Century Media Records has anounced that gothic doom metallers TRIPTYKON will be One Of The Headliners Of 2012’s Metalfest Festival Tour. “We are proud to be able to announce that Triptykon has been invited to be one of the groups to appear as part of Rock The Nation’s massive “Metalfest 2012” open air festival tour. “Metalfest” will take place in June 2012, in seven European locations. In several of these locations, Triptykon will headline the second stage.“ METALFEST OPEN AIR FESTIVAL posted.
The bands participating in 2012’s “Metalfest” are: Hypocrisy, Behemoth, Kreator, Fear Factory, Death Angel, Ensiferum, In Extremo, Legion Of The Damned, Dark Tranquillity, Vader, Swallow The Sun as well as many more.
The following are the planned “Metalfest 2012” dates:
May 31 to June 2, 2012: Mining, Metalfest Austria
May 31 to June 2, 2012: Dessau, Metalfest East Germany
June 1 to June 3, 2012: Jaworzno, Metalfest Poland
June 3 to June 5, 2012: Zadar, Metalfest Croatia
June 5 to June 7, 2012: Monza, Metalfest Italy
June 7 to June 9, 2012: Loreley, Metalfest West Germany
June 7 to June 10, 2012: Pratteln, Metalfest Switzerland
June 8 to June 10, 2012: Plzen, Metalfest Czech Republic
And also, Triptykon has been confirmed to appear at Norway’s legendary Inferno Festival, held from April 4 to 7, 2012, in Oslo, Norway. Triptykon guitarist and singer Tom Gabriel Warrior was part on an Inferno Festival discussion panel on the future of extreme metal in 2008. At the same festival, Warrior was a guest vocalist for Norway’s 1349, joining them onstage to perform their cover version of Celtic Frost’s “The Usurper”. This is the very first time, however, that Warrior will perform at Inferno with his own band, Triptykon.
Glenn Five (pictured below), bass player of veteran metal rockers ANVIL, recently announced his departure from the band, citing creative differences.
Mohsen Fayyazi from Metal Shock Finland has issued an exclusive interview with Anvil’s Steve ‘Lips’ Kudlow, in which he discusses Glenn Five’s split from the band. An excerpt follows:
Q: With the recent news of Glenn Five’s departure, can you update me on the current situation in Anvil as you are touring the US soon?
A: “We hired an old friend to do the tour and are currently working with a new improved bassist. There was no major issue in fixing this at all and in fact everything was sorted out within a few hours of Glenn departing. Glenn tried to make it difficult by leaving without proper notice but we’ve been preparing for this for quite sometime. This did end up for the better as it is a huge improvement with our new guy both musically as well as personally.”
Q: There is a point in Anvil history that I couldn’t find any clue… in 1983, you signed a contract with David Krebs, but he suddenly changed his mind and stopped returning phone calls and did not get the band a major label recording contract, I’d like to know why? And what happened during that time to you?
A: “There are many unanswered questions concerning why. David had little or no knowledge of metal music. He managed AEROSMITH and thought we were a great opener, but beyond that he couldn’t find us a deal without including our first three albums in a deal. The company Attic refused to license or release those recordings in the US. This made it impossible for David to go forward with us. He pulled us out of the contract with Attic and left us to die or what ever!! We wrote Strength of Steel and recorded it on our own and released it through Metal Blade. Unfortunately this was 4 years after Forged In Fire which made the album three years too late. We struggled and did it on our own from that time until we began making the movie in 2005.”
ANVIL is a legendary Canadian heavy/speed metal band that formed by Steve ‘Lips’ Kudlow and Robb Reiner in 1973. To date, the band has released fourteen studio albums, and has been cited as having influenced many notable heavy metal bands, including Megadeth, Slayer, Anthrax, and Metallica.
I recently had an interview with the legendary LIPS from Anvil, read what he had to say about the ups and downs the band have been through in their career and also an exclusive on the departure of Glenn Five!
Hi Lips, how are you doing? What’s happening at the moment?
Hi Mohsen, I am doing well, Thanks.
I never had a chance to see you on stage, fingers crossed though, but I saw several videos of you playing guitar and sliding using a vibrator (lol) , I think that’s a genius way of use, but would you tell me the story of how did you discover that you can use a vibrator as a slider? And don’t you ever have any problem in airport or security with that?
Back in our early beginning of the band we had decided all of our songs would be about woman and sex….we would put things like panties, braziers, and nylon stockings on our microphone stands. I thought it would be a good idea to play my guitar with a vibrator as when I was a kid I discovered that small electric battery powered motors produce sound when placed near a guitar pick up. The vibration causes the strings to play and the hard plastic curved plastic worked great to use as a slide. Only one person could get away with this kind of novelty and it’s me!! The airport security always has to take a second look to believe their eyes but they never make an issue of it…..
Steve ‘Lips’ Kudlow
We are doomed to live our life in the present, no way to the past and nor to the future, but we are able to think about them and analyze them or make some plans for future. I’d like to ask what was in your head in 1981 when you were recording “Hard ‘n’ Heavy”? Did you think that you were going to be a legend someday?
When we started we believed we had something special…we were a very strange anomaly as we played our own music that was considered very heavy. We knew that it was a lifelong journey and we followed our dreams and desires. Robb and I made our decision to stick with each other forever and meant it!
Robb Reiner, House Of Blues LosAngeles. Photo by Kevin Strada
When you and Robbo first started playing music together in 1973 and even from the first incarnation of the band in 1978, did you think you would still be creating music together over such a long period of time?
There was never any doubt what so ever…only our health will ever stop that from continuing.
Can you tell me what feeling encouraged you in those years and what passion made you write such great songs?
The things that inspired us most was going to see live shows. Robb and I were lucky enough to see some of the original heavy rock bands in their big moments. Like for me, seeing Black Sabbath in the summer of 71 was an experience I have never forgotten. It has stayed with me my entire life. I understood what they were before anyone did….they were the future of rock music and most of the people that were at that show didn’t see it the way I did! They were there to see Three Dog Night doing Jeremiah was a Bullfrog!! When Sabbath played Children of the Grave I lost my mind! I’d never heard it before but I remember thinking that it was the heaviest thing I’d ever heard!! They played an incredible show that day….and in fact there is a bootleg recording of it I hear recently…it was as I remembered excellent!
Let’s talk about “Juggernaut of Justice” album, How do you feel now after releasing such a METAL piece of work? And how has it been received so far? And I’d like to know if you have any particular memories during the recording process.
We feel it is our best work ever! The sales have gone well and even more importantly people love hearing the new songs live. The recording and writing were great! It was a lot of fun recording the bed tracks at Dave Grohl’s studio in Los Angeles. The huge Motorhead flag hung up over the studio glass added an ambience of pure metal inspiration!
“Juggernaut of Justice” Takes Top Honors In the ‘Metal On Metal’ Listener Poll, but I’d like to know what album is the top of 2011 in your opinion?
I have no idea!!! I haven’t bought anyone’s cd this year to compare it with…..
Steve ‘Lips’ Kudlow, The Fillmore SanFrancisco. Photo by Raymond Ahner
There is a point in ANVIL history that I couldn’t find any clue, In 1983, you signed a contract with David Krebs, but he suddenly changed his mind and stopped returning phone calls and did not get the band a major label recording contract, i’d like to know why? And what happened during that time to you?
There are many unanswered questions concerning why. David had little or no knowledge of metal music. He managed Aerosmith and thought we were a great opener, but beyond that he couldn’t find us a deal without including our first three albums in a deal. The company Attic refused to license or release those recordings in the USA. This made it impossible for David to go forward with us. He pulled us out of the contract with Attic and left us to die or what ever!! We wrote Strength of Steel and recorded it on our own and released it through Metal Blade. Unfortunately this was 4 years after Forged in Fire which made the album 3 years too late. We struggled and did it on our own from that time until we began making the movie in 2005.
“…I actually preferred being a King in Hell than a servant below” you said this somewhere and also you advise younger musicians with this: “Never put a value of money on your music, and never depend on your music to make you money.” I saw many younger musicians who produce great music but they weren’t supported by record labels, so after several years, they gave up and disbanded. Do you think we need some changes in the music industry or do we have to learn how we can make a balance between economic issues and producing music?
There will never be balance between economic issues and producing music. This is even more true now than ever before. The reason is…people don’t buy music anymore…it’s free! So how can bands afford to record if people aren’t paying money for their music? The music has become nothing more than the advertisement to buy a t shirt! We sell 10 t shirts to 1 cd a night. This is because the internet supplies the people with free music sharing, so the only reason to buy a cd is for a souvenir.
Robb Reinner. Photo by Raymond Ahner
In the summer of 2011, you played sell out dates in the UK and Europe and you said that you paid back a loan to your sister from the production of This Is Thirteen, how did it feel to be making money at last?
It’s been amazing….I quit my job at Choice Children Catering and am now making a living from Anvil. I’m working on making my first million!
As a Metal musician who has written, recorded and played Metal for 34 years, in your opinion what’s the main problem for younger Metallers these days? And what is your advice for them?
In my opinion…metal needs good singing….cookie monster yelling is not singing!!
Steve ‘Lips’ Kudlow, Loud-Park,-TokyoJapan. Photo by Andrew Stuart
With the recent news of Glenn Five’s departure, can you update me on the current situation in Anvil as you are touring the USA soon?
We hired an old friend to do the tour and are currently working with a new improved bassist. There was no major issue in fixing this at all and in fact everything was sorted out within a few hours of Glenn departing. Glenn tried to make it difficult by leaving without proper notice but we’ve been preparing for this for quite sometime. This did end up for the better as it is a huge improvement with our new guy both musically as well as personally.
Thank you so much for giving me your time, I hope I can have the honor of meeting you one day and feel free to leave a message for our readers and young Anvil Pounders here.
Metal is a way of life not just a type of music. It’s about the perseverance of rough times and getting everything you can out of life. I wish you all happiness which is the most valuable thing in life….All the best and thanks for the opportunity. LIPS
METALCAMP OPEN AIR FESTIVAL announce that the British grincore Metallers, NAPALM DEATH confirmed for METALCAMP 2012.
“27 years of grindcore ultra-violence, 27 years of being one of the hardest working, hardest touring bands on this miserable planet, NAPALM DEATH’s conviction, energy and belief in spontaneoust, outspoken yet extreme music is far from being watered down. “Utilitarian“ (release date Feb 24), the band’s 14th studio album marks no exception – as long as this is a world gone wrong, NAPALM DEATH will be utilizing their artistic arsenal to attack those in charge, no matter if their fanaticism stems from a political, religious or simply greedy motivation.
Once again, NAPALM DEATH’s concerns are realised through intense, devastatingly brutal songs that venture into groovier, neckbreaking mid-tempo passages to allow the listener to take a breath before vicious blast beats pummel you out of existence.
While NAPALM DEATH is a prominent example on how to put words into action and has taken part in several benefit-based activities in the past, vocalist Mark “Barney” Greenway is also engaged in fighting for musicians’ rights through the Musician’s Union (a UK-based trade union) and strives for fairness for music followers via the same organisation. Renowned for their ceaseless touring activities and stellar live performances, following the album’s release NAPALM DEATH will be promoting their new record live worldwide – remaining at the helm of today’s extreme music scene and humbly yet ferociously solidifying their legendary status once again!” METALCAMP OPEN AIR posted.
So far these bands have been confirmed for 2012:
MACHINE HEAD
AMON AMARTH
SABATON
HATEBREED
PARADISE LOST
ELUVEITIE
KATAKLYSM
PAIN
FINNTROLL
SODOM
KORPIKLAANI
NAPALM DEATH
HEATHEN
GORGUTS
THE BLACK DAHLIA MURDER
As the hollywoodreporter.com has claimed, Canadian heavy metal band ANVIL has lost bass player Glenn Five over creative differences.
Steve ‘Lips’ Kudlow and Robb Reiner launched Anvil in 1973, enjoyed 1980s success, before Five, AKA Glenn Gyorffy, joined up in 1996 when Anvil had settled back into near obscurity.
But the Canadian band was restored to cult fame when Sacha Gervasi, a one-time Anvil fan-roadie who wrote the script for Steven Spielberg’s The Terminal, made the 2008 award-winning documentary Anvil: The Story of Anvil.
The indie film, which screened at Hot Docs in Toronto, Cannes and Sundance, grossed more than $550,000 at the U.S. box office alone.
That got the never-surrender Canadian band touring global metal festivals, being cheered on by supporters like Chris Martin of Coldplay and Tilda Swinton, who coined the phrase “The Anvil Factor,” and backing up AC/DC and Alice Cooper.
Now Five is calling it quits after 16 years and six albums with Anvil, including the band’s latest album, “Juggernaut of Justice,” to perform new musical styles.
“Although Anvil has been a great band to play in, I have been limited creatively. I have a wide taste in music and I feel that it’s time to broaden my horizons,” Five said Monday in a statement.
PS: METAL SHOCK FINLAND couldn’t find any official post about this news from the band, but we will try to get you more details in near future, stay tune!
According to Rock News Desk, the musician who played with Phil Lynott and Gary Moore in Irish 1960s band SKID ROW has explained his frustration over the US outfit once fronted by Sebastian Bach taking his name.
And he says long-standing stories about Moore having been paid by Jon Bon Jovi for the name are untrue.
Brush Shiels founded his blues-rock act in 1967, and gave Moore his first professional music role. They toured across the US and Canada and released three albums before splitting in 1972.
He’s continued using the Skid Row name and is poised to release a new record under the title. But he’s issued a plea for Jon Bon Jovi or his management to contact him and explain what happened when they decided to call Bach’s band Skid Row in 1986.
Shiels says: “Philo, Gary and myself toured America, playing with FRANK ZAPPA, THE ALLMAN BROTHERS, IGGY AND THE STOOGES. ROD STEWART and THE FACES never turned up so we topped the bill. Everybody knew us.
“A couple of years ago, I’m looking at MTV and Sebastian Bach, the ex-singer of the American band Skid Row. He said they paid Gary Moore $35,000 for the use of the name.
“Now, I know for a fact this is a complete lie. I got in touch with Seb, and he said as far as he was concerned it was the truth. But that couldn’t be the truth.
(Photo above: Shiels, left, with Moore and Lynott in Skid Row)
Source: Bravewords
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