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SAVAGE LANDS Receive One Million Euro Donation from Hellfest

Posted by metalshockfinland on July 15, 2024
Posted in: Int. News, News. Tagged: Savage Lands. Leave a comment
Photo by Savage Lands

Savage Lands are still buzzing after their performance on the main stage at Hellfest. Today, the musician-run 501(c) 3 non-profit is thrilled to announce that the festival is donating one million Euro to support their ongoing reforestation efforts in Costa Rica and Europe! 

“This is a historical move by Hellfest and a great signal to the music industry”, says musician-turned-activist Sylvain Demercastel, who founded Savage Lands with Megadeth drummer Dirk Verbeuren. “Such an extraordinarily generous donation from a renowned festival is just another example of the many ways that the metal community supports each other”.

Hellfest’s donation is just one part of a five-year partnership. Savage Lands will continue to host a booth on the festival grounds. This year, Bill Hudson (I Am Morbid), members of Dimmu Borgir and other metalheads stopped by their booth to learn more about the green zones, nature sanctuaries and other biodiversity preservation projects that they are building in Costa Rica. The non-profit has protected 60,000 square feet of rain forest using 100% of the royalties from their music.

“As a non-profit, we depend on the support of our listeners, other organizations and fellow artists”, Sylvain says.

SAVAGE LANDS at 10 Booth with I Am Morbid and Dimmu Borgir (photo by Kevin Merriaux)

Many of their famous friends showed up to support Savage Lands at Hellfest. Sylvain was backed by familiar faces in Florian Pons (Loco Muerte) and Poun and Etienne Treton (Black Bomb A). Andreas Kisser (Sepultura) and Daniel de Jongh (Textures) joined for their entire set, which kicked off with “The Last Howl”, a fitting tribute to the endangered howler monkey. Chloe Trujillio hopped on for the blackened groove of “Black Rock Heart”, followed by Silje Wergeland (The Gathering) who sang along to the band’s new melancholic single “No Remedy”.

Alissa White-Gluz (Arch Enemy) and Sakis Tolis (Rotting Christ) pledged their support via video. So did Maria Franz from Heilung, who are also partnering with Savage Lands. The Nordic collective are donating $1 for every ticket sold on their US tour to support the non-profit’s reforestation efforts.

As if that wasn’t enough starpower, for their grand finale, Savage Lands brought out Jesper Liveröd (Nasum) Alejandro Montoya (Cultura tres) Billy Graziadei (Biohazard) and Shane Embury (Napalm Death) for a bloody, screaming rendition of “Roots”.   

“I’ve known Andreas for such a long time,” says Shane Embury. “It was great sharing the stage with him and all of these wonderful musicians. Meeting and becoming friends with Sylvain and the rest of his band was a beautiful experience.

“Making true creative connections like this is so important” Shane continues. “That’s a big part of what draws me to Savage Lands. We are connected with every living thing on this planet and their organization is helping to preserve nature’s treasures. I’m happy to be a part of such a truly important cause”.  

Some of the artists who performed with Savage Lands at Hellfest have already committed to working on their upcoming album, which will be released by Season of Mist. In the meantime, Sylvain and Dirk are still looking for more festivals and other prominent members of the metal community to join the army of trees.

“Our goals are attainable” Sylvain says. “By converting the land that we purchase into nature sanctuaries, Savage Lands will help set a precedent for environmental activism. But we must act quickly. Ecosystems are still under attack. If we don’t, then there won’t be any wildlife left to save”.

SAVAGE LANDS On Stage with Shane Embury (photo by David Gallard)

Just listening to their music helps support Savage Lands. 100% of their song royalties fund the non-profit’s preservation efforts in Costa Rica.

Donations can also be made at https://savagelands.org/donation/

Tracks
1. “The Last Howl” (5:48) [WATCH]
2. “Black Rock Heart” (4:54) [WATCH]
3. “No Remedy” (4:24) [WATCH]

Artists occasionally support causes through donations to organizations. With SAVAGE LANDS, Megadeth drummer Dirk Verbeuren teamed up with his guitar-wielding friend Sylvain Demercastel to create their own US 501(c)3 non-profit.

Savage Lands raises money for reforestation and the creation of sanctuaries free of human destruction in Costa Rica. Using their own royalties, donations and other fundraising efforts, the organization builds nature sanctuaries, establishes green zones and other land preservation projects. They partner with other non-profits, scientists and forest engineers, as well as Decibel Magazine and Season of Mist.   

Photo by Gornoss

“If you want to make a difference, take action! Our greatest hope with Savage Lands is that it will inspire you to join us, and if you can, to start your own initiative to help preserve animals, forests, and our planet”, says Dirk.

Learn more about Savage Lands
https://savagelands.org/

Stream
https://savagelands.fanlink.tv/NoRemedy

Donate: https://savagelands.org/donation/

ANCIENT SETTLERS Release Lyric Video for ‘Coven Garden’

Posted by metalshockfinland on July 15, 2024
Posted in: Int. News, News. Tagged: ANCIENT SETTLERS. Leave a comment
Photo by Juan Lopez

ANCIENT SETTLERS have released a lyric video for “Coven Garden”, originally the second single taken from the new album “Oblivion’s Legacy” released in May 17th by Scarlet Records. STREAM IT HERE

“Coven Garden” paints a vivid picture of souls ensnared in the carnival’s grip through an evocative imagery. The chorus serves as a chilling refrain, describing the grotesque dance of freaks and phantoms beneath a crimson tent, where wickedness lurks in the shadows. The gang shout adds to the atmosphere of torment and cyclical suffering, reflecting the recurring nature of the carnival’s malevolent influence.

video by Metal Index

The album was

  • Produced, mixed and mastered by Fredrick Nordstrom at Studio Fredman;
  • illustrated by Jon Toussas (Suicidal Angels, Nightrage, W.E.B.);

FFO: Arch Enemy, Jinjer, Soilwork, Darkane, Shadows Fall, The Agonist, Light This City

Ancient Settlers quickly gained a fierce reputation in the melodic death metal European scene thanks to a relentless live activity, and are now eager to raise the bar with their second studio album.

Guided by the demoniac vocals of frontwoman Argen Death, the Venezuelan/Spanish band masters the melodeath subject with absolute confidence through storming heavy riffs, thick grooves and catchy hooks (just like the Swedish godfathers taught us all).

“Oblivion’s Legacy” is a conceptual work that delves into the profound depths of human existence, exploring the legacy we leave behind as individuals and as a species. The lyrics contemplate the impact of our actions, the struggles we face, and the ultimate fate that awaits us all.

artwork by Jon Toussas

Set against a backdrop of cosmic wonder and existential introspection, each song serves as a chapter in the unfolding narrative of humanity’s journey through time and space.

“Oblivion’s Legacy” tracklist:

  1. The Circle Of Misanthropy
  2. Oblivions Legacy
  3. Stardust Odyssey
  4. Wounded Heart
  5. Subversive
  6. Coven Garden
  7. The Mechanical Threats Paradox
  8. The Last Battle In The Earth
  9. Cosmic Farewell
  10. Redemption

Ancient Settlers 2024 tour dates:
26.07 Barcelona (ES) – Sala Bóveda
27.07 Lisbon (PT) – RCA Summer Party Fest
06.09 The Hague (NL) – Musicon
07.09 Bree (BE) – Metal Babes & Queens Festival
08.09 Paris (FR) – Le Klub
28.09 Burgos (ES) – Quintanapalla Rock Festival
19.10 Villabona (ES) – Hellbonak Metal Fest
07.12 Bordeaux (FR) – Salem Bar

Ancient Settlers:
Argen Death – vocals
Carlos Chiesa-Estomba – guitar
Agustín Martinez – guitar
Miguel Herrera – bass
Hermán Riera – drums

More information at https://www.facebook.com/AncientSettlers

HARPYIE Release New Single And Video ‘Schildmaid’

Posted by metalshockfinland on July 15, 2024
Posted in: Int. News, News. Tagged: HARPYIE. Leave a comment

HARPYIE release “Schildmaid”, the new single from the upcoming studio album “Voodoo” which will be released on 25th October on Metalville Records.

With “Schildmaid”, Harpyie release their “ode to women”. With motifs from the emancipated Viking world, the “woman in Valhalla” becomes a symbol of feminism and poses the question of the degradation of men to the elevation of women. Embedded in power metal and medieval rock elements, Harpyie deliver a powerful response to one of the omnipresent challenges facing our world today – in keeping with the spirit of their new album “Voodoo”. 

Harpyie – the continuously up-and-coming folk metal band from East Westphalia has played its way into the hearts of the German metal community with its authenticity and consistently individual approach. Whether at the Wacken Open Air or the Summerbreeze, the five rebels from Bad Oeynhausen have thrilled the young and genre-breaking target group as well as the traditional metal fans. With their last album, they also made it into the top ranks of the German album charts with a fabulous 34th place – and proved it: Folk metal from Germany is just as suitable for the mainstream.
With their new album “Voodoo” they are continuing on this path.

Harpyie invite you to a life-affirming and rebellious ritual of the shadows of our time.

https://www.harpyien.de/
https://www.facebook.com/harpyien
https://www.instagram.com/harpyieband
https://twitter.com/harpyieofficial
https://www.youtube.com/channel/HarpyieTube
https://www.twitch.tv/harpyie_official
https://open.spotify.com/intl-de/artist/6Z48DAdZXTdQ65IiDAyKRC

ANDRZEJ CITOWICZ Releases Powerful New Single + Lyric Video ‘Bloody Mamacita’ from Upcoming Album “Unwelcomed and Unbreakable”

Posted by metalshockfinland on July 15, 2024
Posted in: Int. News, News. Tagged: Andrzej Citowicz, CITOVITZ AND THE FIREFLIES OF FEBRUARY. Leave a comment

Respected former recording artist for Down Boys Records, Polish Cairo-Based Guitarist/Songwriter ANDRZEJ CITOWICZ, is set to ignite the music scene with his latest musical endeavor. The highly anticipated first single “Bloody Mamacita”, from his forthcoming album “Unwelcomed and Unbreakable”, is poised to immerse audiences in a relentless pop-rock soundscape, featuring big vocals and touches of Desmond Child, Bon Jovi, and Def Leppard. The album will be released under the moniker of CITOVITZ AND THE FIREFLIES OF FEBRUARY.

“Bloody Mamacita” is more than just a song; it’s a heartfelt dedication to Citowicz’s wife and a powerful anthem for adults on the autism spectrum. The track explores the often-overlooked struggles and triumphs of neurodivergent individuals navigating adulthood.

Adding intrigue to the project is a mysterious vocalist whose identity will be revealed later this year. Citowicz hints, “The voice you hear is that of someone on the autism spectrum. Their powerful performance brings an authentic, raw emotion to the music that perfectly captures the essence of our experiences.”

Citowicz adds, “This song is for everyone who’s ever felt alone in their struggles with autism as an adult. It’s a reminder that whether it’s your wife, brother, sister, father, or mother standing by your side, you’re never truly alone in this journey.”

The single showcases Citowicz’s signature guitar work and emotive songwriting, blending rock energy with pop sensibilities. Adding depth to the track is the fantastic bass work of Patryk Szymanski, who Citowicz praises for his intuitive understanding of the music: “Patryk’s bass lines complement my songs in a way no other musician has. His contribution elevates the entire project.”

“Creating ‘Bloody Mamacita’ was like finally finding the right words to express a lifetime of experiences,” Citowicz explains. “It’s about the daily battles we face, the misunderstandings, but also the incredible strength we discover within ourselves and through our loved ones.”

“Unwelcomed and Unbreakable,” set to release later this year, promises to be a groundbreaking album that sheds light on the adult autism experience through the universal language of music. Citowicz adds, “Every song on this album is a piece of my story, and the stories of countless others who navigate this world a bit differently. It’s about being unwelcomed by society’s norms but remaining unbreakable in spirit.”

“Bloody Mamacita” is released exclusively on YouTube today, July 15, 2024. The lyric video premiere offers viewers a visually compelling journey through the song’s powerful narrative.

Watch “Bloody Mamacita” lyric video:

“Bloody Mamacita” Music Credits:
Andrzej Citowicz: Guitars, Music, and Everything in Between
Patryk Szymanski: Bass
Vocals: Voice of a Neurodivergent

++++++

On May 6th 2024, Andrzej Citowicz released his deeply personal gift, “Carpe Diem: The Best Of” album, of Citowicz’s creative musical odyssey.

“Carpe Diem: The Best Of” isn’t just a collection of 17 songs; it’s a three-year artistic voyage condensed into a single, powerful experience. Each carefully selected track represents a pivotal moment, drawn from Citowicz’s critically acclaimed trilogy of instrumental albums: “Misery Loves Company,” “Never Ending Storms,” and “Hive of Weirdness.” Previously scattered gems now find their perfect place within this cohesive whole, taking listeners on an immersive sonic adventure like no other.

Beyond the realm of music, “Carpe Diem: The Best Of” is a profound reflection of Andrzej Citowicz himself. Every note and melody resonate with the triumphs, challenges, and quiet moments of contemplation that have shaped him as an artist. It’s an intimate glimpse into the depths of his being.

In case you missed, stream “Carpe Diem: The Best Of” at https://youtu.be/T52FnyGxYtk?si=znvhvOa-TQ8SUkqD – feat. heart-piercing guitar riffs and a pulsating rhythm section skillfully crafted by bassist Patryk Szymański.

As a neurodivergent artist openly sharing his experiences with autism, Citowicz emphasizes the profound connection he has forged with his instrument. He explains, “Over the past three years, my guitar has been my closest friend. Through it, I’ve expressed emotions and experiences deeply intertwined with my journey on the autism spectrum. ‘Carpe Diem: The Best Of’ stands as a testament to the power of music to transcend language and connect with us on a deeper level, regardless of how we experience the world.”

++++++

As an autistic guitarist, Citowicz has leveraged his unique perspective to craft a distinctive sound that resonates with listeners from all walks of life. His music serves as a powerful tool for self-expression, allowing him to convey complex emotions and thoughts in a way that transcends verbal communication. By sharing his experiences and creative process, Citowicz aims to inspire and empower others on the autism spectrum, while also promoting greater understanding and acceptance of neurodiversity in the music industry.

Andrzej Citowicz’s music career has been marked by a unique blend of hard rock, blues, and cinematic elements, which has garnered him a loyal following across the globe. His critically acclaimed trilogy of instrumental albums has been praised for its emotional depth, technical virtuosity, and innovative storytelling. Citowicz’s music has been described as “a cinematic soundscape that transports listeners to a world of raw emotion”.

Also check out Andrzej’s earlier singles:
“Hive of Weirdness” – https://www.youtube.com/watch?v=ji5TwSm_hNo
“Butterfly Effect” – https://youtu.be/jryGasne7Mg?si=BWLN4_tx7r03NgoD
“Turn To Stone” – https://www.youtube.com/watch?v=g2NT7O9Zr2M
“Anemoia” – https://www.youtube.com/watch?v=THtiL7q90bY
“Modern Blues Riot” special demo – https://youtu.be/AEZtTuPr6bI
Special Cairo Mix ‘Midnight Thunderstorms’ – https://youtu.be/FEK8fsbHd4I
‘A Wound That’s Always Bleeding’ – https://youtu.be/clScq09DywE
‘Savagely Hungry For Love’ – https://www.youtube.com/watch?v=sEgRrcmgLDY
‘Electric Heartbeat Symphony’ – https://www.youtube.com/watch?v=C6IWdx0vOQQ
‘Marvelous Misadventures Of Myself’ – https://youtu.be/jsgLvfF5Wd8
‘The Long Train Journey’ – https://youtu.be/zbEgbMBGbGw
‘Never Ending Storms’ – https://www.youtube.com/watch?v=Ip04u1xuf4s

Connect with Andrzej Citowicz:
YouTube: https://www.youtube.com/@AndrzejCitowicz
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

℗© 2024 Citovitz and The Fireflies of February / Andrzej Citowicz

Ex-RUNAWAYS’ Cherie Currie Talks Band’s Turbulent Times, Incident w/Rush, Kidnapped & Reconciling w/Kim Fowley

Posted by metalshockfinland on July 14, 2024
Posted in: Int. News, News. Tagged: Cherie Currie, The Metal Voice. Leave a comment

Jimmy Kay from The Metal Voice recently spoke to Former Runaways singer Cherie Currie about her upcoming European tour 2024.

Currie also spoke about her turbulent times in the Runaways, the Rush incident in Feb 10, 1977 in Detroit and her being kidnapped after she quit the band and a whole lot more…

When asked how band manager Kim Fowley would encourage others to throw things at the band during rehearsals
“Oh yeah he would have people come in and throw trash, trying to get us ready for anything. It was the Runaways boot camp and you know. I loathed Kim Fowley. Also I got hit by the IRS as soon as I left the band. I thought all the girls had been for money that I never made and that I was forced to pay. I loathed him for many reasons but then when I heard he was sick I had seen him at a party and I just really realized that this hatred that I had hurt only me and that this was so unhealthy. I just decided that I was going to hand an olive branch and so when I saw him at this party over at the Houdini Mansion, he was kind of expecting me to want to push him in a pool or something. I said let’s talk and so we did and we talked for hours and he cried literally. He knew that he had made a grave mistake and not only that I left right when we were more than likely going to have a huge hit. Then when he got ill I moved him into my home and took care of him towards the end of his life and he was bedridden. So we’re talking bedpans and we’re talking sponge baths and you know it was the best time of my life. We recorded, we wrote and I loved him when he died and so all the feelings that would have been hatred is love now. You got to forgive you got to forgive I’m so glad that I did. “


When asked about when she quit The Runaways
” I couldn’t even watch videos or anything after our breakup. It was hard, very very hard because the ending was so devastating. And again it was because we were just working to the Bone to the Bone, we never had any time off, we weren’t being paid and there was this inner friction within the band that we didn’t have a mediator. If we would have had a mediator it would have made such a difference. Kim Fowley (manager) seemed to believe and he regretted this for the rest of his life. Kim just believed that if there was tension that it would be more rock and roll on stage that it would just have this grittiness. But unfortunately we were too young to handle it. You know 16, 17, 18 you know we were children. “

When asked about owing money to the IRS because of Kim Fowley cooking the books
“Kim Fowley actually claimed that my twin sister also owed $20,000 in taxes uh so this was him being a conniving con man. I’ll never forget this (IRS) agent turned around and he goes to my father, we don’t give a damn whether she made the money or not. She’s going to pay it and I paid $100 a month from the time I was 17 until I married Robert Hayes in 1990. He (Robert) just happened to see me writing out another $100 check and he paid it off. At that time I owed about $2600. Kim Fowley was stealing all the money so he had to find some way to not pay the taxes for the money that he stole because the Runaways made nothing. I mean nothing. The Japan tour which was the last tour was the only tour where we made money and I’m talking about us selling out huge venues, merchandise, up the kazoo, tens of thousands of dollars a night and each one of us got a check for about $1,700 . I can’t even imagine the amount of money that The Runaways made on these tours I can’t even imagine after 35 years. We never got any royalties either, we ended up having to turn around in sue Kim Fowley and Polygram/ Mercury to get our royalties and that was in 1997. But unfortunately they take 50% of everything and uh you know right now it’s 30 years so I’m going to have to start disputing that.

When asked how much of the Bio Pic The Runaways movie was exaggerated
“I can’t say it was exaggerated at all. They based the movie on my original 1989 paperback book Neon Angel and uh I don’t know why she (Floria Sigismondi director) didn’t think that there were enough treacherous stories in there but she actually wanted my character in some hotel room blowing crack cocaine in a dog’s face. I told her first of all I will sue you if you even attempt this because then I’ll have people hating me for something that I would never do. But she changed things around like. I wore the corset for the first time in Japan (in the movie) however (in real life) I wore the corset almost right out the gate.”

When asked about their incident with Rush opening for them at Detroit’s Cobo Hall on February 10, 1977
” We had been treated so well by Tom Petty who opened for us and Cheap Trick who opened for us but Rush sabotaged our set. We’re at Detroit’s Cobo Hall. It’s a big venue. I saw them and they were throwing pieces of paper just like standard 8 by10 paper onto the stage whipping it like you would a pizza. I was in 6-in platform boots and I had to jump off of Sandy West’s drum Riser. I hit one of those pieces of paper and I slid across that stage and there was an orchestra pit with all the photographers. I’ll never forget seeing them reach up with fear that I was going to go over and somehow I caught myself right at the last minute and did one of those you know (rock star poses) to one of the photographers. I could have been paralyzed. I’m not exaggerating, I could have been very much injured had I gone off that stage. So that’s why Joan and I in particular don’t care much for them because they weren’t protecting us, they were sabotaging us that night and they would be sitting there behind Lita’s (Ford) amp (snickering).”

When asked about Peeing on Rush’s guitars as a form of retaliation (as portrayed in the movie The Runaways)
“I wasn’t there I didn’t pee on anybody’s things. If it did happen it could have been Joan (Jett) and Lita(Ford). It was not me. It’s hard for me to imagine that. Joan was very subdued and self-conscious and I don’t really see that happening personally. I’m not saying that it didn’t because I wasn’t there.”
 

When Asked about her being kidnapped shortly after quitting the Runaways
” I just left The Runaways and this man pulled up and it was like Cherie long time no see. Good looking guy and he’s in a green limousine. I’m thinking to myself, oh I don’t recognize him but I was a people pleaser. I didn’t want to make anyone feel bad I didn’t want to turn around and say gosh I don’t remember you. I played along with it and there was a guard right there to my left. My friends were right there and he said look at my new car and I said well that’s nice. He goes well, why don’t you jump in as I pull around to park .This voice immediately said don’t do it but I looked and I saw the guard was right there. I thought for some reason that they overheard him but they didn’t and it was being a people pleaser not wanting to hurt his feelings. I got in the car and he’s pointing at all the gadgets, look at this, look at that. And we’re coming around this horseshoe and I saw him pass one spot and it’s a limousine right so there were only a couple of spots that it took and then the Master locks came down and he just went right out the parking lot. I didn’t have my purse, I had nothing on me. I didn’t have an ID, nothing . He took me probably 15 miles to the Osborne exit off the 170 freeway to a desolate area to a house. I screamed enough trust me no one came. He got me probably at about 10 at night, my sister was supposed to pick me up at 11:pm. He held me until about 5 in the morning when I talked him into going back with him to Dallas, this is after I’d stabbed him with a knife. I’m very lucky he didn’t kill me but I literally was so desperate because he kept telling me he’d killed six women and he was going to kill me. So I was in that kind of Terror. After I’d stabbed him he was beating me, he drugged me, he knocked me to the ground and dragged me by my hair into the bedroom and he literally straddled me and was punching me in the face where I started to go unconscious. Then I heard this voice saying don’t you remember we used to do this. I was just playing, I was just playing. I didn’t mean it, you know , I love you. I was just falling into this Blackness of unconsciousness and all of a sudden the blows became less and less and less and I said take me home and I’ll get my stuff and we could be together and he believed it. It bought me my life. I’ll never forget he’s driving to my friend Vicky Ronald’s apartment and my dear friend Andy Raffles. I knew Andy would be there. I knew they were searching for me at this time because I left my purse. I had him drive me to Vicki’s apartment. He brought me down into the underground parking lot and I said I’ll be right back and I get out and I get into the stairwell and I collapsed. I mean I just literally fell on the floor and I crawled up the stairs and I got to the apartment I knocked on the door and Andy opens that door and he lifted me up and I just said he’s downstairs that’s all I said. Andy grabbed a butcher knife and a flashlight and he went out that door and he got that license plate. It took the police literally 30 minutes and they took me from the hospital in the patrol car to ID the house which I did about 7:30- 8:00 in the morning. Then the police waited till the following morning at about 4 a.m. and they busted through that door and they dragged him out naked and you know he I went to trial and he had decided to take a plea deal. He pleaded to sodomy by force and got one year in county and they dropped the kidnapping, the baiting, everything, all the sexual assault because it was you know arms length what he had done and more. So he pleaded guilty to sodomy by force and got one year in county I think he’s dead today to be honest or changed his name.”

KID KAPICHI Release Video for ‘Can EU Hear Me?’

Posted by metalshockfinland on July 14, 2024
Posted in: Int. News, News. Tagged: KID KAPICHI. Leave a comment
Photo courtesy of https://www.facebook.com/KidKapichi

Emerging “power punk” sensations KID KAPICHI have released a video for their fan favourite track “Can EU Hear Me?’ and have been announced as special guests on the forthcoming Frank Carter & The Rattlesnakes EU tour!

The UK went to the polls on Thursday, July 4th, and KID KAPICHI has strong views on the political state of their homeland. They made the following statement in days leading up to the elections:

“It’s not an overstatement to say that the result of (this) election will have repercussions that will last for generations, whatever the outcome. Another term of Tory government will see the social and physical infrastructure of this country finally bent to the point of breaking, and the final clusters of struggling public resources will be used to line the pockets of a ruling elite.

“All the proof anyone needs is there to be seen from the last 14 years.

“We’re in an unfortunate situation in the UK where a vote for change is usually choosing between the lesser of 2 (or more) evils, and rarely aligned with people’s actual ideals of the things that would be beneficial to this country. That is particularly pronounced at the moment with the disappointing and dreadful leadership of an already concerning Labour Party.

“It would do wonders for this country to have more than 2 political parties in prominence, it would balance out government action and potentially reduce the divided society that a binary political system creates; sometimes it takes voting for the underdog parties a few elections in a row to help them rise to prominence.

“It has to be stressed that splitting the anti-Tory vote and having even one more term of conservative government would likely damage the fabric of this country beyond repair for decades to come. People counting their chickens to say the Tories don’t have a chance need only remember the social media echo chambers which landed us in the 2019 election, Brexit, Trump etc.

“That is why we would urge everyone to use their voice and their vote wherever possible, and to make sure you make yourself aware of how your vote can be used tactically to get the Tories out of power, even though we fully acknowledge and share in absolute criticism and protest against Kier Starmer’s Labour Party.

“At the moment, our beliefs are in all honesty more aligned with the Green Party, but in Hastings where the Tory seat is won or lost by a handful of votes, tactically we need to vote Labour to get the Tories gone. It’s not by any means simple, but it feels like whatever it takes to remove the Conservative government has to be the priority in whatever form that takes.

“In an ideal world we would support the parties we want to see in power in the future, and once the tories are out that feels more in reach – but at the moment allowing them to remain in power feels like the greatest of all evils and a crushing blow to the future of the UK. F**k the Tories and what they’ve done to this country.”

KID KAPICHI embarked on a packed-out 2024 UK and European headline run to celebrate the release of ‘There Goes The Neighbourhood.’ The video for “Can EU Hear Me?” shows the lunacy of these shows and life on the road.

On heading out with Frank Carter & The Rattlesnakes, vocalist/guitarist Jack Wilson commented:

“Last time we were out on the road with Frank Carter & The Rattlesnakes was in 2019 before anybody had even heard of the word Covid or even the words ‘Kid Kapichi’. It’s safe to say Frank gave us our first break as a band and we owe him and the rest of the guys a lot. This tour is going to be a real celebration of our love for them and all of you in Europe. You know we can’t stay away too long.”

Be sure to catch this incredible lineup at one of the following shows:

10/21 Denmark, Copenhagen @ Amager Bio
10/22 Germany, Hamburg @ Große Freiheit 36
10/23 Germany, Leipzig @ Conne Island
10/24 Czech Republic @ Prague, Roxy
10/26 Poland, Warsaw @ Proxima
10/28 Hungary, Budapest @ Dürer Kurt
10/29 Austria, Wein @ SIMM City
10/30 Germany, Munich @ Backstage Werk
11/01 Switzerland @ Pratteln, Z7
11/02 Italy, Milan @ Alcatraz
11/03 Italy, Treviso @ Treviso New Age
11/05 France, Lyon @ Le Transbordeur
11/07 Spain, Barcelona @ Razzmatazz 2
11/08 Spain, Bilbao @ Santana 27
11/09 Spain, A Corũna @ Pelicano
11/11 Spain, Madrid @ BUT
11/13 France, Bordeaux @ Le Krakatoa
11/14 France, Nantes @ Stereolux
11/15 France, Lille @ L’Aéronef

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  • Chief Shock Video

  • Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! 🌏💚 Click image to watch the video
  • Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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  • Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen.
Kimmo shared: "Esa Kotilainen and I worked on this song some years ago, but it was left unfinished. Now it is completed as a tribute to our 40 years of musical madness together. ‘Aurora Nuclearis,’ featuring and in memory of keyboard player Esa Kotilainen, who is now playing on the cosmic plane." - Click image to watch the video
    Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
  • Metal Shock Finland

    Metal Shock Finland
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