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ENTHRONED Unveil Lead Single + 3D Animated Video ‘Raviasamin’ from Forthcoming Album

Posted by tarjavirmakari on September 24, 2025
Posted in: Int. News, News. Tagged: ENTHRONED. Leave a comment
Photo by © Emanuela Giurano

Belgian black metal institution ENTHRONED open a new chapter with the release of their latest single, “Raviasamin”, taken from the upcoming album Ashspawn. Conceived across six years of ritual creation, the record emerges as both autopsy and resurrection: a descent into spiritual death followed by sublimation into rebirth.

Raviasamin functions as a gateway into this metaphysical architecture. At once chant and curse, the track traverses frostbitten riffing, serpentine invocations, and violent rhythmic surges. Its four and a half minutes embody Enthroned’s doctrine: blinding velocity counterbalanced by sculpted mid-tempo marches, guitars oscillating between jagged dissonance and choir-like resonance, and drums fracturing time with both blast-driven intensity and processional weight.

Lyrically, Raviasamin summons arcane forces: serpents, shattered silence, the “backwards tree.” These images tie directly into Ashspawn’s conceptual core of ritual negation and transformation, framing the song as a linguistic and sonic weapon designed to unsettle and reforge rather than merely entertain.

The accompanying video extends these esoteric themes into the visual realm. Conceived as an intersection between reality and digital unreality, the film was constructed entirely without generative tools. Every element—robes, carvings, statues—was first hand-drawn, sculpted, or designed, then scanned and meticulously reconstructed within Unreal Engine. Central figures include a 3D rendering of Belial, drawn from Jose Gabriel Alegria Sambogal’s album artwork, and a hand-drawn qlippothic tree, brought to life through digital animation. The result is a visual ritual: a passage through shadows where material craft and digital sorcery converge.

Ashspawn is out December 5 via Season of Mist.

Pre-order & Pre-save: https://orcd.co/enthronedashspawn

Tracklist:

  1. Crawling Temples (5:35)
  2. Basilisk Triumphant (5:53)
  3. Stillborn Litany (6:48)
  4. Ashspawn (4:40)
  5. Raviasamin (4:26)
  6. Sightless (3:39)
  7. Chysalid (4:32)
  8. Ashen Advocacy (7:58)
  9. Assertion (6:44)
    Full runtime: 50:17
Cover artwork by Jose Gabriel Alegria Sambogal

With the release of their twelfth full-length Ashspawn, ENTHRONED mark a new chapter in their three-decade reign of ritualistic black metal. Conceived across six years of deliberate creation, the album emerges as both an autopsy and a resurrection: a descent into spiritual death followed by the sublimation of rebirth. Written in close collaboration with occult author Gilles de Laval, Ashspawn channels arcane praxis, metaphysical calculus, and esoteric mapping into a work that is as much ritual invocation as it is music. It is the culmination of Enthroned’s uncompromising vision: a weapon of transformation forged in fire and darkness.

Formed in 1993 in Namur, Belgium, Enthroned arose from the ashes of the blackened underground, quickly asserting themselves as one of the most relentless voices of European black metal. Their debut, Prophecies of Pagan Fire (1995), established the band’s reputation for feral speed, occult imagery, and unflinching dedication to the Left Hand Path. Less than a year after their formation, they signed their first record deal, making an immediate impact on the international scene.

Tragedy struck early in their journey when founding drummer Cernunnos took his own life in 1997, shortly after the recording of their sophomore album. Using his preserved rehearsal tracks, the band pressed forward with Towards the Skullthrone of Satan (1997), transforming grief into fury and ensuring Enthroned’s continuation as a vessel of uncompromising black metal. This resilience became a defining trait: through numerous line-up changes, the band’s spirit never wavered, anchored by a vision that was ritualistic rather than trend driven.

Over the following decades, Enthroned’s discography expanded into a formidable catalogue. Albums such as Armoured Bestial Hell (2001) and Carnage in Worlds Beyond (2003) pushed their sound into ever more violent and atmospheric territories. The mid-2000s witnessed a period of reinvention, with Tetra Karcist (2007) and Pentagrammaton (2010) deepening their exploration of occult philosophy and esoteric symbolism. Obsidium (2012) and Sovereigns (2014) continued this evolution, balancing ferocious aggression with ritual atmospheres. By the time of Cold Black Suns (2019), their debut for Season of Mist, Enthroned had crystallized a reputation as one of black metal’s most enduring institutions: a band that both honoured the origins of the genre and transcended them with an intellectual, ritualistic dimension.

Now, in 2025, Ashspawn stands as Enthroned’s most ambitious and personal statement to date. Musically, it embodies a total unity of vision: ferocious blast beats, oppressive mid-tempos, and progressive structures collapse into one another, laced with solos that veer from Morbid Angel-like madness to Judas Priest-inspired virtuosity. Lyrically, it operates as a metaphysical architecture, its verses designed not merely to be heard but to infect and transform. Tracks such as “Raviasamin,” “Ashspawn,” and “Ashen Advocacy” reveal its dual nature: violent catharsis intertwined with crushing introspection, a tribunal where the self is broken and reforged.

More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.

Line-up:
Nornagest — Vocals & Samplers
T. Kaos — Guitars & Bass
Menthor — Drums & Percussion

Production Credits:
Recorded at Ophiussa Studio, London, UK.
Produced by Menthor.
Mixed by Stefano Santi at SPVN Studio, Milan, Italy.
Mastered by Phil Bashford at The Hive, London, UK.

Follow Enthroned:
Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477

BELL WITCH & AERIAL RUIN Share First Taste of “Stygian Bough Vol. II”

Posted by tarjavirmakari on September 24, 2025
Posted in: Int. News, News. Tagged: AERIAL RUIN, Bell Witch, Stygian Bough. Leave a comment
Photo by Emma Ruth Rundle

Avant-garde doom co-conspirators BELL WITCH and AERIAL RUIN continue their fifteen-year collaboration on “Stygian Bough Vol. II” this fall. Today, they tease this long-awaited follow-up of their critically lauded first partnership, 2020’s “Stygian Bough Vol. I”. 

Helmed by Dylan Desmond, Jesse Shreibman and Erik Moggridge, the alliance has teased the impending release of “Stygian Bough Vol. II”, with the first taste of new music in the video filmed and edited by Bobby Cochran. 

Commenting on the teaser, Desmond says: “Bobby Cochran expertly used Sergei Parajanov’s ‘The Color of Pomegranates’ as a muse for this trailer that perfectly captures the dreamlike qualities of the music.” 

Additionally, the bands will unite to perform the new record, “Stygian Bough Vol. II”,  on a European tour to take place in January/February 2026 with support from 40 WATT SUN. Tickets go on sale Thursday, September 25th at 10:00AM Local Time.

Desmond adds about the tour: “We’re very excited to finally perform Stygian Bough Volume II live!” 

Additional information regarding “Stygian Bough Vol. II” will be revealed in the coming months.

STYGIAN BOUGH European Tour Dates:

26.01.2026 – Warsaw, PL – Voodoo
27.01.2026 – Wroclaw, PL – Łącznik
28.01.2026 – Brno, CZ – Kabinet Muz
29.01.2026 – Vienna, AT – Arena
30.01.2026 – Munich, DE – Feierwerk
31.01.2026 – Dresden, DE – Club Pushkin
01.02.2026 – Munster, DE – Sputnikhalle
03.02.2026 – Paris, FR – Backstage By The Mill
05.02.2026 – London, UK – The Dome
06.02.2026 – Newcastle, UK – Cluny
07.02.2026 – Glasgow, UK – Stereo
08.02.2026 – Sheffield, UK – Corporation
09.02.2026 – Manchester, UK – Rebellion
10.02.2026 – Birmingham, UK – Hare & Hounds
12.02.2026 – Brussels, BE – Magasin 4
13.02.2026 – Nijmegen, NL – Doornroosje
14.02.2026 – Hannover, DE – Cafe Glocksee

About STYGIAN BOUGH:

In our human minds, according to the Law of Contagious Magic as described in ‘The Golden Bough’ by anthropologist James Frazer, contact between two objects creates an inseparable thread between them. A gift from a dead friend forever holds this magic like a scar reflecting a wound. Similarly, a piece of food that touches the floor is suddenly abject and rotten. Pairing this notion with the Law of Similarity Magic, as described by Frazer, where an object resembling another can share its power, a musical notion can be understood to serve as an unbodied conduit of such magics; an emotional contact between the music and audience wherein such sorcery threads an inseparable seam that, for a time, resemble each other.

Aptly named in reference to the aforementioned book, Stygian Bough, the collaboration between Bell Witch (Dylan Desmond, Jesse Shreibman) and Aerial Ruin (Erik Moggridge) enlivens its unbodied presence resembling both projects as a conduit in its own separate entity.

The partnership at the center of Stygian Bough is over in a decade in the making, growing from Moggridge’s recurring contributions to the Bell Witch catalog. Their initial collusion occurring on the debut Bell Witch album Longing (2012) following which, Moggridge would return to guest on both Four Phantoms (2015) and Mirror Reaper (2017). 

Stygian Bough Volume I was released in 2020, Volume II is imminent.

BELL WITCH & AERIAL RUIN are:
Dylan Desmond
Jesse Shreibman
Erik Moggridge

For more info visit:
https://www.bellwitchdoom.net/
https://www.facebook.com/BellWitchDoom/
https://www.instagram.com/bellwitchdoom
https://bellwitch.bandcamp.com
https://www.aerialruin.com/
https://www.facebook.com/aerialruin/
https://www.instagram.com/aerialruin/
https://aerialruin.bandcamp.com/
https://linktr.ee/profoundlorerecords

SATAN TAKES A HOLIDAY Release New Single ‘Gettin’ Away with Murder’, Feat. Nicke Andersson

Posted by tarjavirmakari on September 24, 2025
Posted in: Int. News, News. Tagged: SATAN TAKES A HOLIDAY. Leave a comment
Photo by: Linda Florin

Sweden’s high-voltage rock outfit Satan Takes A Holiday return with a brand-new single, Gettin’ Away with Murder — a scorching reinterpretation of a forgotten gem by Australian glam rock band Baby Grande, active between 1975–1977. With their signature fusion of garage grit, punk urgency, and heavy grooves, the band breathes new life into this obscure track, transforming it into something raw, magnetic, and undeniably their own.

Listen on streaming services here (Sept. 25)

Adding to the firepower is none other than Nicke Andersson (The Hellacopters, Imperial State Electric, Death Breath, Entombed), who delivers a blistering guest guitar solo — a stamp of rock’n’roll authority that makes the track impossible to ignore. The band shares the story behind the cover:

“We’re all life long crate-diggers and once in a while you come across something as special as Australia’s Baby Grande and this lost banger. To be able to do it justice we reached out to the biggest connoisseur of lost rock gems we know, Nicke Andersson (the Hellacopters, Entombed etc). His reply was swift and enthusiastic and within 24 hours the song was completed by a blistering guitar solo — so undeniably Nick Royale — and we couldn’t be happier with the result.”

Gettin’ Away with Murder follows the band’s bold take on You’re the One That I Want and marks the next glimpse of their upcoming covers album Covering Our Tracks, due in 2026.

With a reputation as one of Sweden’s most electrifying live acts and a track record of support from BBC 6 Music (including Iggy Pop), Sweden’s P3 and Bandit Rock, and praise from Classic Rock, Louder Sound, and Rock Hard, Satan Takes A Holiday continue to push boundaries and celebrate rock’s wild, untamed spirit

Catch Satan Takes A Holiday on tour in Sweden and Finland this fall:

26.9 Göteborg, Hängmattan
27.9 Falkenberg, Tryckhallen
1.10 Helsinki, On the Rocks
2.10 Hämeenlinna, Suistoklubi
3.10 Pietarsaari, Black Sheep
4.10 Kouvola, House Of Rock

More from Satan Takes A Holiday
Official webpage: www.satantakesaholiday.com
Spotify: https://open.spotify.com/artist/3BZBnC18MJDRtneF9r7Qx7
Youtube: https://www.youtube.com/@STAH
facebook: https://www.facebook.com/satantakesaholiday/
Instagram: https://www.instagram.com/satantakesaholiday/
X: https://twitter.com/SatanTAHoliday

MYSTHICON’s New Album “Biesń” Out Now

Posted by tarjavirmakari on September 24, 2025
Posted in: Int. News, News. Tagged: MYSTHICON. Leave a comment

MYSTHICON is a band founded in 2015 by former Lux Occulta guitarist G’Ames, who invited musicians from the bands Vader, Batushka, Hate, Kalt Vindur and other musicians such as Tomasz Gilewski and guest Jerzy “U.Reck” Głód (Lux Occuta) to collaborate on the recording of their first album.

G’Ames comments new album “Bieśń“: “The album contains 6 tracks. It is a fusion of classic black metal with elements of progressive music and doom metal. In terms of sound, it is a combination of a traditional approach to black metal while maintaining a classic style and a modern look at music production. The album ends with a cover of “Creation” from the first demo of the legendary Lux Occulta performed in a completely new arrangement. The album features several guests playing unusual instruments for black metal, namely the hurdy-gurdy and the double bass, which fuel the phenomenal atmosphere of the entire release.“

Music for album “Bieśń” was mixed and mastered by Adrian Mięsowicz at Tribe Five Studio (Karpathian Relict, KSU). Cover artwork was done by Michał “Xaay” Loranc (God Dethroned, Kamelot, Karl Sanders, Nile, Turbo). The photo session was done by Tomasz Gilewski and Łukasz Zajdel, while the logo was designed by Primeval Era Rising (Graveland, Vader). The album features several guests: Jacek Głód (acoustic guitar), Marcin Chatys (double bass) and Wojciech Miller (hurdy-gurdy).

Album was released yesterday – September 23, 2025 on digital format (stream here), CD (buy CD) and at a later date on vinyl.

“Bieśń” at popular streaming platforms

TRACKLIST:

  1. Shapes
  2. Unbearable Silence
  3. We Are The Worms
  4. Na Naszej Krwi
  5. The Storyteller
  6. Creation (Lux Occulta cover)

LINE-UP:
Grzegorz “G’Ames” Kapłon – guitar
Szymon Hadała – guitar
Mateusz “Bacchus” Zawada – bass
Andrzej Czujko – drums
Tharthaq – keyboard
Adrian Mięsowicz – vocal

More information: Facebook | Bandcamp | Youtube

STELLAR CIRCUITS Reveal Second Single + Video ‘Corridor’ from Sophomore Album

Posted by tarjavirmakari on September 23, 2025
Posted in: Int. News, News. Tagged: STELLAR CIRCUITS. Leave a comment

Prog-Alt-Metal upstarts STELLAR CIRCUITS have debuted the 2nd single, ‘Corridor,’ from their sophomore album, Phantom :: Phoenix, that’s out November 14th via Nuclear Blast Records. The anthemic new track adds rocket fuel to the band’s upward trajectory with mesmerizing vocals and hooking riffs; another highlight from their game-changing new record.

Commenting on the upcoming album, vocalist Ben Beddick says:

“With ‘Corridor,’ it seemed like we uncovered a side of the band that we haven’t really explored before. It felt like we tapped into a lighter, more uplifting part of our sound and that was exciting to discover. 

The song has a very nostalgic vibe and seems to stem from influences that we haven’t been able to express in previous albums. It feels very removed from our darker and heavier side but we also feel like it only adds to the breadth of music that we’re able to create.”

Stream ‘Corridor’: https://sc.bfan.link/corridor

Pre-order Phantom :: Phoenix: https://sc.bfan.link/phantom-phoenix

STELLAR CIRCUITS’ follow up to 2023’s acclaimed record Sight To Sound, is a cathartic work of art that explores the trials and tribulations of life and death and the process of healing and perseverance in the face of agony.

Beddick says of the album: 

“When we were writing this record, one of the things that kept coming up was the idea of death and rebirth through fire. This idea of killing off the old and dead parts of ourselves in order to give birth to something new and maybe even a truer version of who we all are. Every time we write an album, we go into the process with the idea of getting uncomfortable and exposing a more vulnerable part of ourselves. There also seems to be a constant theme of dealing with loss when we’re in the middle of writing.

Everybody went through different periods of loss and grief during this process and I think that it shows through in the subject matter and the sounds that came out of it. We always want to push ourselves to a new place and build on the foundation that we’ve created over the last few years of being in this band. I think that we’ve been able to achieve that with Phantom :: Phoenix. It’s a representation of that cycle and I hope it can act as a catalyst for growth to those who listen.”

Stream the band’s previously released single, ‘I See Your Spirit,’ here: https://sc.bfan.link/i-see-your-spirit

WATAIN Release ‘Death Transmission’ Statement

Posted by tarjavirmakari on September 23, 2025
Posted in: Int. News, News. Tagged: Watain. Leave a comment

Notorious black metal collective WATAIN has issued the following statement:

Ladies and gentlemen, followers, allies and supporters,
this is a solemn transmission from the Temple of Watain.
 
We hereby announce that in III years’ time – upon our 30th anniversary –
Watain’s eighth and final full-length album will be released.
 
The album will mark the closure of a thirty-year-long magical Work, the last crossroad of Watain, after which the band will cease to exist. The ending of a triad of decades during which we have shared our sacred path through this strange world with you, our loyal audience, on a steady course towards the beckoning darkness of The End.
 
Over the course of the next three years, the reasons for this will be spoken of and accounted for.

But for now we just want to say this:
 
Have our songs and our art not always dealt with finitude and mortality, with DEATH and the beyond? Now it is time to claim our own conclusion, and shape it as we have shaped our stage and our songs, in the fires of will. Instead of being consumed by the jaws of time, or broken upon the wheel of circumstance, we choose to let Watain return, unbowed and undefeated, back into the primordial chaos that once gave it life.
 
And so we stand on the threshold to our final chapter, and III years of Work remain. III liminal years in the borderlands between the living and the dead, during which new music will be written and shared, concerts will take place, and other things, that will be revealed in due time, will emanate, with the certainty of DEATH, from the Temple of Watain.
 
Take this message not as a farewell, but as the first note of a sacrificial requiem, as well as your invitation to partake in shaping these last years into something beyond compare.
 
Praise be to the Devilgod by whom our path is blessed,
and upon whose altar we now place this our humble offering.
 
To the DEATH and far beyond!


Watain
Uppsala, September 20th 2025

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