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Taiwan’s CHTHONIC & MARISKA Join Forces on Powerful Extreme Metal Track ‘Näin Määrättiin’

Posted by tarjavirmakari on September 14, 2026
Posted in: Int. News, News. Tagged: CHTHONIC, Mariska. Leave a comment
Photo: Chung-lun Wu & Anna-Maria Viksten – MUAH: Marja Brink / Marilyn

Taiwan’s biggest metal band CHTHONIC and Finnish artist Mariska have released a surprising collaboration “Näin Määrättiin”. Listen to the single on Spotify. The track also marks the first time ever that Mariska has appeared on an extreme metal song.

While the new song was inspired by the final words written by Taiwanese political prisoners to their loved ones before their execution, vocalist Freddy Lim discovered that, despite the historical differences between the two countries, Finland’s history also contains similarly heartbreaking stories of separation, loss and survival.

As Freddy researched the subject further, he made a surprising discovery: during the Winter War, stories of Finnish resistance were frequently reported in Taiwan Minpao, the first newspaper founded by Taiwanese people. At the time, Finland’s struggle against overwhelming odds provided inspiration and encouragement to Taiwanese readers. Many of those readers would later become political prisoners in the late 1940s.

The idea that people on opposite sides of the world could share the same emotions and struggles – and even inspire one another – deeply moved Freddy. Around the same time, he met Mariska and became interested in her artistry and poetic approach to songwriting.

“This takes me back to my good old punk hardcore days – it’s a really interesting experience!” says Mariska. “When I first heard CHTHONIC, their powerful music and videos made a deep impression on me. So when they contacted me and suggested a collaboration, I agreed almost immediately.”

“I hope listeners can feel the sadness in the song, but also find comfort in it. Death is something we all have to face sooner or later, and none of us can avoid it.”

The band’s other key songwriter and guitarist Jesse Ulas Liu adds:

“I think this is CHTHONIC’s first love song. It’s a love song filled with conflicting emotions – grief, guilt, regret, despair and hopelessness. Although you can still hear the style that is characteristic of CHTHONIC, we have also brought in many new elements. I hope our fans will find it refreshing.”

During the songwriting process, bassist Doris Yeh once again refined the original demo by Freddy and Jesse and helped shape the song, in much the same way as she has done with the band’s most recent releases.

“We no longer rush to release music the way we used to. Now we finally have the opportunity to work carefully on each song, one at a time. I really appreciate that we are still able to make music together, so I wanted to think carefully about every detail,” says Doris Yeh, adding that she also discovered a surprising connection with Mariska through her well-known song “Terveisin Doris.”

The members of CHTHONIC are currently literally spread across opposite sides of the world, with Freddy and Doris living in Helsinki while the rest of the band are based in Taipei.

“Freddy still sends messages on every possible communication platform!” laughs Dani. “It still feels like he’s right here with us. But that’s a good thing. That attitude keeps us moving forward and inspires us to create new music.”

The music video for “Näin Määrättiin” premiered at the Air Guitar World Championships, as well as at the Oulu Music Video Festival in Finland.

More info: chthonic.tw – mariska.fi

JESUS CRINGE Unleashes Sixth Single ‘Ultra Modern Society’ with Music Video

Posted by tarjavirmakari on September 14, 2026
Posted in: Int. News, News. Tagged: JESUS CRINGE. Leave a comment

Belgian cinematic space-art rock project Jesus Cringe has released “Ultra Modern Society”, the sixth single from the highly anticipated debut album, forthcoming via Epictronic Records.

“Ultra Modern Society” is available now on all major streaming platforms.

One of the album’s most confrontational tracks, “Ultra Modern Society” blends the cinematic grandeur of progressive rock with the raw intensity of alternative metal. Drawing sonic inspiration from the emotional scale of Muse and the weight of Stone Sour, the song expands its palette with electronic textures, orchestral arrangements, and immersive sound design, evoking a futuristic dystopia collapsing under its own contradictions.

Released on September 14, the Feast of the Exaltation of the Holy Cross, the song reflects the paradox of modern existence: while the Cross represents a path toward liberation through self-sacrifice, contemporary society increasingly offers the illusion of freedom while quietly shaping our identities, desires, and dreams.

Lyrically, the song explores the tension between individual consciousness and algorithmic society. Images of censorship, simulated realities, surveillance, and singularity merge into a stream of fragmented thoughts where euphoria and panic become indistinguishable. Rather than delivering a political manifesto, “Ultra Modern Society” captures the psychological state of living in an age where every opinion is amplified, every desire is monetized, and every imagination risks being filtered before it can exist. The recurring pleas to “censor me” and the invocation of “Big Brother” reveal a paradoxical longing for both freedom and control.

Musically, “Ultra Modern Society” constantly subverts expectations. As a defining element of Jesus Cringe’s sound, traditional guitar and bass roles are replaced by expressive violin and saxophone, creating a sonic landscape that feels both organic and alien. Industrial drumming, layered electronics, and a dense tapestry of synthesizers propel the listener through an epic, cinematic journey where every element reinforces the song’s dystopian atmosphere. Rather than simply accompanying the lyrics, the production embodies the collision between humanity and technology, blurring the line between acoustic performance and machine-driven intensity.

At its core, “Ultra Modern Society” asks a simple yet unsettling question: what becomes of humanity when imagination itself is curated? It is less a critique of technology than a warning against surrendering our capacity to dream. In a world obsessed with optimization and conformity, the song argues that the most radical act may simply be to preserve the freedom to imagine differently.

Jesus Cringe will bring its distinctive sound to the stage with the following upcoming live performances:

November 20 — B21, Brussels, Belgium – Guests TBC
December 4 — Grillen, Colmar, France – With Twelve Diversions and Adam Doppler

Previous releases:

“Deep Need of Affection”: Watch / Stream – Disastrology: Watch / Stream – “Unhinged Byproduct”:  Watch / Stream – “No Man’s Gland”: Watch / Stream – “Corpus Callosum”: Watch / Stream

About Jesus Cringe

Jesus Cringe is a Belgian cinematic space-art rock project, rebuilt from the foundations of 22 for Silicon Alone. The project is built around philosophical storytelling and strong visual identities, and takes a deliberately unconventional approach to instrumentation — replacing the standard guitar/bass setup with violin and baritone saxophone. The result is a sound that sits outside any obvious genre bracket, drawing from avant-garde rock, pre-rock traditions, and sci-fi cinema.

The project signed to Epictronic Records in early 2023. Their debut album unfolds as a large-scale narrative work — part dystopian fable, part personal confession — and has generated coverage in Metal Shock Finland, Tinnitist, MHF Magazine, Headbangers News, and Prog Rock Journal, alongside airplay on Unsigned Radio UK, WTSQ FM, Nu Rock Radio, Diverse World Music Radio, and Rockers and Other Animals.

Jesus Cringe Online: jesuscringe.com – www.instagram.com/jesus_cringe_music – www.facebook.com/JesusCringe

AUTUMNFALL Reveal the Flowing Melancholy of ‘Crystal Skies’ from Upcoming Album

Posted by tarjavirmakari on September 14, 2026
Posted in: Int. News, News. Tagged: AUTUMNFALL. Leave a comment

Finnish melodic black metal veterans AUTUMNFALL have shared a new song from their forthcoming album “The Archaic Sins”: “Crystal Skies” is now streaming, offering another glimpse into the melodic richness and atmospheric depth of the record, due out on September 25, 2026 via Ardua Music.

The new single further reveals the peculiar balance at the heart of AUTUMNFALL, where black metal intensity is shaped by flowing guitar lines, understated drama and a strong emotional sensibility. “Crystal Skies” unfolds without rushing, allowing its melodies to gradually build and intertwine while the rhythm section provides a firm but unobtrusive foundation. There is a distinctly melancholic quality to the song, yet its melodies retain a sense of openness and movement, reflecting the band’s ability to find beauty without sacrificing the darker shades of their music.

Composer Jussi Hänninen comments:

“‘Crystal Skies’ is probably my favorite track on the album, and has been since I first heard it re-recorded and brought to this age. It’s an interesting piece in the sense that the lyrics actually have somewhat of a positive undertone.”

Formed in Finland in 2019 by Jussi Hänninen, best known as the primary songwriter of Fall of the Leafe between 1996 and 2007, AUTUMNFALL emerged as a continuation of the musical sensibility that characterized the earlier years of that influential band. Joined by vocalist Tero Ruohonen, Hänninen has developed the project into a vehicle for revisiting old ideas while giving them renewed shape and purpose.

Following “Ghosts of Light” (2021), “Bleak” (2022) and “The Archaic Shadows” (2024), “The Archaic Sins” once again draws heavily from the past. With just one completely new composition, the album is primarily built around songs written between 1998 and 2001, now brought into the present through fresh arrangements and performances.

The result is fluid, finely arranged melodic black metal that never needs grand gestures to make its impact. AUTUMNFALL weave melodies together continuously, allowing guitars and rhythms to move with a natural, unforced sense of progression. The music can evoke wonder one moment and bitterness the next, shifting between emotional shades without ever disrupting its graceful flow.

Carefully considered rhythmic patterns provide a solid foundation for compositions that remain loose and organic, while the constant interplay of melodies gives the album its distinctive character. There is an unmistakable sense of musicians who have spent decades understanding how songs work, knowing when to add detail and, just as importantly, when to let an idea breathe.

Whether described as melodic extreme metal, dark metal or simply AUTUMNFALL, “The Archaic Sins” offers a sound rooted in experience, melody and atmosphere: material from another era that finds an unexpectedly natural home in the present.

Tracklist:

1. Halo In Utopia
2. Lightless Depths
3. Dark Goddess
4. Mists of Eternity
5. Crystal Skies
6. Pulse
7. The Blind Brother
8. The Timeless Kin

Credits:

Jussi Hänninen: All Music
Tero Ruohonen: All Vocals/Lyrics

Mastered by Jasse Kesti at Kesthouse Studio

https://autumnfall19.bandcamp.com/
https://www.instagram.com/stormoftheautumnfall/
https://www.facebook.com/autumnfallband/

LEADFEATHER to Release New Single ‘Troubled Man’ on 25th September

Posted by tarjavirmakari on September 14, 2026
Posted in: Int. News, News. Tagged: LEADFEATHER. Leave a comment

LEADFEATHER release new single ‘Troubled Man’ on 25th September, new EP “Catch The Silvertrain” is out 23rd October. The band also release their exclusive Vinyl release ‘Super Deluxe’ on 5th December, featuring both EPs ‘Roll The Dice’ and ‘Catch The Silvertrain’. 

“Troubled man is the bluesiest yet the heavier track of the ep, that alternates psychedelic and desert sounding verses with heavy choruses that remind to the ball and chain hammering rhythm. Once again Leadfeather brought their own twist on something that can be defined as “Leadfeather style blues rock.”

Leadfeather are a UK-based hard rock band blending raw riff-driven energy, cinematic atmosphere and emotionally charged songwriting. Formed in 2024 by guitarist and songwriter Simon Hurts, the band combines the spirit of classic heavy rock with a darker and more modern sound. Their music balances aggressive guitars, dynamic arrangements and powerful vocals, creating songs designed both for loud stages and immersive listening experiences.   

Following the strong reception of their debut EP ‘’Roll The Dice’, praised for its raw energy, vintage-inspired sound and powerful performances, Leadfeather return with a heavier, darker and more cinematic new chapter: “Catch The Silvertrain”. The new EP pushes the band further into modern hard rock territory while maintaining the emotional intensity and analog spirit that defined their debut releases. 

Preorder “Catch The Silvertrain” vinyl look cd: https://shorturl.at/MoQJ8
Preorder “Super Deluxe”: https://www.leadfeatherrocks.com/product-page/leadfeather-super-deluxe-vinyl

“Catch The Silvertrain” is a six-track hard rock EP exploring obsession, emotional collapse, ambition, escape and redemption. Built around five explosive rock tracks and one emotionally charged ballad, the EP combines massive riffs, cinematic textures and intense vocal performances, showcasing a darker and more modern evolution of the Leadfeather sound. The project was created with a strong visual identity and a focus on authentic energy, designed to connect equally with modern alternative rock listeners and classic hard rock audiences. 

“Super Deluxe” 
is an exclusive Vinyl release that features both EPs, ‘Roll The Dice’ and ‘Catch The Silvertrain’, and is only available via the band’s website. 

Live shows:
1st Nov – Station, Cannock
5th Dec – Leo’s Red Lion, Gravesend

2027
20th March – Rochester Rocks, Casino Room Events Venue, Rochester
28th May – Underworld, Camden, United Kingdom

Leadfeather is:
Apostolos L – lead vocals 
Simon Hurts – lead guitar 
Tom Willmott –- bass 
Thanos –- drums  

https://www.leadfeatherrocks.com/
SPOTIFY
https://www.facebook.com/leadfeatherrocks
https://www.instagram.com/leadfeatherrocks
https://www.youtube.com/@leadfeatherrocks

SATAN TAKES A HOLIDAY Revisit the Songs That Shaped Them on New Album “Covering Our Tracks”, Out This Week

Posted by tarjavirmakari on September 14, 2026
Posted in: Int. News, News. Tagged: SATAN TAKES A HOLIDAY. Leave a comment
Photos by: Linda Florin

Swedish rock powerhouse Satan Takes A Holiday release their new album Covering Our Tracks on September 18 via Icons Creating Evil Art – the culmination of a year-long project exploring the songs, artists and scenes that helped shape one of Sweden’s most distinctive rock bands.

Pre-Order the album here

What began with the release of Covering Our Tracks: Part 1 has unfolded in real time over the past year, revealing a series of carefully chosen interpretations spanning generations and genres. More than a collection of covers, the album is a bold reimagining of rock history itself. By reshaping influential songs with their signature blend of garage rock, punk attitude and modern edge, Satan Takes A Holiday treat the past and present alike as raw material: something to challenge, energize and make entirely their own.

The result is an album that moves effortlessly between Bruce Springsteen, The Ramones, Suicide, Yeah Yeah Yeahs, The Dirtbombs, Link Wray and Charli XCX, while somehow sounding unmistakably like Satan Takes A Holiday throughout.

From the stark tension of Springsteen‘s State Trooper to the euphoric indie-rock sweep of Suicide‘s Dream Baby Dream, the band continuously push each song into new territory without losing sight of what made it special in the first place.

Their version of Charli XCX‘s Good Ones transformed a sleek, hook-driven pop track into a raw and driving indie rock cut with a sharp punk edge. Retaining the irresistible melody and emotional tension of the original, the band amplified the grit, distortion and urgency, creating one of the album’s most immediate moments.

“Charli first came onto my radar in 2011 with her debut EP Stay Away, possibly via our mutual collaborator, producer Patrik Berger,” Fred explains. “However it happened, I’ve been hooked ever since. And when Good Ones dropped a few years ago, it went straight into my STAH folder of potential covers.”

Elsewhere, the band tackle one of alternative music’s most revered songs with Dream Baby Dream.

“Dream Baby Dream, the greatest song in the world. It just is. A mad undertaking, but we couldn’t help ourselves. And with the greatest song in the world, the result could only be something different. Even for us.”

Rather than recreating Suicide‘s minimalist masterpiece, Satan Takes A Holiday expanded its dreamlike atmosphere into something larger, louder and more cinematic, building towards soaring indie-rock crescendos while preserving the hypnotic pulse that made the original so enduring.

The album’s focus track, Say No To Women, occupies a particularly important place within the band’s musical history. Originally recorded by Swedish punk legends Henry Fiat’s Open Sore and never widely available on streaming services, the song comes from a band that all three members of Satan Takes A Holiday considered among their absolute favourites long before forming STAH themselves. Its inclusion serves as both tribute and acknowledgment of a crucial influence on the band’s DNA (Stefan from HFOS has produced three of STAH’s albums).

The album also revisits songs that have accompanied Satan Takes A Holiday since the very beginning. Discussing their version of Yeah Yeah Yeahs‘ Bang, the band reflected on the song’s role in their earliest days together:

“BANG was one out of a handful of songs we first played together, as calibrating measure, before starting to write songs as STAH. Yeah Yeah Yeahs – as important to the fabric of our band as The Sonics, Johnny Kidd and The Cramps. The fuzz, the mess and the swaggering vocals. We haven’t played it since those first shows and were delighted to rediscover it.”

That sense of rediscovery runs throughout Covering Our Tracks. The album is not simply a celebration of favourite songs, but a map of the influences, obsessions and unexpected connections that helped form Satan Takes A Holiday‘s musical identity. From punk and proto-punk to indie rock, garage rock and pop, the band reveal a shared spirit running through every track: energy, attitude and the transformative power of a great song.

As Covering Our Tracks reaches its conclusion, Satan Takes A Holiday reinforce their position as one of Sweden’s most dynamic and adventurous rock acts – honoring the lineage of rock and pop while carving out their own path forward.

Tracklist:
01. Gettin’ Away with Murder (Baby Grande)
02. State Trooper (Bruce Springsteen)
03. Good Ones (Charli XCX)
04. I Can’t Stop Thinking About It (The Dirtbombs)
05. You’re the One That I Want (John Travolta and Olivia Newton-John)
06. Rumble! (2026) (Link Wray)
07. Today Your Love, Tomorrow the World (The Ramones)
08. Say No To Women (Henry Fiat’s Open Sore)
09. Bang (Yeah Yeah Yeahs)
10. Dream Baby Dream (Suicide)

Over the years, Satan Takes A Holiday have built a strong international following through extensive touring across Europe and high-profile support slots with acts such as KISS, The Sonics, Juliette Lewis, Backyard Babies and Imperial State Electric. Their releases have earned praise from Classic Rock, Louder Sound and Rock Hard, alongside radio support from BBC 6 Music — including spins from Iggy Pop — as well as Sweden’s P3 and Bandit Rock.

More from Satan Takes A Holiday
Official webpage: www.satantakesaholiday.com
Spotify: https://open.spotify.com/artist/3BZBnC18MJDRtneF9r7Qx7
Youtube: https://www.youtube.com/@STAH
facebook: https://www.facebook.com/satantakesaholiday/
Instagram: https://www.instagram.com/satantakesaholiday/
X: https://twitter.com/SatanTAHoliday

OUR CEASING VOICE Unveil New Single & Video ‘Wherever You Are’

Posted by tarjavirmakari on September 14, 2026
Posted in: Int. News, News. Tagged: OUR CEASING VOICE. Leave a comment

A deeply personal song about loss, forgiveness and keeping a memory alive.

Austrian post rock and post metal quartet Our Ceasing Voice return with “Wherever You Are”, the third single taken from their forthcoming album “The Origin of Everything”, due for release on October 2nd, 2026 via Argonauta Records.

Following the previously released singles “Diamond Eyes” and “The Man You Wanted Me To Be”, “Wherever You Are” reveals perhaps the most intimate side of Our Ceasing Voice. Written in the aftermath of a devastating personal loss, the song is a meditation on grief, guilt and the difficult path towards forgiveness.

Vocalist Dominik Dörfler explains:

“When I was faced with the loss of an especially close friend in 2005, something inside me broke and has still not healed to this day, leaving a huge void.”

For years, Dörfler carried the feeling that he could somehow have prevented his friend’s death, a thought that became increasingly difficult to escape.

“This feeling haunted me for so many years and prevented me, in every way, from coming to terms with it.”

Fourteen years after the loss, in 2019, Dörfler finally sat down at the piano and wrote “Wherever You Are”. The song remained untouched for a long time, neither played nor listened to, before the band eventually returned to it while working on “The Origin of Everything”.

Reworking the composition and revisiting its lyrics ultimately became part of a deeply personal process of healing.

“Working on it really helped me cope with this loss, see it in a different light, replace that feeling of anger with a kind of forgiveness toward myself, and immortalize the memory of a beautiful person.”

That sense of emotional transformation lies at the heart of “The Origin of Everything”. While the album looks inward at identity, belonging, memory and the forces that shape who we become, “Wherever You Are” confronts the past directly, turning grief into remembrance and regret into acceptance.

Musically, the song showcases the band’s ability to move between fragile intimacy and expansive post rock intensity, creating a space where melancholy and catharsis coexist. It is another glimpse into an album that sees Our Ceasing Voice pushing beyond their earlier sound while preserving the emotional depth that has defined them since their formation in Innsbruck in 2006.

“The Origin of Everything” will be released on October 2nd, 2026 via Argonauta Records and features eleven songs that trace different paths through memory, identity, longing and transformation.

For more info:
​https://www.facebook.com/ourceasingvoicemusic​
​https://www.facebook.com/ArgonautaRecords

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