DUN RINGILL launch a music video for their latest single “Dark Clouds Are Rising”, released in August. The track is featured on “150-Where the Old Gods Play Act 2”, the second part of the Swedish progressive folk/doom metal outfit’s conceptual double album. After releasing the first part, “Act 1,” in 2023, the band is now set to launch “Act 2” in early 2025 on The Sign Records.
“150-Where The Old Gods Play – Act 1” is available now on vinyl and CD.Get the record
Dun Ringill started in 2017 as a dark and doomy project with Nordic folk influences, creating music with big harmonies and presenting them with lyrics directly from the land of evil and darkness within the creative mind of bassist Winberg. This quickly evolved into becoming something much bigger and before long the unique musical recipe of Nordic folk, doom and progressive metal would be born.
When The Order of Israfel took a one-year break from September 2017, the rhythm section of that band, Patrik Andersson Winberg (Bass) and drummer Hans Lilja (also in Lotus) grabbed the chance to create new music again together with Patrik’s old band mate from the Doomdogs era, Tomas Eriksson (Intoxicate and ex Grotesque). To make this exciting project of Dun Ringill as great as possible, the band teamed up with Gothenburg’s fella musicians, guitarists Tommy Stegemann (Silverhorse), Jens Florén (also in Lommi & ex- live guitarist for Dark Tranquillity) and Patric Grammann (SFT, Neon Leon).
In Autumn 2020, a line-up reshuffle was made with experienced drummer Neil Grant joining the group after Hans Lilja left. This addition would prove to be influential in pushing their musically boundaries even further by not only adding a progressive oddity to the mix, but simultaneously delving even deeper into the folk and heavy doom and metal worlds which the band already use as their playground.
As a follow up their two highly acclaimed albums “Welcome” and “Library of Death” (with average reviews of over 8/10 for both albums), the band toured with acts like Church of Misery, Year Of The Goat and Elder they also played festivals like Headbangers Open Air and Gloomy days to name just a few.
The release of their latest album will be an adventurous double concept album, released as two single albums via The Sign records, is based on a movie script written by Patrik Andersson Winberg (bassist and main songwriter in DR) and Jonas Granath (teacher in religion and literature). Contact has been made with movie producers who have shown great interest in the script thus far. The story (based in Scotland in early 1900) centers around the manipulation of the church with a priest whose secret agenda only reveals itself at the end.
The title of the new albums will be: “150-Where the Old Gods Play Act 1 & Act 2”.
Dun Ringill: Thomas Eriksson – Vocals (Also in Intoxicate and Ex-Grotesque and Doomdogs) Neil Grant – Drums (Ex- End Of Level Boss and RAAR) Patrik Andersson Winberg – Bass (Ex The Order of Israfel and Doomdogs) Jens Florén – Guitar ( Also in Lommi and ex live guitarist for Dark Tranquillity) Tommy Stegemann – Guitar ( Ex Silverhorse) Patric Grammann – Guitar ( Ex Southern Festival Train and Neon Leon)
German death metal juggernauts RISE OF KRONOS have unleashed a dark and intense new music video for their track “Children of Leprosy“, from their recently released album, “Imperium”. Dropping just a month after the album’s release, this latest visual addition deepens the mythological and apocalyptic themes that have become the band’s signature, capturing fans in a storm of unrelenting aggression and atmosphere.
“Children of Leprosy” explores the suffering and decay that permeate the band’s mythological universe, channeling the visceral, brutal energy for which RISE OF KRONOS has become renowned. Packed with ferocious riffs, pummeling drums, and guttural vocals, the track embodies the raw, merciless sound that “Imperium” is built upon. The video amplifies this brutality, drawing viewers into a vivid world where darkness reigns and resilience is tested in the face of despair.
RISE OF KRONOS live: 09.11.2024 DE – Erfurt, From Hell 15.11.2024 DE – Balingen, Sonnenkeller 16.11.2024 DE – Karlsruhe, AKK 23.11.2024 DE – Naumburg (Saale), Tanks 30.11.2024 DE – Oberhausen, Helvete 06.12.2024 DE – Lübeck, Treibsand 07.12.2024 DE – Bremen, Zollkantine 31.01.2025 DE – Hannover, Cafe Glocksee 01.02.2025 DE – Hamburg, Logo 15.02.2025 DE – Berlin, Slaughterhouse 12.07.2025 DE – Barleben, Damned Days Festival
About the band:
In 2021, RISE OF KRONOS exploded onto the death metal scene, rising from the ashes of thewell-established band Surface. After 11 relentless years of intense touring, three hard-hitting albums, and an unyielding dedication to their craft, Surface found themselves at a critical juncture. Feeling an overwhelming urge to evolve and transcend their previous identity, the band membersembarked on a transformative journey to push their music – and themselves – to the next level.
The decision to reinvent themselves was not made lightly. They were determined to honor the legacy they had forged and to maintain the powerful connection they had built with their devotedfanbase, the Titans. In a nod to their past, they took on the name RISE OF KRONOS, a tribute totheir 2015 album and a symbol of their rebirth, blending past, present, and future in a single strokeof defiance.
RISE OF KRONOS represents an unholy fusion of dark, brutal, and modern death metal. Their sound incorporates the vicious edge of Swedish death metal with the technical precision of progressive elements and the raw intensity of hardcore. As seasoned musicians, they have perfected their craft, delivering a sonic experience that is both innovative and rooted in the traditions of extreme metal.
Inspired by Greek mythology, the band has cultivated a rich conceptual identity, invoking the wrathand grandeur of ancient gods. Their live shows are immersive and electrifying, transporting audiences to a world where the power of Olympus and the chaos of the underworld collide. With each performance, they guide their audience on a thunderous journey, wielding crushing riffs andrelentless rhythms like weapons of war.
In 2024, RISE OF KRONOS unleashes their highly anticipated album, Imperium. With this release, they take their mythological themes to new heights, channeling the rage and power of the Titans through blistering death metal anthems. Imperium is an evolution in the band’s sound, delivering a more expansive, ambitious, and ferocious body of work. The album plunges deep intothe battle between gods and mortals, with each track a reflection of the eternal struggle forsupremacy and domination.
Imperium marks a defining moment for RISE OF KRONOS, solidifying their place as a rising force in modern death metal while continuing their legacy of transformation and reinvention. With aburning desire to conquer new territory, the band is poised to leave an indelible mark on the metallandscape. Kronos has risen, and his empire is just beginning!
RISE OF KRONOS are:
Tom Robinson – Guitar, Vocals Tim Broscheit – Bass,Vocals Jhonnie Ritter – Guitar Marco Bechreiner – Drums
Swiss extreme metal titans TYRMFAR proudly unleash their blistering second single, “Symphony of Pain”, taken from the highly anticipated forthcoming EP, Symbiosis.
“Symphony of Pain” delivers a visceral portrayal of inner torment, delving deep into a tortured soul’s battle with regret, deceit, and redemption. The track paints a powerful picture of a mind lost in turmoil, only to rise again, stronger and more resilient. With lyrics that explore the weight of personal accountability and the transformation that emerges from facing one’s demons, Tyrmfar crafts a journey of anguish that ultimately offers hope—a triumphant message of rebirth from the ashes.
“Symphony of Pain” is a sonic onslaught that showcases Tyrmfar’s signature blend of ferocity and emotion. The band draws listeners into an epic struggle for redemption, proving that even in the darkest moments, there is light to be found.
The single is now available on all major digital platforms, offering a taste of what’s to come in the band’s upcoming release, Symbiosis.
About the EP: Symbiosis
With Symbiosis, Tyrmfar pushes the boundaries of their sound, forging an evolution in their blackened death metal assault. The EP explores the uneasy relationship between humanity and nature, channeling the growing tension of ecological and social crises into a brutal yet thought-provoking musical experience.
Rooted in the Scandinavian black and death metal influences of the late ’90s and early 2000s, Symbiosis also embraces modern elements that reflect the band’s diverse musical inspirations. This creative process, enriched by each member’s distinct style, weaves together a tapestry of searing intensity and emotional depth. Every note is a testament to the band’s commitment to authenticity and connection, ensuring that their live performances remain as powerful and captivating as their studio work.
Prepare for an unrelenting wave of extreme metal that challenges both the mind and the senses.
Band + Cover photo by Aarni Visuals – Cover layout: Sakari Tuokkola
Finnish progressive metal band Rioghan is set to release the second studio album ‘Kept’ on February 14th 2025 via Inverse Records.
The second single ‘Hands’ is released today and it’s available on all essential streaming services: https://push.fm/fl/rioghan-hands
Composed by Teemu Liekkala & Jenni Perämäki
Lyrics by Jenni Perämäki
Arranged by Tero Luukkonen, Antti Varjanne, Valtteri Revonkorpi
Cover photo: Aarni Visuals
Cover layout: Sakari Tuokkola
Rioghan comments:
” ‘Hands’ hits with raw agony from the get go, compiling complicated emotions arising from a place of abuse and unsafety, threading back and forth on the line of apathy and fight or flight-response. Musically the song gives you a false feeling of safety at first, until it sheds its’ skin halfway through, evolving to a new version of itself.
About the Wheel-tour:We are having SO much fun and new experiences touring Finland with Wheel. Every show has been a unique experience and we’ve been in complete awe from the warm welcome everywhere, and Wheel-fans have truly embraced our presence. This makes sure we are actively looking for more live show opportunities, it’s so rewarding to get together with people.”
Last show of On-going Finnish Tour with Wheel: 09.11.2024 Oulu, 45 Special
Rioghan is a fresh breeze to progressive metal scene from Finland. The band consists of singer Rioghan Darcy, guitarists Teemu Liekkala and Tero Luukkonen, bassist Antti Varjanne and drummer Valtteri Revonkorpi.
Their debut album ‘Different Kinds Of Losses’ was made in collaboration with Jonas Renkse (Katatonia), Einar Solberg (Leprous) and Teemu Koskela (ex-Celesty), and it was rolled out during 2022 sparking interest widely. The singles got airtime in Finland and also internationally, and after the album release in December, Rioghan’s monthly listeners on Spotify peaked at 40 000. The songs also got into multiple Spotify editorial playlists.
Live line-up was put into action in 2023, and this autumn Rioghan will return to stages supporting Wheel on their Charismatic Leaders -tour, bringing their stellar show to Tampere, Kuopio, Helsinki, Jyväskylä, Lahti, and Oulu.
Rioghan started out as a solo project by singer and poetess Rioghan Darcy, based in Lapua, Finland. After years of writing poetry and lyrics, Rioghan was founded in 2019 with an intention to fleshen up some of her words with music. After a while, it grew into a trio with Teemu Liekkala (guitars, bass, keys, production) and Valtteri Revonkorpi (drums) added as permanent stars for the band, and in 2024 guitarist Tero Luukkonen and bassist Antti Varjanne also officially joined the band from live line-up. Rooted deeply in both gothic and progressive metal scenes, they sure should bring something interesting on the table.
Few bands in the halls of metal have marched to a beat that’s more brazen, brutal and bizarre than Defeated Sanity. Thirty years after their flaming, cataclysmic demo, the underground legends have repeatedly slammed death metal on its deformed skull. Each member is a certified lunatic when it comes to breaking brains with their fine-tuned instruments, but the band’s punishing headiness is led by drummer Lile Gruber, their fleet-footed co-founder and singular mastermind.
“Lile’s drumming can be described by his band’s appropriately chosen name”, Black Dahlia Murder drummer Alan Cassidy told Loudwire. “When you hear one of their songs for the first time you quickly become mentally exhausted with all the twists and turns of his extremely technical and groove-oriented playing”.
Whether he’s flaying his snare, pinging between cymbals, pounding out blast beats or riding a colossal groove, Lile ensures that Defeated Sanity’s new album flows like a never-ending stream of filth. To gear up for Chronicles of Lunacy, Sick Drummer are premiering a new drum playthrough of the band’s latest single. It’s still plenty twisted, but “Accelerating the Rot” now stands as one of the fastest songs in their torrid history.
To celebrate Chronicles of Lunacy, Defeated Sanity are embarking on their first headlining tour of Europe since 2018. They’ll be performing songs off their brutal new album alongside Wisconsin’s Putrid Pile and To Violently Vomit Forth, a tribute to Disgorge that features current and former members of the legendary BDM band.
Iniquitous Savagery, Strangle Wire, Asylum and Embryonic Devourment round out the two legs of this stacked bill.
Defeated Sanity Chronicles of Lunacy 2025 European Tour 23 January – Wolfburg, DE @ Jugendhaus OST* 24 January – Hambourg, DE @ Bambi Galore* 25 January – Copenhagen, DE @ Temple of Doom* 26 January – Dyestad, SE @ Dyestads Bygata* 27 January – Stockholm, SE @ Kollektivet Livet* 28 January – Aalborg, DK @ Studenterhuset* 29 January – Tilburg, NL @ Hall of Fame* 30 January – Lille, FR @ The Black Lab* 31 January – Paris, FR @ Glazart* 1 February – Basel, CH @ Kaschemme Basel* 2 February – Milan, IT @ Slaughter Club* 3 February- Graz, AT @ Explosiv* 4 February – Vienna, AT @ Escape^ 5 February – Zagreb, HR @ Klub Močvara^ 6 February – Budapest, HU @ Dürer Kert^ 7 February – Belgrade, RS @ Dorcol Platz^ 8 February – Sofia, BG @ Oldskulls Club^ 9 February – Varna,BG @ Club Smile^ 10 February – Bucharest, RO @ Quantic^ 11 February – Cluj-Napoca, RO @ Flying Circus^ 12 February – Košice, SK @ Collosseum Club^ 13 February – Prague, CZ @ Modrá Vopice^ 14 February – Bielsko-Biala, PL @ Rudeboy Club^ 15 February – Berlin, DE @ Orwohaus^ * with Iniquitous Savagery, Strangle Wire ^ with Asylum, Embryonic Devourment
Tracklist 1. Amputationsdrang (2:30) 2. The Odour Of Sanctity (3:36) [WATCH] 3. Accelerating The Rot (3:22) [WATCH] 4. Temporal Disintegration (5:52) [WATCH] 5. Extrinsically Enraged (4:09) 6. A Patriarchy Perverse (4:16) 7. Condemned to Vascular Famine (6:00) 8. Heredity Violated (3:48) Total runtime: 33:35
DEFEATED SANITY is unequivocally one of the most unique, boundary-pushing and crucial bands in the history of extreme death metal. Their music is as technically coherent as it is mind-bending and memorable. Endlessly replay-able and full of discovery, their maze of riffs and musical passages is inspired by infamous classic bands in the extreme metal genre, while also heavily steeped in jazz and progressive classical elements.
The band consists of four members. They’re led by drummer Lille Gruber, who’s the son of deceased co-founding member Wolfgang Teske. Gruber is joined by bandmates Jacob Schmidt (bass), Josh Welshman (vocals) and Vaughn Stoffey (guitar).
As well as being the drummer of Defeated Sanity, Gruber is the multi- instrumental, songwriting mastermind behind the band’s deep and compelling catalogue of songs and compositions. He possesses a bag of tricks seen nowhere else in the genre, and a musical prowess which is on full display throughout their new album Chronicles of Lunacy.
“We love experimenting”, explains drummer and founding member Lille Gruber. “But we realized that some of our oldest fans might have gotten lost after our last couple of albums. With the new one, we wanted to focus more on neck-snapping brutality”.
Chronicles of Lunacy punches you right in the face. Press play and “Amputationsdrang” already has you pinned to the mat beneath its non-stop blasts. Get comfortable, too, because Defeated Sanity don’t let the album up for air until the very end of Track 4. But turns out, acting like knuckle-dragging cavemen isn’t so easy for a band that has a Mensa-level maestro like Gruber at the controls.
At the tender age of six, Lille Gruber picked up heavy guitar and drums. Inspired by killer American BDM bands like Disgorge, Monstrosity and Brodequin, the German wunderkind recorded the band’s first demo alongside his father, Wolfgang Teske. Since Wolfgang’s passing in 2010, Gruber has taken on the bulk of the composing for Defeated Sanity. Whether he’s hammering his snare, pinging between cymbals or riding a colossal groove, The Chronicles of Lunacy flows like a never-ending stream of filth.
“Lille’s drumming is just ridiculous”, Jacob Schmidt says. Schmidt – who toured with Obscura behind Cosmogenesis – joined as the other half of Defeated Sanity’s chaotic rhythm section for the band’s beloved second album. His nimble, belching bass give the new album’s lead single “The Odour of Sanctity” a dizzying bounce. “He’s the face of the franchise, so we’re never going to abandon those head-scratching moments that set Defeated Sanity apart”.
Indeed, Chronicles of Lunacy isn’t Defeated Sanity for dummies. Heck, the lyrics are wrapped up in the twisted ways that delusions can rot the human psyche. This heady concept was made flesh by none other than Jon Zig. Drawn in painstaking detail by his wicked right hand, the album’s cover shows that the birth of some ideas look an awful lot like a gory and sex-crazed nativity scene.
“Each song on Chronicles deals with a different form of mental corruption”, Josh Welshman says”. “Odor” stinks of religious fanaticism. “A Patriarchy Perverse” cracks open the mind of co-ed killer Ed Kemper, while “Extrinsically Enraged” practically foams at the mouth with squealing hammer-ons. “That one’s more literal”, says Welshman with a hearty laugh. “It’s about contracting rabies”. If it weren’t for Disposal of the Dead / Dharmata, then Defeated Sanity would’ve chewed through as many vocalists as they have albums, but after a brutal showing on their last one, Welshman is back with more guttural vengeance. His growls ooze from the pit of his gut on “Temporal Disintegration”, stomped out like the innards of a cockroach by the gravity-defying slams.
While it still hits from every odd angle, Chronicles of Lunacy does draw a jagged red line back to Defeated Sanity’s brutal origins. After all, the band now share a label with their namesake. In true, DS fashion, the first song written for this album was “Heredity Violated”, a headbanging grand finale that never stops chugging. “This album isn’t as tough on the brain as the last two”, says new guitarist Vaughn Stoffey, whose chunky riffs whip “Accelerating the Rot” into the fastest song in the band’s canon. “It’s rawer and more straightforward, which gets back to what fans love about Psalms of the Moribund“.
To dig up the sheer brutality that long-time fans have come to crave, Defeated Sanity returned to Thousand Cave Studios. New York City’s most vile underground hotspot also served as the excavation site for the Billboard-charting The Sanguinary Impetus, which shoveled a fresh layer of dirt over the “polished” production of Passages into Deformity. But the band encouraged producer Colin Marston to get down and dirty with Chronicles of Lunacy. “We still wanted some of the high fidelity that you hear on modern death metal records”, Schmidt says, “but this album has the same crushing low-end as Psalms or Chapters of Repugnance“.
The band execute this two-headed approach to monstrous effect on “Condemned to Vascular Famine”. At just under six minutes, the song delivers the longest ass beating on Chronicles of Lunacy. At times, all four members sound like they’re climbing up the walls in separate asylums, but after slipping in a brief nod to Bram Stoker’s Dracula, the band come slamming down into the album’s ugliest breakdown.
“That’s one of our favorites”, the band says. “It lands at a crossroad of the DS sound that we ended up with on Chronicles of Lunacy. Even though it gets pretty fucking weird at times, there’s still an emphasis on heavy, straight-up slamming”
None of their albums are ever going to follow a straight line, but on Chronicles of Lunacy, Defeated Sanity return to sheer brutality.
Lineup Josh Welshman – Vocals Vaughn Stoffey – Guitars Jacob Schmidt – Bass Lille Gruber – Drums
Guest musicians Danny Nelson and Paolo Paguntalan provide backup vocals on “Amputationsdrang” and “Accelerating the Rot”
Recording Studio Thousand Caves Studio in January 2024.
Production Recorded, mixed and mastered by Colin Marston. Produced by Colin Marston and Defeated Sanity.
Cover Art Artwork by Jon Zig Title lettering by Liz Schmidt Layout by Alex Eckman-Lawn
Four years after their last release and six years since their last full-length, OTHISMOS announce the arrival of their new album, “Sottrazione”, available on December 16th, 2024. This marks the band’s third album since their inception in 2009, following “L’odio necessario” (2015) and “Separazione” (2018), and it’s their first album entirely in English.
The first single “Cops Are not People” is now streaming HERE.
“Sottrazione” comprises eight tracks that defy genre boundaries: OTHISMOS continue on their unique musical journey, bridging crust, black metal, post-hardcore, sludge, and other metallic elements. Over the years, their sound has drawn comparisons to an array of bands, from Nasum to High on Fire, capturing the vast scope of their influences.
The new album was recorded with longtime friend and collaborator Emanuele “Bio” Ferrari, and then mixed and mastered by Danilo Battocchio (Ponte del Diavolo, Hierophant, Tons, and more).
The band shares:
“After a period of inactivity and a new drummer joining our lineup, we’re starting fresh with new ideas. We’ve dialed back some of the black metal sound that shaped our previous album and leaned back towards our punk and crust roots, yet allowing more space for melody. We worked by subtraction, embracing a ‘less is more’ approach. ‘Sottrazione’ is furious, pitch-dark, and extreme, because that’s who we are. We don’t fit into any one category, and we’ve never tried to. What we hope for is that ‘Sottrazione’ leaves listeners with the raw, visceral impact that we aim to convey. Nothing gets better, everything rots and fades, we are all insignificant and destined to be forgotten. All that’s left is to face reality and exorcise the futility of our days.”
Tracklist:
01. I Will Fade Away 02. Cops Are not People 03.Burn the Flags 04.The Mirror 05. Pars Destruens 06. They Declared War on Us 07. The Shape of Pain to Come 08. Death Forever
Line-up:
Filippo Masina – bass, vocals and lyrics Luca Migliorucci – guitars Matteo Maroni – drums
Recorded by Emanuele “Bio” Ferrari Mixed & mastered by Danilo Battocchio Artwork by Giulia Ajmone-Cat Cover design by Stefano Paolessi
For fans of: KEN Mode, The Secret, Celeste, Rorcal
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video