rainbow regrouped in 1993 with Doogie White replacing Turner on vocals.
Blackmore split from Rainbow in 1997 to focus on Blackmore’s Night, his Renaissance-influenced group with his wife, Candice Night. The band has been the sole outlet for his work since then. To date, Blackmore’s Night have released nine studio albums.
According to Turner, previous negotiations for a Rainbow reunion included a 60-day tour and an HD 3-D movie. Those plans reportedly fell apart when Blackmore pulled out to work on a Blackmore’s Night project.
Turner added that bassists Jimmy Bain and Bob Daisley have both been recruited, though it’s unclear why the band would need two bassists. Bain performed with Rainbow from 1975 to 1977, when Daisley took over and stayed until 1979.
“I’m not sure if it’s going to be a Rainbow reunion or a bunch of remakes—which I detest, because you can’t improve on perfection,” Turner said. “But that’s what’s happening.”
Stay tuned, and we will see if it actually happens this time.
There’s always a fair amount of fuss when bands refuse to reunite with former members for their Rock and Roll Hall of Fame induction performances, but DEEP PURPLE‘s Ian Gillan knows exactly where those groups are coming from, as reported by ultimateclassicrock.com.
Using Gene Simmons‘ and Paul Stanley‘s decision not to do a set with ex-bandmates Ace Frehley and Peter Criss following KISS‘ induction into the Hall as an example, Rolling Stone asked Gillan if, should Deep Purple be inducted, they’d be willing to play with former guitarist Ritchie Blackmore. “This is the longest that any lineup has ever been together in this band,” he responded simply. “And it would be unconscionable to think about bringing Ritchie in.”
Gillan’s stance regarding Blackmore, who left in 1993, is nothing new, but he stopped to note that his point of view has more to do with honoring the work done by the current version of the band — and the talent of Blackmore’s replacement, Steve Morse — than old grudges. “I don’t have an issue with Ritchie, nor does anyone. I’ve been in touch with Ritchie recently and everything’s cool, so there’s no bitter, personal problem. We’re too old for that and everything’s in the past, but no. That would be out of the question.”
While he made a point of staying as diplomatic as possible about the Rock Hall in general, saying the band doesn’t “really understand it, but if I treat it with respect, we’ll see what happens,” Gillan made it clear that if Blackmore’s involvement in a ceremony set was required for their induction, he’d turn it down. “If that’s the stumbling block, fair enough,” he shrugged. “Never the twain shall meet.”
Of course, Deep Purple isn’t exactly crying out for the extra help — their most recent release, 2013′s ‘Now What?!,’ was well-received, and Gillan was speaking with Rolling Stone on the eve of the band’s biggest U.S. tour in years. But most importantly, he sees Blackmore’s departure as a crucial turning point in the group’s ongoing development.
“Let’s get the record straight: I was just as much of an a–hole as Ritchie was,” Gillan admitted. “But Ritchie carried it on for a little longer. Had Ritchie stayed with the band, it would have been all over. It would have just ended. Without any doubt in anyone’s mind — it was all over. So the day he walked out was the day we had to rebuild. … It’s good to go through those crises. It doesn’t do your heart any good, but that was the spirit of the band. So to go back to the question of ‘Would we do the show with Ritchie?’ I think that would be hugely disrespectful to what I call the living, breathing, Deep Purple. There’s always been a living, breathing, Deep Purple, good or bad at any stage of our evolution, and how it is now is particularly healthy and it wouldn’t be right.”
As you perhaps know, we at Metal Shock Finland presented a week’s Tribute To Ritchie Blackmore in April 2014. Many big names including artists, musicians, one writer and one photographer joined us and shared their opinion and thoughts on Ritchie Blackmore. The legendary ACCEPT ‘s Wolf Hoffmann was also one of them, who agreed to have a chat with Mohsen Fayyazi. But unfortunately, due to some technical issues we were not able to publish this interview up to now.
Wolf Hoffmann is one of those guitarists who influenced many bands and musicians, ranging from younger talented musicians to the big names such as AMON AMARTH. Check out what Mr Hoffmann shared with us about Ritchie Blackmore:
“Well, I’ve always been a huge fan of Ritchie Blackmore, but especially growing up in my formative teenage years. Me and a lot of other people in Germany growing up were heavily influenced and totally into Deep Purple and especially Ritchie Blackmore. When he had his own band Rainbow, we all worshipped the guy and I think he had a few years of making some incredible albums. And he definitely influenced my style of playing, no doubt.”
Wolf Hoffmann said, when asked what he has learned from Ritchie as a musician:
“Well, what I always liked about him, he was kinda different from all the other guys, not so much a shredder. Actually, I have to say in the mid seventies, nobody was that much into shredding, that came later with Yngwie Malmsteen and all the speed players. He was always very melodic and he was a great songwriter and he always managed to write solos that fit the song. Maybe that’s one of the things I try to use as an inspiration. A solo is more than just a little piece of noodling, it’s really another piece of the song, that gives the song another dimension.”
“Would Rock and Metal music be different today without Ritchie?” Check out Wolf‘s answer:
“Yeah, I mean who can imagine a world without Smoke On The Water? What a monster riff that shaped a whole generation! Like I said earlier, everybody on my friends, particularly in Germany, was into Blackmore then and a lot of ’em still are today. You know, I live in the United States and he’s not that well known here and I don’t think he ever was. But definitely in Germany, people still worship him.”
You can listen to some part of this interview on the Audio Player below:
Heavy Metal is more than a genre of music now, it is a huge industry that includes many names, stars, super stars, heroes and legends. It seems that recently in this crazy industry, everybody is just taking care of and looking out for themselves, a cycle of torment, always wanting to be on top, which seems endless. I do understand it very well, everybody has their own dreams and they want to make them true, but we should not forget those who taught us, prepared us and showed us the way. But of course, there are still many people who care and do not forget. I believe you who read this article, are among them, if not, you wouldn’t bother to read this.
Metal Shock Finland ‘s Tribute Week To Ritchie Blackmore had a few goals; first of all, we wanted to send a message to Ritchie that we never forgot him, he and his music is in our hearts for eternity. Then we wanted to remind those who may have forgotten Ritchie Blackmore and his magical music. Also, we wished to introduce him to the newcomers and young people who haven’t yet had the chance to know him. In the end, we wanted to learn more about Mr. Blackmore from others and share our knowledge with our readers. I just hope we were successful in achieving some of those goals at least.
His riffs are like strong rocks on a mighty mountain, his solos are floating through the whole of music history and will be eternally! Ritchie Blackmore is one of those in the very beginning of Heavy Metal music as Martin Popoff said, he changed the way music sounded and his DNA is everywhere as Paul Bibeau said. Gus G and Niklas Stalvind reminded us that Ritchie is one of the originators of hard rock and heavy guitar. Some of our guests had the chance to meet him on stage and off it, they shared their memories and told us how great a guitarist Ritchie is. Graham Oliver and Nigel Glockler even told us that Ritchie is a huge football fan and they found him a nice guy. Andy Sneap who seems always busy and can hardly find time to answer his messages, mentioned Blackmore as one of the major influences. The legendary Wolf Hoffmann told me that he is not afraid to confess that he worships Ritchie and the mighty Pumpkinhead Michael Weikath told me “I could say many things but given his position and history, who am I to say anything?” Simon Johansson went even further as to attribute Ritchie for being “a bit responsible” for his starting to play guitar!”
So yes I have learned many precious things but in the end, all of our guests agreed with me that metal music could be different today, if Ritchie Blackmore hadn’t picked up an electric guitar. I know he is one of those free and unique rainbows who does not follow the rules, as he has his own ideas about life and music.
I, Mohsen Fayyazi, should confess that I enjoyed every second of this tribute week. It was very busy, messy and noisy but in this final moment of the celebration I started to feel upset. It was just like being with him, or even living his life and experiencing what he saw and did again, like walking in a black masquerade of metal music history. However, something is certain, his riffs are like strong rocks on a mighty and magnificent mountain and his solos are floating through the whole of history and will be eternally! Long Live Ritchie Blackmore, A Light In The Black!
As you perhaps know, we at Metal Shock Finland are presenting a week’s Tribute To Ritchie Blackmore and today is the final day. The goals of this celebration are; first to send a message to Mr Blackmore that we remember him, love him and we appreciate what he has done to improve Rock and even Metal music. As part of this celebration, we have invited well known names in the world of rock and metal to share their thoughts about Ritchie. Musicians, guitarists, photographers and managers shared their thoughts with us and you and I am sure we all found them interesting. But the project couldn’t be complete without the opinions and comments of a journalist and writer who sees the industry from above. I, Mohsen Fayyazi, was lucky to have a chat with Martin Popoff, who wrote many books about rock and music and its bands and artists and has been called “heavy metal’s most widely recognized journalist” by his publisher. He is also the senior editor and co-founder of Brave Words & Bloody Knuckles.
I know Martin is a very busy person, so we started our chat about his current projects and he said: “I just proofed a coffee table book that I’m doing on Ozzy Osbourne, which is like a timeline with quotes book, like my Iron Maiden coffee table book that just came out. And I’m halfway through a WHITESNAKE book, I’m gonna do a book on a Canadian band called MAX WEBSTER and I just finished up a 400 page book that I’ve got with my layout guy on MEGADETH. So lots going on, and also through another big American publisher I’ve got a coffee table book that’s like an oral history of Hair Metal, so going from about 1980 roughly to about 1991 when NIRVANA came out. Plus working with Banger films, we did the Rush movie Metal Evolution and we did the IRON MAIDEN movie. We got a new series called Rock Icons, it’s half hour episodes on just one person at a time, so I’m in there as a consultant as well, one week on, two weeks off, so I dip that in between everything else.”
Then we went forward to the main point of this interview, Ritchie Blackmore. Martin wrote a few books about DEEP PURPLE and RAINBOW, I asked Martin about his opinion and thoughts on Ritchie in general. Mr Popoff answered: “I think one of the big things Ritchie contributed to us, he essentially is in there at the very beginning, inventing heavy metal.” He continues: “People often talk about the first BLACK SABBATH album in February 1970, the second BLACK SABBATH later in 1970, but I think if BLACK SABBATH wasn’t there earlier by a few months, i would say that “Deep Purple In Rock” is the most pronounced, most modern, most revolutionary of those three records in 1970. Ritchie Blackmore was there inventing heavy metal.“
I found his answers interesting, in fact he encouraged me to go forward and ask if metal music could be different, if Ritchie Blackmore hadn’t chosen to play electric guitar. Martin stated:
“Yes I agree with that, I think DEEP PURPLE’s big contribution is the bringing of a classical element to heavy metal and that’s a combination of Ritchie and Jon Lord. We might have gotten some of that Middle Eastern or Turkish or Morrocan sound too. All of power metal, which is a massive heavy metal genre, owes a lot to bands like DEEP PURPLE, RAINBOW, JUDAS PRIEST, and Ritchie is in two of those bands. It got even more power metally when he started RAINBOW, especially with “Rainbow Rising” and “Long Live Rock ‘N Roll.” At that point you have Ronnie James Dio helping him out and they both agree philosophically about subject matter like fantasy, dungeons and dragons, castles and all of that stuff. You’re right, heavy metal would be a very different beast, it might have gone more of that blues or doom route, not this interesting classical route if it wasn’t for Ritchie.”
I asked Martin about the guitarists and musicians who entered the industry after Ritchie, especially those who seem to be influenced by Blackmore ‘s style, and as you know, one of them is special, Yngwie Johan Malmsteen. Martin Popoff shared his opinion about Yngwie with me, which you can read below:
“That’s an interesting one because Yngwie is almost the guy who picked up where Ritchie left off and just went crazy. RAINBOW was almost like the uber DEEP PURPLE on steroids kind of band, but when you get into Joe Lynn Turner he’s moving into a more American sound. So he went one way and Yngwie is like hmm well if Ritchie kept getting heavier and faster and more crazy and bombastic and more heavy metal and more classical, more and more everything. He’s almost like the guy who did pick up from there. In doing that Yngwie battered us all over the head and came up with a style that’s even more distinct.”
You can listen to the whole of the interview on the sound player below:
As you perhaps know, we at Metal Shock Finland are presenting a week’s Tribute To Ritchie Blackmore, from April 13th to 20th. The goals of this celebration are; first to send a message to Mr Blackmore that we remember him, love him and we appreciate what he has done to improve Rock and even Metal music. We do not say that we don’t like what he is doing now with Blackmore’s Night, but we are glad that he is happy with his current projects. Most of the critics and musicians agree that Ritchie is one of the most influential musicians and guitarists in the whole of rock music history.
As part of this celebration, we have invited well known names in the world of rock and metal to share their thoughts about Ritchie. For the next in the series, I, Mohsen Fayyazi, was lucky to have a chat with one of the most influential and busy people in the current metal music industry. Producer, Sound Engineer, Musician, Composer, Guitarist, Andy Sneap was my guest to speak about Ritchie Blackmore and many more subjects.
The chat started with Andy’s current work and as you can hear, he told me that he is working on an ACCEPTtrack at the moment [he played just 1 second of the track] and he also said that he has been out and working with EXODUS in California, just been doing drums with them, and also he is starting on a new project with SAXON‘s Biff Byford. Then I asked him to tell me more “Blind Rage,” ACCEPT‘s upcoming album, Andy said that there is a classic feel on it, but he said this time they had no rush and didn’t feel pushed this time as there was no release date. The band had enough time to write the songs and they had about 18 songs before starting recording, then cut them down to about 13 or 14.
I asked about his relationship with ACCEPT and how it was working with them, Andy answered me: “That’s great, I get on with them really great, they are older than me, but we get on great. It’s been really relaxed this time, we have not put the pressure on ourselves, so it’s just been quite a relaxed friendly vibe in the studio and making sure we work decent hours but we don’t kill ourselves on it.” We then talked about the “Blind Rage” album artist, Daniel Goldsworthy, Andy mentioned him as a great and professional guy and said that it was him who suggested Dan to ACCEPT.
I went forward and asked Mr Sneap about what his most difficult or easiest work up to now was and he said: “I’ll tell you the hardest, I don’t mean this in a negative way, but one of the hardest was NEVERMORE. I think it’s quite well known there has been drink problems within the band back in the day and I was working with them in those days. So that was tough to deal with – trying to get someone focused when there’s that sort of thing going on. But I like the guys, there’s no problem there.” Andy continues “The easiest people to work with were EXODUS actually, I’d say they are the funniest people to work with, I always say it’s like going into a cartoon world working with EXODUS – it’s just a laugh and a joke every minute with those guys. They take the music very seriously, but they’re just kids at heart, especially Gary. I really enjoy working with the EXODUS guys, they’re just absolute lunatics!”
I asked him about AMON AMARTH’s manner in the studio, check out what Andy said: “ AMON AMARTH were actually really cool because they were very well prepared, one of the most prepared bands I’ve ever recorded. There’s a bit of work to do – stuff on melodies, bits of the playing and timing, but in general they had everything mapped out, so that wasn’t hard work at all. They’re very professional and focused, so that was very good fun working with them.”
We started our chat about the amazing Ritchie Blackmore this time, Andy answered my question about his opinion and thought on Ritchie with the following:
“To me, Blackmore is one of the major influences, him and Gillan to me were a match made in heaven. Apparently they don’t get on, whenever you see interviews with them, they’re quite diplomatic, but there’s all the stories of them bickering in the band which is a shame. You can hear the way he’s influenced metal music from the early DEEP PURPLE days, with the structure and style of playing. Again, going back to what Wolf does in ACCEPT, he’s got a total Ritchie Blackmore in his playing there. That whole classical feel, he was one of the first guys to be doing that, if not THE first guy to be doing that in rock music. So it really shaped rock music in general I think.”
Also I asked Andy if rock and metal music could be different now, if Ritchie hadn’t picked up an electric guitar. Mr Sneap commented:
“Absolutely, yeah this is what I’m saying – it’s that whole classical feel, that harmonic minor feel that he’s got. Even EXODUS as well, Gary’s lead playing – if you look at some of the classical stuff he was doing, the little acoustic parts and the scales he was doing back in the day. I know he’s a huge Blackmore fan as well. He’s really influenced most of us to be honest – I mean anything that’s got that harmonic minor feel to it, it’s all come from Blackmore really.”
It’s hard to talk about Ritchie Blackmore and RAINBOW and not ask about Ronnie James Dio, so check out Andy Sneap‘s thought on him:
“I first saw Dio on the Holy Diver tour in ’85. For me the first couple of albums with Vivian on board were very influential, very fresh at the time. With Rainbow, there was an energy to it, one of my favourite albums is Mob Rules. really, anything Ronnie got involved with had a stamp of quality on it. It was good, solid heavy metal with Ronnie wasn’t it? Ronnie was very classic, even in his latter years his voice was great.” Then we started talking about his band mate and HELL singer, David Bower. I told him that I think David‘s voice is amazing and he commented: “When I first heard him sing, I realised that he had a voice where we could take the music in different directions. His voice holds the whole thing together and gives it a character. His voice is definitely the main part of HELL to me and was so similar to Dave Halliday’s voice in a way, the same range as what the band originally had.”
At the end of our conversation, I asked Andy about HELL‘s upcoming events, he said:
“We have some festivals coming up and the Black Sabbath show. We’re looking at doing some touring in the autumn. We’re just regrouping and getting together again to do rehearsals.”
You can listen to the whole of this interview on the sound player below:
Andy Sneap Photo by Tina Solda
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