Technical death metal architects REVOCATION are pleased to present their video for “Data Corpse.” The track comes off the band’s acclaimed New Gods, New Masters full-length, released last year via Metal Blade Records.
Comments vocalist/guitarist Dave Davidson, “‘Data Corpse’ is about social media companies constantly scouring our personal lives for profit. We unwittingly give up more and more of ourselves every year just to be sold a shinier pair of shoes, all until what’s left of our private lives is picked to the bone. For the video, we once again worked with the incredible team at MyGoodEye. My transformation into a mutant cyborg was influenced by a lot of the imagery that originated in classic cyberpunk films like Tetsuo and Akira. Enjoy the dystopian grotesqueries.”
Watch the band’s previously released video for “Dystopian Vermin” HERE and “Cronenberged” HERE.
REVOCATION is commemorating their 20th anniversary with a special month-long North American headlining trek. The 20 Years Of Torment tour commenced on September 10th and finds the band performing tracks from across their entire catalog! Support is being provided by Defeated Sanity, Fuming Mouth, and Weeping.
Comments Davidson, “We’re excited to be able to embark on our 20th anniversary tour with such a sick lineup of bands. We’ll be playing our latest single, ‘Data Corpse,’ live for the first time across the US and Canada alongside some classics and deep cuts from our entire discography to celebrate this milestone with our fans. See you in the pit!“
REVOCATION: 20 Years Of Torment North American Tour w/ Defeated Sanity, Fuming Mouth, Weeping [remaining dates]: 9/16/2026 Park Theatre – Winnipeg, MB 9/17/2026 The Exchange – Regina, SK 9/18/2026 Starlite Room – Edmonton, AB 9/19/2026 Dickens – Calgary, AB 9/20/2026 Blue Grotto – Kamloops, BC 9/22/2026 Rickshaw – Vancouver, BC 9/23/2026 El Corazon – Seattle, WA 9/24/2026 Dante’s – Portland, OR 9/25/2026 The Ritz – San Jose, CA 9/26/2026 1720 – Los Angeles, CA 9/27/2026 Nile Underground – Mesa, AZ 9/28/2026 Backstage Bar – Las Vegas, NV 9/30/2026 HQ – Denver, CO 10/01/2026 The Waiting Room – Omaha, NE 10/02/2026 Reggies – Chicago, IL 10/03/2026 Ace of Cups – Columbus, OH 10/04/2026 Preserving Underground – Pittsburgh, PA 10/06/2026 Exit/In – Nashville, TN 10/07/2026 Eulogy – Asheville, NC 10/08/2026 The Canal Club – Richmond, VA 10/09/2026 Saint Vitus – Brooklyn, NY 10/10/2026 Underground Arts – Philadelphia, PA
On New Gods, New Masters, REVOCATION conjures nine potent and portentous songs of brutal lyrical and musical significance. “This feels a little less technical than its predecessors and more concentrated on the power of writing a good riff and a great groove,” praised Metal Injection, furthering, “Longtime REVOCATION fans are sure to find something to love here, but new fans are certainly going to find a solid entry point into the band’s extensive discography here as well.” Lauded Decibel Magazine, “Davidson resembles a Chuck Schuldiner of the Pro Tools era: a charismatic shredder and keen observer of the world around him with a strong point of view…[New Gods, New Masters is] the most energetic and fun the band has sounded since 2014’s Deathless.” Added Blabbermouth, “another benchmark for contemporary brutality. Few bands are this heavy and this exciting to listen to. New Gods, New Masters offers an embarrassment of flesh-flaying riches, executed with militant zeal and a veritable shit-ton of imagination.”
New Gods, New Masters was produced by Davidson and mixed and mastered by Jens Bogren (The Haunted, Spiritbox) with artwork by Paolo Girardi (Bell Witch, Mother Of Graves, Black Breath, Cryptopsy). The record includes guest appearances by Jonny Davy of Job For A Cowboy, Travis Ryan of Cattle Decapitation, Luc Lemay of Gorguts, and jazz guitarist Gilad Hekselman.
German heavy metal legends GRAVE DIGGER return with a brand-new studio album: Faces of Pain will be released on January 15, 2027 via Reaper Entertainment. The striking cover artwork was created by Uwe Jarling.
For more than four decades, GRAVE DIGGER have been one of the defining forces of German heavy metal. From classics such as Heavy Metal Breakdown and Tunes of War to the immortal anthem “Rebellion (The Clans Are Marching)”, the band around frontman Chris Boltendahl have played a major role in shaping the sound of German heavy metal.
Following the straightforward old-school approach of their 45th-anniversary album Bone Collector, GRAVE DIGGER are now ready for the next chapter. Faces of Pain consistently continues down this path, presenting the band as energetic, uncompromising and diverse as ever.
Chris Boltendahl comments:
“The time has finally come: With our new album ‘Faces of Pain’, we are opening the next furious chapter. This record is filled with an incredible amount of heart, sweat and pure passion. How can the result best be described?
What lies behind us was an extraordinary creative effort. In particular, my collaboration with Tobias Kersting on guitar has grown incredibly strong and developed into a deeply rooted creative partnership. His riffs, my lyrics and our shared vision unleashed an incredible dynamic. The result is a mature yet highly explosive late-career work that uncompromisingly combines all the classic trademarks our fans have loved for decades.
Faces of Pain shows us at our most diverse in a long time. Grave Digger consistently follow their very own style – a style we have shaped ourselves over the years. The remarkable thing is that we never copy ourselves for a single second, yet every song and every note unmistakably carries the band’s typical, mighty sound. Get ready for a true metal monster!”
Razor-sharp riffs, massive choruses and Chris Boltendahl’s unmistakably rough vocals form the foundation of the album. Fast-paced heavy metal bangers such as “Faces of Pain” and “Satan’s Tango” meet riff-driven mid-tempo anthems including “The Number”, “Legends Never Die” and “When The World Is Calling You”. With “Dead Sun” and “Say Hello To The Devil”, the band also reveals a particularly heavy and dark side.
More than 45 years after their formation, GRAVE DIGGER are clearly nowhere near ready to call it a day. Faces of Pain is an album full of energy and classic heavy metal – firmly rooted in the band’s history, yet with its sights set firmly on the future.
The album was produced by Chris Boltendahl at Graveyard Studios in Senden, Germany. The cover artwork was created by Uwe Jarling.
Starting in January 2027, GRAVE DIGGER will also bring the new material to the stage. On the “Legends Never Die Tour”, fans can experience the unbroken live power of this German heavy metal institution.
LEGENDS NEVER DIE TOUR GRAVE DIGGER MOTORJESUS WARWOLF
Discography Heavy Metal Breakdown (1984) Witch Hunter (1985) War Games (1986) Stronger Than Ever (1987) The Reaper (1993) Heart Of Darkness (1995) Tunes Of War (1996) Knights Of The Cross (1998) Excalibur (1999) The Grave Digger (2001) Rheingold (2003) The Last Supper (2005) Liberty Or Death (2007) Ballads of a Hangman (2009) The Clans Will Rise Again (2010) The Clans Are Still Marching (2011) Clash Of The Gods (2012) Return of the Reaper (2014) Healed by Metal (2017) The Living Dead (2018) Fields of Blood (2020) Symbol Of Eternity (2022) Bone Collector (2025)
Croatian metal visionaries MANNTRA open the next chapter of their unique musical journey with new studio album Wild Hunt. Arriving on December 25, 2026 via Napalm Records, the album sees the band around mastermind Marko Matijević Sekul deliver their most atmospheric and focused work to date. Following their acclaimed previous album Titans, MANNTRA take their unmistakable sound even further, exploring the untamed, instinctive side of humanity.
Today, MANNTRA unveil “Watcher Watcher”, the first single from Wild Hunt, accompanied by an official music video. Crushing metal riffs, modern industrial elements, traditional Balkan and Slavic melodies and ritualistic vocals create a dark and intense sonic world. The song explores humanity’s never-ending cycle of repeating the same patterns – wars, greed, fear and desperation – as well as our desperate need to believe that something greater is watching over us.
MANNTRA on“Watcher Watcher”: “Maybe the Watcher finally turned its back on us? Maybe it simply got tired of watching us do the same things over and over again?”
MANNTRA on the new album: “Wild Hunt is made to be experienced, not just listened to. It has the weight of metal, the pulse of industrial music, a dark gothic atmosphere and the spirit of folk roots — all coming together into something that is unmistakably MANNTRA.”
Wild Hunt places an even stronger emphasis on atmosphere and contrast than its predecessor. Heavy, driving passages collide with organic, melodic and almost mystical moments, creating a record that feels both ancient and modern. The title track “Wild Hunt” featuring Fabienne Erni of Eluveitie combines monumental metal power with captivating melodies. “Iron Storm” delivers driving rhythms and battle-ready force, while “Name The Liar” featuring In Extremo adds dark folk metal passages and German lyrics. Ambre Vourvahis of Xandria lends additional emotional depth to “Zara”, while MetaKlapa enhance the Croatian-language “Valovi” with traditional vocals. Tracks such as “Banshee”, “Danse Macabre” and “Blade In Darkness” take the journey into darker territories, while “Never Bow, Never Surrender” opens the album with a powerful statement.
With Wild Hunt, MANNTRA once again prove that they cannot be confined to genre boundaries. Blending folk, metal, industrial elements and traditional sounds, they create a distinctive musical world where ancient roots meet a modern and powerful vision.
Tracklist: 1. Never Bow, Never Surrender 2. Watcher Watcher 3. Wild Hunt 4. Iron Storm 5. Name The Liar 6. Zara 7. Valovi 8. Banshee 9. Danse Macabre 10. Blade In Darkness
MANNTRA Live: 03.10.26 AT – Klagenfurt / Burgentour 11.12.26 CH – Pratteln / Z7 * 12.12.26 DE – Stuttgart / Im Wizemann * 18.12.26 DE – Oberhausen / Turbinenhalle * 19.12.26 DE – Wetzlar / Buderus Arena * 20.12.26 DE – Dresden / Alter Schlachthof * 26.12.26 DE – Braunschweig / MEC * 27.12.26 DE – Würzburg / Posthalle * 28.12.26 DE – Bielefeld / Lokschuppen * 29.12.26 DE – Bremen / Pier2 * 30.12.26 DE – Potsdam / Waschhaus * 21.05.27 DE – Rotenhain / Pirates & Vikings Open Air 2027 24.07.27 DE – Cologne / Amphi Festival 2027 *Eisheilige Nacht Tour w/ Subway To Sally, Fiddler’s Green, Saint City Orchestra
FORTUNE TELLER return with “Familiar”, a powerful melodic metal track and official video about breaking free from a bond that has become a prison and choosing freedom over the comfort of what is known. Inspired by the image of a witch’s familiar – a bound creature forced into servitude – the song follows a similar figure finally breaking away, rejecting its chains and making a desperate attempt to rebuild what was once there.
Blending the epic weight of traditional power metal with modern melodic sensibilities, Fortune Teller deliver a track driven by soaring vocals, powerful riffs and an unmistakable sense of drama. Fronted by Theresa Smith (Metaprism), the band features seasoned musicians from the UK metal scene, including Ian Rockett (Shattered Skies), Grammy-nominated producer and keyboardist Meyrick De La Fuente (Exist Immortal, Vexed), guitarist Joe Jaycock (Mysticist), bassist David Billote (Exist Immortal) and drummer Tim Coulson (Godeater).
Join the video premiering, one day before its official release, here:
Formed in 2025, Fortune Teller have already made an impressive mark, appearing at Bloodstock Open Air 2025 and undertaking European tours in 2025 and 2026. Following their rapid rise from debut singles to major festival appearances and international touring, the band are now set to release their debut album in early 2027.
With “Familiar”, Fortune Teller continue to establish their identity as a force where epic metal, melody and powerful storytelling collide.
Lineup: Theresa Smith – vocals Ian Rockett – guitars Meyrick De La Fuente – keyboards Joe Jaycock – guitars David Billote – bass Tim Coulson – drums
Today, Thy Catafalque, the two-time Fonogram winning project of Tamás Kátai, is announcing its thirteenth album, XIII: Sárga erdő.
On XIII: Sárga erdő (Yellow Forest), Kátai wanders through an old, half-remembered time from a quietly expansive direction. Thy Catafalque’s new album features more than 30 collaborators, including a 20-person choir and, for the first time in the project’s history, a live drummer. However, the folk and classical elements that flooded 2024’s XII: A gyönyörű álmok ezután jönnek are handled here with a lighter touch. Just as a forest doesn’t explain its colors, the album turns inside you, until you look up to discover that you’re somewhere new.
Watch the music video for lead single “Búcsú a piros madártól” on the Season of Mist YouTube channel.
XIII: Sárga erdőcomes out November 20, 2026 on Season of Mist.
Written and produced by Kátai, lead single “Búcsú a piros madártól” (A Farewell to the Red Bird) opens XIII: Sárga erdő on a note of departure and resignation. A voice calls after something already gone, its sound swallowed by fog and distance. Live drums sit under layered vocals, kamancheh and lead guitar, giving the song a heavier, more physical pull than its title suggests.
Kátai shot the music video for “Búcsú a piros madártól” himself in the woods a 10-minute walk from his family home in Makó, Hungary. Sitting beside the river Maros, these woods are the same stretch of ground where Thy Catafalque’s very first video was filmed 25 years ago (and where another is already in the works).
In the video, live footage from Thy Catafalque’s shows in Brazil, France and Hungary is cut together with hand-made and digital animation, left rough by design. “I wanted to keep it that way,” Kátai says, “because it has a more personal touch.”
Tracklist:
Búcsú a piros madártól (06:04)
Ég-anyám, föld-apám (04:28)
Dunnák alatt kék mező (04:04)
Szitakötő (01:10)
Suhamló éji fák (05:04)
Puszta (04:58)
Sirató (03:58)
Cseremisz (04:05)
Sárga erdő (10:15)
Tömbök (04:59)
Kút vizén nap forog (04:06)
87 tavasz, 87 ősz (10:52) Full runtime: 01:04:03
Yellow forests don’t stay yellow for long. That’s the image Tamás Kátai keeps returning to when he talks about THY CATAFALQUE‘s thirteenth album, Sárga erdő—a title that translates plainly and then unfolds into something less settled the longer you sit with it. There’s no single story running through the record’s twelve tracks, Kátai says, only a feeling: wandering through a forest built from old time, half-remembered and already turning colour. It’s the quietest premise he’s worked from in years, and perhaps even the most honest one yet.
Thy Catafalque began in Makó, in southeastern Hungary, in 1998, when Kátai and a bandmate named János Juhász put together a black metal project with no intention of ever playing it live. The name itself—catafalque, the platform that holds a coffin during a funeral rite—told you where the mood was headed before a single note was even heard. A year later, Sublunary Tragedies arrived through the Budapest label KaOtic Productions, tremolo-picked and grim in the way most things were grim in that corner of European metal at the time, though even then the seams were showing: this was never going to stay inside the genre’s lines.
It didn’t. Microcosmos followed in 2001, restless in ways the debut hadn’t dared to be, and when KaOtic folded, Kátai self-released 2004’s Tűnő Idő Tárlat rather than wait for another label to catch up to him. These were the years the project figured out what it actually was—not black metal with detours, but something closer to a single songwriter’s imagination refusing to be filed under anything.
Signing to the avant-garde label Epidemie Records in 2009 gave that imagination its first real audience. Róka Hasa Rádió became Thy Catafalque’s breakout, and it introduced a voice that would keep returning across the decades since: Attila Bakos, whose clean vocals still surface on Kátai’s records fifteen-plus years later, most recently on XII. But the real hinge point came in 2011, with Rengeteg—the first album Kátai wrote and recorded entirely alone, and his first for Season of Mist. From here on, Thy Catafalque wasn’t a band in any conventional sense. It was Kátai’s vision, executed with the help of whoever he needed to bring it to life, a model that would eventually mean twenty, thirty, sometimes three-dozen collaborators on a single record.
Sgùrr, Meta and Geometria carried that model through the back half of the 2010s, each one pushing the genre-hopping further—prog, electronica, jazz, Hungarian folk, all folded into records that critics increasingly struggled to categorize and increasingly stopped trying to. By the time Naiv arrived in 2020, Thy Catafalque had become something like Hungary’s most singular musical export, a reputation the country’s own industry made official the following year: Vadak, released in 2021, won the Fonogram Award—the Hungarian equivalent of a Grammy—for Best Hard Rock/Metal Album. That same year, something else changed. Thy Catafalque, for the first time in over two decades of existing purely as a studio project, played live—a single performance at the Fekete Zaj festival with twenty-six musicians onstage, later released as the concert album Mezolit. The project that had never intended to leave the studio had just proven it could fill a stage.
It’s kept proving that formula ever since. Alföld, in 2023, brought Thy Catafalque a second Fonogram win and a return to the heavier, more grounded sound of the project’s earliest years. XII: A gyönyörű álmok ezután jönnek followed in 2024, Kátai’s first album made with an outside producer—Gábor Vári, a longtime live collaborator who stepped behind the desk and helped shape a record New Noise called a five-star “celebration of the powers of music.” Thy Catafalque spent 2025 making its debut at Hellfest, Rockstadt Extreme and Alcatraz, and playing its first-ever shows in Latin America. A second European headline tour, opening at Budapest’s Dürer Kert in March 2026, has carried that momentum straight into the new album cycle.
Sárga erdő, out this autumn via Season of Mist, was recorded across various locations and at Miracle Sound Szeged with Gábor Vári again handling engineering, mixing and mastering. It marks another first for the project: real drums, played rather than programmed, for the first time in Thy Catafalque’s history. Thirty-four musicians and vocalists appear across the record, along with a twenty-voice male choir, but the folk and classical textures that flooded XII—sitar, kamancheh, zither, strings—are handled with a lighter touch here, chosen with more precision for the moments that call for them. There’s no unifying story across the twelve tracks, only that same felt sense of wandering through old, half-remembered time. A forest doesn’t explain its colours—it just keeps turning them, until you look up and you’re standing somewhere new.
Line-up: Tamás Kátai — Guitar, Bass, Keyboards & Vocals
Production Credits: Recorded in various locations and Miracle Sound Szeged, Szeged, Hungary. Produced by Tamás Kátai; Sound Engineer, Mixing & Mastering by Gábor Vári (Miracle Sound Szeged).
Originally formed in 1979 in Helsinki by iconic singer and multi-instrumentalist Michael Monroe, Finnish rock superstars Hanoi Rocks are proud to announce The Complete Collection 1981-1984, a deluxe compilation of their influential first five studio albums, set for release November 13th via BMG.
Featuring the bands much fabled albums Bangkok Shocks, Saigon Shakes, Hanoi Rocks (1981), Oriental Beat (2022 ”The RE(AL)MIX” ), Self Destruction Blues (1982), Back To Mystery City (1983) and Two Steps From the Move (1984), the 6LP and 6 CD set includes a bonus album comprised of rare and unreleased tracks, titled Motorvatin’!!!. The bonus album includes songs from rare BBC live sessions as well as never before heard demos.
The new Hanoi Rocks Box Set includes all the albums by the original band, including the ”Oriental Beat” 40th Anniversary release ”The RE(AL)MIX”, which came out in 2022. There’s also a special extra Bonus LP of rarities with even some previously unreleased tracks. The artwork has been put together nicely and it has a vast amount of great, rare and some never before seen photos. If someone is not familiar with Hanoi Rocks, this is a fantastic opportunity to get to know the band’s unique material.I recommend this Box Set to everybody!! – Michael Monroe
The physical version of The Complete Collection 1981-1984 includes a 36-page photobook featuring many previously unseen and rare shots, as well as studio album art cards from Hanoi Rock’s legendary initial run as a band.
This set allows a timely reappraisal of Hanoi Rock’s hugely potent work. The first Finnish band to chart in the UK and get their music heard around the world, their fusion of punk rock energy and attitude with classic glam rock n’ roll quickly proved hard for the world to disregard. Frontman Michael Monroe was, and still very much is, an electric livewire of red hot energy, his shock of bleached blonde hair, all killer looks and killer hooks, made for an unforgettable live experience. This, combined with two sharp-shootin’ guitar gunslingers Nasty Suicide and Andy McCoy flanking left and right, whilst bassist Sami Yaffa and drummer Gyp Casino (later replaced by Razzle) held down the hefty rhythms, Hanoi Rocks had everything it takes to be one of the biggest rock bands in the world.
It will always be one of the biggest tragedies in the history of rock that by 1984, when the band were considered to be on the verge of international breakthrough with the release of their first major label album ‘Two Steps From The Move’, Hanoi Rocks had to disastrously cut their first US tour short when their drummer Nicholas ‘Razzle’ Dingley died in a tragic car accident. The band, reeling from the sudden loss, split in 1985.
Thankfully, the story didn’t end there and Hanoi Rock’s legacy lived on as a major influence on the glam metal era of Guns n’ Roses, Faster Pussycat, Skid Row and Poison etc, and the band reformed again in the early 2000s until 2009, reuniting their original line-up one more time in 2022 to celebrate Monroe’s 60th birthday at the Helsinki Ice Hall.
The Complete Collection 1981-1984 displays in full the enduring impact of Hanoi Rocks’ song-writing craft, ballistic energy and colourful glamourous flair for fans of old and future generations to discover and enjoy.
The Complete Collection 1981-1984Track listing: Vinyl *(Please note vinyl track listing side splits.)
Disc 1 – Bangkok Shocks, Saigon Shakes, Hanoi Rocks
SIDE A 1 Tragedy 2 Village Girl 3 Stop Cryin’ 4 Don’t Never Leave Me 5 Lost in the City
SIDE B 1 First Timer 2 Cheyenne 3 11th Street Kidzz 4 Walking with My Angel 5 Pretender
Disc 2 – Oriental Beat ( 2022 ”The RE(AL)MIX”) SIDE A 1 Motorvatin’ 2 Don’t Follow Me 3 Visitor 4 Teenangels Outsiders 5 Sweet Home Suburbia SIDE B 1 M.C. Baby 2 No Law Or Order 3 Oriental Beat 4 Devil Woman 5 Lightnin’ Bar Blues 6 Fallen Star
Disc 3 – Self Destruction Blues SIDE A 1 Love’s an Injection 2 I Want You 3 Cafe Avenue 4 Nothing New 5 Kill City 6 Self Destruction Blues
SIDE B 1 Beer and a Cigarette 2 Whispers In the Dark 3 Taxi Driver 4 Desperados 5 Problem Child 6 Dead By Xmas
Disc 4 – Back to Mystery City
SIDE A 1 Strange Boys Play Weird Openings 2 Malibu Beach Nightmare 3 Mental Beat 4 Tooting Bec Wreck 5 Until I Get You
SIDE B 1 Sailing Down the Tears 2 Lick Summer Love 3 Beating Gets Faster 4 Ice Cream Summer 5 Back to Mystery City
Disc 5 – Two Steps From the Move
SIDE A 1 Up Around the Bend 2 High School 3 I Can’t Get It 4 Underwater World 5 Don’t You Ever Leave Me
SIDE B 1 Million Miles Away 2 Boulevard of Broken Dreams 3 Boiler (Me Boiler ‘N’ Me) 4 Futurama 5 Cutting Corners
Disc 6 – Motorvatin’!!!
SIDE A 1 Two Steps From The Move 2 Underwater World (BBC Session) 3 Boulevard of Broken Dreams (BBC Session) 4 Oil and Gasoline 5 Shakes
SIDE B 1 Magic Carpet Ride 2 The Beating Gets Faster (I Know You) (Demo) 3 Sailing Down the Tears (Demo) 4 Rebels on the Run (Demo) 5 Malibu Beach (Calypso Version)
CD
Disc 1 – Bangkok Shocks, Saigon Shakes, Hanoi Rocks 1 Tragedy 2 Village Girl 3 Stop Cryin’ 4 Don’t Never Leave Me 5 Lost in the City 6 First Timer 7 Cheyenne 8 11th Street Kidzz 9 Walking with My Angel 10 Pretender
Disc 2 – Oriental Beat ( 2022 ”The RE(AL)MIX”) 1 Motorvatin’ 2 Don’t Follow Me 3 Visitor 4 Teenangels Outsiders 5 Sweet Home Suburbia 6 M.C. Baby 7 No Law Or Order 8 Oriental Beat 9 Devil Woman 10 Lightnin’ Bar Blues 11 Fallen Star
Disc 3 – Self Destruction Blues 1 Love’s an Injection 2 I Want You 3 Cafe Avenue 4 Nothing New 5 Kill City 6 Self Destruction Blues 7 Beer and a Cigarette 8 Whispers In the Dark 9 Taxi Driver 10 Desperados 11 Problem Child 12 Dead By Xmas
Disc 4 – Back to Mystery City 1 Strange Boys Play Weird Openings 2 Malibu Beach Nightmare 3 Mental Beat 4 Tooting Bec Wreck 5 Until I Get You 6 Sailing Down the Tears 7 Lick Summer Love 8 Beating Gets Faster 9 Ice Cream Summer 10 Back to Mystery City
Disc 5 – Two Steps From the Move 1 Up Around the Bend 2 High School 3 I Can’t Get It 4 Underwater World 5 Don’t You Ever Leave Me 6 Million Miles Away 7 Boulevard of Broken Dreams 8 Boiler (Me Boiler ‘N’ Me) 9 Futurama 10 Cutting Corners
Disc 6 – Motorvatin’!!! 1 Two Steps From The Move 2 Underwater World (BBC Session) 3 Boulevard of Broken Dreams (BBC Session) 4 Oil and Gasoline 5 Shakes 6 Magic Carpet Ride 7 The Beating Gets Faster (I Know You) (Demo) 8 Sailing Down the Tears (Demo) 9 Rebels on the Run (Demo) 10 Malibu Beach (Calypso Version)
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
