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MATT MITCHELL & THE COLDHEARTS Release New Single ‘Razor Tongue’ (Acoustic)

Posted by tarjavirmakari on March 21, 2024
Posted in: Int. News, News. Tagged: Matt Mitchell & The Coldhearts. Leave a comment

UK rock band, Matt Mitchell & The Coldhearts, have released their new single ‘Razor Tongue‘ (Acoustic Version). The song is taken from the ‘Mission‘ Ultimate Edition album release, the new edition features exclusive new artwork, 6 extra tracks acoustic versions, including one brand new song, due out April 19th, 2024. Pre-order the album here: earache.com/mattmitchell

‘Razor Tongue’ (Acoustic Version) can be streamed here: https://earache.lnk.to/RazorTongueAcousticVersion

Alternative versions / acoustic versions has always been something Matt Mitchell has loved. This one is an acoustic version of the lead single from the ‘Mission’ album that landed a top 20 position in the Official Rock Charts back in late 2022. Matt Mitchell & The Coldhearts have recorded a whole bunch of acoustic versions and sharing soon more details.

‘Mission (Ultimate Edition)’ is an extended version of the Official Charting album ‘Mission’ by Matt Mitchell & The Coldhearts and consists of exclusive new edition artwork plus 6 extra tracks. 5 tracks are acoustic versions of and feature piano / acoustic guitars and cello. The 6th extra track is a brand new song. The acoustics tracks were recorded in different sessions between 2018 and 2023. Some at ROCKFIELD STUDIOS, Brighton Studios and remotely. The acoustic tracks feature Stevie Watts on Piano ‘Dare You to Watch (Acoustic)’ and this one was recorded live at ROCKFIELD and features the iconic piano that was used on many great albums including QUEENS ‘BOHEMIAN RHAPSODY’. Lydia Alonso also features on Cello ‘Wave Goodbye (Acoustic)’ and again a live version remotely recorded. ‘Mission (Acoustic)’ recorded by Mitchell in the studio in Brighton. As is the same for the bluesy slide guitar version of ‘Razor Tongue (Acoustic)’. ‘The Queen & I’ is a live studio recording by Mitchell and the song has only ever been aired at live acoustic performances. Written in the recent pandemic lockdown and gets its name from the fact that Mitchell shared a birthday with the late QUEEN ELIZABETH II.

Tracklisting:

  1. Mission
  2. Razor Tongue
  3. Someone New
  4. Just Like I knew You Would
  5. Don’t You Think It’s Time
  6. C’mon C’mon
  7. It’s Only Rock’n’Roll (After All)
  8. Where In The World
  9. Sending Out My Love
  10. Snakes
  11. Dare You To Watch (Acoustic Version)
  12. Mission (Acoustic Version)
  13. Home (Acoustic Version)
  14. Razor Tongue (Acoustic Version)
  15. Wave Goodbye (Acoustic Version)
  16. The Queen & (Acoustic Version)

Deemed by PLANET ROCK MAGAZINE as ‘The premium example of a modern classic rock singer’, MATT MITCHELL has been known as the voice of a few bands before carving out his solo journey under the moniker MATT MITCHELL & THE COLDHEARTS. AOR band PRIDE / Heavy Rock band FURYON and Blues Rock band COLOUR OF NOISE were all fronted by the British singer. With much appraisal from magazines CLASSIC ROCK / METAL HAMMER / FIREWORKS / POWERPLAY / THISISROCK and more, Mitchell has received a wide range of print and online press. BBC Radio 2 and Planet Rock are amongst the radio stations that have been championing Mitchell’s music.

Alongside playing shows in UK/Europe/Russia and South America Mitchell has performed at several major festivals including DOWNLOAD, BLOODSTOCK, STEELHOUSE, RAMBLIN MAN FAIR, HARD ROCK HELL, PLANET ROCKSTOCK and Poland’s gigantic POLISH WOODSTOCK festival. In 2019 the debut COLDHEARTS Album was released when Mitchell and his collective ventured to the iconic ROCKFIELD STUDIOS in Wales where they recorded the debut featuring the popular single ‘Black Diamonds’. It became very clear that a sophomore album would at some point appear and whilst the World went into lockdown Mitchell wrote and recorded new music with his band in the shape of ‘MISSION’. The album was released in July 2022 and landed in the Official UK Rock Album Chart top 20! Coming in at #19.

https://www.mattmitchellmusic.com
https://www.facebook.com/mmitchellmusic
https://twitter.com/mmitchellonline
https://www.youtube.com/channel/UCHGNbu5DgyXNTvq3HnPHdeQ
https://www.instagram.com/mmitchellmusic

THE ODDEVEN Announce April Abduction Tour Dates

Posted by tarjavirmakari on March 21, 2024
Posted in: Int. News, News. Tagged: The OddEven. Leave a comment
Photo Credit: Will Cline

Hot off the heels of their recent full-length album release entitled Darkness, Post-Grunge rockers The OddEven have been beamed up by their flying saucer and will be hitting the East Coast of the United States on their upcoming April Abduction Tour. The band (and their little gray friends) have announced twelve dates beginning April 13th through April 27th. See below for dates, venues, and ticket information.

The OddEven recently dropped their new full-length album Darkness via Eclipse Records. While leading up to the album’s release, they band dropped three music videos for the singles “Whiskey”, “Another Nail”, and “Wild West”. The album was produced by Weed and E.T., alongside Frank Marchand (Fiona Apple, Nils Lofgren) at Waterford Digital, and mastered by Alan Douches (Mastodon, Monster Magnet, Fleetwood Mac) at West West Side Music. Darkness is an invitation, precious and personal like a treasured pattern of body ink, and their suggestion is that we become a part of the experience by letting the music spark our wildest imaginations. They set us free to become exotic savages on distant planets, heroes in a hot-rods playing chicken with the stars, and psychedelic villains chasing shadows to the underworld. Get Darkness by The OddEven at https://lnk.to/odddrk  

The OddEven tour dates (get tickets here)
4/13 – Raleigh, NC @ Slim’s Downtown
4/14 – Bristol, TN @ The Mountain at Thunder Valley
4/16 – Birmingham, AL @ The Nick
4/17 – Chattanooga, TN @ JJs Bohemia
4/19 – Cleveland, OH @ Maple Grove Tavern
4/20 – Grand Rapids, MI @ Mulligan’s Otherside
4/21 – Pittsburgh, PA @ The Funhouse @ Mr. Smalls
4/23 – Philadelphia, PA @ The Rusty Nail
4/24 – Clifton, NJ @ Dingbatz
4/25 – Wallingford, CT @ Cherry Street Station
4/26 – Boston, MA @ Rockwood Music Hall
4/27 – Glen Burnie, MD @ Henny Mack’s Inn

For more information about The OddEven and their April Abduction Tour, please visit them on Facebook, Twitter, Instagram, YouTube, and TikTok, and follow them on Spotify, Apple Music, Pandora, Amazon Music, Tidal, or Deezer.

The OddEven lineup
Weed (bass guitar), E.T. (guitar), Chris Volz (vocals), Tosha Jones (drums)

BraveWords Records Sign Chris Slade’s THE CHRIS SLADE TIMELINE

Posted by tarjavirmakari on March 21, 2024
Posted in: Int. News, News. Tagged: Bravewords Records, Chris Slade, The Chris Slade Timeline. Leave a comment

BraveWords Records is excited to announce the signing of THE CHRIS SLADE TIMELINE. Look for THE CHRIS SLADE TIMELINE to release their first title for BraveWords Records in 2024. “Metal” Tim Henderson from BraveWords Records talking about the signing, “The legendary Chris Slade continues to leave us thunderstruck as he reinvents the rock world with a unique proggy orchestral vision of intense magnitude. To put it simply, the drummer still means business nearly 60 years into his remarkable music career.”

Chris Slade launched the band ‘THE CHRIS SLADE TIMELINE’ to mark 50+ years as a professional rock drummer. For this project, Slade took on phenomenal vocalists STEVE GLASSCOCK and PAUL “BUN” DAVIS with the added stunning musical techniques of guitarist JAMES CORNFORD and keyboard and guitar player MICHAEL J. CLARK with ANDY CROSBY on Bass you most certainly have a band to be reckoned with and worthy to mark Slade’s illustrious musical career.

This is a concept for Slade that will include performances from a varied set list from Tom Jones, Manfred Mann’s Earthband, Uriah Heep, The Firm, ASIA, MSG, David Gilmour, Gary Moore along with a fair degree of AC/DC numbers and many surprises to be unwrapped along the way.

“After all these years recording and playing with some of the world’s greatest rock musicians such as Tom Jones, Manfred Mann’s Earthband, Gary Moore, Gary Numan, Denny Laine, Jimmy Page, Paul Rodgers, David Gilmour, Uriah Heep, Asia and of course AC/DC, I am delighted to join BraveWords Records headed up by my old associate Brian Adams to release our new THE CHRIS SLADE TIMELINE album of completely original new tracks and some of our favourite covers. I hope you will listen to and enjoy this latest offering of new music to all fans of TIMELINE and all fans from my past musical career.” – CHRIS SLADE

About Chris Slade:

Chris Slade was a founding member of Manfred Mann’s Earth Band in January of 1971. He was to spend seven years with the band, recording eight albums and achieving three UK Top Ten singles in the process: ”Joybringer’ (No. 9, October 1973), ‘Blinded By The Light’ (No. 6, September 1976 & a multi million selling #1 in the USA) and ‘Davy’s On The Road Again’ (No.6, June 1978).

He later teamed up with Jimmy Page, Paul Rodgers and bassist Tony Franklin to form “The Firm” at the end of 1984. The Firm, produced two excellent albums for Atlantic in 1985 and 1986 that gave them a few radio hits including “Radioactive” and “Satisfaction Guaranteed.”

Then Chris joined up with Gary Moore on a temporary basis, taking over from Cozy Powell just four days before the start of the 1989 ‘After The War’ tour. It was at one of Gary Moore’s gigs in The UK that Malcolm Young saw Chris Slade play. After the tour it was Chris’s intention to put together a band with ex-Aerosmith guitarist Rick Dufay. But the call from AC/DC scuppered those plans as he was destined to tour and record with them over the course of the next five years, playing on their acclaimed “Razors Edge” Album, and giving a killer performance on their concert DVD “Live from Donington”.

After his stint with AC/DC Chris joined up with 80’s prog-rock band “Asia”, who (even with the many personnel changes over the years) had still been managing to churn out some excellent music. Chris recorded with them on their 2000-2004 studio recordings, “Aura” and “Silent Nation”, and put forth his “trademark” energy-filled live performances on all the subsequent tours that ensued.

About BraveWords Records:
There is a serious void which desperately needs to be filled, hard-working and creative bands that have yet to find a partnership and a mutual vision with a professional team. The music-fuelled minds behind BraveWords Records, Brian Adams, Giles Lavery, Tim Henderson and Michael Brandvold, have built the ultimate home for an artist that will take you where you want to be. Collectively, with nearly 100 years of music industry experience under our belts, the BraveWords Records team will take care of all the crucial aspects of your project from global distribution (digital and physical), publicity and media coverage (web, radio, visual), social media blanketing and streaming opportunities (such as Streaming For Vengeance). Where most labels have forgotten the concept of actually marketing a release sensibly, BraveWords Records will construct a viable and comprehensive marketing plan, including visibility at BraveWords.com, which attracts a million visitors monthly. BraveWords Records has all senses on high alert as the music industry continues its never-ending transitioning, so the artist will always be aware of new opportunities to build their brand and strive for world domination. BraveWords will also have a focus on licensing film and TV content, both contemporary and retrospective across many genres. As artists and labels transition to the many new mediums available today for their work, BraveWords intends to stay ahead of the curve in providing and actively seeking opportunities for our roster of clients.

With the rapid spread of the world wide web, BraveWords.com was born in 2000 and quickly became the CNN of heavy metal. With its team of global writers and photographers, the site flourished with 24/7 updated news, features, reviews, audio and video steams.

For nearly 30 years, BraveWords wears their metal heart loudly on their sleeve, as they celebrate the greatest genre of music with the most dedicated and passionate fans on the planet!

  • https://chrisslade.com
  • https://www.facebook.com/ChrisSladeACDC
  • https://www.instagram.com/chrissladedrums
  • https://x.com/ChrisSladeDrums
  • https://www.instagram.com/the.chrisslade.timeline
  • http://bravewordsrecords.com
  • https://bravewordsrecords.bandcamp.com/
  • http://www.facebook.com/BravewordsRecords
  • http://www.instagram.com/BravewordsRecords
  • http://www.twitter.com/BravewordsRec
  • http://bravewords.com

RATS WILL FEAST Share ‘Dog Technology’ Single, New Album Out on May 17th

Posted by tarjavirmakari on March 21, 2024
Posted in: Int. News, News. Tagged: RATS WILL FEAST. Leave a comment

Finnish experimental hardcore outfit RATS WILL FEAST‘s new album titled “Hellhole” is set to be released on May 17th 2024  through Time To Kill Records.

The album’s first single, “Dog Technology”, is now streaming HERE.

The band commented:

“‘Dog Technology’ represents the band in our core element: fast and frenzied instrumentation molded into a delirious chaotic form. The track’s explosive drumming, crushing guitars and screeching vocals mixed in with psycho-electric noise gives a hint of what is to come on our upcoming album ‘Hellhole’. ‘Dog Technology’ is Rats Will Feast at their most aggressive, pushing our sound to more extreme ends from the prior releases. The song is about people’s relationship with technology and power. Dogs were once domesticated from the wild, and nowadays they sniff out bombs at airports. This is a metaphor for the fact that almost any human invention tends to turn into a tool of control and discipline, and often we all want it ourselves”.

RATS WILL FEAST draws their musical landscape from extreme aggression and hallucinatory chaos. Hailing from Jyväskylä, Finland, the band has been touring actively in its current form since 2018. Varying between crushing hardcore, noisy psychedelia and more mellow post-rock sounds on their 2019 album “Scarcity”, 2020 EP “Songs of a Racehorse” and 2021’s “Malady”, the band’s new album “Hellhole” continues the development of the bands destructive chaotic hardcore sound.

“Hellhole” is the culmination of the band’s all the previous work. It’s a bruising demonstration of the bands core sound: chaotic rhythms, battering drums, screeching vocals, varied guitar melodies and crushing riffs with gritty low frequencies. Characteristic of the band, the album is defined by the twisted song structures and desolate, emotional lyrics which deal with the artificiality of the modern world.

Tracklist: 

01. Penetration
02. None Fated
03. Dog Technology
04. Hellhole
05. Lukewarm Futures
06. Goodbye John Wayne
07. Tourmaline
08. Replacement

Pre orders:

  • https://ratswillfeast.bandcamp.com/album/hellhole-2
  • https://timetokillrecords.com/collections/rats-will-feast

For fans of: Lighthouse Project, Endstand, Envy, The Dillinger Escape Plan, The Chariot, Botch.

Line-up:
Aaron – drums
Konsta – bass
Joona – guitar
Ruben – guitar
Vocals by everyone.

https://ratswillfeast.bandcamp.com/
https://www.facebook.com/ratswillfeastband
https://www.instagram.com/ratswillfeastfin

REPLACIRE Announce New Album “The Center That Cannot Hold”, Reveal Title Track

Posted by tarjavirmakari on March 21, 2024
Posted in: Int. News, News. Tagged: REPLACIRE. Leave a comment
Photo by Hillarie Jason

Going into album number three, Replacire had their duck boats all in a row. The Bostonians were fresh off a short run supporting their kindred spirits Exist. With their new lineup squarely in place, the tech-death band were all set to re-enter their mastermind’s studio come March 2020.

Of course, the pandemic soon laid waste to Replacire’s well-laid plans. As the title suggests, nothing about the band’s new album came easy. But after countless Zoom calls, grueling 12-hour recording sessions, sleep paralysis and one near trip to the hospital, The Center That Cannot Hold flexes all of their might. 

The Center That Cannot Hold comes out June 21, 2024 on Season of Mist. 

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Take a closer look at their name and it’s clear why Replacire has become synonymous with Eric Alper. After all, Alper is their solo original member, having started the band all the way back in 2009 as a student at Berklee College of Music.  

When he’s not producing other people’s records, Alper is sculpting his own physique as a competitive body builder. But during the sessions for The Center That Cannot Hold, he was weighed down by writer’s block.

“I was stressed out from just trying to keep my head above water”, Alper says. “When the pandemic shut everything down, I had to sell our tour van and give up our rehearsal space just to keep my finances together. There were a lot of writing sessions where all I could manage to do was hum a few chords”. 

Fortunately, help was close by. Replacire’s lineup boasts three fellow Berklee grads. Alper might’ve managed to come up with the riff that chisels into the title track like a chainsaw through a hunk of granite, but Kee Po Hock fleshes out the head banging with zippy melodic leads and fret bends that sound as nerve-wracked as a malfunctioning cyborg. It’s the rhythm section though that takes the reins on “The Center That Cannot Hold”. Joey Feretti starts off fully aslant with harsh syncopated thwacks, only for bassist Zak Baskin to dunk the song’s middle passage into a jazzy, unfettered breakdown.

James Dorton is no slouch, either. The former Black Crown Initiate vocalist has also filled in on tour for Ne Obliviscaris. Aside from his massive stage presence, Dorton is recognized amongst metalheads of all shapes and sizes for his annunciation. You can still make out every third word on “The Center That Cannot Hold”, but he holds absolutely nothing back.

“I’ve been grey in my headspace”, he growls with enough unclenched rage to bite through his tongue. “Just leave me bleeding in the dirt”. Funny enough, Alper wanted “The Center That Cannot Hold” to scratch the same desperate itch as Corey Taylor’s vocals on Slipknot’s self-titled LP. Dorton took that inspiration to heart, too. When the song suddenly cuts out with a muffled thump, you might think that’s his body hitting the floor instead of the mic.    

“James recorded the vocals for this song in one full take, with no stops, over and over, until we got it right” Alper says. “The next morning, he woke up shaking uncontrollably and his face was so pale. He came back to life after we got some fluids into him, but for a moment, I was worried that he needed to go to the hospital”

“The Center That Cannot Hold was a bitch to make”, Alper continues. “There were plenty of days when I doubted whether we would ever finish this album. But I’m glad we did. It was worth it, especially when you end up with songs that are this chaotic and heavy”. 

Cover Art by Andrew Tremblay (@actremblayart)

Tracklist
1. Bloody Tongued And Screaming (4:26)
2. The Center That Cannot Hold (3:05) [LISTEN]
3. Living Hell (2:58)
4. A Fine Manipulation (4:21)
5. The Helix Unravels (3:02)
6. Drag Yourself Along The Earth (3:39)
7. Inglorious Impunity (3:32)
8. The Ghost In The Mirror (3:57)
9. Hoard The Trauma Like Wealth (4:20)
10. Transfixed On The Work (3:28)
11. Uncontrolled And Unfulfilled (6:41)
Total runtime: 43:36

When Replacire started thinking about their third album, they gravitated around a simple idea. Write some caveman riffs to feed the mosh pit the next time they went out on tour. Of course, like any good technical death metal band that’s worth its weight in colored sands, these whiz kids deviated from their initial thought pattern. It wasn’t easy. Heck, they ended up crawling down a seven-year rabbit hole. But on The Center That Cannot Hold, the Boston band flex all their muscles 

“This was a grueling process”, says guitarist Eric Alper. “But it was worth it in the end”.  

On the surface, Replacire starts and ends with Alper. After all, the band is just his name spelled backward. Alper is a competitive bodybuilder with a mean and lean right rhythm hand, but don’t let those beefy credentials fool you. When it comes to the studio, his brain does all the heavy lifting. By day, Alper produces music for other artists, as well as TV and movies. He’s a proud alumnus  of Berklee College of Music, which is where he formed Replacire with four classmates back in 2009.   

Using the money that they savvily raised on Kickstarter, Replacire self-released their debut album by the end of 2012. A hybrid of thrash, prog and death metal, The Human Burden punched through the underground like a cyborg’s fist. “This is what would have happened if Chuck Schuldiner were still alive today and mixed up with the likes of Obscura and Opeth at the same time”, Metal Injection gushed. After tours with Hate Eternal and Beyond Creation and an unintentional private showcase for a certain label rep, Replacire signed with Season of Mist in 2016. The band wasted no time before making a quick first impression. While still head-spinning, their second album landed with the decisive force of a first-round knockout.    

“This group has set the tone for modern, rhythmically-centered death metal”, proclaimed Loudwire, who named them one of the top 5 bands amongst the next generation of death metal. “It’s time to wake up and hop aboard Replacire’s train”.    

Indeed, Replacire were chugging along with a full head of steam. But there’s a reason why their new album is called The Center That Cannot Hold. After all, this is extreme metal. Things were bound to go flying off the rails at some point. Before they could even step out on their next headlining tour, the band’s lineup completely turned over. While their momentum stalled, Alper went searching for replacements.  

Luckily, he didn’t have to go any further than his old stomping grounds. Alper linked up with Zak Baskin, who had filled in on bass for parts of Do Not Deviate. Alper then reconnected with Kee Poh Hock, a guitar whiz who’d lived with Baskin when all three were students at Berklee. Even though he graduated a few classes after them, Joey Feretti was so advanced behind the drum kit that he became Alper’s roommate. With mighty vocalist James Dorton joining fresh off Black Crown Initiate’s breakout, the new-and-improved Replacire were all set to hit Alper’s Ugly Duck Studio come March of 2020.  

No one needs to be reminded of what happened next. Replacire  always grind in the studio, taking their sweet time to fine tune every technical detail down to the last seventh string. “It never ceases to amaze me the way other metal bands just churn stuff out”, Alper says. “It doesn’t come easy for us. So many hours go into so few seconds of music”. But when the pandemic shut the world down, writing slowed to a crawl amidst the endless slog of Zoom sessions. With live music shut down for the foreseeable future, suddenly, their well-laid plan for pumping out an album of crowd killers seemed more and more like a flimsy proposition. To stay afloat, Alper sold the band’s van and moved out of their rehearsal space.  

“Everything that I had built to support the band was falling apart”, Alper says.  

The mounting stress would’ve left a lesser band bloody-tongued and screaming. But despite being stuck inside this perfect shit storm, Replacire banged their heads together and pushed through. “Living Hell” was inspired by a nasty spell of sleep paralysis that Dorton suffered after witnessing a traumatic event. “In the wake of suicide”, he groans, shrouded by eerie pangs of distortion. Alper was battling his own bouts with anxiety and depression that were brought on by a rather severe case of writer’s block, but even when all he could stand to do was lay on the couch while humming through a half-finished riff, Poh Hock would pick up his Strandberg and zip past the finish line. “The Helix Unravels” could twist all of Mensa into a pretzel with its interlocked chugs and squealing fret bends. 

The Center That Cannot Hold is crammed full of mind-bending tech-death workouts. Baskin’s unfettered groove serves as the perfect springboard for another transcendent Hock solo halfway through “Hoard the Trauma Like Wealth”, though his reverberated bass echoes like a sea of voices trapped at the bottom of a well on “The Ghost in the Mirror”. The title track unspools under Feretti’s syncopated snare hits and precision blasting, though Alper was the real drill sergeant. “I wanted the vocals to sound like they do on Slipknot’s self-titled album, where Corey is gasping for air”. Dorton took the inspiration to heart, running through full takes, with no stops, for hours on end. Heck, his vocal chords were so tattered and torn that he narrowly avoided a trip to the hospital.  

“We poured all of our blood, sweat and tears into this album”, Alper says. “It took years off my life. There were plenty of times where I wanted to quit. But I’m glad we didn’t, because this is our best album. Everything from the overall production down to the lead guitar parts took a step up. The tone is more serious  The songs are still techy buy they’re also a lot heavier. I’m proud of us”.  

On The Center That Cannot Hold, Replacire stand stronger than ever.   

Line-up
Eric Alper – Guitars
James Dorton – Vocals
Kee Poh Hock – Guitar
Zak Baskin – Bass
Joey Ferretti – Drums

Recording Studio
Ugly Duck Studios

Production Credits
Eric Alper – Producer & Sound Engineer
Jens Bogren – Mixing & Mastering Studio Engineer (Fascination Street Studios)

Biography by Will Yarbrough

Bandcamp: http://replacire.bandcamp.com/
Facebook: https://www.facebook.com/Replacire
Instagram: https://instagram.com/replacire
Soundcloud: http://soundcloud.com/replacire
Twitter: https://twitter.com/Replacire
YouTube: http://www.youtube.com/user/Replacire/videos
Apple Music: https://music.apple.com/us/artist/replacire/576863051
Deezer: https://deezer.page.link/6prhUUWzLoxLRVhK8
Spotify: https://open.spotify.com/artist/0t8nNth1Y9dRxGoiHHSSoa

French Symphonic Death Metallers AEPHANEMER Kick Off European Tour Today

Posted by tarjavirmakari on March 21, 2024
Posted in: Int. News, News. Tagged: AEPHANEMER. Leave a comment
Photo Credits: Melody Morana – Pénètre mon diaphragme

Following their latest, third album A Dream Of Wilderness (released in 2021 via Napalm Records), French symphonic death metal frontrunners AEPHANEMER are gearing up for their European tour, kicking off today in Milan, Italy!

Make sure to catch them live near you, tickets are available via:
https://www.aephanemer.com/shows

21.03.24 – Milan, IT – Legend Club Milano
22.03.24 – Roma, IT – Dissesto Cult
23.03.24 – Carrara, IT – Swamp Club
25.03.24 – Athens, GR – Holywood Stage
26.03.24 – Thessaloniki, GR – Eightball Club
27.03.24 – Sofia, BG – Live & Loud Club
28.03.24 – Bucarest, RO – Quantic Club
29.03.24 – Timisoara, RO – M2
30.03.24 – Bratislava, SK – Pink Whale
31.03.24 – Berlin, DE – Wild At Heart
02.04.24 – Poznan, PL – Klub pod Minogą
03.04.24 – Hannover, DE – Subkultur
04.04.24 – Köln, DE – MTC Köln
05.04.24 – Ghent, BE – Asgaard Gentbrugge
06.04.24 – Frankfurt, DE – Ponyhof Club

Integrating elements of melodic death metal and classical symphonies, the southern French band Aephanemer have developed a sound that could likely influence a whole new generation of metal. After bursting onto the scene in 2014, the four-piece quickly began growing a loyal fanbase – ultimately laying the foundations of the symphonic melodic death metal genre.

Due in part to their deft musicality, impressive live performances (including at festivals like Wacken Open Air) and fresh, modern sound, the band quickly gained the attention of leading rock and metal label Napalm Records, who re-released Aephanemer’s sophomore album, Prokopton, in October 2019.

With their much-acclaimed third album, A Dream of Wilderness, mixed by Dan Swanö and mastered by Mika Jussila from the prestigious Finnvox Studios, Aephanemer proves why the belong to the top league of symphonic melodic death metal!

AEPHANEMER is:
Martin Hamiche – Lead Guitar
Marion Bascoul – Vocals, Rhythm Guitar
Laure Bègue – Bass (Live)
Mickaël Bonnevialle – Drums (Live)

For More Info Visit:
https://aephanemer.com
https://www.facebook.com/Aephanemer
https://www.instagram.com/aephanemerofficial
https://label.napalmrecords.com/aephanemer

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  • Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen.
Kimmo shared: "Esa Kotilainen and I worked on this song some years ago, but it was left unfinished. Now it is completed as a tribute to our 40 years of musical madness together. ‘Aurora Nuclearis,’ featuring and in memory of keyboard player Esa Kotilainen, who is now playing on the cosmic plane." - Click image to watch the video
    Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
  • Metal Shock Finland

    Metal Shock Finland
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