Norwegian progressive extreme metallers VULTURE INDUSTRIES will be joined by TAAKE frontman Hoest for two special performances in February. The first of the two dates will take place on February 3 at Dirty Skunks, in the Kino Siska, an old movie theatre in Ljubljana, Slovenia. Entrance to this show will be free, as the venue will be celebrating its tenth anniversary. The second date will be on February 4 at Blue Hell in Budapest, and will mark VULTURE INDUSTRIES‘ first-ever appearance in Hungary.

Based in Bergen, and with two critically acclaimed releases on Dark Essence Records under their belts, VULTURE INDUSTRIES‘ lineup is composed of Bjornar Nilsen (BLACK HOLE GENERATOR) on vocals, keyboards and programming, Øyvind Madsen (SULPHUR, ex-ENSLAVED) and Eivind Huse (SULPHUR) on guitar, Kyrre Teigen on bass and Tor Helge Gjengedal (ex-TAAKE) on drums.
Nilsen, who also happens to be TAAKE‘s producer, is known for his highly theatrical on-stage performances, and the additional appearance of Hoest, one of black metal’s most dynamic frontmen, is an indication that these two shows promise to be something very special.
Source: Blabbermouth.net

On November 18, members from high profile Norwegian metal bands, including DARKTHRONE, SATYRICON and TAAKE, will take part in a live show called “Algir – Støttekonsert For Jonas R. Christiansen”, at Bergen’s prime rock venue, Garage. The aim? Raise awareness for colon cancer. In addition, HELHEIM, GRAVDAL and SLAVIA themselves will perform in order to help raise funds and provide 31-year-old Jonas Christiansen with a chance to fight the disease.
The past few years have seen Norway’s TAAKE busier than ever before with numerous tours around the world and increased productivity. With its fifth studio offering, “Noregs Vaapen”, TAAKE has refined its respected black metal sound, expanding this time around to include new elements. The album is filled with Hoest‘s trademark riffs, melodies and vocals, but also embraces the unpredictable — more black ‘n’ roll grooves, ice-cold mellotrons and Southern-inspired banjo. It is, without a doubt, TAAKE‘s most diverse and unique recording to date.

TAAKE



