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UNCHAINED VENGEANCE Announce Debut Album “Unbound and Unforgiving” + Unleash First Single ‘The Whisper of Sorrowsbane’

Posted by tarjavirmakari on September 24, 2026
Posted in: Int. News, News. Tagged: UNCHAINED VENGEANCE. Leave a comment
Photo by Pooya Entezari

From the battle-scarred strongholds of Portland, OR rises a new force in epic heavy metal: UNCHAINED VENGEANCE. The newcomers are pleased to now make their debut with ‘Unbound and Unforgiving,’ an anthemic offering with epic soundscapes that conjure the feeling of valiantly riding into battle on horseback with sword and mace in hand. To celebrate this forthcoming record, the band is now unleashing the very first single, “The Whisper of Sorrowsbane,” along with a lyric video. The clip can be found via NWOTHM Full Albums at THIS LOCATION.

‘Unbound and Unforgiving’ is due on October 30, 2026 via Nameless Graves Records. It can be pre-ordered now HERE.

The cover artwork was created by Silvana Massa and can be found below along with the tracklist.

Tracklist:
01. Realms of Wonder and Might (01:18) INSTRUMENTAL
02. Enslaved No More (06:15)
03. The Whisper of Sorrowsbane (07:31) [WATCH]
04. Crowned in Crimson Dawn (02:28) INSTRUMENTAL
05. False Knight (06:15)
06. Warrior Heart (05:36)
07. Swords Against Sorcery (01:40) INSTRUMENTAL
08. Only Ruins Remain (07:14)
09. Unchained Vengeance (06:25)
10. The Price of Conquest (01:48) INSTRUMENTAL
Full running time: 00:46:30

Album credits:
Music recorded at Cirrus Studios, in Portland, Oregon by Nick Wusz
Vocals recorded at Perfect Audio, Vancouver, Washington
Mixed and Mastered by Pooya Entezari at Perfect Audio
Layout by Obscure Visions

From the battle-scarred strongholds of Portland, Oregon rises a new force in Epic Heavy Metal: UNCHAINED VENGEANCE.

Forged by the union of powerhouse vocalist Nick Courtney (former member of Vicious Rumors and the acclaimed Iron Maiden tribute band Fear of the Dark) and multi-instrumentalist Nick Wusz (of Dolven and Travellers Rest), UNCHAINED VENGEANCE arrives with their debut full-length assault, Unbound and Unforgiving.

This is a journey into an age long forgotten—an time where honor outweighs gold, where warriors carve their legends in steel, and where the sword triumphs over sorcery. Across ten triumphant tracks, UNCHAINED VENGEANCE unleashes a relentless barrage of thunderous riffs, soaring vocals, galloping rhythms, and heroic melodies destined to echo across the battlefield.

From the bond between warrior and blade in “The Whisper of Sorrowsbane,” to the condemnation of false champions in “False Knight,” and the bittersweet return to a fallen homeland in “Only Ruins Remain,” Unbound and Unforgiving weaves tales of courage, loss, revenge, and redemption. Majestic acoustic passages and contemplative interludes, masterfully performed by dungeon synth maestro Fen Walker, provide moments of reflection before the next charge into glory.

Adorned with breathtaking cover art by Silvana Massa and a battle-ready logo crafted by Brendan Elliot, this debut stands as a banner for all who still believe in the warrior spirit.

Raise your steel. Break your chains. March into the fire.

The age of UNCHAINED VENGEANCE has begun.

Carved in blood…Forged in fire…Unbound and Unforgiving

Lineup:
Nick Courtney – Vocals
Nick Wusz – Guitars, bass, drums
Interlude Tracks 1,4,7, and 10 by Fen Walker

For fans of: Hammerfall (‘Glory to the Brave’ era), Doomsword, Crescent Shield, and Iron Maiden.

Links: BANDCAMP – E-SHOP – INSTAGRAM – YOUTUBE

ADRIAN UTLEY Joins MARIUSZ SZYPURA for Frédéric Chopin’s ‘Étude Op. 25 No. 12’

Posted by tarjavirmakari on September 24, 2026
Posted in: Int. News, News. Tagged: ADRIAN UTLEY, MARIUSZ SZYPURA. Leave a comment

Adrian Utley, one of the musical mavericks behind trip hop giants Portishead, resurfaces today with one of the most audacious projects of his entire career – to reimagine the music of Polish pianist Frèdèric Chopin… without the piano!

“Adrian and Portishead are among my favourite musicians,” enthuses Mariusz. “The sound, the approach to making music, the search for unobvious and lo-fi textures, all of it had an enormous influence on me. His guitar playing is also very close to my own aesthetic. I later discovered that, like Fennesz [another of the album’s guests], he had worked with Mark Linkous in Sparklehorse, one of the bands I have loved most.”

Utley’s career reaches back to stints with Art Blakey’s Jazz Messengers and Big John Patton during the 1980s.  He co-founded Portishead in 1991, since when he has worked with Marianne Faithfull, Jeff Beck, Will Gregory (Goldfrapp) and many others… including his own Adrian Utley’s Guitar Orchestra. 

His film work includes collaborations with Nic Roeg, David Attenborough, Britain’s National Trust and more.  Mariusz Szypura’s Chopin Residue, however, offered him – and a clutch of fellow conspirators – a challenge unlike any other.

With its UK premiere set for London’s prestigious Cadogan Hall on September 26, as part of the Polish Jazz Festival, Chopin Residue is on course to become one of the most talked about classical releases of the year.  

It is certainly among the most ambitious, as the Polish artist and performer takes nine of his countryman’s best-loved pieces of piano music – and then removes the piano!

The website culture.pl explained “What began as a random observation while working in the studio ended in a monumental, multifaceted undertaking… Mariusz Szypura reaches for the Polish composer’s works to strip them of the pop culture clichés that have accumulated over decades.” 

Mariusz himself elaborates, “I rejected the piano immediately. If you’re not a virtuoso, in a country where we have a cult of Chopin’s music, the Chopin Competition, where we can hear the best of the best interpreters of his music live, it would be a mission doomed to failure. 

“Anything less than exceptional craftsmanship, in my opinion, sounded like folk music or, at best, a jingle played on PKP Intercity. I decided Chopin didn’t deserve such profanation. I could only approach this material through the prism of my own sensitivity, harmony, and deconstruction.

“So I took the piano out. Not as a provocation, more as a question: if you remove the instrument everyone identifies with this music, what’s actually left? Turns out quite a lot. The harmonic structure is still there, the phrasing, the strange melancholy in the intervals. That’s the residue. The piano was the delivery system, not the content.”

But that’s not all he did!  Released today as the latest single from the 2 CD album, “Étude Op. 25 No. 12” takes Szypura’s already-remarkable reimagining of this 189-year-old formal piano study, and delivers it up to Portishead’s Adrian Utley for a thoroughly invigorating remix and make-over.

Mariusz explains, “‘Étude Op. 25 No. 12’ is Adrian’s reconstruction, not my piece with his guitar on top. That is the principle of the whole second disc: nine artists, nine rebuilds, each in their own language.”

SINGLE: https://orcd.co/mariuszszypura_adrianutley

With the album’s extraordinary packaging having already received a Bronze A’ Design Award and a Red Dot Award, Chopin Residue is split into two parts, the original “Deconstructions” across one half of the CD and double album packages, and specially commissioned reworkings across the other, with Mariusz continuing, “Practically, it meant giving the material to guitars, drums, theremin, ondes Martenot, electronics, breath.” 

To this end, Mariusz invited contributions from Lee Ranaldo (Sonic Youth), David Pajo (Slint), Joey Waronker (Atoms For Peace, Beck), Gail Ann Dorsey (David Bowie), John McEntire (Tortoise), John Stanier (Battles) and Jim O’Rourke, before passing the tapes over to a host of fellow visionaries – Utley is joined by Fennesz, Christine Ott, Matthew Herbert, Masayoshi Fujita, Sean O’Hagan, Jim O’Rourke, Benoit Pioulard and Abul Mogard.

“I briefed [the artists] on the concept, sent the deconstructions and let them do what they do.”  And they did it.”

Even more remarkably, Mariusz intends both discs to be played at once!  “They were built to overlap,” he says, while the Blu-ray release goes even further, serving up an utterly captivating immersive version. “This was the real payoff. In stereo you hear an arrangement. In Atmos you’re inside the harmonic space with the piano missing from the middle of it. The absence becomes physical. That’s not a format upgrade, it’s closer to what the piece was always trying to do.”

Chopin Residue will be released on CD and vinyl on October 16. The Blu-ray version is already available.

CD/VINYL: https://cleorecs.com/search?q=chopin+residue&options
DIGITAL: https://orcd.co/prjp8v9
BLU-RAY: https://cleorecs.com/search?q=chopin+residue

Track listing

CD DISC ONE/VINYL SIDES ONE AND TWO

  1. Prelude Op. 28 No. 22 – Lee Ranaldo, Zoh Amba
  2. Étude Op. 25 No. 12 – Lee Ranaldo, Joey Waronker, Justin Meldal-Johnsen, Charlie Draper, Milosz Pękala
  3. Berceuse Op. 57 – Milosz Pękala, John McEntire, Blanket Swimming, Jacek Gawlowski
  4. Prelude Op. 28 No. 20 – Charlie Draper
  5. Prelude Op. 28 No. 4 – Joey Waronker, Adrian Utley, Carolina Eyck
  6. Prelude Op. 28 No. 2 – Charlie Draper, John Stanier, Sugar Yoshinaga
  7. Nocturne Op. 72 No. 1 – Milosz Pękala, John McEntire, Adrian Utley, Gail Ann Dorsey, Nailah Hunter, Peter Pichler
  8. Prelude Op. 28 No. 9 – Zoh Amba, Milosz Pękala, Nailah Hunter, David Pajo
  9. Prelude Op. 28 No. 15 – Lee Ranaldo, Milosz Pękala, John Stanier

CD DISC TWO / VINYL SIDES THREE AND FOUR

  1. Prelude Op.28 No.22, Matthew Herbert’s Practice Dub
  2. Étude Op. 25 No. 12, Rework by Adrian Utley
  3. Berceuse Op. 57, Rework by Fennesz
  4. Prelude Op. 28 No. 20, Rework by Masayoshi Fujita
  5. Prelude Op. 28 No. 4, Rework by Sean O’Hagan
  6. Prelude Op. 28 No. 2, Rework by Jim O’Rourke
  7. Nocturne Op. 72 No. 1, Rework by Christine Ott
  8. Prelude Op. 28 No. 9, Rework by Benoît Pioulard
  9. Prelude Op. 28 No. 15, Rework by Abul Mogard

ENSLAVED Unveil New Single ‘Tales Of Trees’ + Announce Co-Headline UK & European Tour with SÓLSTAFIR

Posted by tarjavirmakari on September 24, 2026
Posted in: Int. News, News. Tagged: Enslaved. Leave a comment
Photo credit: Chantik Photography

Last month, progressive trailblazers Enslaved officially announced their forthcoming studio album, Mið, set for release on October 30 via Nuclear Blast Records. Throughout their 35-year journey, across 17 albums, the Norwegian vanguard have continually redefined the boundaries of progressive black metal, weaving Old Norse histories and sacred traditions into complex modern soundscapes. With their latest offering, Enslaved turn their gaze toward the fundamental concept of the axis: the middle, the origin, and the infinite reach of the present moment.  

Building on the momentum of their latest tracks ‘Solar Will‘ and ‘Spirit Helper‘ (feat. Kevin Kicking Woman)’, the band have now unveiled the album’s next captivating single, ‘Tales Of Trees‘. The song uses the majesty and fragility of the natural world as a mirror for the human condition. Through a blend of complex progressive structures and searing black metal atmosphere, the band draws a poignant parallel between Mother Nature and the psyche.

Voicalist / bassist Grutle Kjellson states:

“Tales of Trees is indeed tales about trees, but perhaps not first and foremost in a botanical sense. Trees can grow, shine, and flourish, but they can also wither and burn. They need to be tended to and looked after in one way or another, and thus serve as a fitting parallel to the human mind, let alone humanity as a whole. Trees as symbols of something more than mere botanical creatures have appeared throughout history, both in mythological tales and in folklore. So, I think this tale is a fitting accompaniment the the heavy and yet dynamic tunes of this composition”

Guitarist Ivar Bjørnson adds:

“‘Tales of Trees’ can be both a tribute to our wooden relatives on this planet – who have had rather a lot of patience with us; and a metaphor for so much more. The winding time signatures of folk music and the adventurous spirit of classic prog are natural ingredients in my songwriting, and they feel particularly at home here.There is something about our kinship with trees that is both deeply familiar and wonderfully strange: everyday encounters with something we barely understand. That sense of recognition and mystery is at the heart of this song, opening another path into the world of ‘Mið’.”

Pre-order Mið here:  https://enslaved.bfan.link/mid

Stream ‘Tales Of Trees‘ here:  https://enslaved.bfan.link/tales-of-trees

To celebrate the arrival of Mið, Enslaved will hit the road across the UK and Europe in February 2027 as a co-headline with Iceland’s Sólstafir, with support coming from Norway’s Gaahls Wyrd.

Enslaved commented:

“Europe! In February we are heading out on a co-headlining tour with our good friends in Sólstafir. There is a kinship here that goes beyond a shared enthusiasm for questionable weather: the belief that music should be allowed to find its own path, even when it refuses to explain where it is going. Bringing ‘Mið’ into that company, and into a room with all of you, feels very right. Making a record is one part of the adventure; discovering what happens to it when we meet you out there is another. That exchange still means everything to us. See you in the flesh!”

Tickets will go on-sale on September 25 at 9am BST / 10am CEST from https://enslaved.no/

ENSLAVED & SÓLSTAFIR
CO-HEADLINE TOUR 2027
w/ Gaahls Wyrd

04/02/27 – DE Berlin, Festsaal
05/02/27 – DE Leipzig, Felsenkeller 
06/02/27 – DE Hamburg, Fabrik 
07/02/27 – DK Copenhagen, Amager Bio 
08/02/27 – DE Frankfurt, Batschkapp 
09/02/27 – FR Strasbourg, La Laiterie
11/02/27 – FR Rennes, Antipode 
12/02/27 – FR Clermont-Ferrand, La Cooperative de Mai 
13/02/27 – FR Toulouse, Le Metronum 
14/02/27 – ES Barcelona, Razzmatazz 2 
16/02/27 – FR Paris, Elysee Montmartre 
17/02/27 – UK London, Electric Ballroom 
18/02/27 – BE Liege, OM 
19/02/27 – NL Nijmegen, Doornroosje
20/02/27 – NL Utrecht, Tivoli Pandora 
21/02/27 – DE Cologne, Live Music Hall 
23/02/27 – CH Solothurn, Kofmehl
24/02/27 – IT Milan, Magnolia 
25/02/27 – AT Vienna, SIMM City 
26/02/27 – PL Warsaw, Progresja 
27/02/27 – CZ Brno, Fleda 

Enslaved live in 2026

18 Sep 26        NO – Sortland @ Sortland Jazzfestival 2026
29 Oct 26         NO – Bergen @ Kulturhuset – Album Release Show
30 Oct 26         NO – Oslo @ Big Dipper – Signing Session / Meet & Greet
31 Oct 26         NO – Oslo @ Oslo Spektrum w/ Dimmu Borgir & Satyricon

Enslaved live in 2027

27-30 May 27   US – Baltimore @ Maryland Deathfest 2027

Tickets available here: Tour – Enslaved

Mið – Tracklisting

1.  Non-Being
2.  I Am Ice
    (featuring Johan Sara Jr)
3.  Solar Will
4.  Mountain
5.  Spirit Helper
    (featuring Kevin Kicking Woman)
6.  Parting
7.  Tales of Trees
8.  I Miðju

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene’s indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

It’s a rare and remarkable feat that 35 years and now 17 albums in, Enslaved’s horizons still continue to expand. Every stage of the Bergen band’s evolution, every new phase entered, has felt like an organic act of discovery and renewal. Their journey has been at once a commitment to a promise that found its embryonic form in the Norwegian black metal scene they emerged from, and a willingness to challenge both orthodoxy and themselves from the off to make that potential manifest.

Enslaved’s new album, Mið, an Old Norse word for ‘centre’, or ‘middle’, marks another departure, and another new beginning. The band have always dealt in states of transition, nor least on the thematically linked, mythology-steeped rites of passage that were 2020’s Utgard and 2023’s Heimdal. What lay beyond, however, was… unexpected.

Mið is an album that sheds light on harmonies and dialogues embedded all around us: between the ways of the past, and how they can bring enlightenment to the present, between small kernels of truth and their ability to project onto the most universal on canvases, and between band members relying on instinct and each other to create a record that galvanises on every possible level.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals, bass
Arve ‘Ice Dale’ Isdal | guitar
Håkon Vinje | keyboards
Iver Sandøy | drums

More info: Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | YouTube | Apple Music

INCITE Release Lyric Video for Abrasive Track ‘Chucked Off’

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: Incite. Leave a comment

INCITE present a new lyric video offering for their ferocious track, “Chucked Off.” A raging sonic assault, the song calls out a lack of empathy and false claims of victimhood from individuals who refuse to take accountability for their actions. “Chucked Off” is taken from their critically acclaimed 2025 album Savage New Times, released via Reigning Phoenix Music. INCITE are currently on tour around the US supporting SOULFLY and NAILBOMB. 

Richie Cavalera comments on the new release:

“‘Chucked Off’ is about the collective of our current society. Everyone has such a short temper with this victim mentality and it sucks. People expect the best, their way, and instantly or else they’re not satisfied. People need to take more accountability for themselves and how their lives have turned out and not blame it on everyone else. The meaning along with the riffs and awesome drum work Lennon does on this song make it one of my favorites off the new album. Metalheads come catch it live every night on our current tour.”

Stream / purchase Savage New Times HERE: https://incite.rpm.link/savagenewtimesPR 

2026 US Tour Dates Supporting SOULFLY and NAILBOMB:
9/22/26  San Antonio, TX  – Paper Tiger 
9/23/26  Dallas, TX  – Trees 
9/24/26 Kansas City, MO – Warehouse 
9/25/26  Iowa City, IA – Wildwood
9/26/26  McHenry, IL  – The Vixen
9/27/26  Sioux Falls, SD  – BIG’s      
9/29/26  Casper, WY- Oil CityBeerCompany
9/30/26  Cheyenne, WY – The Lincoln
10/1/26  Denver, CO – Levitt Pavillion 
10/2/26  Salt Lake City, UT – Aces High
10/5/26 San Jose, CA – The Ritz 
10/6/26  San Luis Obispo, CA – SLO Brew 
10/7/26 Palmdale, CA – Transplants Brewery
10/8/26   Los Angeles, CA – Whisky A Go-Go
10/9/26  Las Vegas, NV  – Swan Dive
10/10/26  Costa Mesa, CA – The Wayfarer
10/11/26  Pomona, CA – The Glass House
10/12/26  San Diego, CA – Soda Bar
10/14/26  Yuma, AZ  – Arizona Marketplace       
10/15/26 Tempe, AZ – The Marquee Theatre 

About INCITE:
Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (SOULFLY, MUNICIPAL WASTE), while striking artwork by Marcelo Vasco (SLAYER, KERRY KING) captures their ferocity.

Known for their relentless touring, INCITE has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, INCITE has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

Savage New Times Track Listing: 
1. Lies
2. Feel This Shit (I’m Fired Up)
3. Just A Rat
4. Chucked Off
5. Doubts and the Fear
6. Dolores
7. No Mercy No Forgiveness
8. Used and Abused
9. Never Die Once
10. Savage New Times

INCITE is:
Richie Cavalera – Vocals
Layne Richardson – Guitars
Christopher “EL” – Bass
Lennon Lopez – Drums

Connect with INCITE:
Facebook: https://www.facebook.com/inciteheavymetal 
Instagram: https://www.instagram.com/incite_heavymetal 
Apple Music: https://music.apple.com/us/artist/incite/278131122 
Spotify: https://open.spotify.com/artist/2QMngsbAfyIglYdFpefrQA

Kenyon Records Announces Definitive Deluxe Reissue of DANGEROUS TOYS 1989 Classic Debut Album

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: DANGEROUS TOYS. Leave a comment

Kenyon Records is proud to announce Dangerous Toys: The Definitive Edition, a landmark reissue of the self-titled 1989 debut from Austin, Texas sleaze-metal legends Dangerous Toys. Arriving Friday, November 13, 2026, this fully authorized, band-approved release reunites the group with the man who produced their sound in the first place: Max Norman, who returned in 2026 to remaster the album from the ground up, completing dedicated remasters specifically for vinyl and for CD to preserve maximum fidelity in each format.

The 2xCD, 2xLP, and 2xCassette editions are anchored by nine live recordings from the band’s explosive 1989 tour that have never been heard by anyone outside the band until now (the 2xCD includes extra live bonus track of “That Dog”). The recordings come straight from frontman Jason McMaster’s personal stash of soundboard cassettes — tapes their front-of-house engineer handed off after shows so the band could study their own performances, never duplicated or heard publicly until this release.

“I was excited to hear these somewhat raw but cool recordings from long ago for the first time in at least 30 years, maybe more,” says McMaster. “No copies were ever made of these master cassettes. We hope you enjoy these historical moments from the archives.”

THE ALBUM

Formed in Austin, Texas in October 1987, Dangerous Toys fused Southern-fried hard rock swagger with metal muscle and punk attitude — equal parts Aerosmith and ZZ Top, filtered through razor-edged sleaze. Singer Jason McMaster (formerly of progressive metal outfit Watchtower) joined guitarist Scott Dalhover, bassist Mike Watson, and drummer Mark Geary, and within a year the band had landed a major-label deal — remarkably, without ever recording an actual demo. Industry buzz was instead sparked by a cassette of a live local radio broadcast, and after several shows in Texas, a bidding war broke out among major labels.

Produced by Norman at the legendary Sound City studio — the same room later immortalized in Dave Grohl’s 2013 documentary — and released May 9, 1989, the self-titled debut was instantly recognizable thanks to artist Tommy Pons’ now-iconic cover: Bill Z. Bub, the leering, red-haired horror-clown jack-in-the-box that remains the band’s visual signature to this day.

The record delivered two MTV Headbangers Ball staples and bona fide radio hits, “Teas’n, Pleas’n” and “Scared,” plus fan-favorite third single “Sport’n a Woody.” “Teas’n, Pleas’n” climbed to #1 on MTV’s Dial MTV, knocking Bon Jovi from the top spot. The album itself hit No. 65 on the Billboard 200 and earned a Gold certification from the RIAA — a breakout run that sent the band out on the road with Judas Priest, The Cult, Motörhead, L.A. Guns, and Alice Cooper.

THE DEFINITIVE EDITION — FORMATS

2xCD Definitive Edition (Limited to 1,000 hand-numbered copies)

  • Disc One: the original album, newly remastered
  • Disc Two: a 10-song Live in ’89 performance, including the CD-exclusive live recording of “That Dog”
  • Deluxe 8-panel Digipak with dual trays
  • Extensive 24-page booklet featuring unseen, officially licensed photography
  • Liner notes on the album’s making by Katherine Turman (former RIP Magazine editor), drawn from 2026 interviews with the band
  • Liner notes on the bonus live recordings by Jason McMaster
  • Full-color hype sticker

2xLP Definitive Edition (Each variant limited to 250 copies, hand numbered)
Available in four collectible color variants: “Bill Z. Bub the Clown” Neon Orange Splatter, “Queen of the Nile” Emerald Green, “Scared” Ghost Purple, and “Teas’n, Pleas’n” Red & Black

  • Each variant limited to 250 copies, hand numbered
  • Pressed on 180g heavyweight vinyl
  • Remastered specifically for vinyl by Max Norman
  • Second LP featuring nine Live in ’89 performances
  • Deluxe gatefold jacket, 350gsm, with hot-foil red-stamped logo
  • Black poly-lined inner sleeves
  • Large-format 16-page, 12-inch booklet
  • Included 24″ x 36″ poster
  • Unseen, officially licensed photos from 1989
  • Liner notes on the album’s making by Katherine Turman
  • Liner notes on the bonus live recordings by Jason McMaster
  • Full-color hype sticker

2xCassette Definitive Edition (Limited to 100 hand-numbered copies — Kenyon Records webstore exclusive)

  • Cassette One: the complete original 11-track album, newly remastered
  • Cassette Two: nine previously unreleased Live in ’89 recordings
  • All-new packaging: custom slipcover housing a butterfly box that holds both cassettes
  • Two unique 6-panel J-cards, one per cassette

Picture Disc LP (Limited to 125 hand-numbered copies — Kenyon Records webstore exclusive)

  • The complete original 11-song album, remastered by Max Norman, pressed to a striking picture disc
  • Housed in a heavy protective sleeve with insert
  • A collector-focused, straight-to-the-source presentation of the remastered studio album

All formats are officially licensed, with full authorization and participation from Dangerous Toys.

TRACKLISTING

Studio: Teas’n, Pleas’n, Scared, Bones in the Gutter, Take Me Drunk, Feels Like a Hammer, Sport’n a Woody, Queen of the Nile, Outlaw, Here Comes Trouble, Ten Boots, That Dog

Live in ’89 (2xLP, 2xCD, and 2xCassette editions only): Outlaw, Here Comes Trouble, Ten Boots, Queen of the Nile, Bones in the Gutter, Take Me Drunk, Sport’n a Woody, Teas’n, Pleas’n, Gimme No Lip, That Dog (CD exclusive)

1989 LINE-UP

Jason McMaster (vocals) · Scott Dalhover (guitar) · Mike Watson (bass) · Mark Geary (drums) · Danny Aaron (guitar)

NEW OFFICIALLY LICENSED MERCHANDISE

In conjunction with the reissue, Dangerous Toys and Kenyon Records have also entered into a new merchandise licensing agreement and are excited to introduce an all-new collectible line built around the band’s iconic Bill Z. Bub clown imagery and logo and time specific to the 1989 album. The collection includes:

  • Full-color, front-and-back screen-printed T-shirts, Zip-up Hoodies & Raglans
  • High-quality 2.5” full color enamel pins featuring the band’s iconic clown & logo
  • Full-size back patch
  • High-quality vinyl stickers 
  • Wall flags/tapestries 
  • Battle Jackets
  • Slipmat

The new merchandise line will be available alongside the reissue, giving fans and collectors even more ways to celebrate Dangerous Toys exclusively at Kenyon Records webstore

Dangerous Toys: The Definitive Edition is available for pre-order now at Kenyon Records and select retail partners, with a street date of Friday, November 13, 2026.

Website: https://kenyonrecordsusa.com
Facebook: https://www.facebook.com/KenyonRecords/
Instagram: https://www.instagram.com/kenyon_records

VOID SECTOR ZERO Sign to Season of Mist, Debut Album Arriving in 2026

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: VOID SECTOR ZERO. Leave a comment
Photo by © Jesus Hernandez

Season of Mist is proud to welcome Void Sector Zero.

After orbiting each other for years, with the gravitational pull of the sun, Void Sector Zero brings together three of extreme metal’s brightest burning stars in guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams). While inspired by past greats, their new band rips a hole through the space-time continuum with a modern spin on progressive thrash metal.

“We are excited to announce that Void Sector Zero has signed with Season of Mist”, Muenzner says. “I’ve always wanted to play tech-thrash. I was listening to bands like Coroner, Voivod, Toxik, Martyr, Hexenhaus and Aspid before I got into technical death metal”.

“When I decided to start my own band in this style, I thought of Alex and Gabe”, Muenzner continues. “Not only are they both great players, but I knew from our time in Obscura that we had great chemistry both on and off stage. We can’t wait to share our debut album with you very soon!”.

Watch the trailer for Void Sector Zero’s upcoming single:

The vast world of extreme metal is governed by supernatural forces. So when three of its most hellaciously bright stars align, the creative explosion is more powerful than a supernova.    

After orbiting each other for years, Void Sector Zero brings together the otherworldly talents of guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams). While inspired by past greats, their new band ventures into an alien dimension that’s fun, fast, fresh and frightening. Their soon-to-be-announced debut album shreds a hole through the space-time continuum with its modern spin on progressive thrash metal.  

Lineup
Christian Muenzner – Guitars, Synth
Alex Weber – Vocals, Bass
Gabe Seeber – Drums

Follow Void Sector Zero
Facebook: https://www.facebook.com/p/Void-Sector-Zero-61573165450159/
Instagram: https://www.instagram.com/voidsectorzero/
Bandcamp: https://voidsectorzero.bandcamp.com/

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