Rising Texas metalcore outfit Lost In Separation have officially signed with SBG Records and are celebrating the announcement with the release of their new single, “Can’t Forget.”
“’Can’t Forget’ is about coping with the unexpected loss of a loved one and learning how to pick up the pieces and move forward. The song was written and produced with Austin Coupe (The Devil Wears Prada, Thousand Below, Papa Roach), and marks an exciting new chapter with the signing to SBG Records,” shares the band.
Lost In Separation is a Metalcore Band from Dallas, Tx. Cathartically combining aggression, melody, and emotional storytelling to find silver linings in a world that seems to be falling apart more and more each day.
More new music and announcements are expected soon.
The second single from the upcoming BLUTGOTT album: Die Schlacht um Knochenheim. Part 1: Death of the Bloodking. Release date: October 2026. More information at https://www.blutgott.com/
Recorded by the mighty Dennis Ward (Helloween, Unisonic, Krokus).
The cataclysmic final battle between Balgeroth, the Bloodking of Knochenheim, and Luziferon, the most powerful of all demon overlords of Hell. A war whose flames engulf hundreds of thousands of worlds – from Eden to the world of the Nazarene himself. In the War of Balgeroth, the fascist Imperium of mankind is destroyed. Asgard falls, the godly realms of Valhalla are desecrated and ravaged in apocalyptic battles. But the greatest and most cruel battle of all time rages around Knochenheim. The fortress metropolis on the largest stable route from Hell to the east of Eden. Knochenheim – a monument of horror, the dragon fortress, an unshakeable bulwark of the Blood Gods against the eternal hordes of damnation. There, the demon hordes of Luziferon meet the legions of the Trinity of Blood Gods.
THE BLUTGOTT METAL UNIVERSE
DEBAUCHERY Death Metal – BLOOD GOD Heavy Metal – BALGEROTH German Metal
Dark Fantasy Metal. There is no political or socio-critical message.
It’s not a band, it’s a universe. An extraordinary concept that goes far beyond music: the BLUTGOTT metal universe, consisting of the metal monsters Debauchery, Blood God, and Balgeroth. For over 20 years, it has combined brutal metal and dark fantasy, with over 20 albums and more than 40 CDs. It is a unique world, the World of Blood Gods – populated by demonic vampire dragons, humans, elves, and dwarves. It has its own miniatures, its own tabletop wargame, art books, and more.
The new album “Death of the Bloodking” is the first part of the trilogy: “The Battle for Knochenheim”. It will be released on October 30, 2026 as a 2CD digipack, accompanied by 10 digital singles and videos.
The cataclysmic final battle between Balgeroth, the Bloodking of Knochenheim, and Luziferon, the most powerful of all demon overlords of Hell. A war whose flames engulf hundreds of thousands of worlds – from Eden to the world of the Nazarene himself.
In the War of Balgeroth, the fascist Imperium of mankind is destroyed. Asgard falls, the godly realms of Valhalla are desecrated and ravaged in apocalyptic battles. But the greatest and most cruel battle of all time rages around Knochenheim. The fortress metropolis on the largest stable route from Hell to Eden. Knochenheim – a monument of horror, the dragon fortress, an unshakeable bulwark of the Blood Gods against the eternal hordes of damnation. There, the demon hordes of Luziferon meet the legions of the Trinity of Blood Gods.
THE QUILL release “Dark City”, the first single taken from the new studio album “Master Of The Skies”, out on May 8th at Metalville.
“Dark City” is a dust-kicking, engine-roaring anthem built for endless desert highways. The song rides on gritty riffs and a pounding rhythm section, capturing the restless spirit of neon-lit nights and long, lonely roads. It’s the sound of headlights cutting through the black — loud, unapologetic, and impossible to outrun.
Some bands chase trends – Others outlive them.
“Master of the Skies” marks another chapter in a long-running conversation between groove, weight, melody, and muscle — this time with a darker tint.
The songs move through light and shade, tightening the screws one moment and opening the throttle the next. It’s heavier without being blunt, moodier without losing swing — heavy rock with depth lines and character, earned the hard way.
THE QUILL is a band comfortable in its own skin, writing music because they still mean it, not because anyone asked. Think Sabbath’s sense of gravity, the groove-heavy swagger of classic heavy rock, and the lived-in confidence of musicians who’ve been there, done that — and kept the amps on anyway.
The band once again teamed up with Erik Nilsson at 491 Studios, a place that by now knows their sound almost as well as the band does.
No reinvention. No nostalgia trip. Just THE QUILL doing what they’ve always done best: writing heavy rock songs that stand on their own feet.
The sky is still the limit — and The Quill remains its master.
Magnus Ekwall: “We focused a lot on atmosphere. Some songs needed space and restraint, others wanted to explode — I liked letting the light and darkness decide how far to push it.”
Christian Carlsson: “This time we didn’t force a ‘Quill sound’ onto the songs. We let each track build its own identity, even if that meant going down unfamiliar paths.”
Roger Nilsson: “The big difference on this album is how much it came together as a band. Everyone shaped the songs, and the contrasts grew naturally from that.”
Jolle Atlagic: “We experimented more in the studio than usual. Some ideas stuck, some didn’t — but that trial-and-error is what gave the album its movement.”
TRACK LISTING
01 – Master of the Skies 02 – Dark City 03 – You Can Not Kill My Soul 04 – It’s Over 05 – Son of Light 06 – If Tomorrow Never Comes 07 – Now You Are Gone 08 – Light Turns Low 09 – Mastodon 10 – Master of the Skies (Reprise)
LINE UP Magnus Ekwall vocals (Ayreon, Mountain of Power) Christian Carlsson guitar (Cirkus Prütz) Roger Nilsson bass (Spiritual Beggars, Arch Enemy, Firebird) Jolle Atlagic drums (Hanoi Rocks, Electric Boys, Firebird)
Ready to burn brighter than ever in 2026, the rock sister-trio from Monterrey, Mexico, The Warning ignite a brand new single entitled “Kerosene” out now via LAVA/Republic Records. Listen HERE, watch HERE and purchase a limited-edition 7” vinyl and merch collection HERE.
The group pulls no punches on this incendiary and infectious anthem. A hyper-charged drumbeat gallops beneath clever verses fueled by a gritty guitar riff. The momentum climaxes on a catchy and chantable chorus, “Strip down for me. I see right through you. Spit kerosene. You know you want to!” A spunky bassline drives an attitude laden bridge as the band dismiss the copycats, “You rip my hair, my style, my jeans. I swear you copy everything.”
The music video for “Kerosene” follows the three sisters speeding through the desert in a stolen car, radiating confidence and defiance. It all builds to a chaotic junkyard scene where they rock out with flame throwers before setting the car on fire, turning it into a bold statement of power and rebellion.
The energy never relents, and “Kerosene” finds The Warning really firing on all cylinders.
It follows “Love To Be Loved”—the group’s genre-breaking collaboration with Carín León.Revolver applauded how, “the cut cross-references rock with country and pop flavors,” and Rock Sound attested, “Dany, Ale and Pau bring the rock and roll chaos, whilst Carín offers up melody and atmosphere by the boatload. The result is effortlessly catchy and will instantly be trapped between your ears.” Voted “Favorite New Latin Music of the Week” by fans, Billboard praised, “The song meshes country and rock backed by León’s and The Warning’s powerhouse harmonies.” Melodic Magazine dubbed it “a song that would set their fanbases on fire.” Listen HERE, watch the music video HERE, and purchase a limited-edition 7” vinyl HERE.
The fuse is lit for a whole lot more to come from The Warning very soon.
In 2026, the band expands their global touring footprint as they hit the road performing at Lollapalooza and festivals across Latin America, and supporting Yungblud on the IDOLS World Tour in the UK & US later this year. The band will be headlining Pier 17 in NYC on June 11, get tickets here.
TOUR DATES: Mar 13 – Lollapalooza – Stgo de Chile Mar 15 – Lollapalooza – San Isidro, Argentina Mar 17-19 – Asuncionico, Paraguay Mar 21 – Lollapalooza – São Paulo, Brasil Mar 22 – Estereo Picnic – Bogota, Columbia Mar 28 – Tecate Pal’Norte Festival – Monterrey, MX April 11 – Arena Sheffield – Sheffield, UK (supporting Yungblud) April 12 – M&S Bank Arena – Liverpool, UK (supporting Yungblud) April 14 – SSE Arena Belfast – Belfast, UK (supporting Yungblud) April 15 – 3Arena – Dublin, IE (supporting Yungblud) April 17 – First Direct Arena – Leeds, UK (supporting Yungblud) April 18 – Utilita Arena – Cardiff, UK (supporting Yungblud) April 20 – OVO Hydro – Glasgow, UK (supporting Yungblud) April 21 – Utilita Arena – Newcastle, UK (supporting Yungblud) April 23 – Utilita Arena – Birmingham, UK (supporting Yungblud) April 24 – The O2 – London, UK (supporting Yungblud) April 25 – AO Arena – Manchester, UK (supporting Yungblud) May 8: – Welcome to Rockville Festival – Miami, FL May 15 – WaMu Theater – Seattle, WA (supporting Yungblud) May 16 – Theater of the Clouds – Portland, OR (supporting Yungblud) May 19 – Planet Hollywood Las Vegas Resort & Casino Bakkt Theater – Las Vegas (supporting Yungblud) May 20 – The Rady Shell at Jacobs Park – San Diego, CA (supporting Yungblud) May 22 – Greek Theater – Los Angeles, CA (supporting Yungblud) May 23 – BottleRock Festival – Napa Valley, CA May 25 – Arizona Financial Theater – Phoenix, AZ (supporting Yungblud) May 28 – The Pavilion at Toyota Music Factory – Irving, TX (supporting Yungblud) May 29 – Moody Amphitheater – Austin, TX (supporting Yungblud) June 1 – UCF Addition Financial Arena – Orlando, FL (supporting Yungblud) June 2 – Seminole Hard Rock Hotel & Casino – Hollywood, FL (supporting Yungblud) June 4 – State Bank Amphitheater at Chastain Park – Atlanta, GA (supporting Yungblud) June 5 – Red Hat Amphitheatre – Raleigh, NC (supporting Yungblud) June 6 – Mann Center for the Performing Arts – Skyline Stage – Philadelphia, PA (supporting Yungblud) June 7 – The Anthem – Washington, DC (supporting Yungblud) June 9 – Leader Bank Pavilion – Boston, MA (supporting Yungblud) June 10 – Radio City Music Hall – NYC (supporting Yungblud) June 11 – The Rooftop at Pier 17 – NYC (Headline Show) June 13 – Skyla Credit Union Amphitheatre – Charlotte, NC (supporting Yungblud) June 25 – Ton of Rock Festival – Norway June 26 – Grona Lund – Stockholm, Sweden June 28 – Pumpehuset – Copenhagen, Denmark June 30 – Progresja – Warsaw, Poland July 1 – Skaters Palace – Munster, Germany July 4 – Mainsquare Festival – Arras, France July 6 – Le Bikini – Toulouse, France July 8 – Mad Cool Festival – Madrid, Spain July 10 – NOS Alive – Lisbon, Portugal Sept 18 – Louder Than Life Festival – Louisville, KY Sept 19 – New Mexico State Fair – Albuquerque, MN
ABOUT THE WARNING: The Warning draw strength and power from a lifetime of sisterhood and music. The Mexico-born sister trio—Daniela “Dany” [guitar, lead vocals, piano], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]—have logged thousands of miles on the road, generated hundreds of millions of streams, and left countless fans in awe. All of this tireless work and dedication has shaped and sharpened their sound with knifepoint precision, arming alternative anthems with universally catchy hooks and an uncompromising hard rock kick. The girls have devoted themselves to a shared dream since their childhood in Monterrey, Mexico. They initially made waves with a string of independent releases, paving the way for their acclaimed 2022 full-length offering ERROR. Between performing alongside Muse, Foo Fighters, Guns N’ Roses, Royal Blood, The Pretty Reckless, Three Days Grace and Imagine Dragons, the band ignited MTV’s Extended Play Stage at the 2023 MTV VMAs. Representative of their cultural impact, Pepsi even notably chose them as the face of Pepsi Black in Mexico. Moreover, they emerged as the rare force who could comfortably appear on the cover of RockSound and Kerrang! and in features by Vanity Fair, People, Cosmopolitan, and Glamour as well as on Metallica’s star-studded Blacklist compilation—placing their cover of “Enter Sandman” [with Alessia Cara] shoulder-to-shoulder with contributions from Ghost, St. Vincent, Chris Stapleton, IDLES and Weezer. The Warning embraced their destiny on their 2024 full-length album, Keep Me Fed[LAVA/Republic Records]. The album was introduced by singles “MORE,” “S!CK” “Hell You Call A Dream”, “Qué Más Quieres”, “Automatic Sun”, and “Burnout”. In 2024 they continued their global impact with nominations and performances at the Latin GRAMMYs for “Best Rock Song” and MTV’s EMAs for “Push Artist.” The Warning was also nominated for “Push Performance” at MTV’s VMAs and performed on France’s Taratata.
Since 2018, NITE have proudly carried the torch for Bay Area metal, but the blackened heavy metal band are catching fire behind their white-hot new album. Cult of the Serpent Sun was named one of the best albums of 2025 by Decibel, New Noise, Invisible Oranges and other major publications, as well as Nate Garrett from Spirit Adrift. Bandcamp recently selected the album for the February edition of The Hard Stuff, a heavy metal record of the month club hosted by long-time metal writer J. Bennett. Now, the San Francisco natives are setting the skies ablaze once more by announcing their first-ever show in South America.
This September, NITE are bringing Cult of the Serpent Sun to Mexico during Candelabrum Metal Fest V. The band will perform the hit song “Crow (Fear the Night)” and other fist-pumping triumphs from their critically-acclaimed new album, plus other fan favorites from their discography.
1. Cult of the Serpent Sun (4:56) 2. Skull (4:31) 3. Crow (Fear The Night) (4:11) [WATCH] 4. The Mystic (4:55) 5. The Last Blade (4:32) 6. Carry On (4:29) 7. Tarmut (5:14) 8. Winds of Sokar (3:52)
Cover artist by Adam Vick
When darkness engulfs the world, NITE sets the sky ablaze with white-hot, blackened heavy metal.
Having journeyed to the stars on their last venture, NITE now faces the abyssal and shadowy mythology that has long laid dormant beneath society. Each of the eight epic battles on Cult of the Serpent Sun tests their mettle. But amidst the album’s blackened perils, the band emerges victorious.
“NITE strives to be a light,” says vocalist and guitarist Van Labrakis. “Cult of the Serpent Sun is about how we persevere in times of immense darkness.”
Ever since banding together in 2018, NITE has carried the torch for Bay Area metal. Darkness Silence Mirror Flame debuted their blackened twist on NWOBHM. “…raucous, Marshall-fueled heavy metal that would be the envy of many a British band in the 1980s,” wrote Invisible Oranges. Follow-up Voices of the Kronian Moon upped the ante with more strutting tempos and windblown shredding, much to Stereogum’s delight. “It’s like speeding down a freeway at night in a Corvette with the top down, but everyone is wearing velvet capes.”
On Cult of the Serpent Sun, NITE wisely triples down on their trusty arsenal. Instead of scaling back, their third album adds more heft to the band’s armor. Labrakis and fellow guitarist Scott Hoffman’s molten leads duel with heightened showmanship. Drummer Patrick Crawford pummels and gallops while Avinash Mittur rattles the chest with his Rickenbacker bass. The title track charges with newfound urgency, slithery and venomous in its attack.
The album’s “more is more” philosophy is guided by what NITE have learned from the road. Since their last studio stint, the band have stormed the stage at Northwest Terror Fest, toured with fellow statesmen Persekutor and Haunt and marched across the Southwest on the road to Hell’s Heroes VI. “Fans really responded to older songs like ‘Acheron’ and ‘Genesis’,” Labrakis says. “Cult of the Serpent Sun has more songs that are fast and upbeat and help lift people’s spirits.” Galvanized by a foundation-shaking groove, “Skull” defiantly crushes. “Crow (Fear the Night)” is a rallying cry, calling for fists to rise with power and might.
NITE’s classic weaponry shows no signs of rust on their third album. “The Last Blade” draws first blood amidst an acoustic flurry before thrusting onto the offensive. “The aim here is not to replicate that era but to explore and evolve,” Labrakis told Decibel when asked about the band’s influences. Cult of the Serpent Sun honors the trailblazing spirits of old by honing what separates this band’s particular alchemy from mere imitation brew. “The Mystic” expands their sonic palette, featuring a slow-burning bass line that stretches time and space into a hypnotic portal. With its whirling and enchanted melody, “Tarmut” glimmers like a desert mirage.
“We play a traditional style of heavy metal, but the blackened element takes us in a different direction,” Labrakis says. His road-hardened voice stands resolute in “Carry On,” denouncing the perils of war. “Dream on and find who you are,” he beckons on the album’s triumphant closer “Winds of Sokar.”
On Cult of the Serpent Sun, NITE guards the altar of blackened heavy metal with sharpened blades and axes raised.
Lineup: Van Labrakis: Guitar / Vocals Scott Hoffman: Guitar Avinash Mittur: Bass Patrick Crawford: Drums
Recording studio 210 Studios San Francisco and The Hoagie Container
Production credits Recorded by Van Labrakis Produced by Van Labrakis and Nite Mixed and mastered by Van Labrakis at 210 Studios San Francisco
Canadian thrash metal powerhouse WRECK-DEFY celebrate the official release of their new studio album “Dissecting The Leech”, out now via Massacre Records as CD Digipak, Ltd. Vinyl LP and digital formats.
“Dissecting The Leech” marks a new high point in the band’s evolution – tighter, heavier and more uncompromising than ever.
To mark the occasion, WRECK-DEFY unleash the official video for the album’s crushing title track “Dissecting The Leech”, a fierce and unapologetic statement that embodies the raw spirit of the record. The song stands as one of the album’s most hard-hitting moments, delivering relentless riffing, pounding rhythms and a lyrical theme that pulls no punches.
Produced by Matt Hanchuck and Juan Urteaga at Trident Studios, and mixed and mastered by Urteaga himself, the album delivers a tight, punishing sonic assault performed by an elite lineup: Greg Wags Wagner (vocals), Matt Hanchuck (guitars), Greg Christian (bass) and David Allan (drums).
“Dissecting The Leech” also features an outstanding roster of guest musicians, including Stu Block, Amanda Kiernan, Chris Poland, Mike Gilbert, Steve Smyth and many more, further elevating the album’s dynamic range and technical firepower
Lyrically, the album dives into war, trauma, corruption, personal struggle and the darker sides of human nature. From the haunting reflections of “Under The Sun” to the rebellious charge of “Revolt” and the defiant closing statement “Apocalypse Of Hope”, WRECK-DEFY craft a relentless thrash manifesto for modern times.
With “Dissecting The Leech” officially unleashed, WRECK-DEFY reaffirm their place among the most authentic and ferocious forces in contemporary thrash metal – blending old-school pedigree with modern precision and firepower.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 