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MORTIIS Drops New Music Video for ‘Violent Silence’ from Forthcoming Album

Posted by tarjavirmakari on April 21, 2026
Posted in: Int. News, News. Tagged: Mortiis. Leave a comment
Photo credits: Claudio Marino

MORTIIS premieres the story-telling and visually impressive music video ‘Violent Silence‘, which continues the narrative arc of the previous clip ‘Ghosts of Europa’, as the next advance single taken from the iconic Norwegian artist’s upcoming new full-length “Ghosts of Europa“.

“Ghosts of Europa” has been scheduled for release on June 26, 2026 via Prophecy Productions. 

MORTIIS comments: “Lyrically, ‘Violent Silence’ came into being as an apology to my wife”, the Norwegian admits ruefully. “I had done something stupid again, and she was really upset. I was trying to apologise in a text message – a really long one. The lyrics for ‘Violent Silence’ took a lot of inspiration from those words and that moment. As time goes by and having lived with this song for quite a while now, it gets harder for me to listen to those words. The gut-wrenching sensation of guilt never goes away fully. Musically, it was a very inspiring song to work on – especially with all those crazy fuzz and echo guitars that built up this song towards the end.”

Video credits
Written & directed by Claudio Marino
First assistant director: Daniel Josefsson
Produced by Artax Film
Colouring by Yellowtone

Cast (in order of appearance)
Woman: Enya Ellefsen
Oracle: Gunn Johansson
Key Bearers: Daniel Josefsson & Mortiis

Tracklist
1. Ghosts of Europa
2. Return to the Old Fields
3. The Faith That Fades Away
4. Violent Silence
5. Transcending Morpheus
6. Tundra, Heart of Hell
7. Tribes of Dystopia
8. Farewell Romero

Cover artwork by Nihil – Layout by Laurent Clément (Dead Seed Productions)

With “Ghosts of Europa”, the enigmatic Norwegian artistic entity known as MORTIIS presents an album that he views as a creative liberation. During its long and winding creation process such concepts as genre, rules or experimenting with sounds dissolved while simply making music that reflected every conceivable idea on his mind without accepting any limitations became his guiding principle.

Of course, MORTIIS‘ musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across “Ghosts of Europa”. Yet the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, “Ghosts of Europa” reflects its maker’s struggles while creating the album – as for him, these tend to come into existence at the cost of friendships and relationships as well as much soul searching. 

“Ghosts of Europa” has also been shaped to some extent by the original idea that involved a collaboration of MORTIIS with Stephan Groth from APOPTYGMA BERZERK based on their mutual fascination with the highly influential old German school of electronic music, and particularly TANGERINE DREAM and Klaus Schulze. When this fell apart, MORTIIS decided to continue on his own, and a long process of transforming the early recorded materials began.

Relics of this early stage remain in hints of the influences from Berlin as well as a host of guest contributions, but visions of bleak, desolate, and timeless alien landscapes warped and mutated the songs. This carried “Ghosts of Europa” also into spaces where MORTIIS never existed before.

In order to reflect both, the album’s general orientation towards electronic and industrial rock as well as the particularly wide range of stylistic influences reaching beyond its core, the choice of sound engineer fell on a most renowned specialist for precisely such sonic experiences: Luckily, Sean Beavan agreed to mix “Ghosts of Europa”. His credits include working with NINE INCH NAILS, DEPECHE MODE, SYSTEM OF A DOWN, GUNS N’ ROSES, and SLAYER among many other greats.

In the beginning of the artistic entity MORTIIS there was black metal. The artist Håvard Ellefsen known as the musical entity MORTIIS started out as a bass player in and during the formation of legendary Norwegian band EMPEROR in 1991 and 1992. After parting ways with these black metal pioneers, MORTIIS embarked on a solo career, the so called ‘Era I’. From 1993 until 1999, the Norwegian released six full-length albums that were entirely composed on synthesizers and are considered to constitute a fundamental influence on the later Dungeon Synth genre.

In the next decades, MORTIIS evolved and redefined his sound through several eras that embraced experimental & heavy industrial rock, a new wave of gothic & electronic influences, experimental studio works, and back to his roots. 

During most of his career MORTIIS has performed with a mask and face prosthetic that turned his stage persona into an otherworldly being. Over the year, his looks have changed and evolved. For a time during ‘Era 0′, his live concept even abandoned the wearing of the iconic mask. MORTIIS’ stage entity has often been compared with a troll – a creature of Nordic folklore, which it was never intended to be according to the artist.

“Ghosts of Europa” is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured “Ghosts of Europa” out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

Line-up
Håvard “Mortiis” Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians
Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4
Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7
Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6
Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4
Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5
Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7
Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7
Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7
Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6
Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6
Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1
Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8
Erling Blomberg – additional guitars on track 8

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)
Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)
Mix by Sean Beavan at The Grey Room, Crestline, CA (US)
Mastering by Jules Seifert at Epic Audio Media, London (UK)

Shop:

  • https://spkr.store/collections/mortiis
  • https://mortiiswebstore.com/pages/ghosts-of-europa

Live: 

The Witches of Dystopia Tour MMXXVI
21 APR 2026 Indianapolis, IN (US) Black Circle
22 APR 2026 Covington, KY (US) Madison Live
23 APR 2026 Pittsburgh, PA (US) Preserving Underground
24 APR 2026 Toronto, ON (CA) Lee’s Palace
25 APR 2026 Montreal, QC (CA) Cafe Campus
26 APR 2026 Quebec City, QC (CA) La Source
27 APR 2026 Boston, MA (US) Brighton Music Hall
28 APR 2026 Brooklyn, NY (US) Meadows
29 APR 2026 Bensalem, PA (US) Broken Goblet
30 APR 2026 Baltimore, MD (US) Metro
01 MAY 2026 Raleigh, NC (US) Chapel Of Bones
02 MAY 2026 Atlanta, GA (US) 529 EAV
03 MAY 2026 Orlando, FL (US) Conduit
05 MAY 2026 Houston, TX (US) Warehouse Live
06 MAY 2026 Austin, TX (US) Come and Take It Live
07 MAY 2026 Dallas, TX (US) Club Dada
08 MAY 2026 Albuquerque, NM (US) Launchpad
09 MAY 2026 Denver, CO (US) HQ
10 MAY 2026 Salt Lake City, UT (US) Urban Lounge
11 MAY 2026 Las Vegas, NV (US) Swan Dive
12 MAY 2026 San Diego, CA (US) Brick By Brick
13 MAY 2026 Los Angeles, CA (US) The Echo
14 MAY 2026 San Jose, CA (US) The Ritz
15 MAY 2026 Eugene, OR (US) John Henry’s
16 MAY 2026 Seattle, WA (US) El Corazon

More info:
https://mortiiswebstore.com
http://www.facebook.com/officialmortiis
http://www.instagram.com/mortiisofficial

Irish BALASHTOTH Announce Debut Album “Equation II – The Antithesis of Life and Free Will”, Out June 12th

Posted by tarjavirmakari on April 21, 2026
Posted in: Int. News, News. Tagged: BALASHTOTH. Leave a comment

Following two EPs, Ireland based Melodic Death Metal act BALASHTOTH now announces its first full-length album, “Equation II – The Antithesis of Life and Free Will“, to be released this June 12 as a joint release between Pest Records, Metal Ör Die Records and Not-Even-Music.

The first single, “÷ Misunderstanding“, is now streaming here:

3 tracks from the album feature Adam Toth (Kajgūn, ex-The Dethroners, Art of Dethronement) on viola and/or Moog synth. 

The photos used for cover art were taken by Péter Jakab, the former singer of the Hungarian Brutal Death Metal band, Depths of Depravity.

Pre-orders are now open: https://pestrecords.bandcamp.com/album/balashtoth-equation-ii-the-antithesis-of-life-and-free-will

BALASHTOTH online
https://www.instagram.com/BalashToth
https://www.facebook.com/BalashToth
https://www.youtube.com/@BalashToth

NECROCCULTUS Stream Upcoming Album “The Afterdeath Blackness” Ahead of Release

Posted by tarjavirmakari on April 21, 2026
Posted in: Int. News, News. Tagged: NECROCCULTUS. Leave a comment

Mexican death metal force NECROCCULTUS have made their upcoming full-length album “The Afterdeath Blackness” available for exclusive streaming in advance via Death Metal Promotion, offering listeners a complete immersion into their latest work ahead of its official release.

Set to be unleashed on April 24th, 2026 through Terror From Hell Records, the album stands as a powerful reaffirmation of the band’s unwavering dedication to pure and uncompromising death metal. Across its eight tracks, “The Afterdeath Blackness” delivers a carefully balanced blend of crushing riffs, intricate songwriting, and a dense, ritualistic atmosphere that reflects decades of underground commitment.

Stream the album at THIS LOCATION.

Proud standard-bearers of the purest and most solemn death metal tradition, NECROCCULTUS return with a record that both honors and revitalizes the genre’s roots. Forged through years of underground militancy and unwavering dedication to the death metal cause, the band channels its accumulated experience into an album that feels timeless yet fiercely alive. “The Afterdeath Blackness” stands as a statement of intent: death metal in its most essential, uncompromising form.

Across eight tracks, the album showcases everything that has defined NECROCCULTUS since their inception: massive riffs, carefully crafted songwriting and a dark atmosphere rooted in ritualistic heaviness. The compositions are elaborate without ever becoming self-indulgent, balancing complexity with raw impact and maintaining a natural flow that keeps the listener immersed from beginning to end. A constant sense of menace runs through the record, while a subtle veil of epic grandeur elevates the material beyond mere brutality.

Rather than chasing trends or modern gimmicks, NECROCCULTUS embrace the spirit of classic death metal, filtering it through decades of underground commitment and artistic growth. The result is an album that sounds both reverent and commanding, a work that speaks directly to devoted followers of the old ways while reaffirming the band’s place among today’s torchbearers of authentic death metal.

Tracklist:

I. Intro (The Highest Sphere Of The Dead)
II. Slaughter Of Bestiality
III. Transition To The Tortuous Reign
IV. Unburied Hellish Presences
V. Dread Midnight Entities
VI. Multiform Devourer Of Souls
VII. Old Coffin Miasma
VIII. The Afterdeath Blackness

NECROCCULTUS was formed in 2003 as a five-piece band consisting of César (guitar), Omar (bass), Chago (guitar), Daniel (drums), and Isaías (growls). During the following three years, this original line-up recorded several releases, including the brutal full-length “Encircling The Mysterious Necrorevelation” (2005) for Sempiternal Productions (US), a 7” EP for Blood Harvest Records (Sweden), a three-way split CD with Sanctifier and Throneum on Warfuck Records (Colombia), and a split LP with Shub-Niggurath released by Iron Bonehead Productions (Germany).

Between 2006 and 2009, the band went through a series of line-up changes while continuing to perform live. Among their most notable appearances was “Glorifying the Great Beast” in 2009, where they shared the stage in Berlin, Germany, with bands such as Necros Christos, Kaamos, Graveyard, and others.

In 2012, NECROCCULTUS recorded another 12” EP, “Solemnelohim, Bringer Of Death”, once again released via Blood Harvest Records. Further line-up changes followed, and in 2020 the band unleashed the demo “Unburied Hellish Presences”, released by the Italian label Unholy Domain Records. Shortly after, due to the global pandemic, the band disbanded.

In 2024, founding member Isaías H. reactivated NECROCCULTUS alongside a new line-up: Roel (guitar), Néstor (bass), Alex (guitar), Dante (drums), and Isaías (growls). After performing several live shows, the band entered the studio between July and October 2025 to record their new abominable full-length, “The Afterdeath Blackness”, featuring eight tracks of bestial, unholy death metal.

Line-up:

Roel – Guitar
Alex – Guitar
Néstor – Bass
Dante – Drums
Isaías – Growls

The “The Afterdeath Blackness” was recorded, mixed and mastered at MAT Studio.
Vocals has been recorded at The Cave Home Studio, between July and October 2025
Engineering by Alex Méndez
Music by NECROCCULTUS
Lyrics by Isaías H.
Keyboards session on tracks 1, 6 and 8 by Astarot
Cover artwork by Thomas (Necromaniac)
Layout by Lorenzo Santini
Executive Production by Terror From Hell Recs

Terror From Hell Records:
https://terrorfromhellrecords.bandcamp.com/
https://www.tfhrecords.com/terrorfromhell/
https://www.facebook.com/TerrorFromHellRecords/

ANGUISH FORCE Return with New Album “Atzwang II”, Out May 20th

Posted by tarjavirmakari on April 21, 2026
Posted in: Int. News, News. Tagged: ANGUISH FORCE. Leave a comment
Photo source: https://anguishforce.com

Wanikiya Record/Promotion is proud to announce the upcoming release of “Atzwang II”, the brand-new and highly anticipated album by ANGUISH FORCE, a historic force within the Italian underground metal scene.

The album will be available starting May 20 in all physical formats (LP, MC, CD), as well as digitally, offering fans a complete experience faithful to the most authentic spirit of metal. Notably, the CD version will include an exclusive bonus track, not featured on the vinyl edition.

Ahead of the album release, the official music video for the track “Stones to Destroy” will premiere on May 11. This will be the first of two planned videos, ready to kick off a new sonic chapter filled with power and identity.

THE RETURN TO ATZWANG
With “Atzwang II,” Anguish Force return to explore the dark and captivating atmospheres of their narrative universe, continuing the journey that began years ago with the first chapter.

At the core of the concept once again lies Atzwang—a place both real and symbolic, steeped in legends, tragedies, and mysteries intertwined with the band’s imagination. The result is a work deeply rooted in memory, tradition, and the darker side of local history, transformed into an epic and immersive metal story.

The album cover further reinforces this vision: it features the historic Atzwang arch, depicted in a dark and unsettling form. In the Middle Ages, this location served as a mandatory passage point where travelers were required to pay a toll—a perfect symbol of transition, control, and fate, now reinterpreted through the band’s dark aesthetic.

AN UNDERGROUND LEGEND
Founded in 1995 in Campodazzo (Bolzano) by guitarist Luigi Guarino D., Anguish Force have represented one of the most authentic and consistent acts in the Italian metal scene for over three decades.

With a sound blending traditional heavy metal, speed, power, and thrash metal, the band has built a solid and recognizable identity over time, drawing inspiration from iconic ’80s acts such as Running Wild, Helloween, and Judas Priest.

The transition from Anguish to Anguish Force in 2002 marked the beginning of a new era, solidifying a mission that has remained unchanged:
pure, direct, uncompromising metal.

SOUND AND IDENTITY
From a sonic standpoint, “Atzwang II” stands as a compact, tight, and strongly conservative work—qualities that perfectly align with the attitude of a true “old-school” band.

This is an album that does not seek compromise with contemporary trends, but instead proudly embraces a direct, raw, and authentic approach, exalting the purest essence of traditional metal.

AN UNMISSABLE RELEASE
“Atzwang II” is not just an album, but a statement of intent: a powerful return that stays true to its roots while renewing itself through intense and engaging storytelling.

With sharp riffs, dark atmospheres, and an unmistakable epic charge, Anguish Force once again confirm their role as guardians of the true metal spirit.

Prepare to cross the boundaries of Atzwang once more.
The journey continues.
Metal never dies.

More info:
https://anguishforce.com
https://www.facebook.com/anguishforce.official

KRIIGERKVLT Sign to Season of Mist with New Single + Video ‘Mahakala’

Posted by tarjavirmakari on April 21, 2026
Posted in: Int. News, News. Tagged: KRIIGERKVLT. Leave a comment
Photo by Uncle Allan

Season of Mist is proud to welcome Kriigerkvlt.

Formed in 2025, Kriigerkvlt is a new collective that features Heilung founding member Kai Uwe Faust and members of the Heilung warrior choir. The collective debuted live on stage in Copenhagen alongside industrial doom raver John Cxnnor and the occult feminist black metal band Witch Club Satan with an exclusive premiere of their collaborative song “Hypothermia”.    

Kriigerkvlt is not tied to a specific cultural identity, historical time period or genre. They explore a wide range of expressions: harsh gutturals, throat singing, drone, piano, harp, marimba, guitar and nyckelharpa. No matter what form they take, their focus remains rooted in intensity, atmosphere and the spirit of collaboration.  

To commemorate their signing to Season of Mist, today, Kriigerkvlt are releasing their first official single. From its opening bells, “Mahakala” ventures deep into a realm of fire, only to emerge transformed after a confrontation with one’s shadow self.

“We are excited to announce our signing with Season of Mist”, Kriigerkvlt vocalist Kai Uwe Faust says. “We have seen firsthand how the label has supported Heilung’s artistic freedom. As a flexible collective that specializes in extreme vocal textures and unconventional soundscapes, we felt that was also important for Kriigerkvlt”.

“In an age where sacred symbols are often commercialized or stripped of context, Kriigerkvlt stands apart”, Faust continues. “‘Mahakala’ is not a spectacle. It is a call to confront the hidden forces within us all, not through blind violence, but through awareness, discipline and transformation”.

Stream “Mahakala”: https://orcd.co/kriigerkvltmahakala

The video for “Mahakala” was directed and filmed by Kai Uwe Faust. It was edited by Christian Medea and Anda Lupulet.

“Mahakala” invokes a wrathful deity from Tibetan Buddhism. But even though his appearance is frightening, Kriigerkvlt reveal that Mahakala is not evil. Instead, their new single is a reminder that the real enemy lies within ourselves. “Our attachments, our delusions, our inner chaos, these are the shadows Mahakala consumes in his black fire”, Faust says.

Kriigerkvlt approach “Mahakala” with deep respect. The song is not an act of cultural appropriation but a deeply felt offering. Martial drums, ritualistic chanting, harsh vocals, heaves of bass, fragile piano and choral singing come together to honor what Mahakala truly represents. Long before his appearance in Buddhism, he was revered amongst the Bön shamanic tradition as a spirit of protection and wild nature. His black skin represents absorption, swallowing duality, illusions and all sense of fragmentation.

“Kriigerkvlt taps into Mahakala not as outsiders, but as seekers of the same fire that burns in every human tradition”, Faust says. “The song is intense, raw and uncompromising. It evokes the confrontation with the shadow self, the spiritual warrior’s path and the dissolving of the ego”.  

Current lineup
Kai Uwe Faust – Vocals
KC Johnson – Vocals
Gwydion Zomer – Vocals
Katalin Papp – Vocals
Ruben Terlouw – Vocals
Britt Mollberg – Drums, Vocals
Nadiia Kalamieiets – Vocals, Piano
Edward Boyter – Bass Guitar, Vocals
Nina Cornelia Schilp – Vocals
Jenna Marwell – Vocals
Nicholas Flanagan – Vocals
Cynthia Nugent – Vocals
Mitchell Bosch – Vocals
Chloé Alicia Bakker – Vocals
Martin Skou – Vocals
Obban – Vocals

Songwriting credits
Composed by Kai Uwe Faust and Per Åhlund

Production credits
Recorded at Atlantis Studio in Stockholm, Sweden by Niclas Lindström and Clara Hedås Schmidt
Additional sounds by Peo Bengtsson
Produced and mixed by Per Åhlund
Production assistance by Elsa Åborg
Mastered by Johannes Ahlberg

Follow Kriigerkvlt
Linktree: linktr.ee/kriigerkvlt
Spotify: https://open.spotify.com/artist/1TWCjCYpZ37K19bjdE6DDQ
Apple Music: https://music.apple.com/us/artist/kriigerkvlt/1883974719
Deezer: https://www.deezer.com/nl/artist/378555141
Tidal: https://tidal.com/artist/75720634
YouTube: https://music.youtube.com/channel/UCziBHh5o9tWE01abGoW5K-g
Instagram: https://www.instagram.com/kriigerkvlt/
Facebook: https://www.facebook.com/kriigerkvlt/

WORLDWIDE PANIC Unleash Explosive Drum Playthrough for ‘The Greatest Villain The World Has Ever Seen’

Posted by tarjavirmakari on April 21, 2026
Posted in: Int. News, News. Tagged: WORLDWIDE PANIC. Leave a comment

WORLDWIDE PANIC are pulling back the curtain on the power behind the kit with the release of an intense new drum playthrough video for their track, “The Greatest Villain The World Has Ever Seen.”

Known for their hard-hitting sound and unrelenting energy, WORLDWIDE PANIC puts the spotlight squarely on the precision, speed, and raw force that drives the song. The playthrough delivers a front-row view of the intricate rhythms and explosive dynamics that give the track its commanding presence.

From thunderous fills to razor-sharp transitions, the video captures every detail of the performance, offering fans and fellow musicians an inside look at the technical skill and passion fueling WORLDWIDE PANIC’S sound.

Hard rock powerhouse WORLDWIDE PANIC is set to make a thunderous statement with the release of their highly anticipated sophomore album, The Greatest Villain The World Has Ever Seen, arriving TODAY. The band is also releasing the album’s commanding title track, giving fans an early taste of what promises to be their most ambitious and sonically aggressive project to date.

Fueled by crushing riffs, cinematic storytelling, and unapologetic intensity, The Greatest Villain The World Has Ever Seen showcases WORLDWIDE PANIC pushing their creative and musical boundaries further than ever before. The album dives deep into themes of power, corruption, internal battles, and the complex nature of what truly defines a villain in today’s world.

“This album marks an exciting time in WORLDWIDE PANIC History. This is a very eclectic meaningful record. Filled with related themes and undeniable hooks this record takes the band to new heights.” – Lane Steele

Two singles from this album “Break Me Down” and “Below It All” have already charted on the SMR Top 40 (see videos below)

The title track stands as a bold centerpiece for the album, delivering relentless energy, thunderous percussion, and emotionally charged vocals that capture the band’s signature blend of melody and aggression. The song sets the tone for a record that balances raw hard rock grit with modern production and layered storytelling.

Throughout the album, listeners can expect a dynamic range of soundscapes — from anthemic stadium-ready choruses to darker, heavier moments that showcase the band’s evolution and versatility. Mixed and mastered by Bob Marlette (Salvia, Alice Cooper, Rob Zombie) and Zuess (Hatebreed, White Chapel, Demon Hunter), the record reflects WORLDWIDE PANIC’S commitment to growth while staying true to the hard rock roots that built their rapidly expanding fanbase.

With The Greatest Villain The World Has Ever Seen, WORLDWIDE PANIC aims to deliver not just an album, but an experience — one that invites listeners into a world where heroes and villains blur, and the soundtrack is loud, unapologetic, and unforgettable.

The Greatest Villain The World Has Ever Seen is available on all major streaming.

More info: https://www.worldwidepanicband.com/

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