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WHEEL Announce New Studio Album “Charismatic Leaders”, Launch First Single ‘Empire’ & European Tour Dates

Posted by tarjavirmakari on March 11, 2024
Posted in: Int. News, News. Tagged: WHEEL. Leave a comment

Anglo-Finnish progressive metallers WHEEL are pleased to announce the release of their much-anticipated third studio album ‘Charismatic Leaders’ on the 3rd May 2024. The album was meticulously crafted to meet Wheel’s ever-heightening benchmarks and recording with engineers/co-producers Daniel Bergstrand and Fredrik Thordendal (Meshuggah) stretched from August to December 2023. The end result, mixed by Forrester Savell, has consolidated all the gains of what came before: singer/guitarist James Lascelles, lead guitarist Jussi Turunen and drummer Santeri Saksala’s third album represents their heaviest and most conscious music to date.

To mark the announcement, the band have launched the first single taken from the album, and you can watch the video for ‘Empire’ here:

Vocalist & guitarist James Lascelles comments of the track: “This is probably the most metal song I have ever written – it is intense as all hell when it kicks in and it keeps finding new ways to punch you in the face all the way to the end! Santeri did an incredible job with the drum track on this one and playing it live is really going to take some work in the rehearsal room.. 

Lyrically, it is about media empires and the effect they have on wider society – all of us are influenced to some degree, even if we would rather not admit it. Issues that require nuance are presented as binaries and opposing views are made into caricatures – a target for us to rage at that far too often, doesn’t even exist. This is not a new phenomenon by any means but it is one that seems to have been catalysed by the modern landscape of media, the internet and populist politics. As you might be able to tell from the mood of the song, this pisses me off immensely and it was cathartic to vent about it.”

‘Charismatic Leaders’ clocks in at just under 50 minutes, and will be available as a Limited CD Digipak (also featuring the Rumination EP tracks as bonus), and a Gatefold 180g LP, both featuring artwork from Lucas Mayer (Long Distance Calling, Blackout Problems).

Pre-order your copy now here: https://wheelband.lnk.to/CharismaticLeaders

The full track-listing is as follows:

  1. Empire 04:20
  2. Porcelain 07:12
  3. Submission 10:46
  4. Saboteur 09:01
  5. Disciple 04:12
  6. Caught in the Afterglow 01:12
  7. The Freeze 10:35

The band will be celebrating the release of their new album with their first ever shows in Australia (supporting label-mates Caligula’s Horse) as well as their first ever North American headline shows. Later in the year the band will return to Europe for further headline dates, which have just been announced and can be found below:

31st October – Olympia, Tampere, Finland
1st November – Sawohouse UG, Kuopio, Finland
2nd November – On The Rocks, Helsinki, Finland
7th November – Lutakko, Jyväskylä, Finland
8th November – Finlandia-Klubi, Lahti, Finland
9th November – 45 Special, Oulu, Finland
15th November – Logo, Hamburg, Germany
16th November – Melkweg Up, Amsterdam, Netherlands
17th November – 013, Tilburg, Netherlands
19th November – Rebellion, Manchester, UK
20th November – Cathouse, Glasgow, UK
21st November – Rescue Rooms, Nottingham, UK
22nd November – 1865, Southampton, UK
23rd November – Underworld, London, UK
24th November – Thekla, Bristol, UK
26th November – Kavka, Antwerp, Belgium
27th November – Luxor, Cologne, Germany
28th November – Colos Saal, Aschaffenburg, Germany
30th November – Backstage, Paris, France
2nd December – Komplex, Zurich, Switzerland
3rd December – Legend, Milan, Italy
4th December – Backstage Halle, Munich, Germany
5th December – Analog Music Hall, Budapest, Hungary
6th December – Chelsea, Vienna, Austria
8th December – Hyrdrozagadka, Warsaw, Poland
10th December – Lido, Berlin, Germany
11th December – Pumpehuset, Copenhagen, Denmark
12th December – John Dee, Oslo, Norway
13th December – Nalen Klubb, Stockholm, Sweden

Since forming in 2015, Wheel have swiftly grown from underdogs of Helsinki, Finland, to an international tour de force. The angular riffs, unforgettable melodies and adventurous scope of the trio’s 2019 debut, Moving Backwards, was instantly adored by fans of megastars from Tool to Coheed & Cambria. Then, 2021 follow-up Resident Humanreceived rave reviews from publications across the planet, praising its sonic evolution and bravely dystopian themes.

Find WHEEL online:
http://wheelband.net/
https://www.facebook.com/wheelband/
https://www.instagram.com/resident.wheel/
https://www.youtube.com/channel/UCIzIcRCwJlp5rd5mYsNdEtw

SUNSHINE Announce Explosive New Single ‘Breakcore Beats’, Out April 1st

Posted by tarjavirmakari on March 11, 2024
Posted in: Int. News, News. Tagged: SUNSHINE. Leave a comment

German melodic death grind band SUNSHINE is thrilled to announce the release of their latest single, “Breakcore Beats,” set to drop on April 1st, 2024. This explosive track marks the band’s collaboration with Wormholedeath and promises to redefine the boundaries of heavy music. Get ready for a sonic storm that will shake you to the core!

Recorded, mixed, and mastered at the prestigious Vyrah Studios under the expert guidance of Michael Streckbein, “Breakcore Beats” is a whirlwind of intensity and innovation, delivering a relentless fusion of melodic death grind.

“Sunshine – as honest as the Ruhr area, sounds like a game night with As I Lay Dying and Mörser,” describes the band’s unique sound, encapsulating the essence of their music in a single phrase.

“Many bands write really good biographies, we prefer to write really good songs.” Says the band. And indeed, their music speaks volumes, transcending language barriers and connecting with audiences on a primal level.

The band has only been around for a year or two. However, it’s worth looking at their history to understand who they are and what makes their music unique.

The journey started in 2019 as a vague concept brewing in a cozy corner bar in Essen, accompanied by the refreshing taste of Stauder beer. That rainy spring evening brought together three young men, each boasting decades of musical expertise. Sunshine’s roots trace back to the early 1990s when some of its members, along with their previous band, secured their first record deal with the German label, “Alveran Records,” making a name for themselves in the underground scene. Over the years, various members of Sunshine and their bands landed contracts with well-known industry names and toured Europe with acts like As I Lay Dying, Heaven Shall Burn, Napalm Death, and Burry Tomorrow.

From the remnants of these underground bands emerged something new and exciting. After just a few jam sessions, it became evident that Sunshine was on the brink of creating something extraordinary. However, the pandemic-induced slowdowns delayed Sunshine’s full realization until 2022. From the beginning, Sunshine has been all about honest and uncompromising melodic death grind. Their sound is a vibrant amalgamation of diverse subgenres, infused with hardcore and punk influences, evident in their music’s dynamic range. Whether intricate and harmonious or raw and aggressive, Sunshine’s songs always reflect the emotions that shape their identity.

You can pre-save the single by following this link: listen.music-hub.com/coLBrp

As anticipation builds for the release of “Breakcore Beats,” fans can connect with SUNSHINE:
www.facebook.com/sunshine.metal.fb
www.instagram.com/sunshine.metal.insta
www.youtube.com/@sunshinemetal
SpotifySunshineMetal
SunshineiTunes
sunshine14.bandcamp.com

BARRUS Presents Title Song from Upcoming Album “The Kids”

Posted by tarjavirmakari on March 11, 2024
Posted in: Int. News, News. Tagged: BARRUS. Leave a comment

Barrus is the alias of Polish guitarist and music producer, Rafał Lipka. His creative journey began in 2010 in Olsztyn as a co-founder of the thrash metal band Eyewash.

In 2018, the band split up and Rafał fully devoted himself to his solo project. In the same year, he released a demo “surcease” and two years later, the debut album “DPDR“, featuring six instrumental tracks spanning the genres of art/atmospheric/progressive rock.

Right now, Barrus is preparing for the release of a new album titled “The Kids“.

The new album “The Kids”  takes its name from the second track on the record, which explores the theme of abandoning one’s inner children. In this context, they serve as a metaphor for all kinds of fears, pains, or wounds that we carry within ourselves. In the pursuit of being “adults,” we desperately reject that part of ourselves which is no different from a small child, in need of warmth, love, and understanding. We approach negative emotions like pathological parents, abandoning them in an internal orphanage, washing our hands of their existence.

The lyrics on the album partly describe and raise awareness of such repression or its consequences. Through this, the author provides his metaphorical inner children with care and space for understanding, offering them a new home.

The music on the album combines alternative, art rock, and downtempo genres. The sonic foundation is a gritty-sounding electric guitar and vocals, often appearing in harmonious arrangements. However, “The Kids” doesn’t stick to a static instrumentation. The album features a classic lineup (guitar, bass, drums, Rhodes, synthesizers), as well as unconventional electronic beats sampled from everyday objects such as a tobacco heater, water droplets, or a creaky chair.
 

“The Kids” is an album that resembles more of a narrative than party bangers or background music for conversations. It serves as a soundtrack for moments when you feel down and need someone to clothe your emotions in melody and abstraction.

Music for this release was recorded and mixed by the project leader – Rafał Lipka, while the mastering was done by Marvin at Tide Studio Lodon (Tableau Mort, Phantom Horde). Album cover artowk was done by Urszula Pachała. New album titled “The Kids” will be released digitally April 2, 2024.

Song “The Kids” on streaming platforms at https://distrokid.com/hyperfollow/barrus/the-kids

Song “Ghost” on streaming platforms at https://distrokid.com/hyperfollow/barrus/ghost
Video to the song “Ghost” on Youtube at https://youtu.be/32EY23wVG90

Song “Wilk” on streaming platforms at https://distrokid.com/hyperfollow/barrus/wilk
Video to the song “Wilk” on Youtube at https://youtu.be/ohHxPQq0K_g

Tracklist:

01. Dream Bible
02. The Kids
03. SIarka
04. Zgliszcza
05. Wilk
06. Brak
07. Ghost
08. The Barrus
09. Postrain

More information at Facebook | Instagram | Bandcamp | Spotify

SUN DESCENDS ALONE Releases Video for New Single ‘Cross My Heart and Hope to Die’

Posted by tarjavirmakari on March 11, 2024
Posted in: Int. News, News. Tagged: SUN DESCENDS ALONE. Leave a comment

SUN DESCENDS ALONE, the captivating brainchild of Trebol Dot, renowned for his role in the melodic death metal sensation Dawn Of Tears, emerges as a unique entity in the realm of music. With an enchanting shift in focus towards gothic atmospheres, Sun Descends Alone explores new sonic territories that beckon listeners into a world of evocative emotions.

The gothic rock project Sun Descends Alone, led by the talented Trebol Dot of the melodic death metal band Dawn Of Tears, is thrilled to announce the release of their new single “Cross My Heart and Hope to Die,” out since March 8th, 2024.

This new single has also been selected to be part of the charitable compilation Metalheads Against Animal Cruelty/Neglect Vol. 1, which was launched on March 9th, 2024.

“Cross My Heart and Hope to Die” is an emotional and powerful anthem that captures the essence of Sun Descends Alone, offering an engaging musical experience that blends the nuances of gothic rock with the passion and energy typical of metal. The track reflects Trebol Dot‘s deep connection to music and his ongoing dedication to conveying meaningful messages through his creations.

The decision to include the single in the charitable compilation Metalheads Against Animal Cruelty/Neglect Vol. 1 underscores Sun Descends Alone‘s commitment to supporting important causes such as the fight against cruelty and neglect towards animals. Through the power of metal music, the project joins forces with other artists to raise awareness and encourage support for this vital cause.

Sun Descends Alone invites all metal music fans and animal lovers to support this initiative by participating in the release of the single “Cross My Heart and Hope to Die” and purchasing the compilation Metalheads Against Animal Cruelty/Neglect Vol. 1.

The project is also honored to share the partecipation of the alt-model, actress and mermaid Clara Sanchez who will participated in the shooting of as the main actress, inspiring also the cover artwork and the whole concept of the storyline told by the video.

Song is released digitally via L’Arte Produce Record Label of Vault Lab Recordings and distributed by Sepulchral Silence.

SONG CREDITS
All music and lyrics written by J.L. Trébol
J. L. Trébol – lead and backing vocals, lead and rhythm electric and acoustic guitars, bass, keyboards, piano, beats and programming

Publisher: Graziano Ciccarelli
Distributor: Sepulchral Silence
Label:L’Arte Produce Record Label of Vault Lab Recordings
Artwork: Sun Descends Alone

More information at Facebook | Instagram | Spotify

LOUDSTAKK Releases Guilherme Miranda Signature Metal Guitar Tones

Posted by tarjavirmakari on March 11, 2024
Posted in: Int. News, News. Tagged: LOUDSTAKK. Leave a comment

The ultimate metal songwriters digital product powerhouse Loudstakk has ignited the flames of extreme metal innovation once again with the release of their anticipated Guilherme Miranda Signature Metal Guitar Tones! 

This Neural Amp Modeler Profile Pack & Impulse Response Collection captures the essence of Guilherme Miranda’s iconic sound from his thunderous days with Entombed A.D to his current prominence in the international death & thrash metal trio DIETH. 

Offering an authentic and accessible sonic experience without the need for expensive gear or constant adjustments; users of Guilherme Miranda’s Signature Metal Guitar Tones can seamlessly unleash their artistic visions through immersive discovery and the recreation of their favorite sounds and styles. 

“Haldor and Guilherme have truly mastered the art of capturing these coveted tones with remarkable precision and finesse. For anyone who has been hesitant about the digital recreation of the classic buzzsaw tone, I highly recommend giving these a try. It’s not merely an emulation; it’s the authentic essence of that tone brought to life.” states Ron D. Rock, founder of Loudstakk

Officially released March 8, 2024, the Guilherme Miranda Signature Metal Guitar Tones pack is available for purchase now at: https://www.loudstakk.com/products/guilherme-miranda-tones
Intro Price: $29. Reg price $35.

Selected Discography:
DIETH: TO HELL AND BACK (2023)
ENTOMBED A.D: DEAD DAWN (2016)
ENTOMBED A.D: BOWELS OF EARTH (2019)

  • 19 NAM Profiles
  • 24 Mix-Ready Impulse Response Files
  • ~6,6 Mb Download Size
  • NAM Profiles work with the Neural Amp Modeler
  • Impulse Response files available in 24bit/48KHz format

*Please note: You will need to download Neural Amp Modeler, to use the NAM Profiles

Detailing the ideal users of this tone pack and the inspiration behind its creation, Guilherme Miranda offers the following statement: “This tone pack caters to a wide range of guitarists, from beginners to advanced players, as well as studio engineers and producers. For beginner guitarists, it offers an opportunity to discover new sounds and styles as they develop their playing skills. Advanced players will appreciate the ability to recreate the sounds of their favorite artists or explore different genres. This tone pack provides a wealth of inspiration and creative possibilities.

Especially with the Swedish Death Metal HM-2 style sounds that we’ve developed in collaboration with Satanic Audio and their expertise in crafting signature tones, we’ve achieved something unique and special: the ability to recreate guitar sounds from specific albums or eras with just one click. It’s essentially Death and Thrash Metal in a box, not to mention some of the clean tones and impulses that are ideal for lead bluesy sounds, which have been a part of my wheelhouse for a long while. Engineers can benefit from the ability to quickly dial in desired guitar tones, allowing them to focus on capturing the best performances without spending excessive time on tone tweaking. Live performers will find assurance in solid and consistent tones from show to show. Songwriters and composers can utilize the tone pack to find the perfect soundscapes to complement their songs and bring their musical vision to life.”

Production:
Recorded at Santa Studio in Warsaw, Poland
Engineered & Mixed by Haldor Grunberg @ Satanic Audio
Videography by Szaban Produkcja
Cover photo by Maciej Pieloch

Gear:
Peavey, Sunn, Splawn & Marshall Amplifiers
AKG, Chandler, ElectroVoice, Sennheiser & Shure Mics
Boss, Digitech, Klirrton, Mooer pedals
Marshall, Mesa/Boogie, Orange & Sunn cabinets

About Guilherme Miranda:

Guilherme Miranda is one of the most forward-thinking musicians, guitarist and composer that has emerged in the past couple of years. With an eclectic appetite for all things adventurous and experimental in extreme metal music, he always chooses to walk the walk rather than talk the talk.

From his roots in classical guitar to his explorations in genres like Blues and Heavy Metal, Guilherme’s journey has been marked by innovation and passion. After playing with his own Death Metal band KroW and making himself and the band well-known all around the Metal world, he has collaborated with renowned bands such as Entombed A.D and DIETH, contributing his unique guitar prowess to their soundscapes. Guilherme’s ability to push musical boundaries and captivate audiences has solidified his reputation as a virtuoso guitarist in both the local and international music scenes.

About Loudstakk:

At Loudstakk, our mission is to empower musicians of all levels by providing top-quality songwriting tools. Founded in the Summer of 2023 by Ron D. Rock, our goal is to offer a diverse range of resources, including Drum MIDI, Drum Samples, and NAM Profiles meticulously crafted by professionals from the Metal World. We strive to inspire creativity, elevate musical productions, and enable every musician to achieve their artistic vision.

Other Loudstakk Products:
Raw Death Metal Tones
Loudstakk Metal MIDI Grooves

Loudstakk online:
Website: http://www.loudstakk.com
Facebook: https://www.facebook.com/stakkaudio
Instagram: https://www.instagram.com/loudstakk/
YouTube: https://www.youtube.com/channel/UCV37JH_sodeamdmH6PgIW4A

SKELETAL REMAINS Share Instrumental Play-Through for ‘Verminous Embodiment’, New Album Out Now

Posted by tarjavirmakari on March 11, 2024
Posted in: Int. News, News. Tagged: SKELETAL REMAINS. Leave a comment
Photo by Allen Falcon

American death metal purveyors SKELETAL REMAINS are now celebrating the release of their latest opus, ‘Fragments of the Ageless,’ with a searing instrumental play-through for the single, “Verminous Embodiment.” The clip can be found at THIS LOCATION.

The band explains that instrumental version is going back to the original idea of the song, “With ‘Verminous Embodiment,’ we originally wanted to do something a little more chaotic and over the top with the original intentions for the song to be an instrumental. But, as the writing process continued, we kept hearing a vocal pattern being sung over the groovy verse riff, so the inspiration for lyrics soon followed after. Heavily inspired by an episode of ‘The X-Files’ entitled ‘Home.'”

“Verminous Embodiment” is taken from the band’s latest opus, ‘Fragments of the Ageless,’ which has just arrived, on March 8, via Century Media Records! The album is now available HERE.

‘Fragments of the Ageless’ Tracklist:

  1. Relentless Appetite [WATCH]
  2. Cybernetic Harvest
  3. To Conquer the Devout [WATCH]
  4. Forever in Sufferance
  5. Verminous Embodiment [WATCH]
  6. Ceremony of Impiety
  7. Void of Despair [WATCH]
  8. Unmerciful
  9. …Evocation (The Rebirth)

“‘Fragments Of The Ageless’ is a gargantuan effort that is bound to spur gatekeeping purists to uncross their arms and start banging their heads like it’s 1993.” – Blabbermouth

“The record is sonically incredible, and I don’t believe that there’s a weak track in the bunch.” – Decibel Magazine

“…dragging their collective caskets through the underworld, before barnburners of a guitar solo bring the songs to epic climaxes, returning to their flesh-ripping sonic assault without taking a breath.” – Heavy Music HQ

“…this is some maximalist ass-kick metal born from the tropes of a genre older than I am and yet Skeletal Remains is proof positive of what’s still possible after these four-ish decades, after refining and polishing, cutting to form and sharpening to a honed edge.” – Lambgoat

“With plenty of dense blasting, killer solos, and just the right amount of melodic leads, Skeletal Remains has a little bit of everything for the death metal fan.” – Metal Trenches

Skeletal Remains’s ultra-brutal new album, Fragments of the Ageless, is upon us! The Americans—featuring Mike De La O (guitars), Chris Monroy (guitars/vocals), Pierce Williams (drums), and newcomer Brian Rush (bass)—kept busy after their much-hailed The Entombment of Chaos landed into a chaotic world in 2020. Rather than sit idle, the re-energized quartet crafted their penultimate statement. Tracks like “Void of Despair,” which Monroy describes as “aggressive and spastic,” “To Conquer the Devout,” “Relentless Appetite,” and “Verminous Embodiment” are death metal manifested in sound fundamentals, killer musicianship, and the right attitude. While Skeletal Remains have had four full-lengths since forming in 2011, Fragments of the Ageless is the band in their highest grotesque gear yet.

“With every record, we try to push ourselves to make a better record,” Monroy says. “We don’t get into, ‘We need to sound more like this or that.’ What comes out of us is natural. Actually, that’s how it’s been since the first record [Beyond the Flesh]. As death metal fans, we write what we enjoy and want to listen to. Having Pierce and Brian join the band played a big part in the new album. They live in Portland, and the rest of the band is in Los Angeles, so there’s a bit of a gap, but we use technology a lot when we write. They gave us a fresh set of ears.”

The principal songwriting for Fragments of the Ageless started during the pandemic but picked up considerable steam once the band were back on the road in 2022, where they played countless shows and festivals in the U.S., Europe, South America, Central America, and Australia. With Pierce and Brian fully in the fold, Monroy and De La O found themselves, in a way, back to square one, namely the “entire band effort” that comprised their 2012 debut, Beyond the Flesh. The savage DNA of Skeletal Remains is intact, but it’s been altered—no, improved!—iteratively to attack more, devour absolutely, and technically inspire. Tracks like video singles “Void of Despair,” “To Conquer the Devout,” “Relentless Appetite,” as well as deeper album cuts “Forever in Sufferance,” “Verminous Embodiment,” and “Unmerciful” are ravenous.

“It’s more brutal than the last one,” says Monroy. “We were pushing ourselves to be more extreme—vibing on that as much as possible. Obviously, we’re not tech-death now, but I think we took inspiration from the techier side of things. We took things up a notch and dialed in on the technicality and ever-increasing intensity while maintaining catchiness. We still have songs like ‘Eternal Hatred’ [from The Entombment of Chaos]. There’s always room for super-simple mid-paced songs in Skeletal Remains. On one end, we’ve increased in density and brutality; on the other, we wrote a few songs with longer and more ‘epic’ structures. ‘Fragments’ is simply the next evolutionary step in our sound.”

Lyrically, Skeletal Remains took the left-hand path. Rather than topics and themes inspiring the cover art, Dan Seagrave’s (Suffocation, Entombed, et al.) famously atramentous detail conversely informed the lyrics and album title. Monroy says they had working titles that they conveyed to Seagrave, but the final painting sparked the title, Fragments of the Ageless. Of course, the usual influx of sci-fi, historical, personal struggles, and fantastical also played a part.

“Seagrave completed the cover art before we had a title,” Monroy says. “That was kind of weird, but it worked in our favor. The cover art directly inspired a few of the lyrics and musical themes, tying multiple pieces together, which is a first for us. We did show him different pieces of art—10 in all, I think—that we liked, so there was direction. We wanted a mixture of things, with the final idea being a creature being taken apart and its DNA extracted. Seagrave’s crazy brain made it all come to life.”

Skeletal Remains recorded Fragments of the Ageless at various home and professional studios. Most of the guitars, bass, and solos were tracked DIY. The band wanted the drums to sound as imposing as possible, so they booked Trench Studios (Intronaut, Hirax) with John Haddad, while the vocals were cut at Birdcage Studios with Allen Falcon (Pestilent Death). Once the album’s core had been recorded, Monroy and the team sent their sick slab to Swedish studio ace Dan Swanö (Asphyx, Incantation) for mixing and mastering. If the blistering leads of “Void of Despair” and “Verminous Embodiment” don’t impress, then check out the blasting drums of “Cybernetic Harvest” and “Relentless Appetite.”

“Dan really gets it,” says Monroy. “He’ll send us mixes, and he’ll automatically add stuff like effects and little details throughout the back and forth. He knows what we want before we can tell him. Dan understands what we’re going for. There’s mutual understanding and respect. Of course, he’s been mixing and mastering for a long time and has made a name for himself, but we’re really happy with the production on ‘Fragments.’ It jumps out at you.”

Monroy says the band’s goal with Fragments of the Ageless is to continue death metal’s lineage—to honor the past and present. The future, however, is lined with more touring and festivals. Having just come off a stateside run with Suffocation and Incantation late last year, Skeletal Remains are poised to ravage more of the world, with high-profile slots at Wacken (Germany) and Alcatraz (Belgium) festivals already secured.

Death… Is just the beginning with Skeletal Remains’s Fragments of the Ageless.

Line-up:
Chris Monroy – guitars/vocals
Mike De La O – guitars
Pierce Williams – drums
Brian Rush – bass

Album Art: Dan Seagrave
Album Title Logo: Kyle Bowen
Bio: Chris Dick

Follow: OFFICIAL WEBSITE – INSTAGRAM – FACEBOOK – STREAM // DOWNLOAD

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