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BEAR Announce New EP “Anhedonia”, First Video Single ‘Empty Markers’ Out Now

Posted by tarjavirmakari on March 6, 2026
Posted in: Int. News, News. Tagged: BEAR. Leave a comment
Credit: Yngwie Vanhoucke

Belgian mathcore heavyweights BEAR have announced their new EP Anhedonia, to be released 22nd May via Pelagic Records.

In celebration of the news, the quartet have today revealed their single ‘Empty Markers’.

Stream and pre-order Anhedonia here: https://orcd.co/bear-anhedonia

From the first ferocious moments ‘Empty Markers’ introduces BEAR’s unrestrained power and compositional ingenuity. Through each section of the song momentum is never lost, every riff lands with purpose, every rhythmic shift creating a push a pull that wrestles between melodic hook and rampaging intensity. From feral roars to whispers, from stark clarity to jarring razor sharp edges, this track ushers in the adrenaline-fueled EP with devastating effect.

BEAR’s sound is a calculated collision of technical precision and unfiltered aggression — a modern strain of European metal that balances math-inflected complexity with visceral, live-wire intensity. At the core of their identity a combination of brains and brute force.

With Anhedonia, BEAR deliver five songs of pure adrenaline and unfiltered heaviness that capture a band confronting the strange emotional vacuum that can follow trauma. Anhedonia is both a battle cry and a confession; a visceral document of resilience carved from years marked by illness, loss, uncertainty, and hard-won perseverance. 

The EP was recorded live as a full band, with no click track, no studio safety nets, no artificial alignment. What you hear are four musicians locked in, feeding off each other’s raw and volatile energy in real time.

Guitarist James Falck comments: “After writing Vanta which was written during a particularly unpleasant moment in my life (cancer, surgery, treatment, family deaths, breakups), I personally was able to exorcise a lot of demons, and since then a lot of incredible things have happened in my life. Making music has always been a big source of therapy for me, and these songs really represent this state I was in until recently; where I had a lot to be grateful for, but the trauma and pain I had experienced in the years before had created a certain level of numbness, apprehension, and indifference.”

Bassist Dries Verhaert adds: “We indeed approached this project quite differently, both creatively and in the studio. Looking back, I’m proud of what we’ve achieved. Anhedonia is BEAR at our most authentic and vulnerable. If you ever find yourself in the dark, keep pushing. Accept help from those around you, and keep moving forward. This album is proof that even in the toughest times, there’s a way through.”

Tracklisting:

1.    Empty Markers
2.    Lacerate 
3.    The Smile 
4.    Anhedonia 
5.    Metastatic   

BEAR are:

Maarten Albrechts – Vocals
James Falck – Guitar
Dries Verhaert – Bass
Serch Carriere – Drums

BEAR online:
https://www.bearpropaganda.com
https://www.facebook.com/bearpropaganda
https://www.instagram.com/bear.propaganda

TERAMAZE Drop New Single/Video ‘The Invisible Countdown’

Posted by tarjavirmakari on March 6, 2026
Posted in: Int. News, News. Tagged: TERAMAZE. Leave a comment

The Invisible Countdown Begins – TERAMAZE Drop New Single/Video.

Everything that has defined the band across their evolution is distilled here: precision riff architecture, emotionally charged melodic lifts, progressive twists that refuse to sit still, and a chorus that lands with clarity instead of chaos. It’s not indulgent. It’s intentional. Structured. Controlled. Dangerous.

“The Invisible Countdown” feels like the sound of a band that has stopped chasing and started owning.

The accompanying video strips the spectacle back to bone. No gloss. No cinematic smoke and mirrors. Just Teramaze in their raw form — performance first, ego last. It’s a visual statement that mirrors the philosophy behind The Silent Architect: warts and all, take it or leave it.

Production-wise, the album is modern but never over-sanitised. There’s space. There’s breath. There are moments left human on purpose. No grid-suffocated perfection. No artificial sheen masking the pulse. In an era increasingly dependent on algorithms and manufactured precision, Teramaze have delivered something defiantly organic.

The Silent Architect is not anti-technology — it’s anti-dependence. It’s a raised middle finger to a culture leaning on AI to generate art instead of bleeding for it.

Pre-order the album here: https://teramaze.com.au/

“The Invisible Countdown” is the sound of a band trusting their instincts over trends.

It’s progressive metal without apology.
It’s melody without compromise.
It’s Teramaze — fully realised.
No countdown clock required.
— Johnny Inferno

This is the sound i heard in my head many years ago, i think we have really mastered it on this album and The Invisible Countdown. ~ Dean Wells

Members
Dean Wells – Guitars / Vocals
Nathan Peachey – Vocals
Andrew Cameron – Bass Guitar
Nick Ross – Drums

Recorded at Wells Music Studios
Mixed/ Mastered by Dean Wells
Out Through Wells Music /
MVD Distribution Worldwide May 8th

More info: https://www.facebook.com/teramaze

UNEARTH Rejoin Metal Blade Records + Announce New Management, Booking Agency & Live Dates

Posted by tarjavirmakari on March 6, 2026
Posted in: Int. News, News. Tagged: Unearth. Leave a comment
Photo by Angel Mejia

Metal Blade Records is pleased to announce their re-signing of UNEARTH!

Nothing short of standard-bearers and keepers of the faith for American metalcore, UNEARTH was the band born in the breakdown who never wavered from their love of European death metal melodicism, supercharged by American thrash and hardcore. Now, nearly three decades into a career that’s seen the Massachusetts mob play innumerable gigs and massive festivals on six continents, sell hundreds of thousands of records, and inspire some of the most important bands in extreme metal today, they remain a force with which to contend. And their reunion with Metal Blade Records – their label from their halcyon days of the 2000s first decade – only increases the ferocity of that force.

UNEARTH‘s change back then from hardcore-focused Eulogy Recordings to one with “Metal” literally in the name aligned with their sound’s sharpening into a more brutal “Blade.” This time it’s more about going home to the host of genre-defining albums like The Oncoming Storm, III: In The Eyes Of Fire, and The March. It’s not to say they haven’t made great albums (see Watchers Of Rule and the latest LP The Wretched; The Ruinous) with great partners (MNRK Heavy – formerly eOne Music – and Century Media, respectively), but the lightning here has the chance to strike twice and UNEARTH are ready to ride it.

Comments vocalist Trevor Phipps, “Getting another shot at working with Metal Blade Records feels nothing short of coming home. We truly got our best chance at making a life of creating music and touring during our first run with Metal Blade from 2004-2011. Working with so many familiar faces we trust and appreciate is something we wholeheartedly welcome. The music we’re cooking is as heavy and boundary-pushing as we’ve ever been, and we look forward to sharing it with you all in 2027.“

“They gave us our start; now, they’re part of our future,” says guitarist Peter Layman. “After fifteen years apart, we’re back with Metal Blade, the home of some of our defining records. With the writing process well underway, we felt Metal Blade was the perfect fit for us and the direction we’re headed. We’re thankful that they feel the same way and know that what comes next will be our best offering yet.”

Adds Michael Faley, Metal Blade Records A&R, “It is an honor to have UNEARTH back in the Metal Blade family. Our history with the band includes some truly incredible moments in this label’s catalog. Reconnecting with them now, at a time when both the band and the label have grown so much, is a massive win. We’ve always believed in their vision, and we’re honored to be the ones helping them tell the next chapter of their story. A new Storm is coming!“

Additionally, UNEARTH is pleased to announce their new management home of AISAmusic and European booking agency, Cobra.

Says Phipps, “We are excited to team up with AISAmusic for a new era of UNEARTH. Simon Füllemann has been a friend, peer, and colleague of ours for almost 25 years, while Bradley Zorgdrager has proven to be an ally in this business in the few short years we’ve known him. With new music, tours, and partnerships coming, we are eager to get in the studio and back on the road to riff with you all.“

“We couldn’t be happier to join the AISAmusic team for management,” notes Layman. “Heading down a new path with Simon and Bradley at our side has instantly had a positive impact, and we know it’s only the beginning. Their professionalism, knowledge, experience, and level of planning gives us the best opportunity to be successful moving forward.”

Phipps continues, “We want to thank the good people at Cobra Agency for bringing us onto their killer roster for Europe and Asia. We look forward to spending a lot of time on the road with you all, starting this summer with a European festival and club run.”

Layman concurs, “We are incredibly proud to announce our partnership with Cobra Agency for booking throughout Europe and Asia. One of the best parts about being in a band is sharing your art while visiting incredible places around the world. We know that working with Cobra Agency gives us the best opportunity to continue doing this.”

UNEARTH‘s nearly thirty-year ride has been wild enough thus far. As one of the key bands of the New Wave Of American Heavy Metal (NWOAHM), they rose alongside the likes of Killswitch Engage, Lamb Of God, Shadows Fall, Darkest Hour and more. “It was a healthy competition between all of us,” recalls Phipps. “It made for some great music and opened up a new chapter in American metal.” And though the Wave ain’t so New anymore, the great music continues as UNEARTH opens a new chapter of their own.

UNEARTH Live:
7/25/2026 Barba Negra – Budapest, HU *
7/31/2026 Afdreiht Un Buten Festival – Goldenstedt, DE
8/01/2026 Full Rewind Festival – Löbnitz, DE
8/03/2026 Magnolia Open Air – Milan, IT ^
8/04/2026 Dynamo – Zurich, CH ^
8/05/2026 Brutal Assault Festival – Jeroměř, CZ
8/07/2026 Frischluft Open Air – Linz, AT ~
8/13/2026 Motocultor Festival – Carhaix, FR
* w/ In Flames
^ w/ Of Mice & Men
~ w/ The Ghost Inside

https://unearthofficial.com
https://www.facebook.com/unearthofficial
https://www.instagram.com/unearthofficial
https://x.com/Unearthofficial
https://www.youtube.com/@UnearthOfficial
https://merchcare.de/en/unearth

SOUNDS OF DELUSION Release New Song ‘Saint’

Posted by tarjavirmakari on March 6, 2026
Posted in: Int. News, News. Tagged: SOUNDS OF DELUSION. Leave a comment
Photographer: Serena Solomon

Sounds Of Delusion, a sludge metal band that started as a solo project by Juuso Raatikainen (Swallow The Sun) has grown into a trio and now offers a new song, Saint. 

“It seems that we need greedy bastards to lead us to self-destruction. That’s what makes humanity so wonderful to follow,” says band leader Raatikainen. 

The band will play their first gig at Kuudes Linja in Helsinki on May 29. The live lineup includes Okko Solanterä (Horizon Ignited, I Am the Night), Antti Karhu (Shining [NO], Post Pulse), Pekka Löhönen, and Juuso Raatikainen. The gig will celebrate the album release of guitarist Karhu’s other band, Post Pulse, and will also feature a performance by Turku-based rock-metal hybrid Sisin.

Listen to the single on music services (Spotify, Apple Music, Tidal, Amazon Music, Qobuz, yms.): https://push.fm/fl/soundsofdelusion-saint

–ISRC: FI3FC2698501
–Composition & lyrics: Juuso Raatikainen
–Mix & mastering: Juho Räihä (SoundSpiral Audio)

More info:
https://soundsofdelusion.bandcamp.com/
https://www.facebook.com/soundsofdelusion
https://www.instagram.com/soundsofdelusion/

ANTHEA Release New Single ‘Awakening (Song for Spring)’ from Upcoming Album

Posted by tarjavirmakari on March 6, 2026
Posted in: News, Int. News. Tagged: ANTHEA. Leave a comment

Los Angeles symphonic metal band Anthea unveil “Awakening (Song for Spring)”, the second single from their upcoming third studio album, “Beyond the Dawn“. In contrast to the shadowed theatrical tension of “Phantom in the Masquerade“, this new release opens a different chapter, measured, luminous, and deliberately forward-facing.

Rather than relying on spectacle, “Awakening (Song for Spring)” builds its impact through control and clarity. The arrangement unfolds gradually, allowing melody and atmosphere to take precedence over sheer force. Guitar lines remain precise and defined, the rhythmic foundation steady and purposeful, while layered orchestral textures expand the harmonic frame without excess. The result is a composition that breathes, structured, intentional, and dynamically balanced.

Lyrically, the song draws from the symbolism of seasonal change. Spring becomes more than scenery; it serves as a metaphor for recalibration and the regaining of momentum. The imagery of thawing ground, open skies, and returning life mirrors an internal shift, leaving stagnation behind and stepping into renewed direction. It is not naïve optimism but earned progression.

A key element of this phase in Anthea’s evolution is the integration of The Sirens, backing vocalists Mel Del Real and Astrid Anaya, whose harmonies add a choral dimension that enriches the band’s sonic identity. Their presence is not ornamental; it reinforces the emotional contour of the material and strengthens the interplay between restraint and uplift that defines the track.

Alongside the single, Anthea unveils the official lyric video for “Awakening (Song for Spring)”. Conceived as a visual extension of the song’s thematic arc, the video places the lyrics at the forefront, allowing imagery and text to unfold in step with the music’s gradual rise. Rather than relying on distraction or excess, the presentation reinforces the composition’s sense of renewal and progression, translating its symbolic language into a focused and coherent visual narrative.

Taken within the broader scope of “Beyond the Dawn“, the single reveals one of the album’s central tensions: movement emerging from uncertainty. While the record does not follow a rigid narrative concept, it consistently navigates themes of resilience, reflection, and forward motion. If “Phantom in the Masquerade” examined isolation through theatrical darkness, “Awakening (Song for Spring)” answers with compositional openness and measured affirmation.

With their third full-length, Anthea demonstrates increasing confidence in arrangement, pacing, and tonal contrast. The writing is tighter, the dynamics more deliberate, and the identity more clearly defined than ever. Rather than amplifying every element, the band chooses precision – allowing space, harmony, and structure to carry weight where excess would dilute it.

“Awakening (Song for Spring)” is now available on all major digital platforms.

New album “Beyond The Dawn” out April 17th, 2026 as CD / VINYL / DIGITAL
PRE ORDER “Beyond The Dawn”: https://rockshots.eu/products/anthea-beyond-the-dawn​

First Single – “Phantom In The Masquerade”
DIGITAL SINGLE: https://lnk.to/sIZl8W​
​​Music Video – https://www.youtube.com/watch?v=hMxhW6gWY3g

Track Listing:​
1. Beyond The Dawn – 4:13
2. Phantom in the Masquerade – 3:32
3. The Lost Soul – 3:44
4. Awakening (Song for Spring) – 4:16
5. Bygone Age (Chicxulub) – 4:03
6. From Shadows to Light – 4:40
7. Crystal Moon – 4:11
8. Wanderer’s Quell – 3:53
9. Whispers of the Heart – 4:46
10. Duality of Gaia – 4:12
11. Burnin’ in the Third Degree (Tahnee Caine and Tryanglz cover) – 3:38
Album Length: 45:08

Anthea Line-Up:​
Diego Valadez: Lead Vocals, Keyboards
Juan Pina: Rhythm Guitars, Harsh Vocals
Marcos Mejia: Lead Guitars
Gabby Hawk: Bass
Peter Vasquez: Drums
​
The Sirens (Backing Vocals)
Mel Del Real: Backing Vocals
Astrid Anaya: Backing Vocals

More info:​
​https://rockshots.eu​
​https://www.facebook.com/antheametal​
​https://www.instagram.com/antheametal

ØUTLINE Release New Nostalgic Modern Hard Rock Single ‘Moonlight’

Posted by tarjavirmakari on March 6, 2026
Posted in: Int. News, News. Tagged: ØUTLINE. Leave a comment
Photographer: Joonas Pakkanen

Finnish hard rock band ØUTLINE is a project of five guys in their twenties, blending genres and mixing the new with the old. In early 2026, the band will release several singles leading up to their debut EP, set to drop in March-April.

Øutline‘s third single, “Moonlight,” offers nostalgic 80s hard rock with an attitude. The four-minute song leaves no one cold, pushing forward with the power of a compelling guitar riff. The melodic vocals are accompanied by backing vocals, and the song ends with a euphoric guitar solo.  This song has proven to be the perfect closing song at gigs, leaving a lasting impression on the listener.

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, Qobuz etc.): https://push.fm/fl/outline-moonlight

–ISRC: FI3FC2597703
–Composition: Iiro Palaste, Mikko Häkkinen
–Lyrics: Aaron Hietaniemi, Oiva Salonen

“Moonlight the night sky, I never had. Dark haze, the blank page, It’s who I am”.  The song is about unfulfilled dreams and expectations and the feeling of emptiness that this causes. As the story progresses, however, the narrator finds a way to accept this and move on with life.

The song is Øutline’s third single from the upcoming EP, offering a small bite of the band’s fresh sound and expanding catalogue. All tracks on the EP were mixed by Sami Niittykoski and mastered by Miro Kiiski. The new single will be featured in Øutline’s spring 2026 live shows, starting on March 6 at Kulttuuriravintola Railo in Tampere.

Øutline has performed in its current lineup since 2022. The band has been performing actively across Finland and has released seven singles that have gained traction on Spotify’s rock playlists and local radio stations. After a short break, it’s time once again to release new music and hit the road.

https://www.instagram.com/outlinebandofficial
https://www.tiktok.com/@outlineband
https://www.facebook.com/outlinefinland/

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