Tori Stafford of the Kingston Whig-Standard recently conducted an interview with vocalist/guitarist Steve “Lips” Kudlow of Canadian metal legends ANVIL. A couple of excerpts from the chat follow below.
On whether he’s ever surprised the band is still together and rocking some 40-plus years after its formation:
Lips: “What, that ANVIL‘s still together? Hell, no, Man! Not at all. You have to understand that when you talk about two guys that started in 1973, we were just 15 or 16 years old. I mean, would we have ever thought at that point that I’d be doing it when I was 56? Well, probably not. But at the same time, it’s no big surprise.”
On touring:
Lips: “Nothing could feel more at home and more normal, really. We’re one of those bands that kind of loves to be on the road, we’re not one of those bands that can’t wait to get home. It’s usually the opposite. But I think what that has to do with is a long, long period of deprivation.”
“The schedules are extraordinarily hectic at some points where you don’t really sleep. Sometimes there is no time, and I’ve found myself asleep in change rooms an hour before stage. But you sleep when you can.”
On recently being approached in London’s Heathrow Airport by a small man in a long coat and a hat that turned out to be Ian Anderson of JETHRO TULL:
Lips: “He had a solemn voice, a deep voice, one that I knew, but couldn’t place for the life of me. He told me he wanted to let me know how inspiring and life-changing the movie was for him. He said ‘It made me put my band back together and back on the road. How out there is that?! But it feels amazing. I want to be humble, but it really is a great feeling to have people searching me out to let me know they have respect for the band and what we’ve done.”
On putting on a really great show:
Lips: “As much as this band is about the love of metal, I’ve learned recently there’s a lot more to performing than just loving the metal. I love to entertain. People come away from ANVIL shows with a smile on their faces having just seen a great show. It’s not normal, I guess, for a metal band — we don’t inspire punching someone out, or Satan worshiping. But we have enough angst to keep die hard metal lovers happy, and entertain a whole age range, from the kids of today to elderly rockers.”
On whether he is ever surprised that ANVIL can still pull in an audience, still fill the seats after all these years:
Lips: “I think I’m more surprised when we don’t! It truly has been a hard and long road to get here, and it’s more of a surprise when we don’t do well than when we do… At this point. Because it used to be the other way around!”
Niclas Müller-Hansen of Sweden’s Metalshrine recently conducted an interview with guitarist/vocalist Mille Petrozza of German thrash metal veterans KREATOR. A couple of excerpts from the chat follow below.
Metalshrine: Where did the title “Phantom Antichrist” come from?
Mille: It’s a metaphor. It was inspired by certain things that I read in the media, especially the death of Osama Bin Laden, who got killed and thrown into the ocean for religious reasons, even though there are no such thing as a sea burial in the Muslim religion. It’s a metaphor for control and for the state of the world at this time basically and that’s also what most of the songs are about. You get your typical KREATOR treatments where I talk about injustice, war, horror, pain and oppression of course.
Metalshrine: It is a crazy world. In your country, how are things with the former East and Germany as a whole? Are things getting better for former East Germany?
Mille: That’s a tough question to answer. I mean, I’d like to say yes, but I’m not an expert on these things. I can say it has definitely gotten better in some parts and a bit worse in others. There are places in the eastern part of Germany where there’s nothing and all the people there, when they turn 18, they leave to go to Berlin or somewhere in the west, maybe. There’s no work there. Of course, it’s great to have access to the eastern part of Germany, which wasn’t the case when the Wall was still there and it is also great that the people who live in East Germany can go wherever they want to, but there are still a lot of things that need work in the future.
Metalshrine: The [“Phantom Antichrist”] video then? It looks like you spent some money on that one. It’s a great looking video!
Mille: In my opinion, it’s either you do a video and you do it right, or you don’t. In this day and age, maybe it’s not necessary to make videos anymore. For me it’s an art form and it’s always exciting. It makes sense to me. There are still a couple of TV stations in Germany that play it and some stations play it in South America and even in North America. There are still some stations that play metal videos. It’s not money out the window, but, of course, most people watch it on YouTube, but I think it’s a great promotion tool and also a great art form, in my opinion.
Metalshrine: A video like that, how much is your idea and how much of it is the director’s idea?
Mille: Basically, it’s all the director’s idea. I sent him some rough scripts and then he came up with his own script and I was fine with it. The script that I had was a little bit different, but it was all his idea. I sent him the lyrics I think. The lyrics they wanted and I think they did a great job. It looks spectacular and it doesn’t look like an amateur video or something.
Metalshrine: Those old school gas masks are always kinda creepy.
Mille: I know. [laughs] I think it’s still some kinda ’80s trauma and nightmarish vision that we all have. It gives an association of terror and the apocalypse. It’s quite disturbing, if you think about it, but that’s what I like about it also. The artwork and the music round it up quite nicely.
Metalshrine: What was it like working with [Swedish producer] Jens Bogren and was that something that you decided early on and what made you go with him?
Mille: Well, we were basically looking for a new producer and there were a couple of people that I had in mind, but a friend of mine who worked with Jens, Nick [Holmes] in PARADISE LOST, he recommended Jens in 2009 already. He was like “You should check him out, he’s great!” and I checked out Nick‘s album and I was really enjoying it and I thought it sounded great and it was quite an organic-sounding record, so when I first talked with Jens on the phone, it was either I work with him or I don’t, but I got a great vibe from him and the most important thing, if you work with somebody for production, is that you like that person and when he makes a suggestion you have respect for it and he has respect for the band. I didn’t really think too much about working with Jens, because I had a great feel towards the guy. He’s a metalhead and he knows a lot about music. When I sent him the first demo tape, he wasn’t like “Oh, this is great!” He was very critical, which I thought was great. He was never too enthusiastic, but if he liked something, he was like “Yeah!” and if he didn’t like it, he made it better. To me, he was the perfect producer and we had some really great times. Sweden is very cool for a recording situation. The people were very nice and it was nice living in Örebro. A nice little city. There was not much to do there, but if we went out, it was always great. There were a couple of great nights we had there, and it was good.
Metalshrine: You’ve been doing this for such a long time now, but do you still feel that you need a producer?
Mille: Yeah, definitely. In my opinion, there are very few bands that can produce themselves without losing focus. I mean, you might focus on things but sometimes you… you know, when you’re in the studio you’re very emotional about your music and I think somebody from the outside is always more critical. If I was to record my own album and produce my own album, not only would it be more work, but I wouldn’t know whether or not it’s gonna be better. I trust people, I trusted Jens and I’ve trusted the people we’ve worked with in the past so, yeah, we need a producer. We’ve always done it with a producer. Sometimes we had producers that were great and sometimes we had producers that were OK, but it was always a good experience or an experience. Sometimes it was a bad experience, but most of the time it was great experiences. You always learn something.
Metalshrine: Does it ever happen that you write something and you realize that you’ve already written about it 10 years ago or that you’ve used similar lyrics before?
Mille: Many times. And then you have to rewrite the whole song, which doesn’t make your life easier. [laughs] It doesn’t start with the title, it starts with the words. Look at a band like MANOWAR. I’ve got nothing [against] MANOWAR, but if you take their lyrics, their vocabulary is very limited. Not that I’m saying that my vocabulary is larger or anything. I also have words that I use all the time like terror, war, pain, death… They’ve all been used and I think you have to be convincing. Even on the new record there’s a couple of songs, like I had this title “Death To The World” and it’s a great title, but it sounds like I’ve heard it before and there’s probably a couple of bands that have that title. Then you start googling and you see that NIGHTWISH has a song called “Death To The World” and you wonder “Can I still use it? Is it cool?”, but you have to make it your own song. There are so many songs that have the same names and you cannot always have an album with songtitles that nobody’s used before. But I think a song title like “Phantom Antichrist”, with two words combined that doesn’t really make any sense, is a song title that nobody has. It’s also a very controversial song. When we put up the song title, many people on our website said “This sucks man! What’s up with that?” There’s always people complaining.
Metalshrine: That’s something that has happened a lot lately, a lot of metal musicians talking about people writing negative comments and so on. It’s so easy these days, to sit at home in front of your computer and write negative stuff and not be creative at all.
Mille: Yeah and it’s something that I don’t take that serious. Of course, we get that many times and I know in rap it’s even worse. In metal it’s still OK. People are very passionate about metal, so it’s OK with me. On the other hand, it’s so strange. The reality on the Internet is so much different from the actual world out there. I’ve never heard anybody, at a concert or anywhere else, say something like that to my face. As easy as it is for people to write negative things, it’s just as hard to actually say that to anyone. Whatever. I guess it’s just a human thing when you have too much time on your hands and you start complaining about things. People that don’t do much have the time to complain.
MusikUniverse.net recently conducted an interview with Jarkko Ahola (AHOLA, TERÄSBETONI, NORTHERN KINGS). You can now listen to the chat below.
AHOLA‘s debut album, “Stoneface”, entered the official chart in Finland at position No. 41. Released on April 25, the CD was recorded at Headline Studio in Tampere.
Commented Ahola: “AHOLA is a band that strives from the foundation of rock giving the listeners those vibes that the songs made people feel during the golden era of rock and heavy music. We write our music boldly and by experimenting new stuff, bringing the good stuff to this day, with a modern and unique twist and sound.” Source: Blabbermouth.net
SABATON have uploaded series of live clips from their current US tour on YouTube below:
To make their record release party in Hollywood a memorable one, Sabaton are inviting all their Southern California fans to attend their May 23rd show at the Key Club dressed in World War I or World War II period regalia to celebrate the release of their sixth studio album, Carolus Rex.
Any female or male in period dress can pick up their FREE Nuclear Blast grab bag at Sabaton’s merch table after the show. Those interested in putting an outfit together can visit The Supply Sergeant on Hollywood Boulevard or California Surplus Mart on Santa Monica Boulevard.
Carolus Rex – due out May 25th via Nuclear Blast – will be available for purchase on single Swedish CD (Sweden only) and single English CD plus a limited edition which features a double CD with both language versions. The double CD will also feature a different cover artwork. The album is produced by Peter Tägtgren (HYPOCRISY, PAIN).
Carolus Rex features the following tracklisting:
English version:
‘Dominium Maris Baltici’
‘The Lion From the North’
‘Gott Mit Uns’ (featuring Peter Tägtgren on vocals)
‘A Lifetime of War’
‘1 6 4 8’
‘The Carolean’s Prayer’
‘Carolus Rex’
‘Killing Ground’
‘Poltava’
‘Long Live the King’
‘Ruina Imperii’
Swedish version:
‘Dominium Maris Baltici’
‘Lejonet från Norden’
‘Gott Mit Uns’ (featuring Peter Tägtgren on vocals)
‘En Livstid i Krig’
‘1 6 4 8’
‘Karolinens bon’
‘Carolus Rex’
‘Ett Slag Färgat Rött’
‘Poltava’
‘Konungens Likfärd’
‘Ruina Imperii’
Audio samples from Carolus Rex, are now available on iTunes here.
Sabaton recently confirmed the departure of guitarists Oskar Montelius and Rikard Sundén, drummer Daniel Mulback and keyboardist Daniel Mÿhr, with vocalist Joakim Bróden and bassist Pär Sundström vowing to continue the band with new members.
DeuceNews.com recently reported that during the latest KISS Expo, Tommy Thayer (guitar) and Eric Singer (drums) confirmed that the band’s new album, Monster, is recorded and mixed and will be out in the fall, although no proper date has been confirmed.
SKID ROW guitarist Dave “Snake” Sabo took to Twitter on May 18th and weighed in on the album:
“Heard the new KISS record yesterday & its very good! For real! More Revenge than Destroyer from what I heard.”
Tracks to appear on Monster include:
‘Hell Or Hallelujah’
‘The Devil Is Me’
‘Born To Be A Sinner’
‘Are You Ready’
‘Out Of This World’
‘Wall Of Sound’
‘It’s A Long Way Down’
‘Back To The Stone Age’
‘Shout Mercy’
‘All For The Love Of Rock And Roll’
In a recent interview with Billboard.com’s Gary Graff, KISS bassist/singer GENE SIMMONS talks about, among other things, Rock & Roll Fantasy Camp and the band’s forthcoming new studio album, Monster. An excerpt from the story follows:
Monster, the follow-up to 2009’s Sonic Boom is again produced by the band’s PAUL STANLEY and is, in Simmons’ words, “either the best or one of the top three records we’ve ever done. It’s like Revenge meets Destroyer – just guitar and drums, nothing else. No keyboards, no little boys’ choir, no strings, no nothing. Band-written; literally we’d get in and strum guitars like the old days.” Co-produced, like Sonic Boom, by KISS co-founder Paul Stanley, Monster “was written very fast,” according to Simmons and includes at least one track, ‘Are You Ready?’, that he describes as, “an old song that was torn apart and re-written.”
Monster will be accompanied by a “monstrous book” of the same name, an over-sized art book that Simmons says, “should weigh 100 pounds or more”, and come with its own stand. “It’s something you can’t put on your coffee table, ’cause it’ll crush it. It IS the coffee table.”
Brought to you by Fangoria, the planet’s number one cult film, horror and fantasy culture entertainment magazine, KISS: Monster – The Official Album And Tour Magazine is a KISS magazine made by KISS fans for KISS fans.
Celebrating the upcoming release of Monster, the band’s 20th album and their upcoming summer tour with MÖTLEY CRÜE, this glossy, 72 page collector’s magazine features dozens of rare, new and never before published photographs as well as new interviews with KISS members Gene Simmons, Paul Stanley, Tommy Thayer and Eric Singer, wherein they muse on the past, reflect on the present and look to what lies in store for “the hottest band in the world… KISS!”
You’ll also get a thorough, critical look at the full KISS discography; a preview of Monster written by the band; secrets behind The Tour; a look at the design of the new KISS costumes as well as their costumes worn through the ages; Gene and Paul remembering classic KISS albums like Creatures Of The Night and Alive!; in-depth retrospective of the delirious KISS TV movie, KISS Meets The Phantom Of The Park, and so much more!
Edited by Fangoria editor-in-chief (and lifelong, card-carrying KISS Army member) Chris Alexander, this towering salute to the ever-evolving KISS mythology is one that every self respecting KISS fan MUST have.
KISS: Monster – The Official Album And Tour Magazine will be on newsstands everywhere late June and will be available to order through KISSOnline.com and Fangoria.com.
Here’s a photo of the advance copies of the new KISS Comics Issue #1. Pictured are the six different covers that will be available for the #1 Issue. KISS #1 will officially be in stores on June 13th.
In the photos:
Top row: two regular covers available at most retailers; and one limited cover available at select retailers.
Bottom row: limited cover available at select retailers; the black cover is exclusive to one retailer only; last one on right is the KISSOnline exclusive.
Pre-order KISS #1 Issue with the exclusive KISSOnline cover now at this location
KISS and Mötley Crüe join forces for The Tour, which kicks off in July.
The Tour dates:
July
20 – Jiffy Lube Live – Bristow, VA
21 – Farm Bureau Live – Virginia Beach, VA
22 – Time Warner Cable Music Pavilion – Raleigh, NC
24 – Aaron’s Amphitheater at Lakewood – Atlanta, GA
25 – Verizon Wireless Amphitheatre – Charlotte, NC
27 – Cruzan Amphitheatre – West Palm Beach, FL
28 – 1-800-ASK-GARY Amphitheater – Tampa, FL
31 – Oak Mountain Amphitheatre – Pelham, AL
August
3 – Cynthia Woods Mitchell Pavilion – Woodlands, TX
4 – Gexa Energy Paviliion – Dallas, TX
5 – AT&T Center – San Antonio, TX
7 – Hard Rock Casino Presents: The Pavilion – Albuquerque, NM
8 – Comfort Dental Amphitheater – Englewood, CO
10 – Ashley Furniture Home Store Pavilion – Phoenix, AZ
11 – Mandalay Bay Arena – Las Vegas, NV
12 – Cricket Wireless Amphitheatre – Chula Vista, CA
14 – Verizon Wireless Amphitheater – Irvine, CA
16 – Sleep Train Pavilion – Concord, MA
18 – White River Amphitheatre – Auburn, WA
19 – Sleep Country Amphitheater – Ridgefield, CT
24 – Rock Jam Grand – Junction, CO
26 – BOK Center – Tulsa, OK
27 – Verizon Wireless Amphitheatre – Maryland Heights, MO
29 – Minnesota State Fair – Minneapolis, MN
31 – Riverbend Music Center – Cincinnati, OH
September
1 – Klipsch Music Center – Noblesville, IN
2 – First Niagara Pavilion – Burgettstown, PA
4 – Bridgestone Arena – Nashville, TN
5 – DTE Energy Music Theatre – Clarkston, MI
7 – First Midwest Bank Amphitheatre – Tinley Park, IL
8 – Alpine Valley Music Theater – East Troy, MI
11 – Allegan County Fair – Allegan, MI
12 – Blossom Music Center – Cuyahoga Falls, OH
13 – Molson Amphitheatre – Toronto, ON
15 – Darien Lake PAC – Darien Lake, NY
16 – Comcast Center – Mansfield, MA
18 – Toyota Pavilion – Scranton, PA
19 – Susquehanna Bank Center – Camden, NJ
21 – PNC Bank Arts Center – Holmdel, NJ
22 – Nikon at Jones Beach – Wantagh, NY
23 – Comcast Theater – Hartford, CT
BLACK SABBATH hit the stage on May 19th at the O2 Academy in Birmingham, England for the band’s first performance in their home city in 13 years. The anxiously anticipated (partial) reunion featured guitarist Tony Iommi, singer Ozzy Osbourne, bassist Geezer Butler and drummer Tommy Clufetos replacing original skinsman Bill Ward.
Fan-filmed footage of the band in action can be seen below:
Butler commented after the show: “Thank you, thank you, thank you Birmingham. Best fans ever – you brought out the best in us. It was a privilege playing for you tonight. Tony was a hero – you were the best medicine he has had. Proud to be a Brummie.”
According to BraveWords.com sources, the Sabbath show was filmed/recorded for future use.
Black Sabbath’s set-list:
‘Into The Void’
‘Under The Sun’
‘Snowblind’
‘War Pigs’
‘Wheels Of Confusion’
‘Electric Funeral’
‘Black Sabbath’
‘The Wizard’
‘Behind The Wall Of Sleep’
‘N.I.B.’
‘Fairies Wear Boots’
‘Lord Of This World’
‘Tomorrow’s Dream’
‘Sweet Leaf’ (edit)
‘Symptom Of The Universe’ (edit)
Drum solo
‘Iron Man’
‘Dirty Women’
‘Children Of the Grave’
‘Sabbath Bloody Sabbath’ (edit)
‘Paranoid’ Source : Bravewords.com
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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