‘We are connected’ Premiere took place in Montreal, Canada at the 2024 Fantasia Film Festival at Concordia University, Address: 1455 Blvd. De Maisonneuve Ouest, By Director/Writer/Producer Felipe Belalcazar.
Cast Voivod Terry Brown Tobias Forge (Ghost) Mikael Akerfeldt (Opeth) Jason Newsted (Metallica) Danko Jones Martin Popoff George Stroumboulopoulos (Broadcaster) Zach Blair (Rise Against, GWAR), Tom G Warrior (Celtic Frost, Triptykon) Ivan Doroschuk (Men Without Hats), among many others. Luc Lemay
Picture above Michel “Away” Langevin – drums (1982–present) Denis “Snake” Bélanger – vocals (1982–1994, 2001–present) Daniel “Chewy” Mongrain – guitars (2008–present) Dominic “Rocky” Laroche – bass (2014–present) Manager James Maclean The Metal Voice-Jimmy Kay, Perrin Wolfson
Voïvod : We Are Connected traces the first 40 years of career of the famous and innovative Quebec metal band Voïvod. Through numerous testimonies and archival documents we follow the impressive journey of this extraordinary band. The documentary is enhanced by the use of animations from the visual creations of the band’s drummer, Michel “Away” Langevin.
It’s been a forty year journey punctuated by freak van accidents, bouts with cancer, Billboard recognition, and seismic line-up changes, never mind the event most critics assured would be the end of Voïvod: the death of co-founding guitarist and composer Denis “Piggy” D’Amour. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain, re-igniting their engines to deliver a string of albums and EPs leading to late-career triumphs The Wake (2019) and Synchro-Anarchy (2023). “We Are Connected” delves into the band’s creative journey and the challenges they’ve faced over the course of their career, while unequivocally reaffirming Voïvod’s status as one of Canada’s most important and innovative musical exports.
Jimmy Kay from The Metal Voice recently spoke to Virgin Steele‘s main man David DeFeis about the bands upcoming remixed anniversary albums (Debut and Guardians of the flame).
Hot on the heels of last summer’s brand new Bombastic Epic release “THE PASSION OF DIONYSUS” coming this summer in addition to the re-release of the very first VIRGIN STEELE album, the second VIRGN STEELE album, “GUARDIANS OF THE FLAME”, will also be re-released in tandem with the first album, on August 23, 2024, via Steamhammer/SPV in a very special edition, as a digi-CD and as a Gatefold Double Vinyl LP, and also in digital format.
When asked about the upcoming remixed anniversary albums (Debut and Guardians of the Flame) “It was done the old school way of taking the actual physical tapes and putting them in the convection oven and baking them. It worked pretty well they actually held up pretty darn well, more so the second album than the first album. They’re definitely clearer. My goal was to preserve the fire, the feeling of the Ambiance of those records but make it sonically more understandable to the ear. There are some little keyboard flourishes things in the there not like very high in the mix. “
“I edited along the way because I would have done that had we made the record today knowing what I know, so it’s like well this could benefit from that. But in a way that’s subtle not so over the top. You can still hear Jack (Starr) of course everywhere and that’s what’s important to be heard is all there. I tried to balance it a bit more whereas the original mix was very edgy, very trebly. Kind of like you wouldn’t want to listen to the record more than once in one sitting kind of a thing your ear gets like fatigued after a while. I tried to make it so l you could put the record on all day and and you can enjoy it.”
When asked about any upcoming new music and or studio albums? “Yes, there’s lots of songs. I’m always writing and we’ve actually got probably about 20 somewhat songs in various stages of completion on tape. There are more songs that are just living on cassette because that’s where they start with me. I write on the cassette first and the stuff that’s just in my brain. So yeah all these things will be explored fully before I choose what would be on the next record. The next record probably and all honestly is a double situation like Act one, Act two probably. If we don’t want to release it all together it would be something like the The Marriage of Heaven and Hell was or The house of Atreus was that kind of a thing. Like part one will be released first and then later on. (part 2). I think the way I understand from my conversations with the label it’s they’re more about one disk at a time right now. You never know it might change. There is a conceptual idea but all the lyrics aren’t completely written yet. But at the moment it’s more conceptual in the way that ‘Age of consent’ was or ‘Noble savage’ was, well there’s an overarching theme. “
Jimmy Kay from The Metal Voice recently spoke to Former Runaways singer Cherie Currie about her upcoming European tour 2024.
Currie also spoke about her turbulent times in the Runaways, the Rush incident in Feb 10, 1977 in Detroit and her being kidnapped after she quit the band and a whole lot more…
When asked how band manager Kim Fowley would encourage others to throw things at the band during rehearsals “Oh yeah he would have people come in and throw trash, trying to get us ready for anything. It was the Runaways boot camp and you know. I loathed Kim Fowley. Also I got hit by the IRS as soon as I left the band. I thought all the girls had been for money that I never made and that I was forced to pay. I loathed him for many reasons but then when I heard he was sick I had seen him at a party and I just really realized that this hatred that I had hurt only me and that this was so unhealthy. I just decided that I was going to hand an olive branch and so when I saw him at this party over at the Houdini Mansion, he was kind of expecting me to want to push him in a pool or something. I said let’s talk and so we did and we talked for hours and he cried literally. He knew that he had made a grave mistake and not only that I left right when we were more than likely going to have a huge hit. Then when he got ill I moved him into my home and took care of him towards the end of his life and he was bedridden. So we’re talking bedpans and we’re talking sponge baths and you know it was the best time of my life. We recorded, we wrote and I loved him when he died and so all the feelings that would have been hatred is love now. You got to forgive you got to forgive I’m so glad that I did. “
When asked about when she quit The Runaways ” I couldn’t even watch videos or anything after our breakup. It was hard, very very hard because the ending was so devastating. And again it was because we were just working to the Bone to the Bone, we never had any time off, we weren’t being paid and there was this inner friction within the band that we didn’t have a mediator. If we would have had a mediator it would have made such a difference. Kim Fowley (manager) seemed to believe and he regretted this for the rest of his life. Kim just believed that if there was tension that it would be more rock and roll on stage that it would just have this grittiness. But unfortunately we were too young to handle it. You know 16, 17, 18 you know we were children. “
When asked about owing money to the IRS because of Kim Fowley cooking the books “Kim Fowley actually claimed that my twin sister also owed $20,000 in taxes uh so this was him being a conniving con man. I’ll never forget this (IRS) agent turned around and he goes to my father, we don’t give a damn whether she made the money or not. She’s going to pay it and I paid $100 a month from the time I was 17 until I married Robert Hayes in 1990. He (Robert) just happened to see me writing out another $100 check and he paid it off. At that time I owed about $2600. Kim Fowley was stealing all the money so he had to find some way to not pay the taxes for the money that he stole because the Runaways made nothing. I mean nothing. The Japan tour which was the last tour was the only tour where we made money and I’m talking about us selling out huge venues, merchandise, up the kazoo, tens of thousands of dollars a night and each one of us got a check for about $1,700 . I can’t even imagine the amount of money that The Runaways made on these tours I can’t even imagine after 35 years. We never got any royalties either, we ended up having to turn around in sue Kim Fowley and Polygram/ Mercury to get our royalties and that was in 1997. But unfortunately they take 50% of everything and uh you know right now it’s 30 years so I’m going to have to start disputing that.
When asked how much of the Bio Pic The Runaways movie was exaggerated “I can’t say it was exaggerated at all. They based the movie on my original 1989 paperback book Neon Angel and uh I don’t know why she (Floria Sigismondi director) didn’t think that there were enough treacherous stories in there but she actually wanted my character in some hotel room blowing crack cocaine in a dog’s face. I told her first of all I will sue you if you even attempt this because then I’ll have people hating me for something that I would never do. But she changed things around like. I wore the corset for the first time in Japan (in the movie) however (in real life) I wore the corset almost right out the gate.”
When asked about their incident with Rush opening for them at Detroit’s Cobo Hall on February 10, 1977 ” We had been treated so well by Tom Petty who opened for us and Cheap Trick who opened for us but Rush sabotaged our set. We’re at Detroit’s Cobo Hall. It’s a big venue. I saw them and they were throwing pieces of paper just like standard 8 by10 paper onto the stage whipping it like you would a pizza. I was in 6-in platform boots and I had to jump off of Sandy West’s drum Riser. I hit one of those pieces of paper and I slid across that stage and there was an orchestra pit with all the photographers. I’ll never forget seeing them reach up with fear that I was going to go over and somehow I caught myself right at the last minute and did one of those you know (rock star poses) to one of the photographers. I could have been paralyzed. I’m not exaggerating, I could have been very much injured had I gone off that stage. So that’s why Joan and I in particular don’t care much for them because they weren’t protecting us, they were sabotaging us that night and they would be sitting there behind Lita’s (Ford) amp (snickering).”
When asked about Peeing on Rush’s guitars as a form of retaliation (as portrayed in the movie The Runaways) “I wasn’t there I didn’t pee on anybody’s things. If it did happen it could have been Joan (Jett) and Lita(Ford). It was not me. It’s hard for me to imagine that. Joan was very subdued and self-conscious and I don’t really see that happening personally. I’m not saying that it didn’t because I wasn’t there.”
When Asked about her being kidnapped shortly after quitting the Runaways ” I just left The Runaways and this man pulled up and it was like Cherie long time no see. Good looking guy and he’s in a green limousine. I’m thinking to myself, oh I don’t recognize him but I was a people pleaser. I didn’t want to make anyone feel bad I didn’t want to turn around and say gosh I don’t remember you. I played along with it and there was a guard right there to my left. My friends were right there and he said look at my new car and I said well that’s nice. He goes well, why don’t you jump in as I pull around to park .This voice immediately said don’t do it but I looked and I saw the guard was right there. I thought for some reason that they overheard him but they didn’t and it was being a people pleaser not wanting to hurt his feelings. I got in the car and he’s pointing at all the gadgets, look at this, look at that. And we’re coming around this horseshoe and I saw him pass one spot and it’s a limousine right so there were only a couple of spots that it took and then the Master locks came down and he just went right out the parking lot. I didn’t have my purse, I had nothing on me. I didn’t have an ID, nothing . He took me probably 15 miles to the Osborne exit off the 170 freeway to a desolate area to a house. I screamed enough trust me no one came. He got me probably at about 10 at night, my sister was supposed to pick me up at 11:pm. He held me until about 5 in the morning when I talked him into going back with him to Dallas, this is after I’d stabbed him with a knife. I’m very lucky he didn’t kill me but I literally was so desperate because he kept telling me he’d killed six women and he was going to kill me. So I was in that kind of Terror. After I’d stabbed him he was beating me, he drugged me, he knocked me to the ground and dragged me by my hair into the bedroom and he literally straddled me and was punching me in the face where I started to go unconscious. Then I heard this voice saying don’t you remember we used to do this. I was just playing, I was just playing. I didn’t mean it, you know , I love you. I was just falling into this Blackness of unconsciousness and all of a sudden the blows became less and less and less and I said take me home and I’ll get my stuff and we could be together and he believed it. It bought me my life. I’ll never forget he’s driving to my friend Vicky Ronald’s apartment and my dear friend Andy Raffles. I knew Andy would be there. I knew they were searching for me at this time because I left my purse. I had him drive me to Vicki’s apartment. He brought me down into the underground parking lot and I said I’ll be right back and I get out and I get into the stairwell and I collapsed. I mean I just literally fell on the floor and I crawled up the stairs and I got to the apartment I knocked on the door and Andy opens that door and he lifted me up and I just said he’s downstairs that’s all I said. Andy grabbed a butcher knife and a flashlight and he went out that door and he got that license plate. It took the police literally 30 minutes and they took me from the hospital in the patrol car to ID the house which I did about 7:30- 8:00 in the morning. Then the police waited till the following morning at about 4 a.m. and they busted through that door and they dragged him out naked and you know he I went to trial and he had decided to take a plea deal. He pleaded to sodomy by force and got one year in county and they dropped the kidnapping, the baiting, everything, all the sexual assault because it was you know arms length what he had done and more. So he pleaded guilty to sodomy by force and got one year in county I think he’s dead today to be honest or changed his name.”
The Metal Voice recently spoke to Front man Michael Sweet of Stryper about the bands upcoming studio album ‘When we were kings’ which will be released on Sept 13, 2024 via Frontiers Records.
Excerpts for the chat When asked about the new studio album “We really listen to the fans. I like to post questions and get fan response and not only get it but actually give the fans what they want. Let’s face it, if it wasn’t for the fans no band would have a career. The fans make you who you are. It’s a balancing act trying to appease the fans and appease yourself. It’s really difficult. We want to please the fans and we want to please ourselves, so we want to feel good about the music and be happy too. We’ve evolved. We’re not the Stryper of 86 we never will be ever again and we’re not ashamed of that. We just won’t be that. We’re a new band. Now this is Stryper 2024 and hopefully everyone’s still on board and there’s new people coming on board now with the new sound. There’s little bits of modern music in there you can hear the little things here and there but not too much. We’re not a modern rock band we don’t want to be but we want to step into 2024 and not sound like 1986 again. “
When asking some people not liking his voice “There are still the haters out there that don’t like my voice or who say my voice is demonic (laughs) and that’s ok. I understand I have a very interesting voice, it’s very unique. Love it or hate it, that’s fine. If you don’t like it I get it. If I was not in Stryper I might hate my voice too. It’s very operatic, it’s very over dramatic Not everyone loves Dio’s voice either. I have friends that can’t stand Dio’s voice because they thought he was over dramatic and I’m like to each his own. I have friends that can’t stand Rob Halford’s voice. They can’t listen to Priest because of his voice. I get it but I’m not here to please everybody I’m here to please the fans. I’m here to please myself and at the end of the day I’ve been successful and nobody can take that away from me.”
When asked if the new album is the best Stryper album of all time? “Here’s the thing, I do. I absolutely do and I’ll tell you why I do because I really believe that it is. Here’s the deal, when I listen to this latest Stryper album I’ll go back and listen to older Stryper albums. I’ll listen to something from ‘Fallen’ and then from ‘Goddamn Evil’. I’ll listen to something from ‘Even the devil believes’ or ‘No more hell to pay’ and then I’ll listen to something from ‘Final battle’ and that all sounds really good and cool. But this (album) has a little extra special sauce on it. I’m not sure what it is but it may be just because it’s fresh and new I don’t know but I really think that we certainly haven’t gone backwards. We haven’t gone down a step or a level. I think we’re certainly right there with all those other albums but I think maybe even a little beyond those albums and time will tell if fans agree. The goal is for me and the band to make our best album. I don’t think we have yet. I think we’re getting better as we go. I think all these recent albums blow away the past. I know people get mad at me for saying that that’s okay because those people have memories that are tied to those albums and Nostalgia that’s tied to those albums but we blew away uh To hell with the devil and In God We Trust three or four times already.
When asked about his thoughts on how the state of Louisiana has become the first state to require that the Ten Commandments be displayed in every public school classroom Bill HB71 “I don’t really know a lot about that, it’s something I’ll have to research and read up on. I do know this, just about everything else is allowed in schools right now. Children basically pledging allegiance to a rainbow flag you know, that’s okay, that’s perfectly acceptable. I mean so why can’t the Ten Commandments be in there? Why can’t the Bible be in there you know? That’s where I have a problem. If we’re going on to allow everything else, then you have to allow everything else, or not.”
Jimmy Kay from The Metal Voice recently spoke to former AC/DC, Manfred Mann Earth Band, The Firm drummer Chris Slade. Slade talks about his new album THE CHRIS SLADE TIMELINE “Timescape”. The album will be released worldwide on July 19th. “
Timescape” contains completely original new tracks and some of Chris Slade’s favorite covers.
Also in the chat Slade talks about the various stories and inner workings of the bands he played with over the years.
When asked about the misunderstood lyrics of Manfred Mann Earth Bands cover of Bruce Springsteen ‘Blinded by the light’ was it Douche or Deuce or Wrapped “Yes and that came about by accident because Chris Thompson the singer of Earth band at that time. He has a New Zealand accent and the recording head was not set up properly so it made everything very sibilant and he was saying Deuce. We didn’t know what the lyrics were by the way we made the lyrics up you know and we’d sat around for hours going what do you think? We we’re writing down literally around a record player the whole band going uh what do you think that line was? Let’s do it line by line okay. So I came up with, for that line, I came up with ‘wrapped up like a deuce’. Like when you you wrap your hand playing cards that’s maybe a British saying but you wrap it you throw it away like it’s good, it’s a terrible hand. We could not make out and I know the lyrics are now ‘revved up like a deuce’ so I I got the R right. But when you hear Springsteen original we just couldn’t make out what it was because there were no lyrics printed on the on sleeve and how do you get a hold of Bruce Springsteen?”
When asked about his AC/DC audition “I went to the audition with ACDC and uh no pressure Angus and Malcolm (Young) put their chairs 10 feet in front of the bass drum and went okay uh Back in Black (play it) looking straight at me, no pressure at all of course (laugh). Basically It was like learn these songs like um Back In Black I can’t remember the rest of them. They were about three or four classic songs of ACDC and then at the end they went well can you learn song (new song) this just take us take as long as you like. So I did it in about 20 minutes. They sat there with no expression with their guitars on their laps. They were playing Back in Black along with me. Those guys, Angus and Malcolm they don’t talk you know they didn’t they just used to look at each other and they knew exactly what each other was thinking. I promise you it’s uncanny never seen anything like it with anybody else. They wouldn’t even make a sort of quizzical expression. None of that they just looked at each other and then they looked away. Brian (Johnson) was singing but he was over there somewhere and uh Cliff (Williams) was also there he was over there somewhere but they (Angus and Malcom) were 10 feet from the bass drum.”
When asked about his contributions to the song Thunderstruck “Well I went boom boom on thunderstruck. Bruce Fairbairn (Producer) wanted that. I had to overdub that quite a lot, he asked me if I could overdub on that one just go boom boom when they go Thun-der. I go yes and he looked to be he’s like are you sure? And it’s like to me it’s a walk in the park and to many drummer that would just be a walk in the park. So I don’t know why Bruce was surprised that I could do it and do it as many times as he wanted to get as big a sound as he wanted. “
When asked about the inner workings of AC/DC that he learned about “It was Malcolm’s band. It’s not Brian Johnson’s band it’s not Angus’s band it was Malcolm’s band, he ran the show musically and any other way I suppose. Angus had the input with the the songwriting of course. Malcolm was a genius guitarist, the best Rhythm player I have ever worked an absolute genius. He was always on time and he just played fantastically well and made my job so easy. “
When asked about working with Axl Rose ” I was amazed at the the way Axel sounded actually. I didn’t know he had that voice and he used to warm up before show for two hours every day and warm down for an hour afterwards. I know cuz I was next door to him He’d have his piano there and he’d be playing the scales and singing the scales and so he was very much concerned about his voice and the way he sung. and he sung great.”
Why asked about how he felt when he quit AC/DC “Malcolm called me he says nothing you not doing, nothing you haven’t done but we’re going to trying out Phil (Rudd) on drums and I thought well that’s me gone. I said to him that’s me gone, well because if it ain’t broke, don’t fix it is exactly what I said to him. So I resigned on the spot. I was devastated that’s why I resigned. I was doing demos for Ball Breaker at the time, just Demos in a studio. So I’ve been working with them for like two three months already on those demo most and uh this came out of the blue it’s just a thunderbolt out of the blue.”
Chris Slade launched the band ‘THE CHRIS SLADE TIMELINE’ in 2012 to mark 50+ years as a professional rock drummer. For this project, Slade took on phenomenal vocalists STEVE GLASSCOCK and PAUL “BUN” DAVIS with the added stunning musical techniques of guitarist JAMES CORNFORD along with keyboard and guitar player MICHAEL J. CLARK you most certainly have a band to be reckoned with and worthy to mark Slade’s illustrious musical career.
This is a concept for Slade that will include performances from a varied set list from Tom Jones, Manfred Mann’s Earthband, Uriah Heep, The Firm, ASIA, MSG, David Gilmour, Gary Moore along with a fair degree of AC/DC numbers and many surprises to be unwrapped along the way.
“After all these years recording and playing with some of the world’s greatest rock musicians such as Tom Jones, Manfred Mann’s Earthband, Gary Moore, Gary Numan, Denny Laine, Jimmy Page, Paul Rodgers, David Gilmour, Uriah Heep, Asia and of course AC/DC.
THE CHRIS SLADE TIMELINE is: Paul “Bun” Davis vocals Stevie Gee vocals, Bass James Cornford guitar, vocals Mike Clarke Keyboards, guitar, vocals Chris Slade Drums, vocals
The Metal Voice recently interview former Iron Maiden singer Paul Di’Anno. In the chat Paul talks about his upcoming Warhorse debut album and Iron Maiden legacy
Paul Di’Anno’s Warhorse announce that their self-titled debut album will be released worldwide on July 19th via BraveWords Records
Paul Di’Anno speaking about his new album, “Paul Di’Anno’s Warhorse is my first studio project after many years of being away from the studio and not performing. I remember when we announced that we were recording an album in Croatia with completely unknown musicians, many were shocked and no one knew in which direction we would go. Warhorse exudes pure energy and reflects everything I went through while recording the album.”
When asked if he would be open to having former Iron Maiden guitarist Dennis Stratton on Stage
“People have been moving this around but I say no. I really don’t see the point. Dennis is a great bloke, great guitar player. That is just for the cheap thrill side of things. I’m not here for that.”
When asked about the cover song of Depeche Mode’s ‘Precious’ off his Debut album Warhorse “Yeah, I please guilty on that one. They are one of my favorite bands of all time. Plus we all used to live near each other in Eats London, Essex. We would see each other around.”
When asked if he will be performing in North America “We got Canada coming up, if they let me back into the country again (Laughs). We are still working on US it’s up and down with them. “
When asked if he still loves performing Iron Maiden Songs after so many decades later
“Yeah, their classic songs they are fantastic, obviously and classics. We’ve made history, nobody sounded like us and it’s great. It’s good to do the honour because Iron Maiden aren’t doing them ( Most Di’anno era Songs) you know what I mean. So you get the best of both you know Maiden fans they get me F-kn up the songs up and Maiden doing a good job.”
When asked if Charlotte the Harlot song was based on a real person “Yeah sort of her real name is High Hill Lil. I think that is who (the band) are referring to.”
When asked what song he auditioned with for Iron Maiden ‘Deep Purple’s Dealer.”
Warhorse: Paul Di´Anno – Vocals Hrvoje Madiraca – Guitars Ante Pupačić Pupi – Guitars
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
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